Does your Tele suffer from “wobbly jack cap” syndrome? Here’s a cheap and easy fix.
If you’ve ever owned a Telecaster, you may know how frustrating it is if the 1/4" output jack starts to get loose. On a Tele, the jack is held in a recessed cup secured to the body with a metal retainer clip embedded in the jack cavity. Over time, the simple action of plugging and unplugging your cable can bend or loosen the clip, making the signal short out while you’re playing.
Fortunately, there’s an excellent alternative to using a Tele’s stock jack mounting hardware. Made by Electrosocket and available from such luthier suppliers as Allparts and Stewart-MacDonald, as well as vendors on Reverb.com and eBay, the machined aluminum jack mount attaches to the Tele body with two screws (Photo 1). The Electrosocket is inexpensive, easy to install, and—get this—it lets you adjust the output jack to accommodate a right-angle plug. Here’s the best part: The Electrosocket stays put and can even prolong the life of your output jack. Let’s investigate, shall we?
Project overview. Our project guitar is a ’90s Fender Telecaster. When its owner brought it into the shop, the stock jack cup was very loose. We agreed it was time to replace it with an Electrosocket.
With one exception—which I’ll explain in a moment—the tools required are all standard items you’re likely to have in your toolbox: a medium Phillips head screwdriver, a 1/2" nut driver, and a drill with a 3/32" bit.
Okay, what about the specialized tool? Some background: The stock Tele jack clip is a piece of metal wedged into the circular cavity that houses the 1/4" jack and mounting cup. From the control cavity, the jack passes through a hole in the clip and then through a similar hole in the mounting cup. Threaded onto the jack, a 1/2" nut holds everything together from the exterior of the mounting cup. If the thin clip gets bent out of shape, the jack cup starts to wobble.
Photo 2. Photo by John LeVan.
The trickiest part of this project isn’t installing the Electrosocket, but rather removing the clip without damaging the cavity or surrounding finish. You can do this with a hammer and nut driver, but there’s a much better way. Stew-Mac offers a nifty item called a Tele Jack Installation Tool (Photo 2). It costs less than $20 and lets you safely extract the stock clip by bending it in a controlled way—just enough to remove it from the jack cavity. I’ll cover both techniques, but again, if you love your Tele, consider adding the TJIT to your toolbox.
Photo 3. Photo by John LeVan.
Removing the stock jack cup. First unscrew the control plate from the top of the guitar and lift it off just enough to expose the control cavity. Next, use a 1/2" nut driver to remove the nut holding the output jack to the mounting cup. With your finger, push the jack back through the cup and clip, and into the control cavity. Remove the jack cup—it should pull right out of the cavity (Photo 3). If not, you may have to tap on it with your nut driver to break it loose.
Photo 4. Photo by John LeVan.
Removing the jack clip. This is where it gets a bit more complicated. If you have a TJIT, remove the small ring from the end and slip the bolt into the cavity (Photo 4) and through the clip. Orient the small ring so its narrow end faces the clip, and then spin it back onto the bolt. Using the 5/16" hex key included with the tool, tighten the bolt until the clip is compressed into the TJIT. When the clip is fully compressed, pull the TJIT out of the cavity, removing the clip. Done!
If you don’t have a TJIT, from the outside poke a 1/2" nut driver (a large flathead screwdriver also works) into the jack cavity and hold it against the clip. Gently tap the nut driver with a hammer until the clip bends just enough that you can remove it through the electronics cavity.
Photo 5. Photo by John LeVan.
Installing the Electrosocket jack. Now it’s time to place the Electrosocket over the jack cavity and drill the holes for the two mounting screws into the body (Photo 5). Use a 3/32" drill bit for these holes, which should be about 3/8" deep. Pay close attention to the angle of the Electrosocket’s mounting holes. To ensure the Electrosocket sits flush against the cavity opening, you need to duplicate this angle when you drill. Another consideration: If you drill the holes too shallow, this prevents the Electrosocket from sitting flush.
Tip: Measure the target depth on your drill bit and then mark the “stop” point on the bit with a red Sharpie.
Photo 6. Photo by John LeVan.
After the mounting holes are drilled, remove the Electrosocket and pull the jack out through the cavity. The Electrosocket has a threaded collar that matches Switchcraft-style output jacks (Photo 6), so simply screw them together, being careful not to twist or stress the jack’s wires.
If you look closely at this photo, you’ll see a lock washer sitting between the output jack and the Electrosocket. If you plan to use a guitar cable with a right-angle plug (something you can’t do with a standard Tele jack cup), simply remove the lock washer before screwing the two parts together. This prevents a right-angle plug from slipping out.
Photo 7. Photo by John LeVan.
Now place the assembly back into the cavity, aligning the Electrosocket’s screw holes with the ones you just drilled. Install the mounting screws using a medium Philips screwdriver, making sure the Electrosocket fits snug against the body (Photo 7). Now reattach the control plate, and shazam—you’re done!
From his first listen, Brendon Small has been a lifetime devotee and thrash-metal expert, so we invited him to help us break down what makes Slayer so great.
Slayer guitarists Kerry King and Jeff Hanneman formed the original searing 6-string front line of the most brutal band in the land. Together, they created an aggressive mood of malcontent with high-velocity thrash riffs and screeching solos that’ll slice your speaker cones. The only way to create a band more brutal than Slayer would be to animate them, and that’s exactly what Metalocalypse (and Home Movies) creator Brendon Small did.
From his first listen, Small has been a lifetime devotee and thrash-metal expert, so we invited him to help us break down what makes Slayer so great. Together, we dissect King and Hanneman’s guitar styles and list their angriest, most brutal songs, as well as those that create a mood of general horribleness.
This episode is sponsored by EMG Pickups.
Use code EMG100 for 15% off at checkout!
Learn more: emgpickups.com
Katana-Mini X is designed to deliver acclaimed Katana tones in a fun and inspiring amp for daily practice and jamming.
Evolving on the features of the popular Katana-Mini model, it offers six versatile analog sound options, two simultaneous effects, and a robust cabinet for a bigger and fuller guitar experience. Katana-Mini X also provides many enhancements to energize playing sessions, including an onboard tuner, front-facing panel controls, an internal rechargeable battery, and onboard Bluetooth for streaming music from a smartphone.
While its footprint is small, the Katana-Mini X sound is anything but. The multi-stage analog gain circuit features a sophisticated, detailed design that produces highly expressive tones with immersive depth and dimension, supported by a sturdy wood cabinet and custom 5-inch speaker for a satisfying feel and rich low-end response. The no-compromise BOSS Tube Logic design approach offers full-bodied sounds for every genre, including searing high-gain solo sounds and tight metal rhythm tones dripping with saturation and harmonic complexity.
Katana-Mini X features versatile amp characters derived from the stage-class Katana amp series. Clean, Crunch, and Brown amp types are available, each with a tonal variation accessible with a panel switch. One variation is an uncolored clean sound for using Katana-Mini X with an acoustic-electric guitar or bass. Katana-Mini X comes packed with powerful tools to take music sessions to the next level. The onboard rechargeable battery provides easy mobility, while built-in Bluetooth lets users jam with music from a mobile device and use the amp as a portable speaker for casual music playback.
For quiet playing, it’s possible to plug in headphones and enjoy high-quality tones with built-in cabinet simulation and stereo effects. Katana-Mini X features a traditional analog tone stack for natural sound shaping using familiar bass, mid, and treble controls. MOD/FX and REV/DLY sections are also on hand, each with a diverse range of Boss effects and fast sound tweaks via single-knob controls that adjust multiple parameters at once. Both sections can be used simultaneously, letting players create combinations such as tremolo and spring reverb, phaser and delay, and many others.
Availability & Pricing The new BOSS Katana-Mini X will be available for purchase at authorized U.S. Boss retailers in December for $149.99. For the full press kit, including hi-res images, specs, and more, click here. To learn more about the Katana-Mini X Guitar Amplifier, visit www.boss.info.
Snark releases its most compact model ever: the Crazy Little Thing rechargeable clip-on headstock tuner.
Offering precise tuning accuracy and a super bright display screen, the Crazy Little Thing is approximately the size of your guitar pick – easy to use, unobtrusive and utterly dependable.
Housed in a sturdy shell, the Crazy Little Thing can be rotated for easy viewing from any angle, and its amazingly bright display makes it perfect for the sunniest outdoor stages or the darkest indoor studios. You can clip it to the front of your headstock or on the back of your headstock for extra-discreet usage – and you can easily adjust the display to accommodate your preference.
As the newest addition to Snark’s innovative line of headstock tuners, the Crazy Little Thing is rechargeable (no batteries!) and comes with a USB-C cable/adapter for easy charging. Its display screen includes a battery gauge, so you can easily tell when it’s time to recharge.
The Crazy Little Thing’s highly responsive tuning sensor works great with a broad range of instruments, including electric and acoustic guitar, bass, ukulele, mandolin and more. It also offers adjustable pitch calibration: its default reference pitch is A440, but also offers pitch calibration at 432Hz and 442 Hz.
Snark’s Crazy Little Thing rechargeable headstock tuner carries a street price of $21.99. For more information visit snarktuners.com.
Trey Anastasio unveils plans for a special solo acoustic run starting in March, 2025.
The tour gets underway March 8, 2025 at Springfield, MA’s Symphony Hall and then visits US theatres and concert halls through early April. Real-time presales begin Wednesday, December 4 exclusively via treytickets.shop.ticketstoday.com. All remaining tickets will go on sale to the general public on Friday, December 6 – please check venues for on-sale times. For complete details, please see trey.com/tour.
TREY ANASTASIO - SOLO ACOUSTIC TOUR 2025
MARCH
8 – Springfield, MA – Symphony Hall
9 – Boston, MA – Wang Theatre at Boch Center
11 – Wilkes-Barre, PA – The F.M. Kirby Center
12 - Rochester, NY - Kodak Hall at Eastman Theatre
14 – Columbus, OH – Mershon Auditorium
15 – Milwaukee, WI – Riverside Theater
16 – Nashville, IN – Brown County Music Center
18 – Chicago, IL – Orchestra Hall
19 – Kansas City, MO – Uptown Theatre
21 – New Orleans, LA – Saenger Theatre
22 – Birmingham, AL – Alabama Theatre
23 – Nashville, TN – Ryman Auditorium
26 – Orlando, FL – Walt Disney Theater at Dr. Phillips Center for the Performing Arts
28 – Clearwater, FL – Ruth Eckerd Hall
29 – Savannah, GA – Johnny Mercer Theatre
30 – Charleston, SC – Gaillard Auditorium
APRIL
1 – Knoxville, TN – Tennessee Theatre
2 – Greenville, SC - Peace Concert Hall
4 – Washington, DC – Warner Theatre
5 - Red Bank, NJ - Count Basie Center for the Arts
More info: TREY.COM.