There’s no question that dating Gibson guitars is challenging—and sometimes downright impossible.
I have a Gibson Les Paul I’m trying to identify. The serial number is 676323, and “Made in USA” is stamped below that. I was told to check the potentiometer date codes, which all have “1377142” impressed into them. I read on a Gibson forum that, on seven-digit pot codes, the fourth and fifth numbers represent the date. Can you tell me what model this is and how much it is worth today? Dating Gibson guitars is not easy—thank you!—Brian Page
There’s no question that dating Gibson guitars is challenging—and sometimes downright impossible. There are two basic components to your Les Paul question: dating it and identifying it. I’ll start with trying to date the instrument, but keep in mind that dating and identifying Gibson guitars typically go hand in hand.
I get several questions about Gibson serial numbers every day, and my initial answer is always to not expect or rely on the serial number alone to determine the year of manufacture. For many Gibson owners, it’s hard to believe that an individual serial number won’t automatically indicate the year and model of the guitar in question. In fact, without any other information about the guitar, the serial number is essentially worthless. This was mainly caused by Gibson trying to keep up with production while attempting to serialize everything accurately, as well. Unfortunately, during extremely busy times, production simply trumped serialization.
Gibson has used numerous serialization systems over its 100-plus-year history, and a majority of these numbers were used haphazardly—and rarely in consecutive order—until the system was standardized in 1977. Up until the early 1960s, serial numbers were fairly consistent, but for most of the 1960s and 1970s, six-digit numbers were used pretty much at random. Based on the charts originally compiled from Gibson’s shipping ledgers by author A.R. Duchossoir, the serial number you provided could have been used on Gibson guitars produced in 1970, 1971, 1972, 1974, or 1975. The most important dating feature on guitars with six-digit serial numbers is that, starting in 1970, Gibson began stamping “Made In USA” near the serial number on the back of the headstock. Since the value of a Gibson Les Paul differs widely between 1970 and 1975, it is very important to pinpoint the year.
As for dating pots, you are correct that the fourth and fifth numbers of the potentiometer date code indicate the last two digits of the year (that is, the “71” in your serial number stands for 1971). Checking the date codes on pots is usually the second step (after approximating the date of the serial number) in determining the guitar’s year. This only works if the pots are original. And because many manufacturers purchased pots in large quantities, the pots could sit on the shelves for weeks—if not months—before they were installed. Basically, dating the pots only confirms the earliest time the guitar could have been produced. Since your guitar has pots dating from 1971 and they appear to be original, we know it was produced in 1971 or later.
Now comes the identifying part. Your guitar has cosmetic features and specifications similar to a Les Paul Standard. However, the Les Paul Standard model was not produced between 1970 and 1975 (it was officially reintroduced in 1976). The Gibson Les Paul Deluxe, which was nearly identical to the Standard with the exception of mini-humbucker pickups, was produced during this time. Further, beginning in 1972, Gibson began offering the Les Paul Deluxe with a special order of full-size humbuckers. Many of these Deluxes have “Standard” stamped on their truss-rod cover.
I believe your guitar is a circa- 1972 Gibson Les Paul Deluxe with optional full-size humbuckers. While the serial number could apply to 1974 and 1975 as well, it is widely reported that the pots were used in a timely manner from this era at Gibson. Guitar production wasn’t nearly as fast paced during that period as it was in the 1960s, which meant Gibson ordered fewer parts at that time. Also note that, in mid-1972, the “Les Paul” signature and “Model” inscription were changed from a silkscreen to a decal.
It appears that your pickups were changed at some point (although the pickup openings seem to be originally cut for full-size humbuckers), the pickguard is absent, and the tip of the pickup switch is missing, as well. Most of the body appears to be in “very good plus” condition, and based on all of this, your guitar is valued between $2200-$2500.
To recap: Inconsistent serialization and the fact that many Gibson guitars do not have the exact model marked on the instrument, dating and identifying older Gibsons isn’t easy. It usually takes more than just a serial number to accurately identify and date them, and there are numerous other dating systems and tools that I haven’t mentioned here. Some serialization systems only apply to certain guitars, and in some cases the same serial number has been used on multiple guitars! For more information on Gibson or potentiometer serialization and model identification, please refer to our website (bluebookinc.com) or visit gibson.com.
Zachary R. Fjestad is author of Blue Book of Acoustic Guitars, Blue Book of Electric Guitars, and Blue Book of Guitar Amplifiers. For more information, visit bluebookinc.com or email Zach at guitars@bluebookinc.com.
Sleep Token announces their Even In Arcadia Tour, hitting 17 cities across the U.S. this fall. The tour, promoted by AEG Presents, will be their only headline tour of 2025.
Sleep Token returns with Even In Arcadia, their fourth offering and first under RCA Records, set to release on May 9th. This new chapter follows Take Me Back To Eden and continues the unfolding journey, where Sleep Token further intertwines the boundaries of sound and emotion, dissolving into something otherworldly.
As this next chapter commences, the band has unveiled their return to the U.S. with the Even In Arcadia Tour, with stops across 17 cities this fall. Promoted by AEG Presents, the Even In Arcadia Tour will be Sleep Token’s only 2025 headline tour and exclusive to the U.S. All dates are below. Tickets go on sale to the general public on Friday, March 21st at 10 a.m. local time here. Sleep Token will also appear at the Louder Than Life festival on Friday, September 19th.
Sleep Token wants to give fans, not scalpers, the best chance to buy tickets at face value. To make this possible, they have chosen to use Ticketmaster's Face Value Exchange. If fans purchase tickets for a show and can't attend, they'll have the option to resell them to other fans on Ticketmaster at the original price paid. To ensure Face Value Exchange works as intended, Sleep Token has requested all tickets be mobile only and restricted from transfer.
*New York, Illinois, Colorado, and Utah have passed state laws requiring unlimited ticket resale and limiting artists' ability to determine how their tickets are resold. To adhere to local law, tickets in this state will not be restricted from transfer but the artist encourages fans who cannot attend to sell their tickets at the original price paid on Ticketmaster.
For more information, please visit sleep-token.com.
Even In Arcadia Tour Dates:
- September 16, 2025 - Duluth, GA - Gas South Arena
- September 17, 2025 - Orlando, FL - Kia Center
- September 19, 2025 - Louisville, KY - Louder Than Life (Festival)
- September 20, 2025 – Greensboro, NC - First Horizon Coliseum
- September 22, 2025 - Brooklyn, NY - Barclays Center
- September 23, 2025 - Worcester, MA - DCU Center
- September 24, 2025 - Philadelphia, PA - Wells Fargo Center
- September 26, 2025 - Detroit, MI - Little Caesars Arena
- September 27, 2025 - Cleveland, OH - Rocket Arena
- September 28, 2025 - Rosemont, IL - Allstate Arena
- September 30, 2025 - Lincoln, NE - Pinnacle Bank Arena
- October 1, 2025 - Minneapolis, MN - Target Center
- October 3, 2025 - Denver, CO - Ball Arena
- October 5, 2025 - West Valley City, UT - Maverik Center
- October 7, 2025 - Tacoma, WA - Tacoma Dome
- October 8, 2025 - Portland, OR - Moda Center
- October 10, 2025 - Oakland, CA - Oakland Arena
- October 11, 2025 - Los Angeles, CA - Crypto.com Arena
Bergantino revolutionizes the bass amp scene with the groundbreaking HP Ultra 2000 watts bass amplifier, unlocking unprecedented creative possibilities for artists to redefine the boundaries of sound.
Bergantino Audio Systems, renowned for its innovative and high-performance bass amplification, is proud to announce the release of the HP Ultra 2000W Bass Amplifier. Designed for the professional bassist seeking unparalleled power and tonal flexibility, the HP Ultra combines cutting-edge technology with the signature sound quality that Bergantino is known for.
Operating at 1000W with an 8-ohm load and 2000W with a 4-ohm load, the HPUltra offers exceptional headroom and output, ensuring a commanding presence on stage and in the studio. This powerhouse amplifier is engineered to deliver crystal-clear sound and deep, punchy bass with ease, making it the perfect choice for demanding performances across any genre.
The HP Ultra incorporates the same EQ and feature set as the acclaimedBergantino Forté HP series, offering advanced tonal control and versatility. It includes a highly responsive 4-band EQ, Bergantino’s signature Variable RatioCompressor, Lo-Pass, and Hi-Pass Filters, and a re-imagined firmware that’s optimally tuned for the HP Ultra’s power module. The intuitive user interface allows for quick adjustments and seamless integration with any rig, making it an ideal solution for both seasoned professionals and rising stars.
As compared to previous forte HP iterations (HP, HP2, HP2X), Ultra is truly its own amp. Its behavior, feel, and tonal capabilities will be well noted for bass players seeking the ultimate playing experience. If you’ve been wishing for that extreme lead sled-type heft/force and punch, along with a choice of modern or vintage voicings, on-board parallel compressor, overdrive; high pass and lowpass filters, and more—all in a 6.9 lb., 2ru (8” depth) package...the BergantinoHP Ultra is worth checking out.
Building on the forte’ HP2X’s leading edge platform (including a harmonic enriching output transformer (X) and 3.5db of additional dynamic headroom (2),the HP Ultra’s power focus is not about playing louder...it’s about the ability to play fuller and richer at similar or lower volumes. Many players will be able to achieve a very pleasing bass fill, with less volume, allowing the guitars and vocals to shine thru better in a dense mix. This in turn could easily contribute to a lower stage volume...win-win!
Key Features of the Bergantino HP Ultra 2000W Bass Amplifier:
- Power Output: 1000W @ 8ohms / 2000W @ 4ohms, 1200W RMS @2-Ohms (or 1700W RMS @2.67-Ohms-firmware optimizable via USB
- Dual Voicing Circuits: offer a choice between vintage warmth and modern clarity.
- Custom Cinemag Transformer: elevates harmonic enrichment to new heights
- Variable Low-Pass (VLPF) and Variable High-Pass (VHPF) filters, critical for precise tone shaping and taming of the most challenging gigging environments.
- 4-Band Tone Controls: Bass: +/-10db @40hz, Lo-Mid:+/-10db @250hz,Hi-Mid: +/-10db @ 1khz, Treble: +/-10db @ 3.5khz
- Punch Switch: +4db @110hz
- Bright Switch: +7db @7kHz or +6db @2khz – user selectable● Built-in parallel compression - VRC
- 3.5dB of additional dynamic headroom
- New Drive Circuit featuring our proprietary B.S.D (Bergantino SmartDrive) technology
- Auxiliary Input and Headphone Jack: for personal monitor and practice
- Rack Mountable with optional rack ears
- Effects send and return loop
- Studio quality Direct Output: software selectable Pre or Post EQ
- UPS – Universal power supply 115VAC – 240VAC 50/60Hz
- Weight: 6.9 pounds
- Dimensions: 13.25”W x 8.375”D x 3.75”H
- Street Price: $1895.00
For more information, please visit bergantino.com
The NEW Bergantino Forté HP ULTRA!!! - YouTube
When you imagine the tools of a guitar shredder, chances are you see a sharp-angled electric 6-string running into a smokin’-hot, fully saturated British halfstack of sorts—the type of thing that’ll blow your hair back. You might not be picturing an acoustic steel-string or a banjo, and that’s a mistake, because some of the most face-melting players to walk this earth work unplugged—like Molly Tuttle.
The 31-year old Californian bluegrass and folk artist has been performing live for roughly 20 years, following in a deep family tradition of roots-music players. Tuttle studied at Berklee College of Music, and has gone on to collaborate with some of the biggest names in bluegrass and folk, including Béla Fleck, Billy Strings, Buddy Miller, Sierra Hull, and Old Crow Medicine Show. Her 2023 record, City of Gold, won the Grammy for Best Bluegrass Album.
The furious flatpicking solo on “San Joaquin,” off of that Grammy-winning record, is the subject of this unplugged episode of Shred With Shifty. Shiflett can shred on electric alright, but how does he hold up running leads on acoustic? It’s a whole different ballgame. Thankfully, Tuttle is on hand, equipped with a Pre-War Guitars Co. 6-string, to demystify the techniques and gear that let her tear up the fretboard.
Tune in to hear plenty of insider knowledge on how to amplify and EQ acoustics, what instruments can stand in for percussion in bluegrass groups, and how to improvise in bluegrass music.
Credits
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering Support by Matt Tahaney and Matt Beaudion
Video Editor: Addison Sauvan
Graphic Design: Megan Pralle
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
Featuring a 25.5" scale length, mahogany body, gold hardware, and 490R/498T pickups. Stand out with the unique design and comfortable playing experience of the Gibson RD Custom.
Initially released in 1977, the Gibson RD model has been a cult classic for years. It is famous for its unique appearance, which takes inspiration from both the Gibson Explorer and Firebird designs, as well as its functionality and use by several popular guitarists across multiple genres.
Now, the iconic RD Custom joins the Gibson Custom core lineup for the first time. Not only is this the first Custom Shop-built RD model, but it is also the first 25.5” scale length solidbody core model offered by Gibson Custom. Complete with the classic and comfortable RD body shape, including a rear tummy cut for extra comfort, this model also features a mahogany body with multi-ply top binding, Gibson Custom aesthetics, including gold hardware and mother-of-pearl block inlays on the neck, and a mother-of-pearl Custom split diamond headstock inlay. The RD Custom also has a 25.5” scale mahogany neck with a Medium C profile and long neck tenon, a bound ebony fretboard with 22 medium jumbo frets, and a bound headstock with Grover Rotomatic tuners. The updated electronics include 490R and 498T pickups, CTS potentiometers, and a hand-wired harness.
The Gibson RD Custom is designed to help players stand out from the crowd with its longer scale length, curvaceously elegant body, and classic design. Now is your opportunity to experience the unique and comfortable playing experience of the cult-favorite Gibson RD Custom for yourself. A Custom Shop hardshell case is also included.
For more information, please visit gibson.com.