Every time I play guitar in public, my internal critic is performing a coup on my self-esteem.
Pretty much every time I play music in front of people, the sound of what I play will at some point be drowned out by the imaginary criticism of everyone within earshot. I'll be having a great time making music, then hit a note I don't like, and it all changes. From then on, all I hear are the collective thoughts of the other musicians, audience, and engineers. Their unified minds join together in unanimous, silent chant: "You suck. You do not belong here." All are united by their disdain toward me … rightfully so.
Okay, okay…. I know most people aren't paying attention, and if they are, they don't care. Those with a positive bias and a kind heart will think I sound fine, maybe even good. The more troll-like, with their negative default-mode, will find something wrong with anything, regardless of what it sounds like. I know my dark thoughts are not entirely true. I also know these thoughts will undermine my work and general well-being/happiness. Yet I embrace this self-doubt like it is the ultimate truth.
Be it playing music, talking to strangers, or trying to write this stupid column, I suspect that I'm not as competent or intelligent as others might think, and I fear that soon everyone will discover the truth: I'm not particularly bright. I've faked my way in. Everything I've accomplished is pretty much a fluke. I don't know what I'm doing and shouldn't be here.
Ladies and gentlemen, meet Imposter Syndrome, a wellspring of self-doubt and woe.
To be clear, imposter syndrome is not recognized by the Diagnostic and Statistical Manual of Mental Disorders, probably because it's not a disorder. It's just part of being human. Everyone, at times, feels like they are unqualified and, therefore, faking it. In fact, the only way you learn anything is to do it without really knowing how. You've never driven a car until you've actually driven a car. Every president of the United States began his term in office by faking it. As terrifying as this sounds, surgeons are not entirely sure what they're doing the first time they cut into a person. We all struggle with this. That's why "Fake it till you make it" is a popular and effective self-help slogan.
Be it playing music, talking to strangers, or trying to write this stupid column, I suspect that I'm not as competent or intelligent as others might think, and I fear that soon everyone will discover the truth.
When you're agonizing over small mistakes, attributing your success to external factors, or berating your competence and skills, you're basking in the imposter syndrome. Every musician I know is a frequent traveler to this land of self-loathing and private shame.
This might help explain the popularity of alcohol and drugs backstage. I've worked with acts that have a three-drink minimum before walking on deck. Drunks are confident—booze being the bulletproof armor against self-doubt—whereas stoners are too deep in the music to think about how they're being perceived (unless their thoughts run to paranoia).
As torturous as imposter syndrome may be, some good comes from it. This fear can push you to accomplish your goals. "I'm going to put in a ton of work so I can nail this song so people don't know what a terrible guitar player I am." Fear has definitely pushed me to practice and improve. Although it can help you get where you want to go, you might not enjoy this anxiety-ridden journey. One thing the best and worst musicians have in common is they all oscillate between confidence and the fear of being found out.
Last night, during my regular/fun/no-pressure gig, I caught myself thinking, "That drummer hates me. Look at him, so smug on his throne. He's smiling at me because I'm rushing and he thinks it's funny, or maybe that's a look of righteous anger? Now he's bobbing his head, probably laughing to himself about how similar all my solos are. Now he's got his head down because I'm too loud or maybe too quiet…. Or maybe it's my terrible sense of melody or tone he hates?"
Yes, my thoughts really were that delusional. We never know what anybody is thinking, even when they're talking to us. I'd just met this drummer but he seemed like a nice guy and we played well together. While I was deep in my private, paranoid rant, he was probably thinking about his own performance, problems, and anxieties—not mine. Or maybe he was thinking about what he's going to eat after the gig. Regardless, he probably wasn't judging me. I felt wrongly judged because I was judging myself, and, apparently, I'm a harsh judge.
Now and then, I leave a gig feeling like I've not disappointed myself and others. The quality of my gigs depends more on my mindset than on my playing. Being onstage means you're inviting others to judge and, hopefully, enjoy your performance. But you have to get comfortable being uncomfortable. Quit thinking and just play. We mostly think about ourselves. If we only knew how little people think about us, would we be relieved or hurt? Honestly, it's very freeing when you realize that nobody is thinking about you.
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Four-time Grammy Award-winning guitarist Gary Clark Jr. announces his 2025 North American tour.
Kicking off at Grand Sierra Resort and Casino in Reno, NV on February 19, the tour will continue with shows in Houston, Atlanta, Nashville, Charlotte, and more before concluding on March 15 in Hollywood, FL at Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood.
Artist presale will begin tomorrow, October 2 at 10am local time, with public on-sale to follow on Friday, October 4 at 10am local time. Sign up now at https://www.garyclarkjr.com/ for a first chance at tickets.
JPEG RAW is Clark's first album since 2019’s critically lauded This Land, which became his third consecutive top 10 on the Billboard 200 chart and garnered three Grammy Awards, including Best Rock Song and Best Rock Performance ("This Land") and Best Contemporary Blues Album (This Land). Clark’s first Grammy win was awarded in 2014 for Best Traditional R&B Performance ("Please Come Home").
Since its release, the singer-songwriter has toured extensively and stretched his wings as an actor, playing American blues legend Arthur "Big Boy" Crudup in Baz Luhrmann’s Elvis, which received eight Academy Award nominations. Clark also served as the official Music Director for Jon Stewart's acceptance of the 23rd Annual Mark Twain Prize for American Humor in the Kennedy Center Concert Hall. In addition to programming the event, he delivered a powerful tribute on stage, which aired on PBS nationwide.
Now, as Clark prepares to hit the road once more in support of JPEG RAW, this new era continues for the acclaimed performer—one with ever-expanding horizons, and music that needs to be heard live and in person.
Tour Dates
Bold indicates newly announced dates
*With Eric Clapton
^With St. Vincent
2024
Sep 26 — Rio De Janeiro, Brazil — Farmasi Arena*
Sep 28 — São Paulo, Brazil — Vibra São Paulo*
Sep 29 — São Paulo, Brazil — Allianz Parque*
Oct 15 — London, UK — O2 Forum Kentish Town
Oct 16 — Manchester, UK — New Century Hall
Oct 17 — Bristol, UK — SWX
Oct 19 — Birmingham, UK — O2 Institute Birmingham
Oct 21 — Utrecht, Netherlands — TivoliVredenburg
Oct 23 — Luxembourg, Luxembourg — Den Atelier
Oct 24 — Basel, Switzerland — Baloise Session^
2025
Feb 19 — Reno, NV — Grand Sierra Resort and Casino
Feb 20 — Las Vegas, NV — Brooklyn Bowl Las Vegas
Feb 24 — El Paso, TX — Abraham Chavez Theatre
Feb 28 — San Antonio, TX — Aztec Theatre
Mar 1 — Houston, TX — 713 Music Hall
Mar 4 — Atlanta, GA — The Eastern
Mar 7 — Nashville, TN — Ryman Auditorium
Mar 9 — Knoxville, TN — Tennessee Theatre
Mar 10 — Charlotte, NC — Ovens Auditorium
Mar 11 — North Charleston, SC — North Charleston Performing Arts Center
Mar 13 — Tampa, FL — Seminole Hard Rock Tampa Event Center
Mar 14 — Orlando, FL — Hard Rock Live Orlando
Mar 15 — Hollywood, FL — Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood
Revv Amplification's limited-edition G-Series V2 pedals offer three fresh flavors of boutique Canadian tone, with V2 circuit revisions.
Celebrating 10 years of Revv & 5 years since the release of the G2, Revv is debuting V2 circuit revisions of the G2, G3, & G4, implementing new designs for more tone in 3 little pedals, in a limited edition colorway.
The Revv Amplification 5th Anniversary G-Series V2 Lineup features:
- 3 Fresh Flavors of Boutique Canadian Tone - G-Series pedals are sonic recreations of 3 of Revv’s boutique amp channels used by Nashville session stars & metal touring artists alike.
- The Standard, Redefined - V2 circuit revisions are based on the Generator 120 MK3 Rev. B & incorporate new design elements for the most tube-like response & tone ever.
- Limited Edition - Exclusive new colorway featuring a black enclosure w/ custom graphics, embossed Revv badge, & color-coded knobs.
- Find Your Sound - The G2 is a powerful & versatile overdrive capable of everything from touch-sensitive boost to organic vintage stack tones, taken from Revv’s Green Channel.
- High Gain Clarity - The G3 utilizes Revv’s legendary Purple Channel, a tight & responsive high gain tone perfect for drop tuning & cutting through any mix.
- Fat Solo Tones - The G4 is based on Revv’s thick & saturated Red Channel, the ideal sound for chewy crunch, modern rock wall of sound, & liquid sustaining solos.
- Made in Canada - 100% analog circuit w/ top jacks, true bypass, & 2 year warranty.
Revv’s G-Series pedals have a street price of $229 & can be ordered immediately through many fine dealers worldwide.
For more information, please visit revvamplification.com.
Revv G3 Purple Channel Preamp/Overdrive/Distortion Pedal - Anniversary Edition
G3 Purple Ch Preamp/Hi-Gain Pedal - AnniversaryThe Texan rocker tells us how the Lonestar State shaped his guitar sounds and how he managed to hit it big in Music City.
Huge shocker incoming: Zach Broyles made a Tube Screamer. The Mythos Envy Pro Overdrive is Zach’s take on the green apple of his eye, with some special tweaks including increased output, more drive sounds, and a low-end boost option. Does this mean he can clear out his collection of TS-9s? Of course not.
This time on Dipped in Tone, Rhett and Zach welcome Tyler Bryant, the Texas-bred and Nashville-based rocker who has made waves with his band the Shakedown, who Rhett credits as one of his favorite groups. Bryant, it turns out, is a TS-head himself, having learned to love the pedal thanks to its being found everywhere in Texas guitar circles.Bryant shares how he scraped together a band after dropping out of high school and moving to Nashville, including the rigors of 15-hour drives for 30-minute sets in a trusty Ford Expedition. He’s lived the dream (or nightmare, depending on the day) and has the wisdom to show it.
Throughout the chat, the gang covers modeling amps and why modern rock bands still need amps on stage; the ins and outs of recording-gear rabbit holes and getting great sounds; and the differences between American and European audiences. Tune in to hear it all.
Get 10% off your order at stewmac.com/dippedintone
Oasis Live '25 world tour announces North American dates with Cage The Elephant as special guest. Oasis commented, “America. Oasis is coming. You have one last chance to prove that you loved us all along.”
The North American leg, produced by Live Nation and SJM, will see Oasis play stadiums in Toronto, Chicago, East Rutherford, Los Angeles and Mexico City next summer with Cage The Elephant as the special guest across all dates.
The news comes 16 years since their last performance in North America. Oasis commented,
“America.
Oasis is coming.
You have one last chance to prove that you loved us all along.”
The previously announced dates on the Oasis Live ‘25 tour sold out immediately, with over 10 million fans from 158 countries queuing to buy tickets. Days after their return, the band claimed their 8th UK No. 1 album with the 30th anniversary of their electrifying debut album Definitely Maybe, while at the same time occupying two other spots in the top 5 UK albums chart.
Oasis remain a huge draw in the streaming era, with over 32 million monthly listeners on Spotify alone – an increase of almost 50% since the announcement of their return – and nearly 12.5 billion streams to date across platforms.
Registration for the presale is currently open at oasisinet.com until Tuesday, October 1st at 8 am EST. General ticket sale will begin Friday, October 4th at 12pm local time and will be available from Ticketmaster.
Plans are underway for Oasis Live ’25 to go to other continents outside of Europe and North America later next year.
JULY 2025
4th - Cardiff, UK - Principality Stadium (SOLD OUT)
5th - Cardiff, UK - Principality Stadium (SOLD OUT)
11th - Manchester, UK - Heaton Park (SOLD OUT)
12th - Manchester, UK - Heaton Park (SOLD OUT)
16th - Manchester, UK - Heaton Park (SOLD OUT)
19th - Manchester, UK - Heaton Park (SOLD OUT)
20th - Manchester, UK - Heaton Park (SOLD OUT)
25th - London, UK - Wembley Stadium (SOLD OUT)
26th - London, UK - Wembley Stadium (SOLD OUT)
30th - London, UK - Wembley Stadium (SOLD OUT)
AUGUST 2025
2nd - London, UK - Wembley Stadium (SOLD OUT)
3rd - London, UK - Wembley Stadium (SOLD OUT)
8th - Edinburgh, UK - Scottish Gas Murrayfield Stadium (SOLD OUT)
9th - Edinburgh, UK - Scottish Gas Murrayfield Stadium (SOLD OUT)
12th - Edinburgh, UK - Scottish Gas Murrayfield Stadium (SOLD OUT)
16th - Dublin, IE - Croke Park (SOLD OUT)
17th - Dublin, IE - Croke Park (SOLD OUT)
24th - Toronto, ON - Rogers Stadium (JUST ADDED)
28th - Chicago, IL - Soldier Field (JUST ADDED)
31st - East Rutherford, NJ - MetLife Stadium (JUST ADDED)
SEPTEMBER 2025
6th - Los Angeles, CA - Rose Bowl Stadium (JUST ADDED)
12th - Mexico City, MX - Estadio GNP Seguros (JUST ADDED)
27th - London, UK - Wembley Stadium (SOLD OUT)
28th - London, UK - Wembley Stadium (SOLD OUT)