The mega-selling pop outfit’s 6-string guru shows us his vintage Teles, Matchless and Suhr amps, and ultra-flexible pedal and rack setup.

For the acoustic live rendition of such songs as “She Will Be Loved,” Valentine plays a Martin HD-28 with Fishman electronics.

Premier Guitar’s John Bohlinger met with Maroon 5’s James Valentine before the band’s February 27, 2015, gig at Nashville’s Bridgestone Arena. In this segment, we see how the closet jazz cat uses a variety of vintage and high-end boutique guitars and amps to get the wide variety of sounds he has to replicate at each show.

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Kemper Profiler Stage, Nueral DSP Quad Cortex & Line 6 HX Stomp (clockwise from top)

A deep dive into faux amps, futuristic setups, and how to use modern technology’s powers for good.

The jump between analog and digital gear has never been more manageable. It no longer takes a rack full of outboard gear with a six-figure price tag to help realize not only the tone you have in your head, but the expansive workflows that started to pop up in the early ’80s. We’re now about a decade into the modern era of digital modelers and profilers and it seems like the technology has finally come into its own. “This is really the first time in a while where you can have bar bands playing the exactsame gear as stadium acts,” says Cooper Carter, a Fractal Audio Systems production consultant who has done sound design and rig building for Neal Schon, James Valentine, John Petrucci, and others.

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Master builder Dennis Galuszka recreates the legendary "Chicago" guitarist's legacy with a collectible, limited run guitar.

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