The British amp company's latest offerings are a slender 500-watt head and a pedal-sized bass rig.
England (January 6, 2020) -- Orange Amplification is delighted to introduce the Little Bass Thing. A straightforward, lightweight bass amp, designed with the modern bass player in mind. The amp is 500W’s of Class D muscle, combined with a powerful, solid state pre-amp, packed snugly into a diminutive 3KG package. This tiny toolbox amplifier delivers maximum tone with minimum fuss.
The Little Bass Thing features a sweep-able parametric mid control for simple and effective EQ. This is augmented by carefully chosen bass and treble frequencies combined with 15dB of boost to ensure the ultimate bass sound can be dialed in accurately and quickly. With this powerhouse of an amp, bass players can easily add the finishing touches to their sound with simple, engineered precision characteristic of all Orange Amps.
The amp’s built-in Class A Optical Compression circuit, can be controlled by a foot switch (sold separately) or from the front panel. This single dial has a unique sidechain and a response that has been optimized for a bass guitar. It gives the Little Bass Thing excellent dynamic control and a warm, classic feel at subtle or extreme settings. The Class A Optical Compression circuit is a neutrally voiced pre-amp with precise EQ.
The Little Bass Thing also features a buffered FX Loop and studio-quality, balanced D.I. output with a Ground Lift switch to help remove any ground loop issues. There is also a -6dB input pad switch for active basses and hot pickups.
Bass players seeking a small, simple rig without compromising on sound or volume need to take a look at the Little Bass Thing. The best things come in small packages.
Orange Amplification unleash the Bass Butler, an entire Bi-Amp bass rig in a pedal. The new pedal splits the bass guitar signal, at input, into completely separate, parallel, analogue signal chains, just like a real bi-amp rig - without an amp in sight.
The always active ‘Clean’ Bass Channel can be adjusted for compression, bass, treble and volume. An optical compressor circuit, cut/boost tone controls and dedicated, bass cabinet-simulated balanced D.I. output is always on hand with all manner of classic clean tones.
Five smaller knobs control the Volume, Treble, Middle, Bass and Gain (with four stages), of the Bass Butler’s ‘Dirty’ Guitar Channel which can be added with a footswitch. Coupled with a guitar cab-simulated balanced D.I. output and an expression pedal jack for extra control over the input gain, the Bass Butler serves up everything from bright vintage tones to floor-splitting, wall-crumbling modern destruction.
Both channels have XLR balanced output allowing the Bi-Amp bass tone to arrive complete at the mixing desk. The Bass Butler also features an Amp output, which takes a blend of the two channels, set by the volume controls, before the cabinet simulation circuits from a 1/4” jack, making it perfect for connecting to the front end of any bass amp. This set up means on-stage sound can be controlled completely independently of what the audience hears or the output can be used on its own, just like a plain old preamp pedal. A ‘Ground Lift’ switch eliminates ground hum when the Bass Butler is hooked up to a PA and a bass amp at the same time.
The pedal’s sturdy steel enclosure is made to last a lifetime; it is perfect for in the studio and on the road. The Bass Butler is quite possibly the only pedal bassists will ever need.
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