Dig into the details of a pile of new gear from Steve Vai, MXR, Abasi Concepts, Dophix, b3, and more!
Taylor 722ce
Eventide Blackhole
Martin Custom Guitar
Here's the 2,500,000th guitar to come through Martin’s factory and built by their team. The guitar was made from birdseye Belizean rosewood and heavy Sitka spruce. Display built by Jody Betz.
Positive Grid Spark Mini
Dreadbox Treminator
At $199, Dreadbox’s Treminator goes way past trad-style trem. It offers five different wave shapes, fade in/out controls, tap tempo, and a handful of “secret” features when you hold down one of the footswitches. Think Minus the Bear in a box.
VegaTrem VT-2
Do you love Teles and wigglesticks? VegaTrem just gave us a quick look a the VT-2, which takes there rock-solid trem technology and applies it to T-style setups. Installation isn’t invasive and the bar feels smooth as silk. Pricing is TBA, but look for them this fall.
Manhattan Prestige Basses Session One
Famed session legend Neil Jason founded a new instrument company called Manhattan Prestige Basses and brought their first model, the Session One, to NAMM. It’s an incredibly well-balanced instrument that sports an alder body, maple neck, Tusq nut, Luminay fret markers, and a Wilkinson bridge. A rock-solid workhorse that comes in at $999 street.
Imperial Electric: The Appetite
GTRS S800
Audient EVO16
The Audient EVO16 is a fully featured recording solution that offers 8 inputs, phantom power, multiple headphone outputs, and an inventive Smart Gain feature that makes setting levels a snap. Will hit stores soon at $499.
Pro Co Lil' Rat
The classic tone of the Rat has been shrunk into a micro-sized enclosure. It has the exact same circuitry and clipping as the original, just smaller. In order to save space they took out the battery option, but it still sounds as gnarly as ever. And quite a deal at $79.
Blackstar St. James
Blackstar spent the last two years developing a new line of ultra-powerful and ultra-light amps. The St James series offers two different setups (6L6 and EL84) that include a full 3-band EQ, dual channels, reverb, reactive load options, and deep editing via an app. Heads are $1,199, combos are $1,299, and the 2x12 can is $749.
Martin D-28 Rich Robinson Guitar
Martin just released a new signature model from Rich Robinson that was patterned after his dad’s ‘50s model. It has rosewood back and sides, a chunky neck, Sitka spruce too, and is the first artist model that's aged to replicate the original. It will street for $6,999 and be out in late summer.
Ernie Ball Music Man Tosin Abasi Kaizen
Futuristic shredder Tosin Abasi just announced a new collaboration with Ernie Ball Music Man. The Kaizen is an immaculately designed 7-string that sports a mini humbucker in the neck, Steinberger tuners, a multiscale neck with floating trem, and much more. Should be out in late summer with a price TBA.
Steve Vai Hydra
One of the most incredible creations at this year’s show was Steve Vai’s Ibanez Hydra. It was prominently featured on Vai’s last album and the up-close details are amazing.
Tom Quayle Signature
Ibanez and fusion stylist Tom Quayle extended their partnership with a singlecut signature model that's loaded with a Seymour Duncan mini-humbucker in the neck and an Alnico Pro II in the bridge.
Abasi Concepts emi Series
Dophix Michelangelo Overdrive Plus
b3 Guitars Telstar
Gene Baker and b3 Guitars brought their mashed-up Telstar to the show. It pays obvious tribute to a pair of classic models, but this one features a 10(!)-way switch, Lollar pickups, a double graphite reinforced bolt-on neck, and a MannMade hybrid tremolo. They will be exclusively sold through The Music Emporium and will start at $5,200.
Gamechanger Audio Bigsby Pedal
Gamechanger Audio's new collaboration with Fender has resulted in a digital version of a seminal tremolo. The Bigsby pedal allows for both upward and downward polyphonic pitch bending in addition to adjusting the rate of the vibrato. It feels smooth and natural and makes the more extreme Bigsby moves much easier. It's available now for $379.
Black Volt Amplification Earthcaster
MXR and Third Man Hardware Double Down
The latest pedal collab from Jack White's Third Man Records is the Double Down. Inside, there are two of MXR's Micro Amp circuits in a single box. It has dual outputs with phase and buffer switches on the side. Should be out later this year.
This Japan-made Guyatone brings back memories of hitchin’ rides around the U.S.
So, as I’m prone to do, I started digging around hitchhiking culture and stories. Surprisingly, there are organized groups that embrace the hitching life, but the practice remains on the fringe in the U.S. Back in the 1950s, writer Jack Kerouac wrote the novel On the Road, which celebrated hitchhiking and exposed readers to the thrill of maverick travel. Heck, even Mike Dugan (the guitarist in all my videos) hitched his way to California in the 1960s. But seeing that fellow on the side of the road also sparked another image in my brain: Yep, it always comes back to guitars.
Let me present to you a guitar that’s ready to go hitching: the Guyatone LG-180T, hailing from 1966. The “thumbs-up” headstock and the big “thumb” on the upper bout always made me think of thumbing a ride, and I bought and sold this guitar so long ago that I had forgotten about it, until I saw that hitchhiking dude. Guyatone was an interesting Japanese company because they were primarily an electronics company, and most of their guitars had their wooden parts produced by other factories. In the case of the LG-180T, the bodies were made by Yamaha in Hamamatsu, Japan. At that time, Yamaha was arguably making the finest Japanese guitars, and the wood on this Guyatone model is outstanding. We don’t often see Guyatone-branded guitars here in the U.S., but a lot of players recognize the early ’60s label Kent—a brand name used by an American importer for Guyatone guitars.
With a bit of imagination, the LG-180T’s “thumbs up” headstock seems to be looking for a roadside ride.
Kent guitars were extremely popular from the early ’60s until around 1966. The U.S. importer B&J fed the American need for electric guitars with several nice Kent models, but when the Guyatone contract ended, so did most of the Kent guitars. After that, Guyatone primarily sold guitars in Japan, so this example is a rare model in the U.S.
“Unless you are a master at guitar setups, this would be a difficult player.”
This headstock is either the ugliest or the coolest of the Guyatone designs. I can’t decide which. I will say, no other Japanese guitar company ever put out anything like this. You have to give the Guyatone designers a thumbs up for trying to stand out in the crowd! Guyatone decided to forgo an adjustable truss rod in this model, opting instead for a light alloy non-adjustable core to reinforce the neck. Speaking of the neck, this instrument features the most odd-feeling neck. It’s very thin but has a deep shoulder (if that makes any sense). Totally strange!
Another strange feature is the bridge, which offers very little adjustment because of the three large saddles, which sort of rock back and forth with the tremolo. It’s a shame because these pickups sound great! They’re very crisp and have plenty of zing, but unless you are a master at guitar set-ups, this would be a difficult player.
This could be why the LG-180T only appeared in the 1966 and 1967 catalogs. After that, it disappeared along with all the other Yamaha-made Guyatone electrics. By 1969, Guyatone had gone bankrupt for the first time, and thus ended guitar production for a few decades. At least we were blessed with some wacky guitar designs we can marvel at while remembering the days when you could play in the back end of an explosive 1973 AMC Gremlin while your mom raced around town. Two thumbs up for surviving our childhoods! PG
