Heptode''s Deep Crunch must be considered a serious contender for anyone looking to add classic preamp shimmer and drive to their favorite amp, or project studio players looking for an easy way to add Soldano-style dirt to digital mixes.
It doesn’t seem like so long ago that “vintage tone” referred exclusively to gear from the ’50s, ’60s, and ’70s. But in 2012, the measuring stick has shifted considerably, and nostalgia for the sounds of ’80s and ’90s gear has been making a steady comeback.
The recently released Ecstasy and Uberschall preamp pedals from Bogner, for instance, cop the drive channel sounds from those quintessentially ’90s amps. French stompbox builder Heptode has jumped in the fray too, and the all-analog Deep Crunch and Heavy Tone stompboxes pay homage to the all-tube preamp channels of the legendary Soldano SLO-100 head—a fixture of the ’80s and ’90s tonescape if there ever was one. The Deep Crunch reviewed here, is, as you might guess, the tamer of the two Heptode offerings. It’s suited to meaty rhythm work and riffs, and nails the response of the Soldano’s crunch rhythm channel, but it’s a dangerous weapon for bluesy leads and even singing overdrive.
Deep and Purple
The purple Deep Crunch is handbuilt
around two high-quality, two-sided PCB
boards, It’s housed in a rugged—if somewhat
unexciting—steel enclosure, but the
front panel is very logically laid out, with
gain to the left, level to the right, and bass,
middle, and treble control knobs across the
top. It’s a control set that gives you a wider
range of tone-tailoring options than most
overdrive pedals—more like what you’d see
on the front panel of an amplifier.
According to Heptode, the Deep Crunch can be used in a couple of different ways—as a preamp, connected to your amp via the power amp or FX return inputs, as a front-end overdrive pedal in a traditional guitar effects rig, or connected directly to a sound card or mixing board for recording to a computer or other device. For the latter method, you’d take advantage of the Deep Crunch’s cool CabSim switch, which adds the EQ compensation you’ll need when bypassing an amp and recording direct. That’s a pretty wide range of options, which makes this much more versatile than a standard overdrive pedal—and at $265 on the street, it ought to be.
Munchy Crunchy Morsels
At gain levels below 1 o’clock, the Deep
Crunch is a solid-sounding overdrive
pedal—not necessarily spectacular or especially
distinctive, but certainly effective.
You could definitely consider it a viable
replacement for say, a Fulltone OCD,
Xotic BB Preamp if you’re worried about
sacrificing OD quality to get the preamp
and cabinet simulation capabilities of the
Deep Crunch.
Things get much more interesting—and the sounds more distinctive—when you crank the gain levels a bit, goose the midrange slightly, and back off the treble a touch. Here I found lots of ’80s-style Clapton tones to work with, and was pleased by how smoothly the pedal cleaned up when I rolled my guitar’s volume back. Plugged into a Deluxe Reverb, it was also easy to coax the medium crunch you need for tunes by the Stones, ZZ Top, AC/DC, Wilco, and Led Zeppelin.
Ratings
Pros:
Warm, spongy distortions at high-gain levels. Pleasing
meat-and-potatoes blues and Americana rhythm sounds at
lower gain. CabSim switch for direct recording.
Cons:
Not quite enough latitude to move into high-gain shred.
Tones:
Ease of Use:
Build:
Value:
Street:
$265
Heptode
europeanmusical.com
At even higher gain stages, from 2 o’clock and up, the Deep Crunch is most at home. At full gain and full level, the Deep Crunch puts out up to 40 dB of gain. And with a slight midrange roll-off, and a treble boost, the sounds in this zone immediately evoke the kind of bright attack and heavy midrange associated with ’80s metal icons like Ratt’s Warren DeMartini. In fact, the very first lick that I was inspired to play when kicking the gain up to nearly full was DeMartini’s clever signature riff on “Lay It Down,” a drop-D monster that plays off a suspended fourth and a chromatic ninth chord move and sounds perfectly detailed and rich in these saturated high-gain settings.
When mated to a bit of eighth-note delay, the Deep Crunch springs to life in spectacular ways. Set up for the warm and spongy overdrive that defines brown sound, individual notes bloomed with a kind of timbral softness that doesn’t feel like ice picks in your ear—even when the riffs are precise, tight, and syncopated.
The Verdict
There’s no shortage of fine overdrive pedals
on the market, and the increasing trend
toward pedals that bottle the sounds of
legendary preamps are a growing part of
that equation. The Heptode Deep Crunch
must be considered a serious—if somewhat
pricey—contender for anyone looking to
add classic preamp shimmer and drive to
their favorite amp, or project studio players
looking for an easy way to add Soldano-style
dirt to otherwise too-polite digital
mixes. It’s a functional go-to box for those
gigs where you need to make a clean amp
sound like a cranked stack, or when you
just need a bit of extra bark to make your
amp’s gain channel shout a little louder.
The Deep Crunch captures the Soldano’s
brown-sound mojo and makes it easy to lug
those tones to your next show—after all,
when was the last time you tried to pick up
a 4x12? This Heptode is a fine-sounding,
and much lighter, solution.
This reader solicited the help of his friend, luthier Dale Nielsen, to design the perfect guitar as a 40th-birthday gift to himself.
This is really about a guy in northern Minnesota named Dale Nielsen, who I met when I moved up there in 2008 and needed somebody to reglue the bridge on my beloved first guitar (a 1992 Charvel 625c, plywood special). Dale is a luthier in his spare time—a Fender certified, maker of jazz boxes.
Anyway, we became friends and I started working on him pretty early—my 40th birthday was approaching, and that meant it was time for us to start designing his first solidbody build. If you stopped on this page, it’s because the photo of the finished product caught your eye. Beautiful, right? The 2018 CCL Deco Custom: Never shall there be another.
Old National Glenwood guitars were my design inspiration, but I wanted a slim waist like a PRS and the like. We used a solid block of korina to start, routed like MacGyver to get the knobs and switches where I wanted them. Dale builds all his own lathes and machines (usually out of lumber, y’all), as the task requires. This beast took some creativity—it’s tight wiring under that custom-steel pickguard. Many were the preliminary sketches. Four coats of Pelham blue, 11 coats of nitro. Honduran mahogany neck, Madagascar ebony fretboard with Dale’s signature not-quite-Super-400 inlays. He designed the logo; I just said, “Make it art deco.”
We sourced all the bits and bobs from StewMac and Allparts and Reverb and the like, mostly to get that chrome look I so adore. Graph Tech Ratio tuners, Duesenberg Radiator trem (had to order that one from Germany), TonePros TP6R-C roller bridge. The pickups were a genius suggestion from the builder, Guitarfetish plug ’n’ play 1/8" solderless swappable, which means I have about 10 pickups in the case to choose from: rockabilly to metal. And both slots are tapped, with the tone knobs serving as single- to double-coil switches. I put the selector on the lower horn to accommodate my tendency to accidentally flip the thing on Les Pauls—definite lifesaver.
Reader and guitar enthusiast, Cody Lindsey.
Dale offered to chamber this monster, but I said what doesn’t kill you makes you stronger. It weighs in at 11 pounds, if it’s an ounce. We carved the neck to match a ’60s SG, so it’s like the mini bat you get at the ballpark on little kids’ day. Easy peasy. 1 11/16" nut, 25" scale, jumbo frets, just 2 1/8" at the 12th fret.
Delivery in its lovely, hygrometer-equipped Cedar Creek case actually happened a month or two shy of my 41st, but hey, you can’t rush these things. We ended up with a studio Swiss Army knife; it does a bit of everything and does it effortlessly. A looker, too. Dale didn’t spend his career doing this kind of thing—he was in IT or some such—and I imagine he’s winding this “hobby” of his down these days, enjoying retirement with a bottle of Killian’s and a lawn chair at Duluth Blues Fest. But this guitar will live on as a marker of his skill and otherworldly patience. It sits at the head of the class in my practice room, welcoming any visitors and bringing a smile to my face every day. And Dale, my friend, I’ll be 50 before you know it....
Cody requested that Dale design an art deco logo for the guitar’s headstock.
Tailored for Yngwie Malmsteen's signature sound, the MXR Yngwie Malmsteen Overdrive is designd to offer simple controls for maximum impact.
Working closely alongside Yngwie, the MXR design team created a circuit that delivers clarity, expressive dynamics, and rich harmonics—all perfectly tailored for his light-speed arpeggios, expressive vibrato, and big, bold riffs. The control setup is simple, with just Level and Gain knobs.
"Want to sound like Yngwie? Crank both knobs to the max."
“This pedal is the culmination of 45+ years developing a sound that’s perfect in every possible way,” Yngwie says. “I present to you: the MXR Yngwie Malmsteen Overdrive. Prepare to be amazed.”
MXR Yngwie Malmsteen Overdrive highlights:
- Perfectly tailored for Yngwie Malmsteen's signature sound and style
- Simple control setup tuned for maximum impact
- Boost every nuance with superior clarity, expressive dynamics, and rich harmonics
- Dig into light-speed arpeggios, expressive vibrato, and big, bold riffs
The MXR Yngwie Malmsteen Overdrive is available now at $129.99 street/$185.70 MSRP from your favorite retailer.
For more information, please visit jimdunlop.com.
Voltage Cable Company's new Voltage Vintage Coil 30-foot guitar cable is now protected with ISO-COAT technology to provide unsurpassed reliability.
The new coiled cables are available in four eye-grabbing retro colors – Surf Green, Electric Blue, Orange and Caramel – as well as three standard colors: Black, White and Red. There is also a CME exclusive “Chicago Cream” color on the way.
Guitarists can choose between three different connector configurations: straight/straight plugs, right angle/straight and right angle/right angle options.
The Voltage Vintage Coil offers superior sound quality and durability thanks to ISO-COAT treatment, a patent-pending hermetic seal applied to solder terminations. This first-of-its-kind airtight seal prevents corrosion and oxidization, a known factor in cable failure and degradation. ISO-COAT protected cables are for guitarists who value genuine lifetime durability and consistent tone throughout their career on stage and in the studio.
Voltage cables are hand made by qualified technical engineers using the finest components available and come with a lifetime warranty.
Voltage Vintage Coil features include:
- Lifetime guarantee, 1000+ gig durability
- ISO-COAT treatment - corrosion & oxidization resistant cable internals
- Strengthened structural integrity of solder terminations
Voltage Vintage Coils carry $89.00 USD pricing each and are available online at voltagecableco.com, as well as in select guitar stores in North America, Australia, Thailand, UK, Belgium and China.
About Voltage Cable: Established in 2021, Voltage Cable Co. is a family owned and operated guitar cable company based in Sydney, Australia. All their cables are designed to be played, and built for a lifetime. The company’s ISO-COAT is a patent pending hermetic seal applied to solder terminations.
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.