
Yes, it is possible to age your instrument. But there are pitfalls to avoid and techniques to master.
Hello intrepid modders! As a result of countless requests, this month I'll launch a new series that explores the art of DIY relic'ing. We'll cover the whole story, including how to age wood, finish, metal, and plastic, and we'll also discuss what gives vintage instruments their special look and feel, and how to mimic these attributes. Put away the blowtorch and ball-peen hammer—there's a lot more to this than you might think.
To illustrate these techniques, I'll take a brand-new guitar and age it from headstock to endpin, while documenting each step of the process. I'll introduce our case-study 6-string—an affordable Junior-style double cut—in the next installment of this series. And while we're aging it, I'll offer tips for upgrading parts. As a bonus, I'll occasionally include advice, insights, and trade secrets from relic'ing pros I've recruited specifically for this project.
Okay, for starters, let's get some perspective on the whole relic phenomenon—one of the hottest topics ever in the guitar-modding community. It's almost a new religion: The number of players using "aged" guitars continues to increase, and players starting their own relic'ing jobs on the kitchen table is also on the rise. You can find a slew of videos online addressing this, along with wild stories about how to use coffee, tea, shoe polish, and other mysterious stuff to make a guitar look old. And, of course, the web is full of DIY relic photos.
What's so appealing about aging a guitar? Over the years, my customers have shared many different reasons for wanting me to relic their instruments. Some wish to own and play a faithful replica of a famous vintage guitar (think SRV's No. 1, Clapton's Blackie, or Rory Gallagher's '61 Strat). Some time ago, while picking up his new Strat in my shop that we'd relic'd to his wishes, a customer explained it this way: "I really like the look and feel of a vintage guitar that has been played for decades and every single ding tells a story. But I can't afford one, and now that I'm in my mid '50s, there simply isn't enough time left to play a new guitar for another 50 years and give it a history. So I'll go this route now."
The goal of a relic job has always been to make the object appear more vintage by mimicking age. The vintage craze isn't limited to guitars: Watches, cars, clothes, furniture, jewelry, hi-fi equipment, wine ... the list is endless and whole industries have sprung up around it. As guitarists, we have many reasons to consider doing a relic job on an instrument. Perhaps you want to individualize your guitar—make it a one-of-a-kind piece with you as the designer. Or maybe you yearn for an era when music was still handmade and not computer-generated or auto-tuned.
The goal of a relic job has always been to make the object appear more vintage by mimicking age.
Naturally, there are different degrees of aging, ranging from "barely noticeable" to "totally messed up" and everything between. I really like the definitions that the Fender Custom Shop uses for its Original-Era Finishes and Time Machine series—their builders have put a lot of thought into this. Here are Fender's terms (you'll find detailed descriptions of each one on the Fender Custom Shop website):
- N.O.S. (New Old Stock) - As if you bought it new in 1954.
- Closet Classic - Kept in a case most of its life—perhaps even forgotten.
- DLX Closet Classic - Owned with pride.
- Journeyman Relic® - Used but not abused.
- Relic® - There and back—and still here today.
- Heavy Relic® - Hard-fought wear and tear.
As we explore the aging techniques, I'll refer to these terms, focusing on what Fender calls Journeyman Relic and Relic—their most popular grades. Beyond Fender's Heavy Relic grade comes the "Gone Too Far" category, and, sadly, you'll see this a lot. Over the years I have encountered a lot of ugly relic jobs, consisting of completely destroyed finishes, rusty hardware that ceases working because of its condition, and unnatural wear in spots you'd never see on heavily played instruments.
Most people who overdo it somehow become possessed, once they start to relic a guitar. Or as PG's John Bohlinger said in his November 2013 Last Call column on relic'd guitars: "Those who relic also give themselves away because they go too far. They're not satisfied with a normal 50 years' worth of wear. They want their guitars to look like Keith Richards himself personally played 50 years' worth of gigs on it."
Photo 2
Photo by Andy Ellis
Over the years, customers have sent me many images of such projects, and I archive them so I know what not to do. Photo 1 shows a sampling of the Gone Too Far relic category. In contrast, look at Photo 2, which is a well-loved 1942 Gibson ES-150. This guitar is 78 years old—a veritable grandpa of electric 6-strings. It shows finish checking and the kind of hardware tarnishing, scrapes, and scratches that come from being played for almost eight decades, but somehow they ring true. (A side note: This guitar's owner explains that the big gouge across the bass f-hole occurred when someone was apprehended stealing the guitar out of its case from the backseat of the owner's car. The case latch tore into the wood as the would-be-thief bolted, leaving the instrument. That still qualifies as genuine aging, wouldn't you agree?)
Many guitarists have never seen, touched, or played a real vintage guitar, so they have no sense for honest wear-and-tear that comes with the territory, and this can't be substituted with pics from the internet—especially in terms of an instrument's feel. This includes rounded fretboard edges and fretboard wear—a subject we'll return to during this DIY relic series.
If you decide you want to relic your own instruments, here's some advice:
Do your research: Get as many vintage guitars as possible in your hands and pay close attention to them. Go to vintage guitar stores and trade shows—nobody will be annoyed if you tell them you want to admire the instruments. Check local ads to see if someone near you is selling a vintage guitar. Often the seller will invite you to examine it. Politely ask if you can take some photos, measurements, and notes. Over time, you'll get a better sense of what it's all about and start detecting similarities in vintage instrument wear.
Dress rehearsal: Get an inexpensive new guitar and train your skills on it before you start to work on your cherished instruments. This is a good investment. If something fails ... who cares?
Go easy: Over the years, I've developed three golden rules. In honor of my personal hero, Star Trek's Captain Jean-Luc Picard, let's call this the Relic Prime Directive:
- Break the shine.
- No rust.
- Don't overdo it.
If you remember these three simple rules when doing any relic job, you'll be rewarded with a successful, aesthetically pleasing result.
That's it for now. Next month, we'll perform our next guitar mod, and then return to our DIY relic series, so stay tuned. Until then ... keep on modding!
[Updated 9/15/21]
- Last Call: Someday You'll Regret That Relic Job - Premier Guitar ›
- DIY: Relic'ing Metal Hardware - Premier Guitar ›
- DIY Relic’ing: Break the Shine - Premier Guitar ›
- Reader Guitar of the Month: Zoller Partscaster - Premier Guitar ›
- Reader Guitar of the Month: T-Style Chickadee - Premier Guitar ›
- DIY Relic’ing: Hardware Continued - Premier Guitar ›
- DIY Guitar Relic'ing: Let's Crack Some Lacquer Finish - Premier Guitar ›
- Reader Guitar of the Month—Pickups and Finishes - Premier Guitar ›
- DIY 101: How to Build a Delay Pedal Kit - Premier Guitar ›
Bonnaroo announces its 2025 lineup featuring Luke Combs, Hozier, Queens of the Stone Age, Avril Lavigne, and more.
This year features headline performances from Luke Combs on Thursday, Tyler, The Creator on Friday, Olivia Rodrigo on Saturday, and Hozier on Sunday. Further highlights include John Summit, Dom Dolla, Avril Lavigne, Glass Animals, Vampire Weekend, Justice, Queens of the Stone Age, and the first-ever Roo Residency with King Gizzard & the Lizard Wizard performing three sets over three days. In addition, Remi Wolf will lead the “Insanely Fire 1970’s Pool Party” 2025 SuperJam, Bonnaroo’s legendary tradition. The complete Bonnaroo 2025 lineup is below.
Bonnaroo tickets go on sale tomorrow, Thursday, January 9 beginning at 10 am (CT) exclusively via bonnaroo.com. Guaranteed lowest-priced tickets are available during the first hour of sales, from 10 am - 11 am (CT). 2025 ticket options include 4-Day General Admission, 4-Day GA+, 4-Day VIP, and 4-Day Platinum, along with a variety of camping and parking options starting at just $25 down with a payment plan.
The 2025 festival will offer some exciting new features for Bonnaroovians, including the “Closer” RV and Primitive Camping accommodations that guarantee closer proximity to Centeroo, regardless of which day fans choose to enter The Farm. Among this year’s most exciting additions will be The Infinity Stage, a brand-new, one-of-a-kind venue – presented in partnership with Polygon Live – boasting spatial sound, synchronized lights, and an unprecedented three-dome, open-air design to create the world’s largest, most immersive, 360° live music experience.
Bonnaroo also offers upgraded ticket types for those who prefer an elevated experience. GA+ tickets include unlimited access to the Centeroo GA+ Lounge, with relaxed seating, dedicated food for purchase, air-conditioned restrooms, and hospitality staff to assist with all festival needs; a private bar with drinks for purchase plus complimentary soft drinks; complimentary water refill station; a dedicated premium entrance lane at both gates into Centeroo, and more. VIP and Platinum guests will enjoy the same perks plus additional exclusive upgrades, including dedicated close-in and on-field viewing areas; unlimited access to VIP and Platinum Lounges; express lanes at the Festival Store, commemorative festival gifts, and so much more. To learn more about VIP and Platinum, please seehttp://www.bonnaroo.com/tickets.
A wide range of Camping & Parking options will be available in Outeroo including Primitive Car Camping, Glamping, RVs, Backstage Camping, Accessible Camping, Groop Camping, Community Camping, and more. Premium Outeroo Camping Accommodations include pre-pitched Souvenir Tents, cool and comfortable Darkroom Tents, weatherproof Luxury Bell Tents, and spacious 2-person Wood Frame Safari Tents for the ultimate Bonnaroo camping experience. Cosmic Nomads On-Site Daily Parking passes will be available for ticketholders not camping. For details on all accommodation options, please visitwww.bonnaroo.com/accommodations.
Complete Lineup
THURSDAY, JUNE 12
Luke Combs
Dom Dolla
Sammy Virji
Marcus King
Green Velvet
2hollis
Insane Clown Posse
Joey Valence & Brae
Daniel Donato's Cosmic Country
Wilderado
Max Styler
Azzecca
The Lemon Twigs
Wisp
Sofia Isella
Kitchen Dwellers
Dogs In A Pile
Die Spitz
Hey, Nothing
The Droptines
FRIDAY, JUNE 13
Tyler, the Creator
John Summit
Glass Animals
Tipper
Goose
The Red Clay Strays
Rainbow Kitten Surprise
Megadeth
Wallows
Foster the People
Slightly Stoopid
Flipturn
Of the Trees
JPEGMAFIA
Marina
Tape B
MJ Lenderman
BossMan Dlow
INZO
Levity
Mannequin Pussy
Leon Thomas
Cults
Aly & AJ
Matt Champion
Detox Unit
Rachel Chinouriri
Eater
Ginger Root
Bebe Stockwell
Effin
SATURDAY, JUNE 14
Olivia Rodrigo
Avril Lavigne
Justice
Nelly
GloRilla
Mt. Joy
RL Grime
Beabadoobee
Tyla
Jessie Murph
Modest Mouse
Gorgon City
Flatland Cavalry
Hot Mulligan
Action Bronson
Crankdat
Dope Lemon
Gigi Perez
Wave to Earth
Claptone
Jade Cicada
What So Not
Daði Freyr
Ziggy Alberts
ROSSY
Destroy Boys
The Stews
Thee Sinseers & The Altons
AHEE
SUNDAY, JUNE 15
Hozier
Vampire Weekend
Queens of the Stone Age
LSZEE
Remi Wolf
Raye
Royel Otis
Dispatch
Role Model
Barry Can't Swim
Treaty Oak Revival
Big Gigantic
Jack's Mannequin
ATLiens
Bilmuri
Saint Motel
James Arthur
Alex Warren
Zingara
Natasha Bedingfield
Alexandra Kay
Goldie Boutilier
Grace Bowers & The Hodge Podge
GorillaT
YDG
SPECIAL PERFORMANCES
King Gizzard & the Lizard Wizard Roo Residency: 3 Sets, 3 Days (Friday, Saturday and Sunday)
Remi Wolf’s Insanely Fire 1970’s Pool Party Superjam (Saturday)
Enhance your Ratio Machine Heads with Graph Tech's new Barrel Knobs. Designed for comfort and style, these barrel-shaped tuning buttons offer a fresh look and feel to your instrument. Available in chrome and black finishes, these knobs are the perfect way to personalize your guitar.
Graph Tech Guitar Labs has introduced the latest addition to their Ratio Machine Head family: Barrel Knobs. These barrel-style tuning buttons bring a fresh look and feel to the Ratio system, offering players a new way to personalize their instruments – and an easy-to-grip alternative to more traditional tuner knobs.
Available in two different finishes – chrome and black – the new barrel knobs can be ordered as a standalone option. If you already own Ratio Machine Heads, simply order the Barrel Knobs and swap them out – the process is easy and only takes a few minutes. Best of all, there is no need to replace the entire Ratio tuner system.
The new Barrel Knobs were developed at the request of guitarist Thomas Nordegg, known for his work with rock legends like Frank Zappa and Steve Vai. A longtime fan of Graph Tech’s Ratio machine heads, Nordegg saw an opportunity to enhance the system’s ergonomic design and approached Graph Tech with the idea of creating barrel-style tuning buttons to provide an alternative option for players seeking a fresh look and feel. Designed to integrate seamlessly with the Ratio system, these knobs combine ergonomic comfort with understated style, giving players another way to personalize their instruments.
More and more players are option for Ratio Machine Heads on their instruments. Ratio Machine Headsare designed with gear ratios that are uniquely calibrated for each string, making tuning consistent andpredictable across the fretboard. This innovative system simplifies fine-tuning and alternate tunings, saving time and improving accuracy.
Here’s what the new Barrel Knobs offer:
- Refined Functionality: Barrel-shaped design for a natural grip and precise adjustments.
- Timeless Aesthetic: A sleek, modern look that complements any guitar style.
- Perfect Fit: Designed specifically for Ratio Machine Heads, ensuring flawless compatibility.
- Available in chrome and black to suit a variety of instruments and player preferences.
Graph Tech’s new Barrel Knobs are available for $3.00 each and are available in chrome and black finishes.
For more information, please visit graphtech.com.
Neural DSP introduces Archetype: Rabea X, a revamped plugin featuring updated effects, amps, and the Overlord Synth. With a redesigned UI, additional speaker option, and optimized performance, this plugin offers a wide range of tonal options for guitarists.
Neural DSP today announced the introduction of Archetype: Rabea X, a reinvention and reimagining of the original Archetype: Rabea plugin, another in Neural DSP’s celebrated series of collaborations with the world's most creatively and technologically adventurous guitarists.
Rabea Massaad, as both a solo artist and a member of innovative bands Dorje and Toska, is the quintessential modern musician, as at home on YouTube as he is on the fretboards of guitars. He’s also a teacher, the creator of dozens of instructional and informational videos on playing, performing, and gear. That same artistic versatility that was originally captured with Neural DSP’s acclaimed Archetype: Rabea is now taken to new heights via the Archetype: Rabea X plugin. It offers updated takes on key processors that are critical parts of his sound, including Octaver, Fuzz, and Overdrive effects, as well as stereo Delay and Reverb effects with their own unique parameter controls.
Archetype: Rabea X features a unique and innovative suite of amps and effects, as well as the groundbreaking Overlord Synth. There’s also a new speaker option, a redesigned UI, two new noise options for the oscillators (White & Pink), a portamento Glide knob for smoother transitions between notes, and Quad Cortex compatibility via a future CorOS update. All told, this plugin embodies the uncompromising creativity that defines Rabea’s artistry.
"Rabea is a brilliant guitarist, musician, and teacher all in one, and that’s what we’ve set out to do with Archetype: Rabea X — bring that brilliance to other musicians in a way that’s authentic and accessible,” said Douglas Castro, Neural DSP Technologies CEO. “It’s an incredibly versatile plugin, distilling his sonic vision and designed to offer a wide variety of options for players in search of his unique tonal. Today, we proudly present to you, Archetype: Rabea X.”
What's New
- Revamped Overlord Synth: Updates include a fully redesigned UI with visual waveform representations for a more intuitive tone-shaping experience, two new noise options for the oscillators (White and Pink), and a Glide knob for smoother transitions between notes.
- Additional Speaker: The cabinet for the Lead Amp now includes a V30 speaker, offering expanded tonal versatility.
- Redesigned UI: A refreshed interface with updated visuals offers an intuitive, user-friendly experience.
- Optimized Performance: Enjoy faster, smoother, and more responsive functionality.
- Updated EQs: The onboard 4-band semi-parametric equalizers for the Clean, Rhythm, and Lead amps now include high and low-pass filters.
Pre Effects
Featuring a Dual Compressor, Octaver, Fuzz, and Overdrive to cover everything from chimy blues to colossal distortion. Use the vintage/modern switches on the Octaver, Fuzz, and Overdrive to toggle between independent algorithms with era-appropriate characteristics.
Amps
Three remarkable amplifiers meticulously tweaked with Rabea to deliver a world of vintage and modern tones.
- Clean: Traditional Cali cleans with added modern chime, this simplistic amp is truly one for the classic players.
- Rhythm: An all-rounder by no exaggeration! This amplifier excels at edge-of-breakup, searing gain, and everything in between.
- Lead: An incredibly malleable modern high-gain amplifier, delivering all the tight or saggy chugs you could ever possibly desire.
Cabsim + IR Loader:
A comprehensive cabsim module with IRs captured by Neural DSP. Featuring six virtual microphones that can be easily positioned around the speakers. In addition to the included IRs, this module can be used to load your own impulse responses.
Room Reverb
The Room Send controls in the cabsim module introduce a subtle room reverb effect, adding natural depth to your sound.
Post Effects
With somebody as renowned for their abundant use of delay and reverb as Rabea, Neural DSP crafted the plugin’s post-effects section to deliver exceptional tonal versatility:
- Stereo Delay: As analog as you can get in a plugin! This delay features all the usual parameters you’d expect, with Icicles and Cross-feed controls for infinite dreamy delay sounds. Toggle the pre/post switch to position the delay before the amplifier for a vintage approach to tone crafting.
- Reverb: Vast, rich, and endlessly expansive, just as you’d imagine! Hit the Freeze button while playing a chord to suspend it in space, transforming it into a pad you can jam over while using the independent “Volume” and “Pitch” controls to change its sound.
Operation Overlord
Archetype: Rabea’s legendary Overlord Synth — a full-featured subtractive monosynth playable with any standard guitar (no keyboard or MIDI programming required!) — has received significant updates. These include a fully revamped UI with visual waveform representations for more intuitive tone-shaping, two new noise options for the oscillators (White and Pink), and a Glide knob for smoother transitions between notes. You’ll also retain its fantastic features, such as proprietary note triggering, pitch tracking, and envelope tracking algorithms, enabling seamless synth control with your guitar.
“Archetype: Rabea X is the next step in Neural’s dedicated mission of creating flawless virtualizations of the world’s most amazing and creative guitarists,” concluded Dan Davies, Neural DSP Technologies Chief Marketing Officer. “We worked tirelessly to assure that users of Archetype: Rabea X will enjoy the full Rabea experience!”
The new Archetype: Rabea X plugin is free as an update to existing Archetype: Rabea plugin users. New users can get 30% off Archetype: Rabea X from December 18th, 16:00 EET, until January 6th, 16:00 EET.
For more information, please visit neuraldsp.com.
The Spring King Junior follows in the footsteps of the original Spring King reverb, however, with a much smaller footprint.
Building on a 25-year legacy, Danelectro has launched the brand new Spring King Junior reverb pedal.
"Danelectro’s new Spring King Junior offers authentic reverb from a real built-in spring tank…but in a more compact pedalboard-friendly size. And the Spring King Junior passes the ultimate spring reverb test with flying colors: bump it and you’ll get thunderous reverb sound, just like vintage spring reverbs."
Spring King Junior features include:
- Built-in spring reverb tank
- True bypass soft switching
- Two knobs for controlling reverb Depth and Tone
- Standard 9-volt DC input; no battery compartment
- Rugged die-cast case measuring 2-1/2” wide x 6” long x 2-1/8” high
Danelectro’s Spring King Junior carries a street price of $199.