PG Editors, Our Reader of the Month & Justin Osborne Show Their Weirdest Guitars

SUSTO's Justin Osborne joins Premier Guitar editors and our reader of the month in discussing oddball guitars and current musical obsessions.

Question: What's the weirdest-shaped guitar you own and how did you acquire it?

Justin Osborne – SUSTO

Photo by Dries Vandenberg

A: The weirdest-shaped guitar I own is by far my '80s Kramer Voyager. I never play it live, but it was actually one of the first guitars I ever bought way back in my early teens. I was at an antique shop with my mom and the guitar was there for only $75. I borrowed the money from my parents to buy it and had a lot of fun with it, mostly just playing in my room. My friend has been borrowing it indefinitely, but I still count it as a part of my guitar collection and will always remember it as my first electric guitar.

Current obsession:

My current musical obsession is Strand of Oaks' new album In Heaven. I've been a fan for a while now, and just love how Tim Showalter creates such a specific sonic landscape on his albums. This new one is a banger!

Strand of Oaks - Galacticana (Official Acoustic Video)

Strand of Oaks - Galacticana (Official Acoustic Video)Stream / Purchase: Strand of Oaks:Instagram -

Sam Crowley – Reader of the Month

A: My Telecasket, which I built. White Zombie is one of my favorite bands of all time and has been since high school. I loved Sean Yseult's coffin basses from the moment I saw them and always thought if I could have a custom guitar, it would be a coffin. Fast forward 25+ years, as I was playing in my horror-rock band, the Electric Dead, it was time to finally do it. My father, who is a cabinet maker, and I built it together over the course of a few weeks.


The string-through body is a big slab of pine, and the binding/center stripe are walnut. My favorite guitarist is Billy Gibbons, so I had to put a Pearly Gates in there. His style also influenced the choice of no neck pickup and just a volume knob. Super simple. This being our first guitar project, we didn't want to tackle the neck, so I ordered that from Solo Music here in Ontario. I replaced the nut on that with a TUSQ nut and gave it a satin finish. The guitar is amazingly resonant, sounds absolutely huge, and the audience loves it!

Current obsession:

Photo by Blain Clausen

Always Billy Gibbons. To me, he's just the coolest guitar player ever!

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Shawn Hammond – Chief Content Officer

A: Unfortunately, I can't find a pic of the cherry-finished Gibson '67 Flying V reissue I had to sell in a pinch a decade and a half ago, but I really miss it—it had neato-sounding, splittable Duncan Seth Lover pickups.

The weirdest profiles in my collection now would be my old Schecter Ultra III (which has a TV Jones Magna'Tron in the bridge position) or my Mosrite-inspired Eastwood Sidejack Baritone DLX (with Curtis Novak JM-WR pickups).

Current obsession:

Of late, I've really been lusting after a DynaSonic-outfitted Gretsch Jet.

Ted Drozdowski – Senior Editor

Photo by John Thomas Collins

A: If you're an old Delta blues guitarist, you might have started on a 1-string like my diddley bow (below). It's got slices of pipe for the bridge and nut, an old banjo tuner, a galvanized-pot body with a genuine plywood top, and an old tobacco barn stave for the neck.

It was a gift from my friend Mike Mitchell, an artist in East Nashville, and I put in a Mexico-made Tele pickup, so it sounds nasty. It's a big hit at shows and sounds super-gnarly through a Marshall.

Current obsession:

Maybe a new combo for my stereo amp setup, or a damn cool small head? And to keep on keepin' on.

Rig Rundown: Adam Shoenfeld

Whether in the studio or on solo gigs, the Nashville session-guitar star holds a lotta cards, with guitars and amps for everything he’s dealt.

Adam Shoenfeld has helped shape the tone of modern country guitar. How? Well, the Nashville-based session star, producer, and frontman has played on hundreds of albums and 45 No. 1 country hits, starting with Jason Aldean’s “Hicktown,” since 2005. Plus, he’s found time for several bands of his own as well as the first studio album under his own name, All the Birds Sing, which drops January 28.

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Diatonic sequences are powerful tools. Here’s how to use them wisely.



• Understand how to map out the neck in seven positions.
• Learn to combine legato and picking to create long phrases.
• Develop a smooth attack—even at high speeds.

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Knowing how to function in different keys is crucial to improvising in any context. One path to fretboard mastery is learning how to move through positions across the neck. Even something as simple as a three-note-per-string major scale can offer loads of options when it’s time to step up and rip. I’m going to outline seven technical sequences, each one focusing on a position of a diatonic major scale. This should provide a fun workout for the fingers and hopefully inspire a few licks of your own.
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