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Ear to the Ground: Chris Smither’s “Link of Chain”

To celebrate a lifetime of music, the Boston folk-blues luminary recruits like-minded friends to help out with two volumes featuring new versions of old favorites.

It would be weird for Boston folk-blues luminary Chris Smither to put out a greatest-hits compilation, because anyone familiar with the man’s breadth of solo recordings—which go all the way back to 1970’s I’m a Stranger Too!—understands that his music is too good for commercial radio. Even his best-known songs, “I Feel the Same” and “Love You Like a Man,” are best known because Bonnie Raitt covered them. But Smither’s new album, Still on the Levee, is nothing like a best-of compilation: Rather than make a mix of past recordings, he gathered some of his favorite musicians and friends to accompany him while re-recording gems from his back pages.

Having cut his teeth in New Orleans before relocating to Massachusetts, Smither naturally recruited got Allen Toussaint to tickle the ivories on “Train Home” and a noticeably more bouncy version of “No Love Today.” And Amherst trio Rusty Belle also joins in on the fun, most noticeably on a take of “Link of Chain” that’s rife with the festive vibe of friends playing a front-porch jam somewhere in the Deep South—Smither even sets the song’s tempo with the heel of his boot.

This video promoting Still on the Levee is raw and live—Smither says it was captured on the third take. His voice croons over a sweet blend of acoustic guitar boogie, junkyard percussion, and tube-warmed electric riffs, sometimes sounding like J.J. Cale’s next of kin. But when Rusty Belle’s Kate Lorenz adds in her silky vocal harmonies, the front-porch ditty blossoms into a song both as timeless as the hills and fresh as the wild daisies. smither.com

The original Roland Space Echo RE-201 is comparable in size to an amp head.

The majestic Roland Space Echo is having a bit of a resurgence. Here’s a breakdown on what makes it tick, and whether or not it’s right for you.

In this article, we delve into one of the most cherished gadgets in my guitar collection, the Roland Space Echo RE-201. This iconic piece of equipment has been used by legendary musicians like Jonny Greenwood, Brian Setzer, and Wata from Boris, which only heightened my desire to own one. A few years ago, I was fortunate to acquire a vintage RE-201 in good condition and at a reasonable price.

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In collaboration with Cory Wong, the Wong Press is a 4-in-1 Press pedal features Cory’s personal specs: blue & white color combination, customized volume control curve, fine-tuned wah Q range, and a dual-color STATUS LED strip indicating current mode/pedal position simultaneously.

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Big time processing power in a reverb that you can explore for a lifetime.

An astoundingly lush and versatile reverb of incredible depth and flexibility. New and older BigSky algorithms included. More elegant control layout and better screen.

It’s pricey and getting the full use out of it takes some time and effort.

$679

Strymon BigSky MX
strymon.net

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Strymon calls the BigSky MX pedal “one reverb to rule them all.” Yep, that’s a riff on something we’ve heard before, but in this case it might be hard to argue. In updating what was already one of the market’s most comprehensive and versatile reverbs, Strymon has created a reverb pedal that will take some players a lifetime to fully explore. That process is likely to be tons of fun, too.

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Fender Player II Stratocaster HSS & Jaguar Demos
- YouTube
Refined necks and delectable sounds elevate the jamming experience in this evolution of the accessibly priced Player Series.
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