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Rig Rundown: Citizen [2021]

Rig Rundown Citizen

Go inside Mat Kerekes' home studio to see the stock Fenders, magical JCM800, and key "junker" pedals that colored Life In Your Glass World.

"Citizen is expertly trained in disappointing our fans," cheekily admits guitarist Nick Hamm. "So, every time people like something we're heading in a different direction."

The self-deprecation aside, Citizen has thrived at throwing musical curveballs. 2013's debut Youth seemingly shotput them into a trajectory as angsty emo kids with a love of '90s grunge-rock dynamics. However, 2015's Everyone Is Going to Heaven expands on their early complexities. They stretch out the symbiotic flow from heavy to quiet. The crushers ("Cement") hit harder while the dreamers ("Heaviside" or "Yellow Love") float longer in a spacy nighttime silhouette. 2017's As You Please further combines atmosphere with aggression. The result is a dark-pop album with cutting, jagged moments of emotion. Synth layers smooth out the edges and enable the hooks and melodies to sink deeper. And the brand-new Life In Your Glass Worldis almost a more dense, groovy dance record than pure, riff-heavy rock album. (Which makes sense after learning in the Rundown all the songs were written around the rhythm section, not guitar or vocals.)

Just before putting out their latest album, core Citizen members Mat Kerekes (singer), Nick Hamm (guitarist), and brother Eric Hamm (bassist), virtually welcomed PG's Perry Bean into Kerekes' home studio that facilitated the new album.

In this episode, the Hamm brothers and singer/producer Mat Kerekes detail the impact their altered songwriting and recording processes impacted the outcome of Life In Your Glass World. In addition, Nick Hamm contextualizes two pivotal EHX pedals, while Eric Hamm explains how losing a Fender Bassman 800 improved his tone.

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Nick Hamm's Fender American Performer Jazzmaster

Nick Hamm's Fender American Performer Jazzmaster

The biggest departure for Nick Hamm's setup is upgrading from a Fender Classic Player Jazzmaster (seen in the last Rundown and used extensively on As You Please) to a Fender American Performer Jazzmaster for Life In Your Glass World.

Nick Hamm's Marshall JCM800

Nick Hamm's Marshall JCM800

"This JCM800 is flat-out not going anywhere," states Citizen guitarist Nick Hamm. And to his credit, it's been in his setup (and in the studio) ever since our 2017 Rundown. (In that episode, Hamm stated that producer loved this Marshall JCM800 so much that he told Nick to never sell this amp.

Nick & Eric Hamm's Cabinets

Nick & Eric Hamm's Cabinets

The 800 powers a staggered 4x12 cab from Janice and it's loaded with Vintage Celestion 30s. Next to the 4x12 rests bassist Eric Hamm's staggered Janice 6x12.

Nick Hamm's Pedalboard

Nick Hamm's "junker" pedalboard has slightly changed since 2017—the Electro-Harmonix Freeze was removed to make way for EHX's Synth9 ("featured on prominent parts of the new record like 'Blue Sunday'"). The rest are repeat offenders: Ernie Ball VP Jr, Electro-Harmonix Nano Big Muff, Electro-Harmonix Micro POG, Ibanez TS9 Tube Screamer, Electro-Harmonix Holy Grail, Boss DD-3 Digital Delay, Boss CH-1 Super Chorus, and a Boss TU-3 Chromatic Tuner.

Eric Hamm's 2014 Fender American Standard Jaguar bass

Eric Hamm's 2014 Fender American Standard Jaguar bass

Eric Hamm's main ride is still this 2014 Fender American Standard Jaguar bass because he continues to enjoy its different sound and tonal flexibility when compared to his P basses. The bass works in either passive or active mode, but he prefers its sound in the passive setting.

Eric Hamm's Tech 21 SansAmp RBI

Eric Hamm's Tech 21 SansAmp RBI

Last time we spoke with Citizen, Eric Hamm was using a Fender Bassman 800. He's since recalibrated his setup with a Tech 21 SansAmp RBI that's powered by a Crown Audio XLS 1500 and runs in conjunction with a BBE 362 Sonic Maximizer.

Eric Hamm's Pedalboard

Eric Hamm's Pedalboard

While still man of few pedals, Eric Hamm has expanded to three stomps and a tuner. The Pro Co Rat and TC Electronic PolyTune 2 are carryovers, but the pair of newbies is a Fender Tre-Verb and Fredric Effects Unpleasant Companion MkII.

On her new record with her trio, Molly Miller executes a live-feeling work of structural harmony that mirrors her busy life.

Photo by Anna Azarov

The accomplished guitarist and teacher’s new record, like her lifestyle, is taut and exciting—no more, and certainly no less, than is needed.

Molly Miller, a self-described “high-energy person,” is fully charged by the crack of dawn. When Ischeduled our interview, she opted for the very first slot available—8:30 a.m.—just before her 10 a.m. tennis match!

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Photo by Maclay Heriot

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There’s a dangerous, pernicious myth, seemingly spread in perpetuity among fledgling artists and music fans alike, that when you’re a musician, inspiration—and therefore productivity—comes naturally. Making art is the opposite of work, and, conversely, we know what happens to Jack when there’s all work and no play. But what happens when the dimensions of work and play fuse together like time and space? What happens to Jack then? Well, behind such an instance of metaphysical reaction, undoubtedly, would be King Gizzard & the Lizard Wizard.

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Andy Timmons records rare Lennon/McCartney song "I'm In Love" at Abbey Road's Studio Two.

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Ted’s to-go kits: the silver box and the Big Black Bag.

Traveling with a collection of spare essentials—from guitar and mic cables to extension cords, capos, tuners, and maybe even a mini-amp—can be the difference between a show and a night of no-go.

Anyone who’s seen a spy flick or caper movie knows about go bags—the always-packed-and-ready duffles or attachés filled with passports, a few weapons, and cash that’s ready to grab and run with when the hellhounds are on your trail. As guitar players, we also need go bags, but their contents are less dramatic, unless, maybe, you’re playing a Corleone-family wedding.

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