Shenzhen, China (October 16, 2017) -- Mooer has unleashed a brand new multi-effects processor which delivers unparalleled amp modelling in its price range and an amazing array of effects and features that will surely impress even the most disconcerting of tone chasers. The GE200 houses 55 amplifier models which utilize the same cutting-edge technology as Mooer’s hugely successful range of micro preamps. These digital amp models will completely recreate the tone, touch, and feel of their real-life counterparts. Paired up with 70 high quality effects which are spread over nine effect blocks, this mini floorboard has everything you might need.
The effects signal chain is fully customizable within each preset allowing each of the individual effects blocks to be internally routed in any order. The built-in expression pedal and 3 brightly lit footswitches provide full control over the GE200 for rocking out live on stage. Providing real-time adjustment to some very special control options like the MERGE feature, which opens up limitless creative possibilities.
The GE200 has been designed from the ground up to be the musicians perfect partner. Be it live on-stage, in the recording studio or back home in the practice den.
Some of the main Features:
- 55 high quality amplifier models
- 26 IR speaker cab models and added support for 3 rd party IR
- 70 effects including compressors, drives, noise gates, eq’s, modulation, pitch, filters, delays and reverbs
- 52 second looper with half speed and reverse effects
- Drum machine with 40 drum patterns and 10 metronome ryhthms
- Store and recall up to 200 presets
- Adjustable signal chain lets you arrange the internal effects however you like
- USB connectivity for PC editing and direct digital audio recording to computer
- Programmable outputs for easy integration into any setup
- Auxiliary input and dedicated headphone output for audio playback and totally immersive practice sessions
GE200 will be available from official Mooer dealers and distributors worldwide at a street price of around $299 USD each.
The Mooer Radar is a full-featured professional speaker simulator and IR loader which can be a permanent resident at the end of your pedalboard. Not only does it carry 30 cab models but it also has optional microphone and power amp simulation. Ideal for recording or hooked up to your favourite headphones for practice. The Radar will transform your pedalboard into a complete guitar rig.
The single-knob control and very intuitive UI make setup and programming “on the go” fast and easy. Connect it up to the Mooer Studio PC software to load-in any of your favourite IR models into any of the 30 cab model slots.
This is the only portable IR loader available on the market at such an affordable price. If you’ve never given IR’s a go because of the expensive hardware, now’s your chance.
Some of the key features
- 30 different speaker cab models
- 11 mic models
- 4 power amp models
- Customizable EQ stage
- Capable of loading custom IR (all sample rates supported)
- Store and recall up to 36 user presets
- Connect to PC editor via USB
- Supports headphones and lineout
Mooer Radar will be available from official Mooer dealers and distributors worldwide at a street price of around $150 USD each.
Due to huge demand and a mass of enquiries from musicians across the globe, the Tender Octaver micro pedal from Mooer is back!!! The Tender Octaver mkII has retained the simplistic controls and tiny form factor that was so popular with it’s predecessor, plus some very special updates.
Armed with three brand-new algorithms and a true analog dry through signal, the Tender Octave MkII is sure to provide all your octave harmony needs. A very unique little polyphonic octave pedal with endless tonal possibilities.
The Fat algorithm contains a huge bassy lower octave that can shake the walls and a soft toned upper voicing, for a very natural upper octave shimmer. Fat riffs and simulated bass guitar really shine in this mode.
The Tight algorithm has a more focused lower octave with a higher, low eq, cut off point and a sharper upper octave bite. Shredders, fusion players and organ hunters alike, will find sonic delight when flipping the switch into tight mode.
Swell mode provides automatic volume swelling of the harmony voices, providing a soft attack and lush release whilst the original dry signal remains completely untouched. Great for emulating a 12-string guitar or creating ambient chords and sound scapes.
Some of the key features:
- Independent SUB, UPPER and DRY controls to really get the pedal dialed in
- 3 brand new algorithms instantly provide very different tones at the flip of a switch
- All analog dry through signal completely retains your original instrument in all its glory
- Micro Size and metal housing for the best in portability and road worthy construction
- True Bypass switching
The Tender Octaver MkII will be available from official Mooer dealers and distributors worldwide at a street price of around $99 USD each.
For more information:
Mooer Audio
Guitarists are used to coveting cranky, old gear, but if you’re not a rack user, the H3000 might not be for you! If you ever see one of these in a studio, be sure to take some time to check it out, and maybe give the plugin a try.When it debuted in 1987, the H3000 was marketed as an “intelligent pitch-changer” that could generate stereo harmonies in a user-specified key. This was heady stuff in the ’80s! But while diatonic harmonizing grabbed the headlines, subtler uses of this pitch-shifter cemented its legacy. Patch 231 MICROPITCHSHIFT, for example, is a big reason the H3000 persists in racks everywhere. It’s essentially a pair of very short, single-repeat delays: The left side is pitched slightly up while the right side is pitched slightly down (default is ±9 cents). The resulting tripling/thickening effect has long been a mix-engineer staple for pop vocals, and it’s also my first call when I want a stereo chorus for guitar.
The second-gen H3000S, introduced the following year, cemented the device’s guitar bona fides. Early-adopter Steve Vai was such a proponent of the first edition that Eventide asked him to contribute 48 signature sounds for the new model (patches 700-747). Still-later revisions like the H3000B and H3000D/SE added even more functionality, but these days it’s not too important which model you have. Comprehensive EPROM chips containing every patch from all generations of H3000 (plus the later H3500) are readily available for a modest cost, and are a fairly straightforward install.
In addition to pitch-shifting, there are excellent modulation effects and reverbs (like patch 211 CANYON), plus presets inspired by other classic Eventide boxes, like the patch 513 INSTANT PHASER. A comprehensive accounting of the H3000’s capabilities would be tedious, but suffice to say that even the stock presets get deliciously far afield. There are pitch-shifting reverbs that sound like fever-dream ancestors of Strymon’s “shimmer” effect. There are backwards-guitar simulators, multiple extraterrestrial voices, peculiar foreshadows of the EarthQuaker Devices Arpanoid and Rainbow Machine (check out patch 208 BIZARRMONIZER), and even button-triggered Foley effects that require no input signal (including a siren, helicopter, tank, submarine, ocean waves, thunder, and wind). If you’re ever without your deck of Oblique Strategies cards, the H3000’s singular knob makes a pretty good substitute. (Spin the big wheel and find out what you’ve won!)
“If you’re ever without your deck of Oblique Strategies cards, the H3000’s singular knob makes a pretty good substitute.”
But there’s another, more pedestrian reason I tend to reach for the H3000 and its rackmount relatives in the studio: I like to do certain types of processing after the mic. It’s easy to overlook, but guitar speakers are signal processors in their own right. They roll off high and low end, they distort when pushed, and the cabinets in which they’re mounted introduce resonances. While this type of de facto processing often flatters the guitar itself, it isn’t always advantageous for effects.
Effects loops allow time-based effects to be placed after preamp distortion, but I like to go one further. By miking the amp first and then sending signal to effects in parallel, I can get full bandwidth from the airy reverbs and radical pitched-up effects the H3000 can offer—and I can get it in stereo, printed to its own track, allowing the wet/dry balance to be revisited later, if needed. If a sound needs to be reproduced live, that’s a problem for later. (Something evocative enough can usually be extracted from a pedal-form descendant like the Eventide H90.)
Like most vintage gear, the H3000 has some endearing quirks. Even as it knowingly preserves glitches from earlier Eventide harmonizers (patch 217 DUAL H910s), it betrays its age with a few idiosyncrasies of its own. Extreme pitch-shifting exhibits a lot of aliasing (think: bit-crusher sounds), and the analog Murata filter modules impart a hint of warmth that many plug-in versions don’t quite capture. (They also have a habit of leaking black goo all over the motherboard!) It’s all part of the charm of the unit, beloved by its adherents. (Well, maybe not the leaking goo!)
In 2025, many guitarists won’t be eager to care for what is essentially an expensive, cranky, decades-old computer. Even the excitement of occasional tantalum capacitor explosions is unlikely to win them over! Fortunately, some great software emulations exist—Eventide’s own plugin even models the behavior of the Murata filters. But hardware offers the full hands-on experience, so next time you spot an old H3000 in a rack somewhere—and you’ve got the time—fire it up, wait for the distinctive “click” of its relays, spin the knob, and start digging.
You can access your complete TONEX library, including Tone Models, presets and ToneNET, quickly load favorites to audition, and save to a designated hardware slot on IK hardware pedals. This easy-to-use application simplifies workflow, providing a streamlined experience for preparing TONEX pedals for the stage.
Fine-tune and organize your pedal presets in real time for playing live. Fully compatible with all your previous TONEX library settings and presets. Complete control over all pedal preset parameters, including Global setups. Access all Tone Models/IRs in the hardware memory, computer library, and ToneNET Export/Import entire libraries at once to back up and prepare for gigs Redesigned GUI with adaptive resize saves time and screen space Instantly audition any computer Tone Model or preset through the pedal.
Studio to Stage
Edit any onboard Tone Model or preset while hearing changes instantly through the pedal. Save new settings directly to the pedal, including global setup and performance modes (TONEX ONE), making it easy to fine-tune and customize your sound. The updated editor features a new floating window design for better screen organization and seamless browsing of Tone Models, amps, cabs, custom IRs and VIR. You can directly access Tone Models and IRs stored in the hardware memory and computer library, streamlining workflow.
A straightforward drop-down menu provides quick access to hardware-stored Tone Models conveniently sorted by type and character. Additionally, the editor offers complete control over all key parameters, including FX, Tone Model Amps, Tone Model Cabs/IR/VIR, and tempo and global setup options, delivering comprehensive, real-time control over all settings.
A Seamless Ecosystem of Tones
TONEX Editor automatically syncs with the entire TONEX user library within the Librarian tab. It provides quick access to all Tone Models, presets and ToneNET, with advanced filtering and folder organization for easy navigation. At the same time, a dedicated auto-load button lets you preview any Tone Model or preset in a designated hardware slot before committing changes.This streamlined workflow ensures quick edits, precise adjustments and the ultimate flexibility in sculpting your tone.
Get Started Today
TONEX Editor is included with TONEX 1.9.0, which was released today. Download or update the TONEX Mac/PC software from the IK Product Manager to install it. Then, launch TONEX Editor from your applications folder or Explorer.
For more information and videos about TONEX Editor, TONEX Pedal, TONEX ONE, and TONEX Cab, visit:
www.ikmultimedia.com/tonexeditor
