
A smartly ergonomic and streamlined digital delay and modulation machine that walks the line between warm, familiar, and wild.
Smartly organized control set encourages intuitive, interactive performance. Nice build quality. Nice range of familiar-to-wild sounds.
Modulation depth control gets very deep, very fast.
$249
Red Witch Binary Star
redwitchpedals.com
Delays with modulation are common, but delays that do deep, varied modulation colors often live on the more complex side of the user-friendliness spectrum. Red Witch's Binary Star digital delay occupies a practical middle ground between basic modulation-enabled delays and menu-stuffed beasts that can weigh you down when you're in a fast-moving, creative mindspace. The Binary Star's design is ideal for spontaneous artists and performance thanks to a sensitive control set that offers easy access to familiar and far-out textures.
Long Ways to Weird
The Binary Star's lengthwise orientation will probably bug some board-space-obsessed players, but it facilitates creative, interactive operation and fast adjustments on the fly that wouldn't be as easy with a set of small knobs crowded into a narrower space. The aluminum alloy controls feel super-precise and substantial and are a tactile delight. They also have expansive range, which can be both tricky and a treat as you get to know the pedal.
Fender Telecaster into Delta II, black panel Fender Tremolux head, and Universal Audio OX tweed Deluxe cabinet emulation. All delay and modulation tones are from the Red Wtich Binary Star.
Some control names could be less opaque, but understanding how they workāand work togetherāquickly becomes second nature. The universe knob controls the delay time, which can range up to 1100 milliseconds depending on where you set the leftmost mini toggle. In the left toggle position, the maximum delay time sounds and feels like it's somewhere around 400 millisecondsāa comfortable spot for players used to old-school analog delays. In the right toggle position, the available delay time reaches its maximum, but this mode also changes the functionality of the replicate knob, which controls the number of repeats. In the long-delay mode, the replicate knob becomes much rangier and more sensitive. Around 12 o' clock you can toe the line between long washes of repeats and self-oscillation, and the controls are sensitive and forgiving enough that you can quickly correct for gain changes, or a more aggressive effect mix, and still maintain that perpetual verging-on-oscillation wash. Not everyone will immediately grasp the need for the long/short delay toggle, but it makes the Binary Star capable of moving from unusual ambient textures to conventional echoes quickly, with a throw of the switch and a few fast knob adjustments.
There's nothing too unconventional about the mix control, but the sensitivity, range, and smooth interactivity with the other controls makes it a varied paintbrush. You can venture into wet mix regions without feeling altogether estranged from the dynamics and nuance in your picking attack.
If you need a little something extra behind a somber, minor-key chord progression to suggest the destabilization of the time/space fabric, this is it!
The modulation controls are perhaps the most challenging facet of the pedal's performance envelope to master. Depth settings beyond the first 5-10 percent of the control's range can get very weird very fast and overpower your output with woozy, pitch-shifted colorations that can sound like five tequila shots too many. At lower mix controls, however, these high depth settings become unique sub-textures than can enliven simple parts in unexpected ways. Deep, slow modulations mixed low and tucked behind a slow chord arpeggio became a ghostly, ominous, undulating backdrop for chords and single-line melodies. If you need a little something extra behind a somber, minor-key chord progression to suggest the destabilization of the time/space fabric, this is it!
Better Seen in a Clean Machine
The Binary Star's digital repeats tend toward the clean end of things. But given the depth of textures that can be achieved with the modulation section and the wealth of overtones that can live in some of the pedal's reverberative washes, this is no bad thing. Analog-sounding echoes are possible using the right toggle in the left position (which activates a darker, filtered voice) and using a minimum of modulation, which simultaneously adds a hint of tape-wobble and gauzy mystery to the decays. In shorter delay mode, this was among my favorite settings.
The Verdict
The combination of sensitive, range-ful potentiometers and smartly ergonomic, well-tuned, interactive controls make the Binary Star a real pleasure to work and create with. For certain playersāand I count myself among this setāthe Binary Star is an ideal combination of streamlined control, warm traditional echoes, and flat-out weird ones. More control-oriented players and digital deep-divers will lament the lack of tap-tempo, presets, and expression pedal functionality. But if you're primed to move beyond simple analog and digital delay and long for a little adventure without getting lost in the digital menu weeds, the sensitive and often intoxicating Binary Star represents a sweet spot in the echo firmament.
Lutefish, the real-time music collaboration device and platform, is excited to announce a suite of new features designed to simplify setup, streamline collaboration, and offer more flexible subscription options for Lutefish Stream users. These latest updates, Audio Presets, Automatic Session Recall, Improved Scheduling with Contact Visibility, and a new Yearly Subscription Plan, are all about making it easier than ever for musicians to jam together, no matter where theyāre based.
Save Time and Stay in the Flow with Audio Presets & Session Recall
Musicians can now save and reuse their exact audio settings, reducing setup time and ensuring every session sounds exactly as they want.
- Automatic Session Recall: When users leave a session, their current audio levels are automatically saved and restored when they rejoin.
- User-Defined Audio Presets: Each user can create and name up to five custom presets, like āBand Practice,ā āStudio Mic Setup,ā or āQuick Jam,ā making it effortless to jump back in with the perfect sound.
āThese tools are all about saving time and hassle,ā said Patrick Finn, Business Manager at Lutefish. āMusicians want to make music, not spend time rebalancing levels every session. With presets and recall, weāre giving them time back and helping them sound their best, every time.ā
Smarter Scheduling and Contact Visibility
The latest update to Lutefish also made it easier to find collaborators and book sessions. Users can now:- View all their contacts at a glance when scheduling a session.
- Instantly identify which contacts own a Lutefish Stream deviceāso they will always know whoās ready to jam.
Go Yearly and Save 20%
Lutefish now offers a Yearly Subscription Plan, providing users with the same great access as the monthly plan at a 20% discount.
This option is now available within the Lutefish app and web platform, and current monthly users are eligible for a discount with an upgrade to a yearly subscription.
Lutefishās mission has always been to empower musicians to connect and collaborate without boundaries. With these new updates, Lutefish Stream continues to break down barriersāwhether youāre jamming with a friend across town or collaborating with a bandmate 500 miles away.
For more information and to start jamming today, visitlutefish.com.
The veteran Florida-born metalcore outfit proves that you donāt need humbuckers to pull off high gain.
Last August, metalcore giants Poison the Well gave the world a gift: They announced they were working on their first studio album in 15 years. They unleashed the first taste, single āTrembling Level,ā back in January, and set off on a spring North American tour during which they played their debut record, The Opposite of December⦠A Season of Separation, in full every night.
PGās Perry Bean caught up with guitarists Ryan Primack and Vadim Taver, and bassist Noah Harmon, ahead of the bandās show at Nashvilleās Brooklyn Bowl for this new Rig Rundown.
Brought to you by DāAddario.Not-So-Quiet As a Mouse
Primack started his playing career on Telecasters, then switched to Les Pauls, but when his prized LPs were stolen, he jumped back to Teles, and now owns nine of them.
His No. 1 is this white one (left). Seymour Duncan made him a JB Model pickup in a single-coil size for the bridge position, while the neck is a Seymour Duncan Quarter Pound Staggered. He ripped out all the electronics, added a Gibson-style toggle switch, flipped the control plate orientation thanks to an obsession with Danny Gatton, and included just one steel knob to control tone. Primack also installed string trees with foam to control extra noise.
This one has Ernie Ball Papa Hetās Hardwired strings, .011ā.050.
Here, Kitty, Kitty
Primack runs both a PRS Archon and a Bad Cat Lynx at the same time, covering both 6L6 and EL34 territories. The Lynx goes into a Friedman 4x12 cab thatās been rebadged in honor of its nickname, āDonkey,ā while the Archon, which is like a ārefined 5150,ā runs through an Orange 4x12.
Ryan Primackās Pedalboard
Primackās board sports a Saturnworks True Bypass Multi Looper, plus two Saturnworks boost pedals. The rest includes a Boss TU-3w, DOD Bifet Boost 410, Caroline Electronics Hawaiian Pizza, Fortin ZUUL +, MXR Phase 100, JHS Series 3 Tremolo, Boss DM-2w, DOD Rubberneck, MXR Carbon Copy Deluxe, Walrus Slo, and SolidGoldFX Surf Rider III.
Taverās Teles
Vadim Taverās go-to is this cherryburst FenderĀ Telecaster, which he scored in the early 2000s and has been upgraded to Seymour Duncan pickups on Primackās recommendation. His white Balaguer T-style has been treated to the same upgrade. The Balaguer is tuned to drop C, and the Fender stays in D standard. Both have DāAddario strings, with a slightly heavier gauge on the Balaguer.
Dual-Channel Chugger
Taver loves his 2-channel Orange Rockerverb 100s, one of which lives in a case made right in Nashville.
Vadim Taverās Pedalboard
Taverās board includes an MXR Joshua, MXR Carbon Copy Deluxe, Empress Tremolo, Walrus ARP-87, Old Blood Noise Endeavors Reflector, MXR Phase 90, Boss CE-2w, and Sonic Research Turbo Tuner ST-200, all powered by a Voodoo Lab Pedal Power 2 Plus.
Big Duff
Harmonās favorite these days is this Fender Duff McKagan Deluxe Precision Bass, which heās outfitted with a Leo Quan Badass bridge. His backup is a Mexico-made Fender Classic Series ā70s Jazz Bass. This one also sports Primack-picked pickups.
Rental Rockers
Harmon rented this Orange AD200B MK III head, which runs through a 1x15 cab on top and a 4x10 on the bottom.
Noah Harmonās Pedalboard
Harmonās board carries a Boss TU-2, Boss ODB-3, MXR Dyna Comp, Darkglass Electronics Vintage Ultra, and a Voodoo Lab Pedal Power 2 Plus. His signal from the Vintage Ultra runs right to the front-of-house, and Harmon estimates that that signal accounts for about half of what people hear on any given night.
Kiesel Guitars has introduced their newest solid body electric guitar: the Kyber.
With its modern performance specs and competitive pricing, the Kyber is Kiesel's most forward-thinking design yet, engineered for comfort, quick playing, and precision with every note.
Introducing the Kiesel Kyber Guitar
- Engineered with a lightweight body to reduce fatigue during long performances without sacrificing tone. Six-string Kybers, configured with the standard woods and a fixed bridge, weigh in at 6 pounds or under on average
- Unique shape made for ergonomic comfort in any playing position and enhanced classical position
- The Kyber features Kiesel's most extreme arm contour and a uniquely shaped body that enhances classical position support while still excelling in standard position.
- The new minimalist yet aggressive headstock pairs perfectly with the body's sleek lines, giving the Kyber a balanced, modern silhouette.
- Hidden strap buttons mounted on rear for excellent balance while giving a clean, ultra-modern look to the front
- Lower horn cutaway design for maximum access to the upper frets
- Sculpted neck heel for seamless playing
- Available in 6 or 7 strings, fixed or tremolo in both standard and multiscale configurations Choose between fixed bridges, tremolos, or multiscale configurations for your perfect setup.
Pricing for the Kyber starts at $1599 and will vary depending on options and features. Learn more about Kieselās new Kyber model at kieselguitars.com
The Sunset is a fully analog, zero latency bass amplifier simulator. It features a ¼ā input, XLR and ¼ā outputs, gain and volume controls and extensive equalization. Itās intended to replace your bass amp both live and in the studio.
If you need a full sounding amp simulator with a lot of EQ, the Sunset is for you. It features a five band equalizer with Treble, Bass, Parametric Midrange (with frequency and level controls), Resonance (for ultra lows), and Presence (for ultra highs). All are carefully tuned for bass guitar. But donāt let that hold you back if youāre a keyboard player. Pianos and synthesizers sound great with the Sunset!
The Sunset includes Gain and master Volume controls which allow you to add compression and classic tube amp growl. It has both ¼ā phone and balanced XLR outputs - which lets you use it as a high quality active direct box. Finally, the Sunset features zero latency all analog circuitry ā important for the instrument most responsible for the bandās groove.
Introducing the Sunset Bass Amp Simulator
- Zero Latency bass amp simulator.
- Go direct into the PA or DAW.
- Five Band EQ:
- Treble and Bass controls.
- Parametric midrange with level and frequency controls.
- Presence control for extreme highs.
- Resonance control for extreme lows.
- Gain control to add compression and harmonics.
- Master Volume.
- XLR and 1/4" outputs.
- Full bypass.
- 9VDC, 200mA.
Artwork by Aaron Cheney
MAP price: $210 USD ($299 CAD).