Birth of a Boogie
Mesa Boogie has accomplished a lot in 40 years, without ever giving up their roots. We trace the evolution of the Mesa Boogie product line from the humble beginnings in a converted dog kennel to the newest Express line.
|  |  | 1967 - Princeton Boogies Randall Smith begins modifying Fender Princeton amps as a practical joke on a friend and the first high-powered 1x12 combo is born. Carlos Santana says, "Man that little thing really Boogies!" and the baby is named. | 
|  | 1969 - The Toneshack The infamous converted dog kennel, where the earliest Boogies were created. | |
|  | 1971 - 130 Bass & 130 Lead Heads After modifying more than 200 Princetons, Fender cuts off the supply and Smith builds a garage/studio as a more efficient way to meet the growing demand for Boogies. As Smith makes money rebuilding Mercedes-Benz engines, he also makes the 130 Bass & 130 Lead Heads from scratch. | |
|  | 1972 - Snakeskin Mark I Boogie After building about a dozen of the early heads, Smith yearned for something more, and experimented until he developed the high-gain cascading pre-amp, multiplying the normal amplifier gain by 50. The Mark I continues to be a Mesa Boogie staple. | |
| 1980 - Mark II-A Mesa Boogie pioneers yet another development in guitar amplifiers with the Mark-II, the first channel-switching amplifier. Before long, separate channels for rhythm and lead will be commonplace. | ||
|  | 1982 - Mark II-B Effects junkies everywhere rejoice as Mesa Boogie develops the first amp with an effects loop. | |
|  | 1983 - Mark II-C+ The legendary C+ brings such incredible sounds that the amp perseveres to the point of tripling in value for today''s discerning tone-seekers. | |
|  | 1986 - Quad & Studio Preamps and Mark III Contributing to - for better or worse - the "gotta have ''em" rack situation of the eighties, these preamps introduce tuned recording outputs. Meanwhile, the Mark III becomes the first amp to offer three modes: clean, crunch and the classic Boogie lead. | |
|  | 1989 - Mark IV For fans of truly huge sound, the Mark IV offers 85 monstrous watts and will go on to win Amp of the Year three times and be a Mesa Boogie best-seller. | |
|  | 1990 - Dual Calibers The beginning of a very successful decade brought three Dual Caliber models: DC-3, DC-5 and DC-10. These amps would lay the foundation for the F-Series in the beginning of the next decade. | |
|  | 1991 - Dual & Triple Rectifiers These amps enter the scene and take Mesa Boogie to a whole new audience. The huge low end and massive wattage become perennially popular and redefine the guitar stack - and threaten to define Mesa Boogie entirely. | |
|  | 1994 - Maverick and Blue Angel The short-lived Maverick and Blue Angel amps bring about a simpler sound than that of the rectos, and gain such a loyal following that elements from these amps appear frequently in current amps. | |
|  | 1998 - Nomads After going over the top with the Triple Rectifiers, Mesa Boogie brings it down a notch with the Nomad, allowing the player to choose between six modes in three channels for vintage, responsive sounds. | |
|  | 2000-02 - Road King, Rec Pre & F-Series Early in the millennium, Mesa Boogie went on a development spree, releasing three series'' of amps, the Road King, Rec Pre, & F-Series. | |
|  | 2004 - Lone Star & Stiletto With these two amps, Mesa Boogie refines its focus and takes aim at two specific genres - Texas blues and classic British rock. | |
|  | 2005 - Lone Star Special Always pioneers, Mesa Boogie creates an amp that can actually switch from single-ended wiring to push-pull. | |
|  | 2006 - Ace, Titan & Roadster In another flurry of releases, the Stiletto Ace continues on a British tear, the Titan gives options for Bass and the Roadster shows its Recto pedigree with a whole new clean sound. | |
|  | 2007 - Express Series Mesa Boogie returns to a smaller, more portable amplifier with the Express Series, which also veers away from the trend of bass-heavy amps for a balanced sound. | |





 
         
     
                 
     
         
     
         
     
         
     
         
     
         
     
         
     
         
     
         
     
         
     
         
     
         
         
     
         
     
         
     
        






 
         
         
         
         
         
         
         Zach loves his Sovtek Mig 60 head, which he plays through a cab he built himself at a pipe-organ shop in Denver. Every glue joint is lined with thin leather for maximum air tightness, and it’s stocked with Celestion G12M Greenback speakers.
Zach loves his Sovtek Mig 60 head, which he plays through a cab he built himself at a pipe-organ shop in Denver. Every glue joint is lined with thin leather for maximum air tightness, and it’s stocked with Celestion G12M Greenback speakers. 
        

 
         
         
        
 
        ![Devon Eisenbarger [Katy Perry] Rig Rundown](https://www.premierguitar.com/media-library/youtube.jpg?id=61774583&width=1245&height=700&quality=70&coordinates=0%2C0%2C0%2C0)
 
         
         
         
         
         
         
        
 
         
         
         
        
 
        