These purveyors of punishing ’90s-style hardcore chisel their heavy sound with downtuned 7-strings and lighter hues of delay and modulation.
In celebration of their sophomore release A Different Shade of Blue, the Kentuckian hardcore youngbloods nearly crumbled Grimey’s with their breakneck ways during a full-band, in-store performance. (Watch the full performance here—shockingly no records or employees were harmed.) The next night the quintet took over Nashville’s The End for a proper record-release show. And before that sold-out performance, PG’s Perry Bean stopped by for a post-soundcheck hang to cover all the Ibanez instruments, blaring tube heads, and select effects they use to create sweaty, chaotic pits.
Lead guitarist Isaac Hale slays audiences every night with this Ibanez RGDIX7MPB. The 24-fret, 26.5"-scale instrument has an ash body with a poplar burl top, DiMarzio Fusion Edge humbuckers, and Gotoh MG-T locking tuners. The band previously tuned their 7-strings to G–D–G–C–F–A–D, but have since moved to drop-A tuning: A–E–A–D–G–B–E.
Isaac Hale plugs his mighty 7-string into this EVH 5150 III Limited Edition that fires through a Mesa/Boogie 4x12 straight cab.
The stomp station for Isaac Hale is where he can deviate from the heavy and add to it. Currently, he’s rolling with a Way Huge Swollen Pickle, Maxon ST9 Pro Plus Super Tube, Boss DD-3 Digital Delay, Boss CE-5 Chorus Ensemble, Electro-Harmonix Freeze, Boss RC-3 Loop Station, and ISP Technologies Decimator II G-String. Everything operates thanks to the Voodoo Lab Pedal Power 2 Plus and is in tune thanks to the Boss TU-3.
Rhythm guitarist and newest bandmember Cole Crutchfield rocks the same way bandmate Isaac Hale does—with 7-string Ibanez monsters. This Iron Label RGAIX7U-ABS RGA is his main ride. Cole really digs the natural wood finish and the Bare Knuckle Aftermath pickups.
Cole Crutchfield’s only other guitar on this tour is this a brand-new Ibanez Prestige RGR5227MFX, which features the company’s proprietary Wizard-7 neck, Bare Knuckle Brute Force humbuckers, and Gibraltar Standard II-7 bridge.
While recording A Different Shade of Blue, the band leaned heavily on a mix of Mesa/Boogie and 5150 amps, but for this tour Cole Crutchfield left his 50-watt 5150 III at home and ponied up for a Mesa/Boogie Triple Rectifier.
The pedal playground for Cole Crutchfield begins with the Morley Steve Vai Mini Bad Horsie 2 Wah, and from there things get louder with a Mesa/Boogie Grid Slammer and Way Huge Swollen Pickle. After that you get the EHX Freeze, ISP Technologies Decimator II G-String, TC Electronic Hall of Fame, and a pair of Boss modulation pedals—a CH-1 Super Chorus and BF-3 Flanger. Everything is given life thanks to the Voodoo Lab Pedal Power 2 Plus and is in tune thanks to the Boss TU-2.
Bassist Kevin Otten keeps the Ibanez theme rolling with his pair of 5-strings—his No. 1 above is a Premium BTB1805 that’s been upgraded with Bartolini BH2 passive pickups alongside Ibanez’s own 3-band EQ electronics.
Before playing with Slayer at Heavy Montreal Fest, Kevin Otten treated himself to this elusive Ibanez ATK305 bass. He’s been on the hunt for one of these for years because of its body shape, wood pickguard, hot pickups, and back-saving weight.
While it is a lot to lug around and set up, Kevin Otten brings the hefty Ampeg SVT Classic and Mesa/Boogie 8x10 for the tone.
Not one to miss out on the fun pedals can provide, Kevin Otten has a healthy board that includes a trifecta of Darkglass Electronics boxes—a Microtubes B7K Ultra, Microtubes X, and Microtubes X7 that acts a D.I. box for front of house. He uses the DigiTech JamMan Solo XT for 808 bass drops. And like Isaac and Cole, he has a ISP Technologies Decimator II G-String, Boss tuner, EHX Freeze, and Shure GLXD4 Wireless.
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Voltage Cable Company's new Voltage Vintage Coil 30-foot guitar cable is now protected with ISO-COAT technology to provide unsurpassed reliability.
The new coiled cables are available in four eye-grabbing retro colors – Surf Green, Electric Blue, Orange and Caramel – as well as three standard colors: Black, White and Red. There is also a CME exclusive “Chicago Cream” color on the way.
Guitarists can choose between three different connector configurations: straight/straight plugs, right angle/straight and right angle/right angle options.
The Voltage Vintage Coil offers superior sound quality and durability thanks to ISO-COAT treatment, a patent-pending hermetic seal applied to solder terminations. This first-of-its-kind airtight seal prevents corrosion and oxidization, a known factor in cable failure and degradation. ISO-COAT protected cables are for guitarists who value genuine lifetime durability and consistent tone throughout their career on stage and in the studio.
Voltage cables are hand made by qualified technical engineers using the finest components available and come with a lifetime warranty.
Voltage Vintage Coil features include:
- Lifetime guarantee, 1000+ gig durability
- ISO-COAT treatment - corrosion & oxidization resistant cable internals
- Strengthened structural integrity of solder terminations
Voltage Vintage Coils carry $89.00 USD pricing each and are available online at voltagecableco.com, as well as in select guitar stores in North America, Australia, Thailand, UK, Belgium and China.
About Voltage Cable: Established in 2021, Voltage Cable Co. is a family owned and operated guitar cable company based in Sydney, Australia. All their cables are designed to be played, and built for a lifetime. The company’s ISO-COAT is a patent pending hermetic seal applied to solder terminations.
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.
- YouTube
The legendary Queen guitarist shared an update on his social media that he noted as a "little health hiccup." "The good news is I can play guitar,” he said.
Brian May revealed that he was rushed to a hospital after suffering a minor stroke and temporarily losing control of his left arm. In a message to his fans, May addresses the events of the past week:
“They called it a minor stroke, and all of a sudden out of the blue, I didn’t have any control of this arm. It was a little scary, I have to say. I had the most fantastic care and attention from the hospital where I went, blue lights flashing, the lot, it was very exciting. I might post a video if you like.”
“I didn’t wanna say anything at the time because I didn’t want anything surrounding it, I really don’t want sympathy. Please don’t do that, because it’ll clutter up my inbox, and I hate that. The good news is I’m OK.”
An Inspired by Gibson Custom recreation of the guitar that Jimi customized and played extensively from 1967-1969.
As part of the Epiphone Inspired by Gibson Custom Collection, the Epiphone Jimi Hendrix “Love Drops” Flying V is now available at Authorized Epiphone dealers and worldwide on www.epiphone.com.
“Jimi’s artistic expression was all-encompassing. It went far beyond creating magical music and expanded into another dimension of art that allowed us to see the beauty of his music,” says Janie Hendrix, Sister of Jimi and President and CEO of Experience Hendrix LLC & Authentic Hendrix LLC. “When he hand-painted his Flying V, which was an expression of his love for his instrument and his music. With the Epiphone series, Gibson has recreated Jimi’s artwork beautifully! We are excited to partner with them! Seeing Jimi’s handiwork come alive in this spectacular collection is extremely gratifying.”
The Epiphone Jimi Hendrix “Love Drops” Flying V with custom hardshell guitar case.
Originally a Sunburst, Jimi Hendrix customized his Ebony-refinished Gibson Flying V with striking psychedelic graphics that he hand-painted on the original guitar, which are carefully recreated here on the Flying V. As a fitting tribute to one of the world’s most legendary and famous lefty guitar players, the Epiphone Jimi Hendrix “Love Drops” Flying V is available in right and left-handed versions. The Jimi Hendrix “Love Drops” Flying V also features a mahogany body, a one-piece mahogany neck with a Rounded C profile, a laurel fretboard, and 22 medium jumbo frets.
An Inspired by Gibson Custom logo and reproduction of Jimi’s signature adorn the back of the 1967-style Flying V headstock. Epiphone Deluxe tuners anchor the strings at the headstock, while a short Maestro Vibrola anchors them at the other end. The electronics are first-rate, with a pair of Gibson Custombucker humbucker pickups wired to CTS potentiometers, a Mallory tone capacitor, and a Switchcraft 3-way pickup select switch and 1/4” output jack. An Epiphone hardshell guitar case with Inspired by Gibson Custom and Authentic Hendrix™ logos is also included.
Learn more: www.epiphone.com.