The 14 new models include signature axes from Mark Morton, Rhoads models, Dinky Arch Tops, and more.
Scottsdale, AZ (January 24, 2014) -- Jackson is pleased to announce a collection of 14 new models charged with new features designed for speed and killer looks. Each product along with its most distinctive features is listed below:
Mark Morton Dominion Pro
The Mark Morton Dominion Pro is an elegantly ferocious upgrade of the Lamb of God guitaristās acclaimed Jackson signature model. Its chambered mahogany body is bound and comes in Black and Ivory gloss finishes, and the two DiMarzioĀ® Mark Morton Dominion⢠Signature humbucking pickups are wired in a dual-circuit design (lead, rhythm) with a two-way slider switch, three-way toggle pickup selector switch and two coil-tap toggle switches (one for each pickup).
Other premium features include a 24.75ā scale length, three-piece quartersawn mahogany through-body neck with oiled back finish and graphite reinforcement, distinctive three-on-a-side Jackson Mark Morton Dominion headstock, compound-radius (12ā-16ā) bound ebony fingerboard with 22 vintage-style frets and shark-eye block inlays, TonePros TP6 adjustable bridge with stop tailpiece, gold hardware and Jackson locking tuners with white pearloid buttons.
Mark Morton DX2 Dominion
Jacksonās Mark Morton DX2 Dominion delivers the Lamb of God guitaristās powerfully potent sound and style with remarkable value. Premium features include beautiful satin Black and gloss Trans Black finishes (quilt maple top on Trans Black model), compound-radius (12ā-16ā) bound rosewood fingerboard with 24 vintage-style frets, and dual DiMarzio Mark Morton Dominion Signature humbucking pickups with three-way toggle switching. Other features include a 24.75ā scale length, one-piece through-body maple neck with graphite reinforcement, distinctive three-on-a-side Jackson Mark Morton Dominion headstock, adjustable chrome bridge with stop tailpiece, and chrome hardware.
Pro King V KVQ
Jacksonās Pro King V KVQ takes the regal King V design to even more majestic heights, with a beautiful quilt maple top and Trans Amber gloss finish. Its three-piece maple through-body neck has an ultra-smooth oiled back finish and rock-solid graphite reinforcement, while the compound-radius (12ā-16ā) bound ebony fingerboard has 24 jumbo frets and alumiloid sharkfin inlays. The Kingās commanding voice comes from direct-mount Seymour DuncanĀ® Distortion humbucking pickups, with other features including three-way toggle pickup switching, Floyd RoseĀ® 1000 Series double-locking tremolo, and black nickel hardware.
Pro King V KVT
Jacksonās Pro King V KVT takes the regal King V design to even more majestic heights, in a choice of beautiful Black and Trans Red gloss finish (quilt maple top on Trans Red model). Its three-piece maple through-body neck has an ultra-smooth oiled back finish and rock-solid graphite reinforcement, while the compound-radius (12ā-16ā) bound ebony fingerboard has 24 jumbo frets and pearloid sharkfin inlays. The Kingās commanding voice comes from direct-mount Seymour Duncan Distortion humbucking pickups, with other features including three-way toggle pickup switching, adjustable string-through- body bridge, and black hardware.
Pro Rhoads RRT-5 / RRT-3
Jacksonās Pro RRT-5 and RRT-3 Rhoads models are elegantly formidable new takes on the Jackson guitar that started it all, with supercharged features, gold hardware and a choice of Gloss Black and Ivory (with black pinstriping) finishes. The three-piece maple through-body neck has an ultra-smooth oiled back finish and rock-solid graphite reinforcement, while the compound-radius (12ā-16ā) bound ebony fingerboard has 24 jumbo frets and pearloid sharkfin inlays. Other premium features include direct-mount Seymour Duncan JB⢠SH4 Zebra (bridge) and Jazz⢠SH2N Zebra (neck) humbucking pickups, three-way toggle pickup switching and an adjustable string-through-body bridge and tailpiece.
Pro Dinky DK7-M / DK7-Q
Seven is your lucky number with Jacksonās Pro DK7-M and DK7-Q Dinky. With their dual Seymour Duncan SH-7 Distortion direct-mount humbucking pickups, the DK7-M and DK7-Q are malevolently stylish seven-string models of great power and striking beauty. Other premium features include a 25.5ā scale length, 1/8" 4A quilt maple top on the transparent finish model, bolt-on maple neck with smooth hand-rubbed oil back finish and rock-solid graphite reinforcement, a super-convenient neck butt-end truss rod adjustment wheel, compound-radius (12ā-16ā) bound maple or rosewood fingerboard with 24 jumbo frets and offset dot inlays, bound seven-in-line Jackson reverse headstock, five-way blade pickup switching, recessed Floyd Rose seven-string double-locking tremolo bridge, and black hardware.
Kelly KEXMG
The KEXMG Kelly features a basswood body (quilt maple top on trans finishes), three-piece through-body maple neck, compound-radius (12ā-16ā) bound rosewood fingerboard with 24 jumbo frets and classic Jackson shark fin inlays, EMGĀ® 81 (bridge) and 85 (neck) pickups, and a Floyd Rose Special bridge. Available in four new finishes for 2014 - Gloss Black, Silverburst, Tobacco Burst, and White with Black Bevels.
Kelly KEXTMG
The KEXTMG Kelly features a basswood body (quilt maple top on trans finishes), three-piece through-body maple neck, compound-radius (12ā-16ā) bound rosewood fingerboard with 24 jumbo frets and classic Jackson shark fin inlays, EMG 81 (bridge) and 85 (neck) pickups, and a fully adjustable strings-through-body TonePros bridge. Now available in ivory finish.
Rhoads RRXMG
The Jackson Rhoads RRXMG has a basswood body, through-body maple neck and active EMG 85 (neck) and 81 (bridge) humbucking pickups that deliver well-balanced tone with tight bass, glassy mids and crunching highs. Its bound compound-radius rosewood fingerboard curves more dramatically at the nut for easy chording and flattens out as it approaches the neck joint for low-action bends without fretting out. Other features include Floyd Rose Special double-locking two-point tremolo, 24 jumbo frets and three-way pickup switching. Available in three new finishes for 2014 - Black with White Pinstripe, Black with Pink Bevels, and Black with Yellow Bevels.
Soloist SLX
The Jackson Soloist SLX has a nato body, through-body maple neck and Duncan Designed⢠alnico HB103N (neck) and high-output ceramic HB102B (bridge) humbucking pickups. Its bound compound-radius rosewood fingerboard curves more dramatically at the nut for easy chording and flattens out as it approaches the neck joint for low-action bends without fretting out. Other features include a Floyd Rose Special double-locking two-point tremolo, 24 jumbo frets and three-way pickup switching. Available in three new finishes for 2014- Slime Green, Taxi Cab Yellow, and Metallic Red.
Dinky Arch Top JS32 DKA-M
The JS32 DKA-M Dinky Arch Top has an elegantly arch-topped basswood body, bolt-on maple speed neck with graphite reinforcement, compound-radius (12ā-16ā) bound maple fingerboard with 24 jumbo frets and black sharkfin inlays, and a bound headstock. Other features include dual high-output Jackson humbucking pickups with ceramic magnets and three-way blade switching, Jackson-branded Floyd Rose double-locking tremolo bridge, black hardware and die-cast tuners. Available in Gloss Black and Snow White.
Dinky Left Handed JS32L DKA
The JS32L DKA Dinky Left Handed features an elegant arch-topped basswood body, bolt-on maple speed neck with graphite reinforcement, compound-radius (12ā-16ā) white bound rosewood fingerboard with 24 jumbo frets and white pearloid sharkfin inlays, and a bound headstock. Other features include dual high-output Jackson humbucking pickups with ceramic magnets and three-way blade switching, Jacksonbranded Floyd Rose double-locking tremolo bridge, black hardware and die-cast tuners. Available in Bright Blue.
Rhoads JS32L
The JS32L Rhoads features a basswood body, bolt-on maple speed neck with graphite reinforcement, compound-radius (12ā-16ā) bound rosewood fingerboard with 24 jumbo frets and pearloid sharkfin inlays, and a bound headstock. Other features include dual highoutput Jackson humbucking pickups with ceramic magnets and three-way blade switching, Jackson-branded Floyd Rose double-locking tremolo bridge, black hardware and die-cast tuners. Available in Satin Gray.
Dinky Arch Top JS22L
The JS22L Dinky Arch Top has an elegantly arch-topped basswood body, bolt-on maple speed neck with graphite reinforcement, compound-radius (12ā-16ā) bound rosewood fingerboard with 24 jumbo frets and pearloid sharkfin inlays, and a bound headstock. Other features include dual high-output Jackson humbucking pickups with ceramic magnets and three-way blade switching, synchronized fulcrum tremolo bridge, black hardware and die-cast tuners. Available in Gloss Black.
For more information:
Jackson Guitars
Just like guitarists, audiophiles are chasing sound. It may be a never-ending quest.
āWhat you got back home, little sister, to play your fuzzy warbles on? I bet you got, say, pitiful, portable picnic players. Come with uncle and hear all proper. Hear angel trumpets and devil trombones.āāAlexander DeLarge (Malcolm McDowell) in the film A Clockwork Orange.
We listen to recorded music for enjoyment and inspiration, but few of us expect recordings to rival the experience of live music. Most guitarists know that the average home sound system, let alone Bluetooth boomboxes, cannot reproduce the weight and depth equal to standing in a room with a full-blown concert guitar rig. Also, classical music lovers recognize that a home system wonāt reproduce the visceral envelope of a live orchestra. Still, much like guitarists, audiophiles spend huge amounts of time and money chasing the ultimate ārealisticā audio experience. I wonder if sometimes thatās misguided.
My exposure to the audio hobby came early, from my fatherās influence. My dad grew up in the revolution of home electronics, and being an amateur musician, he wanted good reproduction of the recordings he cherished. This led him to stock our home with tube components and DIY electrostatic hybrid speakers that rivaled the size and output of vintage Fender 2x12s. I thought this was normal.
Later, I discovered a small shop in my hometown that specialized in āhigh endā audiophile gear. They had a policy: No sale is final until you are completely satisfied. I became an almost weekly visitor (and paying customer) and was allowed to take equipment home to audition, which was dangerous for a young man on a low budget. It was through this program I started to understand the ins and outs of building a cohesive system that met my taste. I began to pay much more attention to the nuances of audio reproduction. Some gear revealed a whole new level of accuracy when it came to acoustic or vocal performance, while lacking the kick-ass punch I desired of my rock albums. I was seeking reproduction that would gently caress the sounds on folk, classical, and jazz recordings, but could also slay when the going got heavy. This made me a bit of an odd bird to the guys at the audio shop, but they wanted to please. With their guidance I assembled some decent systems over time, but through the decades, I lost interest in the chase.
Recently, Iāve begun perusing online audiophile boards and they seem oddly familiar, with tube versus solid-state discussions that might feel at home to guitaristsāexcept the prices are now beyond what Iād imagined. For the most part, they mirror the exchanges we see on guitar boards minus the potty-mouth language. Enthusiasts exchange information and opinions (mostly) on what gear presents the widest soundstage or most detailed high-frequency delivery, all in flowery language usually reserved for fine wines.
Speaking of whining, youāll rethink your idea of expensive cables when you hear folks comparing 18", $1,700 interconnects for their DACs. Some of the systems Iāve seen are more costly than an entire guitar, amplifier, and studio gear collection by a serious margin. Mostly, the banter is cordial and avoids the humble-bragging that might go along with the purchase of a $10,000 set of PAF humbuckers. Still, I have a lack of insight into what exactly most are trying to accomplish.
If youāve ever worked in a big-time studio, you know that the soundscape blasting out of huge monitors is not what most of us have in our homes. My experience rewiring pro-studio patchbays is that less emphasis is placed on oxygen-free, silver-plated, directional cables than the room treatment. Iāve found myself wondering if the people on those audio boardsāwho have spent many tens or even hundreds of thousands of dollars on their home systemsāhave ever been in a studio control room listening to music as loud as a 28,000 horsepower traffic jam of NASCAR racers. That might be an eye-opener.
One of my takeaways is that even though music recording began as an attempt to reproduce what actually happens in a room, it hasnāt been just that for a long time. With all our effects and sonic wizardry on display, recording is like playing an instrument itself, and much more complex. This is not a new revelation to Beatles fans.
What amazes me is that both audiophiles and guitar fanatics pursue the sounds we hear on recordings for differing reasons and with subjective results. Itās a feedback-loop game, where we chase sounds mostly exclusive to the studio. So, how do we determine if our playback is accurate? Will we ever be satisfied enough to call the sale final?
Iām not convinced, but just the same, Iāll continue my own search for the holy grail of affordable, kick-ass sound that still loves a folk guitar
Mooer Prime Minimax M2 Intelligent Pedal boasts 194 effects models, 80 preset slots, MNRS and third-party sample file compatibility, an 80-minute looping module, internal drum machine, high-precision tuner, Bluetooth support, and a rechargeable lithium battery.
Over the last few years, Mooer has released several Prime multi-effects devices, including the Prime P1, P2, S1, and most recently in 2024, the Prime Minimax M1. Excitingly, the company is kicking off 2025 with a brand new addition to the Prime familyāthe Prime Minimax M2 Intelligent Pedal.
Within this small multi-effects device, a whole lot of functionality is packed in, including an impressive 194 effects models, including overdrive, preamp simulators, cabinet models, delays, reverbs, modulation effects, etc., and more. In typical Mooer style, though, the company took things a step further by offering limitless flexibility through the support of its in-house MNRS sample files, as well as third-party IR sample files. Essentially, this means that users can download additional tonal emulations and effects from the Mooer Cloud and third-party sources to the device, which they can then save across 80 preset slots.
As with some past models in the Prime series, the M2 sports a convenient touchscreen design, facilitating easy browsing through the devices banks of presets. However, guitarists are not limited to interfacing with the pedal in this way, as it also features two footswitches, both of which can be used to switch between presets in each bank. There is even a MIDI jack built into the device, enabling users to connect their MIDI controllers to extend the control functions, and the MOOER F4 wireless footswitch support is also supported. Essentially, these augmentation options facilitate additional footswitches to ensure switching preset tones is always as quick and seamless as possible within any workflow.
While the Prime M2 Intelligent Pedal is primarily designed for effects and tonal simulations, it also comes packed with an array of other useful features. For example, it contains a looping module with a hefty 80-minute capacity, in addition to 10 recording save slots to ensure that any looping creations can be kept for future use in performances. Similar to past looper modules in Mooer's products, users are also free to overdub their recordings and even undo or redo their overdubs, offering a lot of real-time flexibility for creating loop-based musical structures.
As if the addition of a looper wasnāt enough, this feature is also synchronizable with an internal drum machine and metronome, a combination that includes 56 drum grooves and 4 metronome varieties. Ultimately, itās a reminder that Mooer clearly recognizes and wishes to solve the struggles that musicians have when attempting to produce precise loops while staying in time. Upon commencing recording, the drum machine can produce four initial beats to serve as a count-in cue, and of course, this can be combined with the device's tap-tempo control for dynamic use. Best of all, this feature can also be applied to modulation and delay effects, ensuring that they work perfectly in time with any performance.
Extra features are included to complete this all-in-one pedal, including a high-precision tunerwith fully customizable frequency ranges. Guitarists can even leverage the M2ās built-inBluetooth input support, allowing them to practice, jam, and even produce looped musicalstructures over their favorite backing tracks, band prototypes, and musical pieces.
Perhaps unsurprisingly for existing Mooer product users, the Prime M2 also boasts an impressive variety of audio routing systems. As was previously mentioned, that includes Bluetooth input, as well as industry standards such as dual-channel stereo output, perfect for stereo delay and modulation effects. It also supports headphone output for those who wish to practice in silence, and even OTG recording, which means that guitarists can record their creations directly to their smartphone whilst on the go.
Speaking of on-the-go, Mooer is continuing its recent portable-play focus with the Prime M2Intelligent Pedal, as it is fitted with a built-in rechargeable lithium battery with a battery life of up to 6 hours. Ultimately, this means that even a lack of local power sources wonāt get in the way of rehearsals and live performances. Combined with the pedalās lightweight and small build, it truly is an ideal addition to the pedalboard of any traveling musician.
Overall, the Prime M2 Intelligent Pedal is set to be an impressive new addition to the Prime series. It features augmented functionality when compared to past models, yet still in a minimalist and easy-to-use package, keeping the size small and light yet still packing in footswitches, a touch screen, and other flexible control systems.
Features:
- 194 built-in effect models and tonal emulations
- 80 preset slots for storing downloaded MNRS and third-party sample files
- Compatibility with the MOOER Cloud tone-sharing platform
- Built-in 80-minute looping module
- Record, overdub, pause, delete, and playback functions for looping
- Internal drum machine module, stocked with 56 drum grooves
- 4 unique metronomes
- Synchronization between drum machine and looper
- Convenient count-in cue function support from the metronome
- High-precision and customizable tuner module
- 2 multi-function footswitches
- 1.28-inch touchscreen interface
- LED digital display
- LED charge indicator
- Portable USB/OTG recording
- Direct compatibility with the MOOER prime mobile APP and MOOER Studio desktop software for preset management
- Bluetooth 5.0 audio playback
- 3000mAh integrated lithium battery with up to 6 hours of use time
- DC 5V/2A power supply and charging
- 3 hours charging time
- Low weight of 228g
- Compact, at 74mm (L), 125mm (W), and 49mm (H)
- Sample rate of 44.1kHz
- Bit depth of 24bit
- Compatible with MOOER F4 wireless footswitch
- 3.5mm MIDI port
- Mono TS ¼ā input
- Stereo TS ¼ā output
- 3.5mm headphone output
- Power switch button
The Prime Minimax M2 Intelligent Pedal will be available from the official distributors or retailersworldwide.
For more information, please visit mooeraudio.com.
Kirk Hammett has partnered with Gibson Publishing to release The Collection: Kirk Hammett, a premium hardcover coffee-table photo book where Kirk tells the stories behind his rare and collectible instruments.
āI am thrilled to announce the launch of The Collection: Kirk Hammett. Iāve worked diligently on this curated collection of vintage and modern guitars for the book. I feel the book captures the rich history and artistry behind each of these unique and rare instruments. Every picture tells a story and thanks to Ross Halfin and his exceptional photography, every picture in this book is worth a million words! This book could not be possible without the help of Gibson, so Iād like to thank them for making my passion for Greeny, and guitars a reality. I hope all of you enjoy this journey as much as I did.ā
āItās exciting the time has come to release The Collection: Kirk Hammett by Gibson,ā adds Cesar Gueikian, President and CEO of Gibson. āWe have been working on this project with Kirk for years now, and I had the opportunity to work closely with Kirk on the composition of the collection for the book. It was a thrill to put this together and it took a village to get it done! I hope everyone appreciates the work that went into this book and enjoys every story behind the guitars.ā
The Collection: Kirk Hammett, Custom Edition is limited to just 300 numbered copies signed by KIRK HAMMETT and comes in a huge 19 x 14.5ā (490 x 370mm) presentation box featuring custom artwork and an outstanding case candy package. In addition to the large-format 17 x 12ā (432 x 310mm) hardcover version of the book with a stunning lenticular cover, the boxset includes a frameable 16 x 11.6ā (407 x 295mm) art print of a Ross Halfin portrait of KIRK HAMMETT signed by both Halfin and the Metallica guitarist. Other case candy includes an Axe Heaven miniature replica of Hammettās 1979 Gibson Flying V with case and stand, an exclusive pick tin complete with six DunlopĀ® Kirk Hammett signature Jazz III guitar picks, and a Gibson Publishing Certificate of Authenticity.
Explore The Collection: Kirk Hammett book HERE.
The collection includes Cobalt strings with a Paradigm Core, Tim Henson Signature Classical Strings, and the Tim Henson Signature FretWrap by Gruv Gear.
Engineered for maximum output, clarity, and durability, these strings feature:
- Cobalt with a Paradigm Core (not RPS) for added durability
- Nano-treated for maximum lifespan and corrosion resistance
- Gauges 9.5, 12, 16, 26, 36, 46 (Turbo Slinky set)
- Available individually or as part of the Tim Henson Signature Bundle
Tim Henson Signature Classical Strings
Crafted for dynamic, percussive tonality, these strings pair fluorocarbon trebles with silver-plated copper basses to deliver exceptional response and clarity.
- Gauges: 24, 27, 33, 30, 36, 42
- Available individually or as part of the Tim Henson Signature Bundle
Tim Henson Signature FretWrap by Gruv Gear
An essential string-dampening tool, the Tim Henson Signature FretWrap is designed for cleaner playing by eliminating unwanted overtones and sympathetic vibrations.
- Features Tim Hensonās custom āCherub Logoā design
- Size Small, fits 4-string basses, 6-string electric/acoustic guitars, and ukuleles
- Ideal for live performance and studio recording
- Ernie Ball collaboration with Gruv Gear
- Available individually or as part of the Tim Henson Signature Bundle
The Ernie Ball Tim Henson Accessory Bundle Kit
For players who want the complete Tim Henson experience, the Ernie Ball Tim HensonSignature Bundle Kit includes:
- Tim Henson Signature Electric Strings (9.5-46)
- Tim Henson Signature Classical Strings (Medium Tension)
- Tim Henson Signature FretWrap by Gruv Gear (Small)
- Tim Henson Signature Cable (Exclusive 10ft white dual-conductor cable, only available in the bundle)
The Tim Henson Signature String & Accessory Collection is available starting today, March 19, 2025, at authorized Ernie Ball dealers worldwide.
For more information, please visit ernieball.com.