TV Jones debuted the new Spectra Sonic Standard at NAMM this week. Available Bigsby B7-equipped or not, these matte-black beauties feature chambered alder bodies, set-in maple necks topped with rosewood 'boards, and TV Jones T-Series Spectra-Flux pups.
Discover the magic of tone with the latest pedals! From the versatile Brothers AM to the warm Keeley Manis Overdrive, each offers unique sonic possibilities. Ready to elevate your sound? Dive into the Eventide H90's powerhouse effects or the compact CHO-mini's rich chorus. Which pedal will inspire your next masterpiece?
CHASE BLISS Brothers AM
A faithful tribute to the Analog Man King of Tone, the Brothers AM offers dual multi‑mode gain channels—boost, overdrive, or distortion—with intuitive controls, live tweakability, and four onboard custom presets. It adds a bonus treble‑booster circuit inspired by the Beano Boost, giving you extra bite and clarity. Fully MIDI, expression, and CV‑controllable, this pedal lets you save tones and stack effects while preserving the warm, transparent character of the original.
The Keeley MANIS Overdrive is a bold evolution of the mythical transparent drive, blending NOS germanium transistors and diodes for unmatched warmth, compression, and grit. With switchable voicings and dynamic touch response, it’s a tone-sculpting weapon built for players who demand both clarity and rich harmonic character in one pedal.
Eventide’s flagship H90 Harmonizer is a powerhouse multi-effects pedal. It features 70 effect algorithms, including reverb, delay, pitch shifting, modulation, and distortion, plus hundreds of curated programs. With comprehensive I/O and flexible routing, the H90 is built to be the heart of your rig, on stage or in the studio.
The Amp Academy Stomp is the latest in amp modeling from NUX. Included are several legacy amps, effects, Bluetooth with an app, workflow features, and more. Most importantly, the Amp Academy Stomp includes Image, which loads NAM profiles into the Amp Academy Stomp and, with black-box algorithms, accurately reproduces the dynamics and responsiveness of any amp profile loaded into the pedal.
The pocket-sized and feature-packed CHO-mini pedal delivers an outstanding selection of chorus tones at a budget-friendly price. With a selection of three curated and timeless chorus effects, the CHO-mini delivers a wealth of sonic possibilities in mono or spacious stereo imaging. Includes tap-tempo, true or buffered bypass, metal housing. Available from Osiamo.
The Fuhrmann Echoes pedal is a versatile delay unit, offering digital, modulated, and analog modes. It provides clear, modulated, or degrading (analog-like) delay repetitions, adjustable with a low-pass-filter control. Featuring tap tempo and two rhythmic subdivisions, this compact pedal delivers up when one delay is not enough.
Batverb is the stereo reverb that dreams are made of. Less of a room simulator and more of a tail-generating pedal, Batverb is an instrument in its own right. Batverb sings in any signal chain, with dedicated controls for suboctaves and overtones, saturation, ducking behavior, and more.
The Ampero II is the latest addition to the Ampero series, a second-generation multi-effects processor that brilliantly combines the iconic stage control of the original Ampero with the power of a new triple-core digital audio processing platform. Plus, a larger, sharper 5-inch dynamic touchscreen and newly designed system UI for smoother, and more intuitive interaction. All while maintaining the compact and lightweight design of the Ampero Series.
The Fuhrmann Stellar Stereo Reverb pedal delivers a broad range of reverbs, from short early reflections to long, floating tails. Users can seamlessly transition between nine stored reverb scenes with no noticeable delay. Intuitive controls allow for precise adjustments, making it a powerful and user-friendly addition for diverse sonic needs.
The DoubleTracker Stereo delivers lush, organic stereo doubling with adjustable delay, pitch, and spread. Featuring dual isolated paths, intuitive controls, and unique SYNC/COMP modes, it adds depth and dimension to any instrument—perfect for guitar, bass, keys, vocals, and studio work. It’s not chorus. It’s Double Tracking.
The Rock N Roll Relics Stinger overdrive has all the mojo of classic, yellow drive pedals, but with tonal refinements to bring it to the modern age. We use NOS construction, as you’ll come to expect with the Stinger Series, which gives it that authentic, ear-pleasing tone we all want.
The prolific Australian guitarist brought his mastery to east Nashville, where we got a look at the gear he’s trusting overseas.
Adam Miller has been compared to plenty of his most sacred influences—Tommy Emmanuel, Chet Atkins, Charlie Hunter, Bill Frissell—but he’s certainly carved a path of his own. This year alone, he’s released three records and undertook a U.S. tour to bring his delightful mix of jazz, groove, and beyond to eager listeners.
Before his show at the Underdog in east Nashville, Miller took some time to show PG’s Chris Kies around his trusted tools for international touring, including a gorgeous custom Huber electric, a Collings acoustic, and some key items on loan.
Calling a Huber
This custom-built Huber electric, by German luthier Nik Huber, was crafted over the last five years, working in elements of Miller’s previous Huber and several other designs. It has a heavily chambered mahogany back and redwood top, bolt-on maple neck, rosewood fretboard, trapeze tailpiece, and nylon saddles, plus Kloppmann Electrics mini humbuckers and a single 250k volume pot, which rolls off for a jazzy archtop sound. Miller strings it with D’Addario NYXLs (.011–.049s).
Borrowed Bari
Since Miller can’t bring all his favorite instruments on tour, he often borrows guitars from local friends and fans on tour, like this baritone Novo Serus J.
Collings Calling
Miller bought this Collings acoustic at Gladesville Guitar Factory, just outside Sydney, about 10 years ago. He runs it with a Seymour Duncan Wavelength duo pickup system, but swapped out the kit’s undersaddle piece for soundboard transducers and modified “the circuit so they’re at a crossover, so you’re only hearing the bottom end of them and all the top end’s coming from the condenser mic.” He uses D’Addario Nickel Bronze (.012–0.53s) on his acoustic.
Can I Bum a Studio Sig?
Miller has been a Two-Rock devotee since 2007, and on one of his first trips to the U.S., he visited the factory and picked one up. He doesn’t travel with his unit, so he borrowed this one from Nashville legend Cory Congilio. For Miller, an amp is the soundboard for an electric guitar; if he doesn’t have a Two-Rock, he struggles.
Adam Miller’s Pedalboard
Miller’s Collings runs into a Grace Design ALiX preamp, which helps him fine-tune his EQ and level out pickups with varying output when he switches instruments. For reverb, sometimes he’ll tap the Strymon Flint, but often he’ll let the front of house weave it in.
Aside from the ALiX and Flint, Miller relies on a Vemuram Jan Ray, Free the Tone SOV-2 Overdrive, Chase Bliss Mood, and Line 6 DL4 Mk II.
Vintage spirit and looks live in a Telecaster and Stratocaster with contemporary refinements at every turn.
Fender American Ultra Luxe Vintage 50s Telecaster
Representing the pinnacle of innovation and craftsmanship, Fender American Ultra Luxe sets the benchmark for premium electric instruments. The new American Ultra Luxe Vintage series takes it a step further, showcasing the finest of Fender heritage – where timeless classics meet uncompromising modern refinement. The American Ultra Luxe Vintage 50s Telecaster features premium ash with carved contours that complement the aged Heirloom™ lacquer finish. Built for precision performance, the quartersawn maple neck with a Modern ‘D’ shape and Ultra rolled edges features medium jumbo stainless- steel frets, Luminlay side dots, and a Graph Tech TUSQ nut. Each instrument features a tapered neck heel to ensure unparalleled access to the higher register. Under the hood, Pure Vintage ’51 Tele pickups deliver classic Fender tones, from sparkling cleans to rich, expressive leads. Performance hardware includes a precision-engineered 6-saddle string-though-body bridge with brass block saddles and deluxe locking short post tuners for quick string changes and superior tuning stability. The American Ultra Luxe Vintage 50s Telecaster delivers flawless modern performance with distinctive classic design. Available in Butterscotch Blonde and White Blonde.
Fender American Ultra Luxe Vintage 60s Stratocaster
Representing the pinnacle of innovation and craftsmanship, Fender American Ultra Luxe sets the benchmark for premium electric instruments. The new American Ultra Luxe Vintage series takes it a step further, showcasing the finest of Fender heritage – where timeless classics meet uncompromising modern refinement. The American Ultra Luxe Vintage 60s Stratocaster features premium alder with carved contours that complement the aged Heirloom lacquer finish. Built for precision performance, the quartersawn maple neck with a Modern ‘D’ shape and Ultra rolled edges features medium jumbo stainless- steel frets, Luminlay side dots, and a Graph Tech TUSQ nut. Each instrument features a tapered neck heel to ensure unparalleled access to the higher register. Under the hood, Pure Vintage ’61 Strat delivers classic Fender tones, from sparkling cleans to rich, expressive leads. Performance hardware includes a precision-engineered 2-Point American Ultra synchronized tremolo with polished stainless steel block saddles, cold rolled steel block, and deluxe locking tuners for quick string changes and superior tuning stability. The American Ultra Lux Vintage 60s Stratocaster delivers flawless modern performance with distinctive classic design. Available in Ice Blue Metallic and Surf Green.
The TikTok star goes legit on his latest tour with some plum Strats, a Two-Rock, and a masterbuilt pedalboard.
When Ty Myers got injured a few years back and couldn’t play sports, he took to posting videos of himself on TikTok. Before long, his song “Tie That Binds” went viral on the platform, blasting him to overnight-star status. Now, with his debut album, The Select, under his belt, the 18-year-old is taking his songs on the road to packed-out rooms.
PG’s John Bohlinger linked with country’s newest wunderkind at the Egyptian Room in Indianapolis to see how he brings his old-time-meets-new-world country to life onstage.
This FenderStratocaster, the first nice guitar Myers bought himself, was purchased from a guy in a Home Depot parking lot in San Antonio, Texas. Myers swapped in Fender Custom Shop Fat ’50s pickups, and he strings it with Stringjoy .010s.
Eye-Catching Custom
If Myers played slide, it’d be with this Custom Shop Master Built Strat, built by Dale Wilson. He went to Carter’s Vintage in Nashville with another instrument in mind, but this one caught his eye, and he had to have it. He kept the pickups it came with, and pretty soon he intends to have the action lowered.
Barry’s Bond
Myers got his first Gibson SJ-200 around the age of 10, and this one, a gift from label executive Barry Weiss, is his current go-to. It’s got an LR Baggs pickup system and goes direct to front-of-house.
Package Deal
Myers’ biggest hero is John Mayer, so it tracks that he went after this Two-Rock Silver Sterling Signature. He saw this one at Carter the same day he bought his Custom Shop Strat, and didn’t even plug it in—he just bought it along with the Master Built.
Ty Myers’ Pedalboard
Myers’ stomp station was built by the pedal professors at XAct Tone Solutions in Nashville. After the Dunlop Volume (X) Mini and the Peterson StroboStomp LE, Myers’ signal hits an Origin Effects Cali76, JHS Pedals Berkeley, Keeley Katana, Analog Man/Boss GE-7, Greer Lightspeed, MXR Duke of Tone, Browne Amplification Protein, Keeley Noble Screamer, Boss VB-2w, Boss TR-2, JHS Flight Delay, and EarthQuaker Devices Dispatch Master. A Strymon Zuma and Strymon Ojai keep the lights on.
Raw, rowdy, rugged, and won’t break the bank—a no-frills double cutaway delivers on its decades-old streamlined design promise with USA-made P-90s.
The GibsonLes Paul Special was first introduced as a single cutaway model in 1955, and with the exception of the sunburst Standards that were produced from 1958-1960, it was the last of the original50s-era Les Paul model variants to be introduced. An enhanced version of the Les Paul Junior with increased sonic flexibility, it featured two P-90 pickups instead of the single P-90 found on the Junior and also added a bit of extra bling in the form of a bound fretboard and a mother-of-pearl headstock logo. In 1958, the body shape was revised from a single cutaway to a double cutaway, which delivered improved fretboard access, and the Special hit its stride in 1960 when a thinner SlimTaper neck profile and a lower neck pickup placement made it more robust and easier to play than ever.
Now, Epiphone, in partnership with Gibson Custom, is proud to introduce the 1960 Les Paul Special Double Cut Reissue, an Inspired by Gibson Custom recreation of the sought-after 1960 Les Paul Special Double Cut. Like the originals, it features a slab mahogany body with double cutaways that provide excellent access to the entire length of the fretboard. The one-piece mahogany neck has a fast-playing 60s SlimTaper profile and is capped with a rosewood fretboard with 22 medium jumbo frets and mother-of-pearl dot position marker inlays. The fretboard has a 12” radius that makes playing first-position chords and solos with string bends further up the neck equally effortless. The Gibson “open book” style headstock is equipped with Epiphone Deluxe three-on-a-plate tuners with white buttons and a GraphTech nut to help keep the tuning nice and stable, while a historic style Wraparound bridge with intonation screws solidly anchors the strings at the other end and contributes to the excellent sustain that the Les Paul Special is famous for. A pair of USA-made P-90 Soap bar pickups from Gibson Custom that can go from sweet and clean to outright nasty and dirty-sounding are hand-wired to individual volume and tone controls with high-quality CTS potentiometers and Bumblebee paper-in-oil capacitors for authentic vintage tones that are sure to please even the most tone-conscious players.
The 1960 Les Paul Special Double Cut Reissue comes packaged in a vintage-style case with a brown exterior and pink plush interior that features Inspired by Gibson Custom graphics on the exterior. It all comes together to deliver a vintage playing and ownership experience at an accessible price that is special in every way.
Miller’s Collings runs into a Grace Design ALiX preamp, which helps him fine-tune his EQ and level out pickups with varying output when he switches instruments. For reverb, sometimes he’ll tap the 
