
Rock ānā Roll Hall of Fame inductee Duane Eddy first lassoed radio waves with his influential spaghetti-western style, single-note melodies, and eerie, low-string bends using a Gretsch Chet Atkins
Rock ānā Roll Hall of Fame inductee
Duane Eddy first lassoed radio waves
with his influential spaghetti-western style,
single-note melodies, and eerie, low-string
bends using a Gretsch Chet Atkins model.
He bought that Gretsch when he was 16
and started his first duo with friend Jimmy
Delbridge, who later recorded as Jimmy
Dell. The aforementioned Gretsch would
later help create Eddyās two signature models
released by Gretschāthe 6120-DE in
ā97 and the brand new G6120DE. Long
before Gretsch signed on to honor the
Twangmaster General for his legendary guitar
phrasing and echo-chambered recordings,
Guild Guitars constructed a signature
Duane Eddy 400 model in 1963. Upon its
completion, Guildās Duane Eddy 400 guitar
stands as one of the first signature models
built by a company for a player who wasnāt
necessarily connected to their guitar brand
or makes.
This 1969 Guild Duane Eddy 400ā made during the initial runās final yearāis a semi-hollowbody with a bound, arched spruce top, maple back and sides, mahogany neck, and a 20-fret bound rosewood fretboard. To accommodate Eddyās penchant for right-hand note bends, the 400 has a Bigsby vibratoāstamped with the Guild logo and āGā rather than the standard Bigsby branding. Additional points of interest are the bound headstock with the Chesterfield-style Guild logo, Eddyās signature on the pickguard (rather than the more typical headstock or truss-rod cover), and the dual humbuckers that have been described as having a crisp, midrange bark.
A special thanks to Jeff Sadler of Rock N Roll Vintage Guitars (http://www.rocknrollvintage.com) in Chicago for the opportunity to feature this fine instrument and its story.
Have an axe that would make a great Guitar of the Month? Then email pics and your instrumentās story to us at gotm@premierguitar.com.
This 1969 Guild Duane Eddy 400ā made during the initial runās final yearāis a semi-hollowbody with a bound, arched spruce top, maple back and sides, mahogany neck, and a 20-fret bound rosewood fretboard. To accommodate Eddyās penchant for right-hand note bends, the 400 has a Bigsby vibratoāstamped with the Guild logo and āGā rather than the standard Bigsby branding. Additional points of interest are the bound headstock with the Chesterfield-style Guild logo, Eddyās signature on the pickguard (rather than the more typical headstock or truss-rod cover), and the dual humbuckers that have been described as having a crisp, midrange bark.
A special thanks to Jeff Sadler of Rock N Roll Vintage Guitars (http://www.rocknrollvintage.com) in Chicago for the opportunity to feature this fine instrument and its story.
Have an axe that would make a great Guitar of the Month? Then email pics and your instrumentās story to us at gotm@premierguitar.com.