
Covid caused a huge uptick in guitar sales and repair requests. If you're considering trying to fix it yourself rather than wait in line, here's a simple rule of thumb to keep in mind.
The COVID pandemic clobbered many of our favorite pastimes but proved to be a boon for the sales of some things, especially musical instruments. But while guitars, unlike bicycles (another pandemic fave), can be shipped without any significant disassembly, that doesn't necessarily mean it's smooth sailing once the box arrives and you pull a new, or at least new-to-you, instrument out of its case.
You did your homework, you found the right guitar at the right price, and it arrived with no visible damage. Whew! And yet after a quick tuning, something obviously isn't right.... Now what? If you're lucky, a local guitar repair technician can look at the instrument and help you determine if there's something faulty or if the problem is simply a matter of adjusting it to suit your playing style. But while finding the right guitar was a lot harder than it would've been in 2019, finding a repair tech with enough time to help you may be even more difficult. What happened?
Welcome to another unexpected wrinkle of now: A lot of us have more money to buy stuff, but if you buy something that needs fixing and you can't fix it yourself, those newly memorized mantras about patience may be put to the test. The ratio of stuff needing fixing to people who can fix things is seriously out-of-whack.
One of the reasons is that the recent dramatic uptick in people playing guitars has far outstripped any increase in the number of people being trained to work on them. This mismatch is made worse by the fact that even learning how to diagnose guitar repair issues takes considerably longer than the time it took all those COVID-trapped souls to find their dream rig online and have it delivered. Others didn't have to buy anything but a set of strings because they pulled a long-neglected guitar out of the closet, or, worse yet, the attic or garage, only to discover that their 6-string vehicle for trips down memory lane was no longer drivable.
Guitar repair techs are often one part mechanic and two parts psychologist: They're good at what they do because they understand both you and your instruments.
And while I hate to make dire predictions, a quick survey of lutherie and guitar repair schools doesn't indicate that "Guitar Repair Tech" is high on anybody's YOLO list of alternative occupations. That means the long delays of getting your guitar repaired is probably not going to improve anytime soon, and the same holds true for amplifiers. (I'm using the term "repair tech" instead of "luthier" because many people assume luthiers only build guitars.)
Those readers familiar with the online world of guitar repair videos are probably asking, "What about YouTube?" While it's true that some excellent diagnosis and instruction is available online, the DIY movement isn't for everyone and not all the guitars needing help fit that category. Bringing your brother's Seagull acoustic back from purgatory is one thing, but dad's Martin D-28? The former seems like a fitting guitar for testing YouTube-instructed setup skills, but with the D-28 it's probably best to find a repair tech with experience working on Martin guitars.
A simple safety test to keep you from getting in over your head and doing real damage is this: If you're altering a replaceable part on a guitar, such as the bridge saddle on an acoustic, or if you're making an adjustment that can be reversed, such as to the truss rod, go for it. However, if you're disturbing glue joints or a major part of the guitar, slow down. Taking the saddle out of the bridge on an acoustic guitar and altering or replacing it is one thing, but trying to reglue a loose or cracked bridge can result in real damage. (My rule of thumb is that those who have paid someone else to restring their guitar are probably not candidates for learning even the most basic setup that requires only screwdrivers and Allen wrenches, such as on a Strat.)
Yet a long-term solution to delays for instrument repair is going to require a more basic adjustment, and that's in how people who fix things are regarded by society at large. While luthiers who build guitars get lots of respect, those who repair instruments do not, even though guitar repair techs often have a tougher job.
This is because while the guitars they work on may be very similar, the people playing them often vary widely. Yngwie Malmsteen and Ry Cooder approach the Fender Stratocaster with very different goals (and very different strings), and acoustic guitarists have an equally far-ranging approach to playing instruments that are remarkably similar despite different woods and body shapes. Favorite guitar repair techs are often one part mechanic and two parts psychologist: They're good at what they do because they understand both you and your instruments. Only when repair techs get more respect, and better pay, will there be enough of them to meet demand.
- Becoming a Guitar Tech - Premier Guitar āŗ
- Gear Nannies: The Life of a Guitar Tech - Premier Guitar āŗ
- 12 Things Guitar Techs Need to Know - Premier Guitar āŗ
- 12 Things Guitar Techs Need to Know - Premier Guitar āŗ
- Spend More Time Playing Your Dang Guitars and Less Time Fixing āEm - Premier Guitar āŗ
- Worldās Worst Guitar Repairman? - Premier Guitar āŗ
Brent Mason is, of course, on of the most recorded guitarists in history, who helped define the sound of most ā90s country superstars. So, whether you know it or not, youāve likely heard Masonās playing.
Professional transcriber Levi Clay has done the deepest of dives into Brent Masonās hotshot licks. At one point, he undertook the massive project of transcribing and sharing one of Masonās solos every day for 85 or so days. Mason is, of course, on of the most recorded guitarists in history, who helped define the sound of most ā90s country superstars. So, whether you know it or not, youāve likely heard Masonās playing. Levi shares the insight he gleaned from digging deep, and he tells us what it was like when they shared a stage last year. Plus, Levi plays us some great examples of Masonās playing.
For the first time ever, two guitar greats, John 5 and Richie Kotzen will be heading out on the road this year. The tour will launch October 16 and run through November, hitting markets across the U.S.
Find the full tour itinerary right plus a link for tickets & VIP, including additional dates featuring John 5 only. Reserved seating tickets will go on sale Friday May 16 though a fan presale will begin today at noon local time and fans are strongly encouraged to buy early to get the best seats.
Meet and Greets for both artists will be available. For John 5 please go to: https://john5store.com/collections/vip.
Today, John 5 also announces more details of his anticipated new album. Called The Ghost, it will be released October 10 and is led by the new track āFiend,ā featuring Kenny Aronoff.
John 5 continues running public tours this month for his Knights In Satanās Service Museum of KISS Memorabilia in Los Angeles, California. Guided tours are open to the public for one month only (with a possible expansion). Current dates available are May 12-16, May 19-23 and May 27-30. Each will be led by John 5 himself who will provide tons of rich detail and answer any questions. Secure your place HERE.
JOHN 5 continues to tour with Mötley Crüe including an upcoming residency in Las Vegas in 2025.RICHIE KOTZEN &
JOHN 5 FALL 2025 TOUR
October 16 El Cajon, CA @ Magnolia
October 17 Riverside, CA @ Fox Performing Arts
October 18 Roseville, CA @ Goldfield Trading Post
October 19 San Jose, CA @ The Ritz
October 21 Phoenix, AZ @ Celebrity Theatre
October 22 Albuquerque, NM @ KiMo Theatre
October 24 Dallas, TX @ Granada Theater
October 25 Leander, TX @ The Haute Spot
October 27 New Orleans, LA @ House of Blues
October 28 Memphis, TN @ Minglewood Hall
October 29 Nashville, TN @ Fogg Street Lawn Club
October 30 Atlanta, GA @ Variety Playhouse
October 31 Orlando, FL @ House of Blues
November 1 Fort Lauderdale, FL @ Culture Room
November 2 Clearwater, FL @ Capitol Theatre
November 4 Richmond, VA @ The National
November 5 Leesburg, VA @ Tally Ho Theater
November 6 Patchogue, NY @ Patchogue Theatre
November 11 Glenside, PA @ Keswick Theatre
November 12 Derry, NH @ Tupelo Music Hall
November 13 Foxborough, MA @ Six String Grill & Stage
November 14 Stroudsburg, PA @ Sherman Theater
November 15 Lorain, OH @ Lorain Palace Theatre
November 16 Columbus, OH @ The King Of Clubs
November 17 Warrendale, PA @ Jergels
November 19 Wyandotte, MI @ District 142
November 20 Flint, MI @ The Machine Shop
November 21 Fort Wayne, IN @ Piereās
November 22 St. Charles, IL @ Arcada Theatre
November 23 Belvidere, IL @ Apollo Theatre
November 25 Denver, CO @ Oriental Theater
November 29 Pioneertown, CA @ Pappy & Harriet's*
*John 5 only
AEROSMITH guitarist and songwriter JOE PERRY is set to return to the road for a series of August performances with THE JOE PERRY PROJECT. The 8-date run kicks off August 13 in Tampa, FL and wraps August 23 in Port Chester, New York, with an August 19 performance in PERRYās Boston hometown (see the itinerary below). For the North American trekāwhich marks the first solo shows for PERRY this yearāthe legendary guitarist will be joined by his Aerosmith bandmates Brad Whitford (guitar) and Buck Johnson (keys), along with The Black Crowesā Chris Robinson (vocals), and Stone Temple Pilotsā Robert DeLeo (bass), and Eric Kretz (drums).
āWellā¦itās time to let the music do the talkin again,ā PERRY says. āIām really excited about the JPP line up this year!!!! Most of these guys played with me at The Roxy in L.A. at the debut event for my latest solo album [Sweetzerland Manifesto] in January 2018. Theyāre all busy as hell but thankfully theyāre able to carve out some time for this run. And Iām not only lucky enough to have Brad Whitford onstage with me but Chris Robinson of The Black Crowes! [who sang āFortunate Oneā on Sweetzerland Manifesto MKII], Robert DeLeo and Eric Kretz from STP!!! and Buck Johnson who plays keys and sings with Aerosmith, the Hollywood Vampires, and is also a solo artist in his own right.ā
For the shows, the Rock and Roll Hall of Fame inductee says āthe set list is gonna include my fav JPP cuts, STP, Black Crowes, and with Brad weāll be hitting the Aero hits and some deep cuts and then ya never know!!!! Gonna be a BLAST, and if youāve ever been to one of my shows you know the words GARAGE BAND on STEROIDS come to mind! See you there!!!!ā
DATE | LOCATION | VENUE |
Wednesday, August 13 | Tampa, FL | Seminole Hard Rock - Tampa |
Thursday, August 14 | Hollywood, FL | Seminole Hard Rock - Hollywood |
Saturday, August 16 | Toronto, ON | HISTORY |
Sunday, August 17 | Muskoka, ON | Kee to Bala |
Tuesday, August 19 | Boston, MA | Wang Theatre |
Wednesday, August 20 | Hampton Beach, NH | Hampton Beach Casino Ballroom |
Friday, August 22 | Mashantucket, CT | The Premier Theater at Foxwoods Resort Casino |
Saturday, August 23 | Port Chester, NY | Capitol Theatre |
A sample page from the authorās analog log.
Seasonal changes are tough on your acoustic. Hereās how you can take better care of your prized instrument.
As you read this, spring is in bloom in most of the US, or maybe it has been for some time. Iām timing this column specifically to ask acoustic guitarists, in this season of increasing humidity and comfortable conditions, to prepare for whatās coming. Itās never too soon, and time flies. Before you know it, weāll be back to the maintenance phase and you might be blowing up the phones of your local guitar shops, luthiers, and techs. Iām here to encourage a decidedly old-school approach to preventative guitar maintenance, and yes, it starts now.
Why, you ask? Well, as the lead luthier at Acoustic Music Works, I can tell you that in my nearly 15 years in this position, this was the worst winter ever for preventable repairs on acoustic guitars. Fret sprout, bridge lifts, top sink, soundboard cracks, back cracks, loose binding, general malaise⦠These hit us very hard in the winter that spanned 2024 and 2025. Am I complaining? On the one hand, no. This is part of how we make our money. On the other hand, yes! Repair schedules related to dryness and humidity issues can stretch into weeks and even months, and nobody wants to be without their favorite instruments for that amount of time. With a little thoughtfulness, however, you might get through next winter (and every one thereafter) without hefty repair bills or time apart from your musical companion.
Our preparation is going to start with an unlikely but very important guitar accessory: the humble notebook. Plain, lined, grid, day planner⦠it doesnāt matter. We all need to actively participate in our instrument maintenance, and in my experience, fancy apps that track humidity via Bluetooth breed a kind of laziness, a feeling of safety that might prevent us from actually physically looking in on conditions. Better we keep an analog, well, log, so that we know where things stand, and I suggest checking in daily.
āThis was the worst winter ever for preventable repairs on acoustic guitars.ā
Track your relative humidity, both in the case and in the room where your instruments mostly reside, but also take notes on your action height, top deflection (StewMac has some great tips for measuring this) and anything related to playability that you believe you can observe empirically.
Dryness is the root cause of most guitar issues that manifest in the fall and winter months. Symptoms of dryness include sharp fret ends, falling action and dead frets, sunken top around the sound hole, and cracks and bridge lifts. With your trusty notebook, youāll get a feel for the sensitivity level of your instrument, and that knowledge is power!
A few other basic implements will not only assist you in your observations, but may also satisfy your need to buy guitar-related things (at least for a minute). Getting quick and comfortable with a fret rocker is a great skill to have, and is invaluable in diagnosing buzzes due to high frets or frets that have come unseated due to dryness. A well-calibrated relief gauge might seem luxurious, but it can prevent you from making unnecessary or extreme truss rod adjustments. A string action gauge, or even a simple machinistās rule or set of feeler gauges, will help you keep track of your action. Get a three-pack of hygrometers so you can average their readings, rather than depending on one.
Lest we forget: A guitar can not only be too dry, it can also be too wet. By beginning your maintenance diligence in the spring/summer, youāll also be able to tell if your instrument is the victim of a too-humid environment. The signs of over-humidification are subtle: Your action may rise from a puffed-up top, and in extreme cases, glue joints could begin to fail. In my experience, an over-humidified guitar will suffer from dulled tone, almost like a sock in the sound hole. If youāre sensing a lack of clarity in your guitar all of a sudden, start with new strings. If it persists, it might be due to over-humidification, and you may want to introduce a desiccant to the case for a time. The more lightly built your guitar is, the more sensitive it will be to seasonal changes.
By getting into these habits early, youāll be empowered by knowing your instrument more intimately. Youāll understand when and why changes in tone and playability might have occurred, and youāll hopefully save on repair bills year-round. Feel free to reach out with any questions. Who knows? I might just send you a notebook with an AMW sticker on the cover!