These Fat Wreck-label punkers keep it stupid simple with single-humbucker, classic-custom recreations for their ripping Ramones downstrokes and pogo-ready choruses.
Wyoming has a punk-rock scene? Well, if it does, Teenage Bottlerocket are its seminal stars.
Formed in 2000 by twin brothers Ray (bass and vocals) and Brandon Carlisle (drums), and eventually fortified by guitarist Kody Templeman and bassist Miguel Chen, the full-throttle four-pack have continuously proven you can have big fun with little gear. (When Miguel joined TBR in 2008, Ray moved over to guitar, and drummer Darren Chewka has filled in for Brandon since his untimely passing in 2015.)
Over the course of eight LPs and three EPs (mostly on Fat Mike's Fat Wreck Chords), their sound has changed about as much as their cover art. And that's just been slight-hue variations of the TBR logo. But that's okay, because their brand of pop punk is lighthearted, fast, frenetic, and infectious, providing a carefree bash full of big hooks and blitzkrieg-ing power chords.
At Nashville's Exit/In outdoor stage, the guitarists detail their custom Jason Ingrodi offsets, how random phone calls and sweat have influenced their pickup choices, and why their Oranges only need a slight CH-1 swirl for solos.
[Brought to you by D'Addario's XPND Pedalboards: https://www.daddario.com/XPNDRR]
Ray Carlisle's Jason Ingrodi Custom Guitar
Here is co-founding frontman/guitarist Ray Carlisle's custom Jason Ingrodi, heavily influenced by Johnny Ramone's Mosrites. One departure from Semie Moseley's original Ventures design is the move to a string-thru construction (something Ray stole from his days playing P basses when he started the band with his brother). The lone humbucker is an alnico 5 Wolfetone Marshallhead that aims to be an overwound P.A.F. He relies on D'Addario EXL 110 (.010ā.046) strings and has downsized to Dunlop .73 mm picks (and .60 mm on bass) to help his tendonitis.
Teenage Bottlerocket Logo
A close-up of the Teenage Bottlerocket logo that sits at the 12th fret.
Jason Ingrodi Headstock
This Ingrodi headstock could fend off any unruly stage divers.
Orange Rockerverb 100 MkII
For the longest time, Ray Carlisle's amp of choice was a 1981 Marshall JCM800 50-watt head. That all changed when he was sideswiped by Queers frontman Joe Queer's tone. Queer was using an Orange Rockerverb 100 MkII, and the rest is history. It hits a matching Orange PPC412HP8 4x12 that has Celestion G12K-100s.
Boss CH-1 Super Chorus
Carlisle's lone pedal is the Boss CH-1 Super Chorus that gets engaged for solos (sometimes).
Kody Templeman's "Jeff" the Jason Ingrodi Custom Guitar
Guitarist Kody Templeman follows Ray's lead and takes the stage with a custom Jason Ingrodi model that's named Jeff. It blends together an Explorer-style body, a T-style headstock, and upside-down cross inlays that were popularized by Tony Iommi and his SGs in Sabbath (starting around Technical Ecstasy and Never Say Die!). This Ingrodi amalgamation originally came with a pair of DiMarzio Super 2s. Templeman would only use the neck pickup when the bridge would short out from sweat. He's since removed the 2s, put in a single Seymour Duncan SH-PG1b Pearly Gates, and covered the vacant neck-pickup slot with a wood cover.
The aforementioned 6-in-line, T-style headstock.
Orange TH100
Like his bandmate, Templeman trusts his stage tone to an Orange. His simplistic approach gravitates to the spartan TH100 that has just three knobs for each channel. The 100W head runs into an Orange PPC412HP8 4x12 that also has Celestion G12K-100s. (Not pictured: For lead work, Templeman has a Boss CH-1 Super Chorus and Ibanez Tube Screamer.)
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Nineties-style high-gain heaviness that can be surgically tailored with a powerful EQ.
Excellent variations on high-gain modern distortion tones. Powerful EQ.
Not many low- or mid-gain sounds here.
$199
JHS Hard Drive
jhspedals.com
JHS makes many great and varied overdrive stomps. Their Pack Rat is a staple on one of my boards, and I can personally attest to the quality of their builds. The new Hard Drive has been in the works since as far back as 2016, when Josh Scott and his staff were finishing off workdays by jamming on ā90s hard rock riffs.
During these sessions, Scottās go-to pedal was the Ibanez SM7 Smash Box. He realized that JHS had never offered anything along those lines, conferred with his then lead engineer, Cliff Smith, and the wheels were set in motion. Over several years of design, the Hard Drive evolved from an SM7 homage to a unique, original circuit.
JHSā Hardest to Date
The Hard Driveās control panel is streamlined, consisting of knobs for volume, mid frequency, drive, bass, middle, and treble. Driven by cascading gain stages, the Hard Drive can cop a wide range of modern distorted tones. Even at the lowest drive settings, the Hard Drive simmers, delivering massive bottom end on muted power chords. Nudging the drive up very slightly transforms the Hard Drive into a roaring Marshall JCM 900. And if you bring the drive all the way up, youāre in for all out chaos. Even with an amp set just louder than bedroom levels, the Hard Drive, with its volume at just 11 oāclock, is very loud and in-your-face. You donāt have to work hard to imagine how this could sound and feel like multiple stacks raging at Madison Square Garden in the context of a recorded track.
Even at the lowest drive settings, the Hard Drive simmers, delivering massive bottom end.
Zoning the Frequencies
Unlike some heavy pedals that concern themselves with mega-gain and little else, the Hard Driveās EQ controls are very effective and powerful. Moving the treble knob from 11 oāclock to 1 oāclock changes the pedalās tone and response characteristics completely, opening up and transforming the naturally relatively dark sound of my Fender Super Sonic amp. Turning the treble knob all the way off with the bass and mid knobs at noon gives me a vocal lead tone thatās creamy, warm, and still immediate and responsive.
The middle and mid frequency controls work in tandem. The mid control itself works as a cut or boost. The mid frequency control, however, lets you choose the specific frequency you cut or boost. I found these controls invaluable for sculpting tones that could leverage the copious gain without being abrasive. Meanwhile, adding more high midrange lends clarity to complex chords.
The Verdict
The Hard Drive is an unapologetically heavy pedalāif youāre looking for a dirt box that can double as a clean boost, well, the Hard Drive is not that. Itās meant to slay with gain, and it performs this task well and with a vengeance. There are countless dirt boxes on the market that deliver hot rodded, ā80s-style brown sound. Fewer cater to the subsequent generations of high-gain players that used the ā80s as a mere jumping-off point. The Hard Drive is very much voiced for this strain of heavy music. If thatās your jam, the Hard Drive is hard to beat.
Tailored for Yngwie Malmsteen's signature sound, the MXR Yngwie Malmsteen Overdrive is designd to offer simple controls for maximum impact.
Working closely alongside Yngwie, the MXR design team created a circuit that delivers clarity, expressive dynamics, and rich harmonicsāall perfectly tailored for his light-speed arpeggios, expressive vibrato, and big, bold riffs. The control setup is simple, with just Level and Gain knobs.
"Want to sound like Yngwie? Crank both knobs to the max."
āThis pedal is the culmination of 45+ years developing a sound thatās perfect in every possible way,ā Yngwie says. āI present to you: the MXR Yngwie Malmsteen Overdrive. Prepare to be amazed.ā
āMXR Yngwie Malmsteen Overdrive highlights:
- Perfectly tailored for Yngwie Malmsteen's signature sound and style
- Simple control setup tuned for maximum impact
- Boost every nuance with superior clarity, expressive dynamics, and rich harmonics
- Dig into light-speed arpeggios, expressive vibrato, and big, bold riffs
The MXR Yngwie Malmsteen Overdrive is available now at $129.99 street/$185.70 MSRP from your favorite retailer.
For more information, please visit jimdunlop.com.
Voltage Cable Company's new Voltage Vintage Coil 30-foot guitar cable is now protected with ISO-COAT technology to provide unsurpassed reliability.
The new coiled cables are available in four eye-grabbing retro colors ā Surf Green, Electric Blue, Orange and Caramel ā as well as three standard colors: Black, White and Red. There is also a CME exclusive āChicago Creamā color on the way.
Guitarists can choose between three different connector configurations: straight/straight plugs, right angle/straight and right angle/right angle options.
The Voltage Vintage Coil offers superior sound quality and durability thanks to ISO-COAT treatment, a patent-pending hermetic seal applied to solder terminations. This first-of-its-kind airtight seal prevents corrosion and oxidization, a known factor in cable failure and degradation. ISO-COAT protected cables are for guitarists who value genuine lifetime durability and consistent tone throughout their career on stage and in the studio.
Voltage cables are hand made by qualified technical engineers using the finest components available and come with a lifetime warranty.
Voltage Vintage Coil features include:
- Lifetime guarantee, 1000+ gig durability
- ISO-COAT treatment - corrosion & oxidization resistant cable internals
- Strengthened structural integrity of solder terminations
Voltage Vintage Coils carry $89.00 USD pricing each and are available online at voltagecableco.com, as well as in select guitar stores in North America, Australia, Thailand, UK, Belgium and China.
About Voltage Cable: Established in 2021, Voltage Cable Co. is a family owned and operated guitar cable company based in Sydney, Australia. All their cables are designed to be played, and built for a lifetime. The companyās ISO-COAT is a patent pending hermetic seal applied to solder terminations.
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dualāengine processing and worldāclass UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* ā the notorious 120āwatt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp ā with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120āwatt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete albumāready sounds with builtāin noise gate, TSāstyle overdrive, and TCāstyle preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.