It’s not a bait and switch. This year is a throwback to the post WWII-era of instrument manufacturing, for better or worse.
As we all remember, Covid hit the music industry hard in early 2020: music stores and concert venues were closed, guitar manufacturers shut down, and in-person instruction essentially disappeared almost overnight. Fortunately, lockdowns and the resulting surge of interest in playing music at home proved that even a pandemic couldn’t kill our love for the guitar. And thanks to YouTube tutorials and Zoom lessons, the number of hours that people actually played their instruments went from hardly-ever (for some) to all-the-time. Maybe you couldn’t find that new guitar model you’d been saving for, but at least you could play the guitar(s) you already had.
For many players looking for a new instrument, 2021 began filled with hope but proved to be a year of waiting as Covid variants kept most North American guitar makers off balance. But with each new year, there’s new hope. Despite Omicron, 2022 has seen a breakthrough in guitar production, with more new instruments arriving in stores and online sources having actual instruments to ship. However, some of those new instruments aren’t exactly like the models depicted on the manufacturers’ websites: The tuners or the pickguard may be slightly different, for instance, and the case you saw with a favorite model last year is not the same as the case included today. Are guitar makers resorting to the old bait-and-switch? What gives?
Here's another look at that post-WWII D-28 headstock.
Welcome to Covid Wars, V2. We’ve more or less learned how to live with the virus, luthiers are back at their benches, and the machinery is humming. But now there’s a different problem: Getting the wood parts of a guitar machined, glued together, and finished isn’t much of an issue, but when rounding up the other parts—all the made-elsewhere stuff needed to make that beautiful wood sculpture into a functional and shippable musical instrument—there’s often something missing. Maybe the delivery of that subtle, vintage-look pickguard material is back-ordered, and where are those cases? Weren’t they supposed to have arrived weeks ago?
Perhaps we’re learning how to live with Covid rather than run and hide from it, and maybe both the manufacturing facilities that build guitars and the myriad of factories and small machine shops that make parts for guitar companies are working full time or even overtime, but that doesn’t mean we’re back to normal. Whether it’s household appliances, new cars, or new guitars, the stumbling block—and one we’re sick of hearing about—is a seemingly confused and disorganized supply chain. Skyrocketing demand is thwarted by shipping delays and off-the-charts price increases, while some parts have been discontinued simply because the manufacturer switched to making something more profitable. And then there are the parts that go into making parts, such as handles and latches for cases and even the all-important components needed in the recipe for that lustrous finish.
We’ve more or less learned how to live with the virus, luthiers are back at their benches, and the machinery is humming. But now there’s a different problem.
It might seem like the right thing for guitar manufacturers to do would be to wait out these supply-chain delays and not ship those nearly completed instruments until all of the right components have arrived. But remember that at such a late stage in production, a lot of money has been invested in those beautiful unstrung hulks hogging climate-controlled storage space that’s in short supply. For small independent builders, waiting to deliver an instrument for more than a couple of weeks simply isn’t an option. Bills and salaries must be paid.
For those who relish the historical angle, these latest parts swaps caused by supply-chain issues are a repeat of what guitar manufacturers faced 80 years ago, during WWII restrictions on the use of brass and steel, not to mention parts made overseas. Remember those 1940s Martins and Gibsons with cheesy lightweight tuners and necks with no steel reinforcement? The end of the war didn’t result in the immediate return to pre-war specs, and so it is with the war against Covid, which is still far from being over.
There’s not much you can do if your long-awaited dream guitar shows up with a few parts that are different from what you were expecting, and it’s probably best not to complain too loudly to non-guitar-playing friends. If you’re healthy and still playing music, you are a fortunate survivor of the Covid Wars and chances are good those different tuners work just fine. Keep playing and enjoy all those tunes and licks you learned while in lockdown!
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Day 9 of Stompboxtober is live! Win today's featured pedal from EBS Sweden. Enter now and return tomorrow for more!
EBS BassIQ Blue Label Triple Envelope Filter Pedal
The EBS BassIQ produces sounds ranging from classic auto-wah effects to spaced-out "Funkadelic" and synth-bass sounds. It is for everyone looking for a fun, fat-sounding, and responsive envelope filter that reacts to how you play in a musical way.
Positive Grid unveils Spark EDGE, a multi-channel smart amp & PA engineered for musicians demanding portability, versatility, and pro-level sound.
Positive Grid unveils Spark EDGE, a multi-channel smart amp & PA engineered for musicians demanding portability, versatility, and pro-level sound. Designed for everyone from singer-songwriters and buskers to acoustic duos and electric players, Spark EDGE packs 65 watts of studio-quality sound, built-in effects, and a looper into a lightweight, compact design. Capable of serving as an amp, PA, or personal monitor, Spark EDGE offers flexible connectivity for electric and acoustic guitars, bass, vocals, keyboards, and more. With optional battery power (sold separately), Spark EDGE delivers the freedom to perform anytime, anywhere.
Pro-Level Sound with Advanced Audio
Powered by Sonic IQ Computational Audio, Spark EDGE enhances every note with precision. Its tech-driven system features a dedicated computational audio chip that refines dynamic range, boosts vocal clarity, and deepens bass. The result? Precise, immersive sound in any setting. Complemented by an advanced speaker design—featuring a woofer, tweeter, and reflex ports—Spark EDGE delivers rich, full-bodied sound that brings any performance to life.
Seamless Multi-Instrument Connectivity
Featuring four versatile channels, Spark EDGE offers seamless connectivity for multiple instruments:
- Channel 1: Equipped with 36 amp models and 50 effects for electric guitars, acoustic guitars, bass, and vocals.
- Channel 2: Tailored with dedicated amp models and effects for vocals, bass, and acoustic guitars.
- Channels 3/4: Stereo input channels designed for keyboards, drum machines, and other instruments.
All the Gear in One App
The Spark App transforms Spark EDGE into a performance powerhouse:
- 36 Amps: Instant access to guitar, bass, and acoustic amp models
- 50 Effects: A comprehensive selection of built-in effects for any instrument
- Creative Groove Looper: Layer, loop, and experiment with over 100 drum patterns
- Spark AI: Automatically generate the ideal tone with AI-powered suggestions
- Smart Jam: Create dynamic backing tracks that adapt to any playing style
- Auto Chords: Real-time chord display for millions of songs
- 100,000+ Tones: A vast library of downloadable tones, created by musicians worldwide
Ready for the Road
Lightweight yet rugged, Spark EDGE is built to go anywhere. Featuring an ergonomic handle for easy carrying and a durable design that withstands the rigors of travel, Spark EDGE offers two listening angles—upright or tilted. In addition, an optional rechargeable battery (sold separately) offers up to 10 hours of playing time per charge.
Limited Edition Grilles
Limited-edition grilles (sold separately) allow for personalization, with bold designs like Sunburst and On the Edge offering a distinct, eye-catching look before the first note is even played.
Essential Extras
- Bluetooth® Streaming: Stream music directly through the amp and blend tracks with live performances using onboard volume control
- WiFi: Over-the-air firmware updates ensure seamless improvements, with no computer required
- Send stereo outs to the PA and use Spark EDGE as a monitor while maintaining tone control
- Compatible with Spark accessories including Spark Control X, Spark CAB, Spark LINK and more
Handmade in Japan, this bass features a bolt-on hard maple neck, alder body, VolaJS5-N neck and Vola JS5-B bridge pickups, and a Vola ATR-I Active 3-band EQ. Experience top-quality craftsmanship and tonal potential with the ZVA 5 Bass.
The tried-and-true ZVA bass is back, this time with additional range! The all-new 5-string version maintains its most prominent features while providing players with an expanded scope of tonal potential. Its bolt-on hard maple neck is equipped with 21 frets, a rosewood fingerboard, a 34.5” scale, and a Duracon nut for optimal performance. The modern C-shaped neck allows for easy access to the entire fretboard while maintaining perfect comfort. The body is made of alder, offering a balanced playing experience. From a hardware standpoint, the nickel components were manufactured by Gotoh, including the machine heads and a string-through bridge setup. The bass is equipped with VolaJS5-N neck and Vola JS5-B bridge pickups, coupled with a Vola ATR-I Active 3-band EQ and a handy mini switch for seamless transition between passive and active modes. Overall, the ZVA 5-string carries on its predecessor’s legacy with extended range and accessibility for every type of bassist.
Features Include
- Country of Origin: Handmade in Japan
- Construction: Bolt-on neck
- Body: Alder
- Neck: Maple/Rosewood, Vola Modern C shape (bass) 1F(21.5mm)/ 12F(24mm)
- Fingerboard: Maple, 9.5" Radius
- Inlays: Classic dot inlay
- Nut: 47.6mm Duracon nut with Zero Fret
- Frets/ Scale: 21 Frets/ 34.5"
- Pickups: Vola JS5 neck, Vola JS5 Bridge
- Electronics: 1 Volume, 1 Balance, Vola ATR-I Active 3band EQ, 1mini switch(passive/active)
- Hardware: Gotoh 303 SJ 5 Bass bridge w/String thru the body, Gotoh 404SJ-5(4:1) Tuners
- Strings: Daddario EXL-170-5SL 45-65-80-100-130 Super long
- Misc: 4mm Allen key for truss rod adjustment
- Country of Origin: Handmade in Japan
- Case: Vola Custom Series bass Gig bag
The Vola ZVA 5Bass is the culmination of Vola’s dedication to designing top-quality instruments for demanding players, without sacrificing the beauty that invites a closer look. Visit their website or your local Vola dealer for a closer look at the Vola ZVA 5 Bass. The Vola OZ Supernova has a street price of$1,189 USD. Vola Guitars now sells direct!
For more information, please visit volaguitars.com.
Introducing: The All-New ZVA 5 Bass - YouTube
If you’re new to Priest’s music or are trying to find your own starting point, we’ve got some great tips for guitar jammers. And if you’re a hardcore fan, maybe you’ve got some tips you can share for our next steps.
In this episode, we’re celebrating the thrill of guitarmony, sick riffs, and driving 8th-note rhythms by talking about Judas Priest. Before getting ready for this episode, neither of your esteemed hosts had ever delved into the Priest discography beyond the rock-radio hits and Beavis and Butthead—though we’d both spent our time with Heavy Metal Parking Lot. Since so many of the GOATs hold the band in the highest of regard, we knew that K.K. Downing and Glenn Tipton belonged on this list, so we embarked on a journey to find out why.
After hours of listening and watching, we’re happy to report that we get it. From their debut, 1974’s Rocka Rolla, through 1980’s British Steel, deep into the ’80s-production era with 1986’s Turbo, and through the speed-metal bravado of 1990’s Painkiller, plus live videos and records—the super-loud US Festival performance and the crushing Unleashed in the East record—we found a lot that we love.