Watch again as our video talents summon the sounds that drove you to new inspirational heights.

10. Ernie Ball Music Man St. Vincent Goldie

Vanessa Wheeler

Ernie Ball-designed mini humbuckers lend new versatility to Annie Clark's bold signature six string.

9. Dunlop Justin Chancellor Cry Baby Wah

Victor Brodén

A Colorsound-inspired fuzz and Wal bass-derived filtering make the Tool bass man's signature fuzz-wah a uniquely wild ride.

8. Fender '68 Custom Pro Reverb

Dave Hunter

Fender's modern take on the classic amp adds a midrange control, ditches the "normal" channel, and substitutes the two speakers of yore with a single Celestion 12" Neo Creamback.

7. PRS Takes on Hendrix—the PRS HX 50 First Look Demo

Shawn Hammond

Having gained access to a specimen from Seattle's Museum of Pop Culture, PRS takes aim at the tones of Jimi Hendrix's modified Woodstock head.

6. Carr Super Bee

Dave Hunter

Crave big black-panel Fender feel in an amp that doesn’t bust eardrums? Carr's little brute delivers the substance and the sting.

5. Fender Player Plus Nashville Telecaster

John Bohlinger

Classic Nashville mods and extra pickup switching options open up major tone acreage.

4. Fender Tone Master Super Reverb

John Bohlinger

Big classic combo sounds live in a digitally-driven, black-panel beast you can actually lug up the stairs.

3. Fender Jason Isbell Custom Telecaster

John Bohlinger

A unique mashup of vintage specs and an accessible price make the 400 Unit maestro's signature Tele' a screaming deal.

First Look: Epiphone Alex Lifeson Les Paul Axcess Standard Demo

John Bohlinger

Dive-bombs, belly cuts, and sweet-singing split-coil tones—the Rush maestro's signature Epiphone is a supreme steal, too.

First Look: Boss TB-2W Tone Bender

Vanessa Wheeler

A stompbox goliath and a London fuzz pioneer honor the Tone Bender that elevated electric guitar to psychedelically stratospheric heights.

Kemper Profiler Stage, Nueral DSP Quad Cortex & Line 6 HX Stomp (clockwise from top)

A deep dive into faux amps, futuristic setups, and how to use modern technology’s powers for good.

The jump between analog and digital gear has never been more manageable. It no longer takes a rack full of outboard gear with a six-figure price tag to help realize not only the tone you have in your head, but the expansive workflows that started to pop up in the early ’80s. We’re now about a decade into the modern era of digital modelers and profilers and it seems like the technology has finally come into its own. “This is really the first time in a while where you can have bar bands playing the exactsame gear as stadium acts,” says Cooper Carter, a Fractal Audio Systems production consultant who has done sound design and rig building for Neal Schon, James Valentine, John Petrucci, and others.

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Master builder Dennis Galuszka recreates the legendary "Chicago" guitarist's legacy with a collectible, limited run guitar.

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