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Rig Rundown: Emma Ruth Rundle

The moody goth-folk songstress and her 6-string compatriot Evan Patterson detail the off-kilter double-cuts, dual-amp configurations, and reverb-dripping boards that give life to their jangly, ambient washes and doomy, crashing crescendos.

The other piece of the pie for Emma Ruth Rundle is this Fender Hot Rod Deluxe III.

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The Mick Ronson Cry Baby Wah, meticulously recreated from his own pedal, offers fixed-wah tones with a custom inductor for a unique sound.

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Slayer announces a one-night-only show just added to the band’s handful of headline concerts set for this summer. Marking the band’s only U.S. East Coast performance in 2025, Slayer will headline Hershey, PA’s 30,000-seat Hersheypark Stadium on Saturday, September 20, 2025.

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What if you could have the best of both—or multiple—worlds? Our columnist investigates.

This column is a fun and educational thought experiment: What if I took inspiration from the well-known Fender amps out there, combined the best from them, and applied a few of my own twists? After all, this is how amps developed. I read somewhere that ā€œFender made the first Marshall, and Marshall made the first reissue Fender.ā€ It's funny, because it's true: The Marshall JTM45 was based on the narrow-panel tweed Fender Bassman 5F6-A.

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Over the decades with Hüsker Dü, Sugar, and solo, Bob Mould has earned a reputation for visceral performances.

Photo by Mike White

The 15th studio album from the legendary alt-rocker and former Hüsker Dü singer and 6-stringer is a rhythm-guitar record, and a play in three acts, inspired by sweaty, spilled-beer community connection.

Bob Mould wrote his last album, Blue Heart, as a protest record, ahead of the 2020 American election. As a basic rule, protest music works best when it's shared and experienced communally, where it can percolate and manifest in new, exciting disruptions. But 2020 wasn’t exactly a great year for gathering together.

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