Dead Sara's Siouxsie Medley joins PG editors and our reader of the month to reveal recent guitar purchases and our latest musical obsessions.
What was the last guitar you bought and why? What's next on your wish-list?
Siouxsie Medley | Dead Sara
Photo by Steve Porter
A: A 1991 Gibson Les Paul Florentine was the last touring guitar I bought. I bought it from my buddy because the Les Paul Custom I was playing for years broke my ribs twice. Not even kidding, mid-show! Haha. That's not a knock on the Les Paul; it's just a heavy guitar for a chick who weighs a buck-five. So, the Florentine has been a breeze on my back and ribs but still has the chunky Les Paul sound that I love and is vital to the Dead Sara sound.
I've purchased a couple of old Silverstones for home use. My early '60s Japanese 319 model has such a special feel. The action on it is literal butter. I do all of my writing on it. It's my best friend. I'd love to get another Grammer acoustic. I have a '70s G10. Country artist Billy Grammer made a line of his own guitars and they're the best-sounding acoustics—they resonate for days.
​Current obsession:
Magic Wands, Viagra Boys, Harriet, Tom Waits, Future Islands, Aretha Franklin, Nina Simone, T. Rex, Sam Cooke, Richard Swift, and the list goes on.... I've been cycling through that list most heavily recently. Magic Wands will always have a soft spot in my heart, as the lead singer, Dexy, was my nanny as a kid and taught me how to play guitar. Don't know where I'd be without her influence. (And all the times she did my homework for me so I could keep practicing chords). Love her and her music.
Dorian Ford | Reader of the Month
Dorian Ford
A: I bought an American Original Fender Jazzmaster. I bought an American Pro Jazzmaster a couple years prior, and I wanted a more vintage-sounding Jazzmaster with a rhythm circuit, so I bought it. Next, I'm going to get an MIJ Jazzmaster, a Fender Coronado II, or an Eastwood Airline 59 3P DLX. I'm torn!
Current Obsession:
I don't know why, but lately I've been obsessed with the Dandy Warhols, specifically The Dandy Warhols Come Down album. Love the guitar tones on that album and the hooks are hauntingly catchy.
Ted Drozdowski | Senior Editor
A: A while back I concluded a decade-long search for a National. For a long stretch, money was an issue, but that didn't stop me. Thankfully, I didn't find The One until I had the scratch. It was right after Christmas 2018, and, on a whim, I played through a clutch of them on the wall at Carter Vintage here in Nashville. Two Style 1 Tricones really spoke to me: a 1930s and a 1997.
Photo by Laurie Hoffma
The '97 was easy to play, had better tonal detail and sustain, and was cheaper, so—no brainer. It also has a mysterious mandala-like symbol that George Harrison painted on some of his guitars welded onto it.
Photo by Laurie Hoffma
Plus, the owner knocked a couple hundred bucks off. Since then, it's appeared on my band's acoustic EP and some videos—and it makes me happy when I see it perched on its stand, every time. Dunno what's next!
Current Obsession:
Getting back to work on music. The first leg of the pandemic laid me out creatively. Now, I've got a patch of new songs and arrangements, and I'm working on a script.
Jason Shadrick | Associate Editor
A: The last guitar I purchased was my Schroeder Chopper TL. About eight years ago we reviewed one of Jason Schroeder's instruments and the feeling of having to return it stuck with me.
Once one of his Chopper TL models became available, I had to jump on it. It's a T-style that is light as a feather and just feels great. Naturally, the Lollar pickups sound great, too. It's become the standard to which all my other guitars need to measure up to. Next on my list is something in the 335 family. Still on the hunt for that.
Current Obsession:
With the recent demise of my band, I've noticed that finding something non-musical to fill my time helps and I'm deep in a chess phase. It's simple enough to break out your phone when you have a few minutes and solve a few puzzles. I highly doubt I'll be going pro anytime soon, but it's fun to dive deep into a world where nobody gives a crap about how transparent your overdrive is.
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EBS introduces the Solder-Free Flat Patch Cable Kit, featuring dual anchor screws for secure fastening and reliable audio signal.
EBS is proud to announce its adjustable flat patch cable kit. It's solder-free and leverages a unique design that solves common problems with connection reliability thanks to its dual anchor screws and its flat cable design. These two anchor screws are specially designed to create a secure fastening in the exterior coating of the rectangular flat cable. This helps prevent slipping and provides a reliable audio signal and a neat pedal board and also provide unparalleled grounding.
The EBS Solder-Free Flat Patch Cable is designed to be easy to assemble. Use the included Allen Key to tighten the screws and the cutter to cut the cable in desired lengths to ensure consistent quality and easy assembling.
The EBS Solder-Free Flat Patch Cable Kit comes in two sizes. Either 10 connector housings with 2,5 m (8.2 ft) cable or 6 connectors housings with 1,5 m (4.92 ft) cable. Tools included.
Use the EBS Solder-free Flat Patch Cable Kit to make cables to wire your entire pedalboard or to create custom-length cables to use in combination with any of the EBS soldered Flat Patch Cables.
Estimated Price:
MAP Solder-free Flat Patch Cable Kit 6 pcs: $ 59,99
MAP Solder-free Flat Patch Cable Kit 10 pcs: $ 79,99
MSRP Solder-free Flat Patch Cable Kit 6 pcs: 44,95 €
MSRP Solder-free Flat Patch Cable Kit 10 pcs: 64,95 €
For more information, please visit ebssweden.com.
Upgrade your Gretsch guitar with Music City Bridge's SPACE BAR for improved intonation and string spacing. Compatible with Bigsby vibrato systems and featuring a compensated lightning bolt design, this top-quality replacement part is a must-have for any Gretsch player.
Music City Bridge has introduced the newest item in the company’s line of top-quality replacement parts for guitars. The SPACE BAR is a direct replacement for the original Gretsch Space-Control Bridge and corrects the problems of this iconic design.
As a fixture on many Gretsch models over the decades, the Space-Control bridge provides each string with a transversing (side to side) adjustment, making it possible to set string spacing manually. However, the original vintage design makes it difficult to achieve proper intonation.
Music City Bridge’s SPACE BAR adds a lightning bolt intonation line to the original Space-Control design while retaining the imperative horizontal single-string adjustment capability.
Space Bar features include:
- Compensated lightning bolt design for improved intonation
- Individually adjustable string spacing
- Compatible with Bigsby vibrato systems
- Traditional vintage styling
- Made for 12-inch radius fretboards
The SPACE BAR will fit on any Gretsch with a Space Control bridge, including USA-made and imported guitars.
Music City Bridge’s SPACE BAR is priced at $78 and can be purchased at musiccitybridge.com.
For more information, please visit musiccitybridge.com.
The Australian-American country music icon has been around the world with his music. What still excites him about the guitar?
Keith Urban has spent decades traveling the world and topping global country-music charts, and on this episode of Wong Notes, the country-guitar hero tells host Cory Wong how he conquered the world—and what keeps him chasing new sounds on his 6-string via a new record, High, which releases on September 20.
Urban came up as guitarist and singer at the same time, and he details how his playing and singing have always worked as a duet in service of the song: “When I stop singing, [my guitar] wants to say something, and he says it in a different way.” Those traits served him well when he made his move into the American music industry, a story that begins in part with a fateful meeting with a 6-string banjo in a Nashville music store in 1995.
It’s a different world for working musicians now, and Urban weighs in on the state of radio, social media, and podcasts for modern guitarists, but he still believes in word-of-mouth over the algorithm when it comes to discovering exciting new players.
And in case you didn’t know, Keith Urban is a total gearhead. He shares his essential budget stomps and admits he’s a pedal hound, chasing new sounds week in and week out, but what role does new gear play in his routine? Urban puts it simply: “I’m not chasing tone, I’m pursuing inspiration.”
Wong Notes is presented by DistroKid.
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PG contributor Tom Butwin takes a deep dive into LR Baggs' HiFi Duet system.