
John 5 in 2019 with another of his flashy Teles.
This Tele looks flashy, but its unique wiring scheme is simple and easy to recreate.
Hello and welcome back to Mod Garage. This month, we will explore the Fender John 5 Ghost Telecaster wiring and how you can adopt it for your own Telecaster. Fender recently released this signature Telecaster in a limited edition of 600 pieces, and they quickly sold out. Before many serious musicians could grab one, collectors with big purses bought them all. So, your only chance to get one now is to look for a used one, or hope that Fender will have mercy and build some more. Or, you can read on to learn what’s inside and how to build your own version of this guitar.
I have to confess that this is a matter of heart for me because I’m a John 5 fan. I’m really fascinated with his playing style. This guy can play it all. No matter if he’s picking country swing or shredding death metal, his playing is very close to the traditional tones and techniques, but is always in his own style. Besides this, he’s a very humble guy with a great sense of humor, so I’m really happy to write a piece about his new signature Telecaster.
Fender worked very closely with John 5 on this model. At its core, this guitar is a standard HH Telecaster in arctic white—including the neck and fretboard—with red accents that include the binding, nut, knobs, pickups, and more. It’s a matter of taste, if you like this flashy aesthetic or not.
Let’s have a look at the basic features, so you have a shopping list if you want to build your own:
- alder body with HH pickup routings and binding
- maple neck with a medium C shape, 9.5" radius, and 22 narrow tall frets
- 42 mm synthetic bone nut
- string-through Tele bridge with humbucker pickup cutout and six block steel saddles
- sealed locking tuners
- 1-piece pickguard/control plate combination in mirrored chrome
- .009–.042 nickel-plated steel strings
What makes this guitar really stand out besides its appearance is the wiring, which I think is very special but also minimal. You can put this wiring inside any Telecaster, as long as it accepts two humbuckers. It consists of:
- two DiMarzio D Activator humbucker pickups
- master volume control (most likely 500k audio) without treble-bleed network
- Gibson-style 3-way pickup-selector toggle switch
- momentary kill switch
That’s all John 5 needs to sound like no one else, so let’s go through the pieces step by step and see what is under the hood.
Pickups
The DiMarzio D Activator humbuckers are passive mid-output pickups with ceramic magnets that have been available since 2006. In the John 5 Ghost Telecaster, both pickups are permanently wired to run as full humbuckers with both coils in series. For the wiring diagram, I used the DiMarzio color code: Green and bare wire are going to ground, black and white are connected and taped off, red is the hot output. If you want to use different humbuckers, you will have to transfer the colors of the wires using one of the numerous color code charts on the internet.
On the Ghost Tele, the pickups are red, but they are available in many different colors, too.
Pots
There is only a single master volume control, without a treble-bleed network. I haven’t had an opportunity to look at one of these guitars in person, and Fender has not released a wiring diagram, but I’m pretty sure they choose a 500k audio pot together with these pickups, so that’s what I also recommend using.
John 5 chose a Gibson-style “speed knob” in red, but any knob will work.
Selector Switch
The John 5 model uses a standard Gibson 3-way pickup-selector toggle switch (with a red tip, of course) mounted to the upper bout for swift pickup switching. It should be wired like this:
- bridge pickup as full humbucker alone
- both pickups as full humbuckers in parallel
- neck pickup as full humbucker alone
Kill Switch
Instead of a tone control, there is a kill switch beside the master volume pot (in red ... what else?) that Fender calls “arcade style.” And yes, it reminds me a lot of the hardware of the ’80s game consoles .... Space Invaders or Donkey Kong, anyone?
A kill switch is a momentary switch that is usually used for machine gun sounds or stuttering effects. (A momentary switch only cuts off your guitar’s signal against ground while being pressed and resumes normal sound when released.) For a kill switch, you only need a basic on/off 2-position switch. An SPST (single pole-single throw) switch is ideal. SPST switches have only two contacts on the bottom and the switch simply connects (or disconnects) these two terminals to each other when the switch is pressed.
“What makes this guitar really stand out besides its appearance is the wiring, which I think is very special but also minimal.”
Be sure to buy a good quality switch, and make sure it’s a momentary and not a latching type. The type you need is a “normally open” (off) switch. When you are pressing the switch, you make a connection between the two contacts. The switch returns to the off position when you release the button.
There are special high-quality, all-metal kill switches for guitars available. There are also models with an LED inside if you are looking for a cool look. But keep in mind that you will need a battery for the LED, plus space inside the guitar to install it.
Here we go for the wiring. As usual, I substituted all ground connections with the international symbol for ground to keep the diagram as clean as possible. The wiring itself is very easy to do and is also a good beginner’s project.
Fig. 1
Illustration courtesy of singlecoil.com
That’s it! Next month, we will take a deep dive into something I received many email requests for, because it’s always confusing and not easy to understand: phase and polarity, and the difference between these two pickup parameters. So, stay tuned!
Until then ... keep on modding!
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Empress Effects is proud to announce the release of the Bass ParaEq, a bass-specific parametric EQ pedal.
Building on the success of their acclaimed ParaEq MKII series, which has already gained popularity with bassists, the Bass ParaEq offers the same studio-grade precision but with features tailored for bass instruments.
Basses of all types – including electric and upright basses with active and passive electronics – can benefit from the Bass ParaEq’s tone-sculpting capabilities.
The new pedal follows the success of the Empress Bass Compressor and ParaEq MKII Deluxe, which have become some of the company’s best-reviewed and top-selling products. The Bass Compressor’s popularity confirmed what Empress had long suspected: bassists are eager for tools built with their needs in mind, not just adaptations of guitar gear.
The Bass ParaEq retains the line’s powerful 3-band parametric EQ and studio-style features while introducing a bass-optimized frequency layout, a selectable 10MΩ Hi-Z input for piezo-equipped instruments, a dynamically-adjusted low shelf, and automatic balanced output detection—perfect for live and studio use alike.
The Bass ParaEq also offers an output boost, adjustable by a dedicated top-mounted knob and activated by its own footswitch, capable of delivering up to 30dB of boost. It’s perfect for helping your bass punch through during key moments in live performance.
Whether dialing in clarity for a dense mix or compensating for an unfamiliar venue, the Bass ParaEq offers precise tonal control in a compact, road-ready form. With 27V of internal headroom to prevent clipping from even the hottest active pickups, the Bass ParaEq is the ultimate studio-style EQ designed to travel.
Key features of the Bass ParaEq include:
- Adjustable frequency bands tailored for bass instruments
- Selectable 10MΩ Hi-Z input for upright basses and piezo pickups
- Auto-detecting balanced output for long cable runs and direct recording
- Three sweepable parametric bands with variable Q
- High-pass, low-pass, low shelf, and high shelf filters
- Transparent analog signal path with 27V of internal headroom
- Buffered bypass switching
- Powered by standard 9V external supply, 300mA (no battery compartment)
The Bass ParaEq is now shipping worldwide. It can be purchased from the Empress Effects website for $374 USD and through authorized Empress dealers globally.
Kiesel Guitars has introduced their newest solid body electric guitar: the Kyber.
With its modern performance specs and competitive pricing, the Kyber is Kiesel's most forward-thinking design yet, engineered for comfort, quick playing, and precision with every note.
Introducing the Kiesel Kyber Guitar
- Engineered with a lightweight body to reduce fatigue during long performances without sacrificing tone. Six-string Kybers, configured with the standard woods and a fixed bridge, weigh in at 6 pounds or under on average
- Unique shape made for ergonomic comfort in any playing position and enhanced classical position
- The Kyber features Kiesel's most extreme arm contour and a uniquely shaped body that enhances classical position support while still excelling in standard position.
- The new minimalist yet aggressive headstock pairs perfectly with the body's sleek lines, giving the Kyber a balanced, modern silhouette.
- Hidden strap buttons mounted on rear for excellent balance while giving a clean, ultra-modern look to the front
- Lower horn cutaway design for maximum access to the upper frets
- Sculpted neck heel for seamless playing
- Available in 6 or 7 strings, fixed or tremolo in both standard and multiscale configurations Choose between fixed bridges, tremolos, or multiscale configurations for your perfect setup.
Pricing for the Kyber starts at $1599 and will vary depending on options and features. Learn more about Kiesel’s new Kyber model at kieselguitars.com
The Sunset is a fully analog, zero latency bass amplifier simulator. It features a ¼” input, XLR and ¼” outputs, gain and volume controls and extensive equalization. It’s intended to replace your bass amp both live and in the studio.
If you need a full sounding amp simulator with a lot of EQ, the Sunset is for you. It features a five band equalizer with Treble, Bass, Parametric Midrange (with frequency and level controls), Resonance (for ultra lows), and Presence (for ultra highs). All are carefully tuned for bass guitar. But don’t let that hold you back if you’re a keyboard player. Pianos and synthesizers sound great with the Sunset!
The Sunset includes Gain and master Volume controls which allow you to add compression and classic tube amp growl. It has both ¼” phone and balanced XLR outputs - which lets you use it as a high quality active direct box. Finally, the Sunset features zero latency all analog circuitry – important for the instrument most responsible for the band’s groove.
Introducing the Sunset Bass Amp Simulator
- Zero Latency bass amp simulator.
- Go direct into the PA or DAW.
- Five Band EQ:
- Treble and Bass controls.
- Parametric midrange with level and frequency controls.
- Presence control for extreme highs.
- Resonance control for extreme lows.
- Gain control to add compression and harmonics.
- Master Volume.
- XLR and 1/4" outputs.
- Full bypass.
- 9VDC, 200mA.
Artwork by Aaron Cheney
MAP price: $210 USD ($299 CAD).
PG contributor Tom Butwin reveals his favorite songwriting secret weapon: the partial capo. Watch how the Shubb C7 and C8 can simulate alternate tunings without retuning your guitar—and spark fresh creative ideas instantly.
Shubb C8b Partial Capo for Drop-D Tuning - Brass
The C8 covers five of the six strings, leaving either the low E or high E string open, depending on how it's positioned.
- Standard setup: Placed on the 2nd fret while leaving the low E string open, it simulates Drop D-style sounds—except you're still in standard tuning (key of E). You get that big, droning bass feel without retuning.
- Reverse setup: Flipping the capo allows the high E string to ring, giving you shimmering drones and new melodic options across familiar chord shapes.
- A flexible tool that lets you simulate alternate tunings and create rich sonic textures—all while keeping your guitar in standard tuning.
Shubb C7b Partial Capo for DADGAD Tuning - Brass
The C7 covers three of the six strings—either D, G, and B or A, D, and G—depending on how it's flipped.
- Typical setup (D, G, B): Creates an open A chord shape at the 2nd fret without needing your fingers. This frees you up for new voicings and droning notes in the key of A.
- Reversed setup (A, D, G): Gets you close to a DADGAD-style tuning vibe, but still keeps you in standard tuning—great for modal, spacious textures often found in folk or cinematic guitar parts.
Use it alone or stack it with the C8 for wild, layered effects and truly out-of-the-box inspiration.