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GALLERY: Pro Pedalboards Volume I

A look at pedalboards used onstage by Deftones, Alice in Chains, Dave Matthews Band, 311, Joe Bonamassa, Eric Johnson, and many more

"To get Hendrix-style tones, Kenny Wayne Shepherd mixed up his pedalboard for the 2010 tour. He went with a Boss TU-2 Chromatic Tuner, an Analog Man AR20DL Analog Delay, Voodoo Lab Pedal Power 2, an Analog Man BI-CHORUS, a handwired Ibanez TS808HW Tube Screamer, an Analog Man King of Tone overdrive, a Tycobrahe Octavia, and a Dunlop Crybaby wah."

photos by Chris Kies

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Cut the cord! PG contributor Tom Butwin goes hands-on with three compact wireless guitar systems from Positive Grid, NUX, and Blackstar. From couch jams to club gigs, find the right unit for your rig and playing style.

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Elliott Sharp is a dapper dude. Not a dandy, mind you, but an elegant gentleman.

Photo by Andreas Sterzing

The outside-the-box 6-string swami pays homage to the even-further-outside-the-box musician who’s played a formative role in the downtown Manhattan scene and continues to quietly—and almost compulsively—shape the worlds of experimental and roots music.

Often the most potent and iconoclastic artists generate extraordinary work for decades, yet seem to be relegated to the shadows, to a kind of perma-underground status. Certainly an artist like my friend Elliott Sharp fits this category. Yes, his work can be resolutely avant-garde. But perhaps the most challenging thing about trying to track this man is the utterly remarkable breadth of his work.

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Growing up in Australia, guitarist Jedd Hughes tells us he dreamed of playing in Vince Gill’s band as far back as elementary school. Now, he lives in Nashville and stands next to the man himself on stage night after night. We’ve invited Jedd to join us on this episode of 100 Guitarists to talk about just what makes Vince’s playing so special.

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