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Rig Rundown: Maroon 5’s James Valentine [2015]

The mega-selling pop outfit’s 6-string guru shows us his vintage Teles, Matchless and Suhr amps, and ultra-flexible pedal and rack setup.

And, although he’s never considered himself a “Strat guy,” Valentine has also recently been digging a Suhr S-style with a humbucker in the bridge position.

Premier Guitar’s John Bohlinger met with Maroon 5’s James Valentine before the band’s February 27, 2015, gig at Nashville’s Bridgestone Arena. In this segment, we see how the closet jazz cat uses a variety of vintage and high-end boutique guitars and amps to get the wide variety of sounds he has to replicate at each show.

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In recent years, Samantha Fish’s most often-used guitar was this alpine white Gibson SG, but it ran into some issues last summer—“I ended up having to reglue the neck”—and it is now on hiatus.

Photo by Douglas Mason

The rising blues-rock star has made a dozen records, topped roots-music charts, played 150 dates a year, and opened for the Rolling Stones. Now her new album, Paper Doll, finds her at a hard-playing creative pinnacle.

Samantha Fish is moving in new circles these days—circles occupied by the kind of people you see a lot on classic-rock radio playlists. First there was the invitation from Eric Clapton to play at his 2023 Crossroads Guitar Festival in L.A. Then there was the summer ’24 slot on Slash’s S.E.R.P.E.N.T. tour, followed by the Experience Hendrix tour, on which she dug into Jimi classics in the company of Eric Johnson, Dweezil Zappa, and other luminaries. And, oh yeah, she opened for the Stones in Ridgedale, Missouri, on the final date of their Hackney Diamonds jaunt. That’s right, the Rolling Stones.

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The exquisite BilT Brothers collaborative guitar: a Frank Brothers Ultra Light in BilT eggplant sparkleburst with Arcane 3x3 Gold Foil Humbuckers and loaded with a Caroline Custom Cannonball Distortion.

This forward-thinking custom guitar commissioned by our columnist makes a special case for partnership in the guitar building community.

Owning a guitar shop, your brain is full of to-do lists, questions, and plenty of compulsive thoughts over details. And when you run a shop that specializes in custom builds that you spec out from boutique companies, the ideas for these guitars often come at the most random times of day (and night). While I don’t subscribe to the notion of fate, the following makes a case for its existence.

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Great Eastern FX Co. has released the limited-edition OC201 Preamp, featuring vintage Mullard OC201 transistors for a unique fuzz sound. Part of the 'Obsolete Devices' series, this pedal combines classic circuits with modern components for optimal tone and reliability.

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“I do think that PTP circuits should stay that way, and circuits made for PCB sound great and don’t need to be handwired to sound good,” says R2R Electric's Cris Vincent, who is especially adept at creating vintage-flavored fuzz machines.

Do vintage parts make better pedals? Not always.

Treble boosters have been used by legends like Brian May, Tony Iommi, Rory Gallagher, Marc Bolan, Stevie Ray Vaughan—you name it. They have empirically proven their place in the evolution of rock ’n’ roll, and even paved the way for entirely new music genres. Naturally, as a pedal builder, I had to make my own. In fact, I was building treble boosters even before Sehat Effectors was born. Technically speaking, the circuit is simple—just a single transistor and a few components.

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