Torpedo C.A.B. M+
Designed to be the missing link between a guitarist’s rig and the PA or audio interface, this pedal is loaded with 32 Two Notes cabinets, eight power amps, eight mics, and eight rooms to choose from.
Red Box 5
This handy DI and speaker simulator offers powerful control over your sound, including cabinet size and cab tightness, and a means to avoid miking up your rig onstage.
OmniCabSim Deluxe
Designed for guitarists who want to create their own cabinet response settings, rather than rely on presets, this pedal allows players to define their sound and get an accurate reproduction of it when gigging or recording.
Iridium
This pedal has mathematically modeled every aspect of three iconic tube amps, and includes nine of Iridium’s IR cabinets with 24-bit 96 kHz resolution for the entire 500 milliseconds of its impulse responses.
CabClone IR
Featuring two banks of eight Mesa cab presets for 16 proprietary IRs and the ability to upload third-party IRs, this pedal also functions as a tone-rich, silent practice tool with a set of headphones.
Element
With five cabinet simulations, a multi-channel USB-C audio interface, and Bluetooth tech to listen to backing tracks, this pedal was designed with practicality in mind, to empower modern musicians.
Radar
With 30 cab models to choose from and microphone and power-amp simulation ideal for recording or silent practice, this mini can help transform a pedalboard into a complete guitar rig.
Cabzeus
This two-channel cabinet/speaker/miking simulator uses advanced DSP processing techniques coupled with clean and robust circuit designs for minimal noise and optimal headroom.
CabDriVR
Featuring 14 guitar- and bass-cabinet impulse responses and dual inputs and outputs, this emulator also has separate level controls so players can balance each cab’s volume in the mix.
Omni IR
This compact pedal houses 40 legendary guitar and bass cabinet IRs, a 4-band EQ with 12 dB boost/cut, and a hi-res OLED screen for easy operation in any recording or live scenario.
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Gary started as a simple request to create a compact version of the now discontinued Gray Channel, which was a mainstay on Lee’s board and a big part of his main drive tone. This was all fine and good, and sounded quite sick, but Gary was demanding that we look deeper and explore his dark side a little more, Gary after dark, Saturday night Gary. So, we sat him down and began the trek of figuring old Gare-Bear out once and for all. The result is a real exercise in light and dark; smooth to shredded and everything in between.
Gary’s right brain consists of a dynamic and destructive fuzz that is both domineering and interactive. It is a ripping fuzz tone with an envelope-controlled variable pulse width and enough volume to blow everything up. This nasty little fuzz turns the signal into a square wave and allows you to dynamically adjust the duty cycle with pick attack. Yes! Controls the sensitivity of the envelope. When this is all the way down you will get an unadulterated thick and heavy square wave fuzz tone that will sustain for days and go dead quiet when you stop playing. As you increase the Yes! control, the envelope becomes more interactive, and the pulse width narrows the harder you hit it. As the pulse width narrows, the tone becomes more nasal and biting until it gets so narrow that Gary goes to his dark place and disappears completely. In other words, with higher sensitivity settings, the sound will disappear entirely and come cruising back to Gary’s big guy tone. With proper playing dynamics, this creates a very cool effect that can sound like an exploding amp coming in and out of life, blown through a phase shifter.
This effect can also be controlled with an expression pedal for manual operation or for finding just the right pulse width to cut through the mix for a set-and-forget operation. When using an expression pedal, Yes! operates in conjunction with the expression pedal to set the peak of the sweep. Set Yes! to the desired stopping point and express yourself as you please without worry of taking Gary over the edge!
Oosh acts as the master volume for Gary’s nasty side. There is an insane amount of volume on tap so use this control wisely!
Gary’s left brain displays his softer side. This is a simple and natural sounding overdrive that keeps your tone lively and drives your amp crazy. This side is based on the green channel of our Gray Channel, which is our take on the classic little yellow overdrive that started it all for us. Lee used this pedal with the clipping switch permanently set to the middle position, which removes all the diodes from the circuit, producing a full-bodied, cutting opamp distortion with plenty of volume on tap. We have reproduced that tone here with exacting precision. Go sets the opamp drive and can range from a simple full-range clean boost all the way up to a smooth and natural distortion. In conjunction with That’s It, which is the master volume for the drive side, you can use Gary’s softer side as a clean boost to push your amp into overdrive or turn up Go and use all of Gary’s internal magic to create the finely tuned dirt you desire.
Gary’s signal path is fuzz into overdrive for total tonal integrity and cannot be changed. This is where Gary put his foot down, and we obliged.
Each and every Gary was softly brought to life by the delicate hands of EarthQuaker Devices in the elegantly unrefined canal-front city of Akron, Ohio USA.
USA MAP/List price: $199.00
Gary Automatic Pulse Width Modulation Fuzz and Dynamic Natural Overdrive - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.EarthQuaker Devices Gary Automatic Pulse Width Modulation Fuzz/Overdrive Pedal
