Distortion, Drive, Chorus, and Delay round out the affordable lineup.

Scottsdale, AZ (January 5, 2013) — Fender is proud to announce the Competition series pedals, a whole new line of effects pedals designed and built to provide inspirational tones in a reliable package at an astounding value.

The Fender Distortion pedal drives tube or solid-state amps into thick distortion and singing sustain, evoking the edgy hard-rock tones of the ’70s and ’80s. Great with many different amplifiers, it’s responsive enough that a guitar’s volume control can be adjusted to the exact amount of distortion desired, from aggressive crunch to full-on saturation. It can be used to create a distorted tone or as a boost for higher-gain rhythm and solo tones.

The Fender Drive pedal creates a warm overdrive reminiscent of classic ’60s and ’70s rock and blues tones. It can be used to push tube or solid-state amps, creating harmonically rich crunch and sustain. With an old-school design that matches its vintage warmth, it makes an ideal choice for the musician looking for rich, harmonic overdriven tone.

The Fender Chorus pedal will remind guitarists just how cool and indispensable the lushly spatial effect can be. Add sparkle to clean open chords, to animate strummed passages and to thicken distorted power chords. Get just the right amount of chorus desired, cleanly and quietly. Operates in mono or with stereo outputs for vibrantly huge sound while creating wide, sweeping modulation effects or shimmering 12-string sounds.

The Fender Delay pedal creates richly resonating echo effects from short slap-back rockabilly sounds to longer repeating echo perfect for huge, soaring guitar solos (it’s great for other electronic instruments too, such as keyboards). Dedicated delay time, feedback and level controls give you complete command of your sound’s spatial characteristics. Operates in mono or with stereo outputs for two-amplifier setups.

For more information:
Fender

Equipped with noise reduction and noise gate modes, the Integrated Gate has a signal monitoring function that constantly monitors the input signal.

Read MoreShow less

Luthier Maegen Wells recalls the moment she fell in love with the archtop and how it changed her world.

The archtop guitar is one of the greatest loves of my life, and over time it’s become clear that our tale is perhaps an unlikely one. I showed up late to the archtop party, and it took a while to realize our pairing was atypical. I had no idea that I had fallen head-over-heels in love with everything about what’s commonly perceived as a “jazz guitar.” No clue whatsoever. And, to be honest, I kind of miss those days. But one can only hear the question, “Why do you want to build jazz guitars if you don’t play jazz?” so many times before starting to wonder what the hell everyone’s talking about.

Read MoreShow less

A modern take on Fullerton shapes and a blend of Fender and Gibson attributes strikes a sweet middle ground.

A stylish alternative to classic Fender profiles that delivers sonic versatility. Great playability.

Split-coil sounds are a little on the thin side. Be sure to place it on the stand carefully!

$1,149

Fender Player Plus Meteora HH
fender.com

4
4
4.5
4.5

After many decades of sticking with flagship body shapes, Fender spent the last several years getting more playful via their Parallel Universe collection. The Meteora, however, is one of the more significant departures from those vintage profiles. The offset, more-angular profile was created by Fender designer Josh Hurst and first saw light of day as part of the Parallel Universe Collection in 2018. Since then, it has headed in both upscale and affordable directions within the Fender lineup—reaching the heights of master-built Custom Shop quality in the hands of Ron Thorn, and now in this much more egalitarian guise as the Player Plus Meteora HH.

Read MoreShow less
x