When a fretboard dries out from low humidity, the wood shrinks, exposing sharp fret ends. Here’s how to deal with this vexing problem.
I can always tell when we've had a cold winter by the guitars that come into my shop. When folks crank up the heat during cold weather, it removes moisture from the air. A guitar's fretboard can actually shrink in a low-humidity environment, causing the fret ends to protrude slightly on either side of the neck. You can generally prevent this by using a room humidifier or inexpensive guitar-humidifying device, but once the sharp fret ends are poking out, you need to deal with them, because they make the guitar very uncomfortable to play. It's not difficult to repair sharp frets, but it takes the right tools and materials, and you have to know what you're doing.
Photo 1 shows an example of sharp frets. This is a fairly new guitar, but the owner has obviously never humidified it. At this point, the fret ends need to be filed, shaped, and buffed.
Photo 2
You need two files for this job: a fine-tooth flat file (Photo 2) and a three-corner miniature file (Photo 3) that has been customized for fretwork.
Photo 3
Fine-tooth flat files come in many sizes and shapes, and they're available from specialized guitar-tool companies like Stewart-MacDonald, Luthiers Mercantile, and Allparts, and even home improvement stores. Look for a file with fine teeth that's between 3 1/2" and 8" long. Several companies carry diamond-coated files, and these also work well.
I prefer Nicholson three-corner miniature files, but most brands get the job done. A three-corner file is perfect for rounding the sides of a fret end, and the best type for this job is a "single-cut" file. In other words, the file's teeth only cut in one direction, which limits debris buildup.
Important: Make sure you round and sand smooth one of the corners of the file. Otherwise, the file can cut into the fretboard (and binding, if the guitar has it). I used a belt sander to gently remove the teeth from one of the edges of my file. If you don't want to do this yourself, the guitar-tool suppliers mentioned above sell three-corner files with smoothed leading edges intended for fretwork.
Filing fret ends.
Photo 4
The first step is to file the protruding fret ends flush to the fretboard. Hold the fine-tooth flat file against the side of the fretboard and gently drag the file from the first fret down to the last fret (Photo 4). Let the tool do the work—you're just guiding it. If you press too hard, you may cut into the fretboard or binding.
Once the frets are filed flush to the fretboard, angle the flat file slightly—approximately 35 to 45 degrees—and glide along the tips of the frets until they have a uniform bevel. But make sure you don't add too much of a bevel. If the bevel is too long, the E strings can slip off the frets when you play.
It's not difficult to repair sharp frets, but it takes the right tools and materials, and you have to know what you're doing.
When the fret ends on both sides of the fretboard look uniform and feel flush, you're ready to take the next step.
Rounding the fret ends. This operation takes patience and skill. The goal is to smooth off the edges of the frets where they meet the fretboard so the frets don't feel sharp. Using the special three-corner file, place the "toothless" edge facing down toward the fretboard and gently roll the file over the edge of the fret end (Photo 5). It only takes about three or four gentle strokes to smooth out the fret end.
Photo 5
Repeat this process for each side of every fret until all frets are smooth and rounded. Be aware of your file at all times, especially when working over the body. You don't want to knick or gouge that top! File slowly and methodically. If you want to protect the guitar, you can use low-tack painter's tape to mask off vulnerable areas.
Removing tool marks. Now it's time to clean up. Using a single-edged razor blade, carefully scrape back and forth on the fretboard until any tool marks are gone (Photo 6). Use a light touch and don't scrape away too much wood. The goal is to remove the minimum amount of material required to smooth out the marks.
Photo 6
Polishing the fret ends.
The next step is to use super-fine polishing paper, which is available in many styles (including micro-mesh cloths and fret "erasers" in a sequenced series of grits) from luthier suppliers and guitar-accessory companies like Dunlop and Planet Waves.
Grip your polishing paper or cloth and gently rub the fret ends along the fretboard. This gives the frets a nice shiny look. While you're at it, why not polish the tops of all the frets?
Conditioning the fretboard.
The final step in our process is to condition the fretboard. There are dozens of products available for cleaning and conditioning a guitar's open, unfinished wood. With a little research and some trial and error, you'll find a product that works well for you.
Apply the conditioner onto the fretboard and scrub it in using an old toothbrush. This removes built-up dirt and sweat and helps the wood absorb the conditioner. When the fretboard is completely covered, wipe it off with a paper towel.
Parting thoughts.
As we've seen, the primary cause of sharp fret ends is a lack of humidity. The optimum humidity level for any guitar is between 40-50 percent. Conditioning your fretboard helps minimize humidity issues, but it's still imperative to keep your guitar humidified. The bottom line: It pays to check out various guitar humidifiers. Designed to fit into the guitar body or case, they're inexpensive and easy to use. Humidifiers can prevent sharp fret ends and save you a ton of work.
[Updated 9/30/21]
Day 9 of Stompboxtober is live! Win today's featured pedal from EBS Sweden. Enter now and return tomorrow for more!
EBS BassIQ Blue Label Triple Envelope Filter Pedal
The EBS BassIQ produces sounds ranging from classic auto-wah effects to spaced-out "Funkadelic" and synth-bass sounds. It is for everyone looking for a fun, fat-sounding, and responsive envelope filter that reacts to how you play in a musical way.
Positive Grid unveils Spark EDGE, a multi-channel smart amp & PA engineered for musicians demanding portability, versatility, and pro-level sound.
Positive Grid unveils Spark EDGE, a multi-channel smart amp & PA engineered for musicians demanding portability, versatility, and pro-level sound. Designed for everyone from singer-songwriters and buskers to acoustic duos and electric players, Spark EDGE packs 65 watts of studio-quality sound, built-in effects, and a looper into a lightweight, compact design. Capable of serving as an amp, PA, or personal monitor, Spark EDGE offers flexible connectivity for electric and acoustic guitars, bass, vocals, keyboards, and more. With optional battery power (sold separately), Spark EDGE delivers the freedom to perform anytime, anywhere.
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Powered by Sonic IQ Computational Audio, Spark EDGE enhances every note with precision. Its tech-driven system features a dedicated computational audio chip that refines dynamic range, boosts vocal clarity, and deepens bass. The result? Precise, immersive sound in any setting. Complemented by an advanced speaker design—featuring a woofer, tweeter, and reflex ports—Spark EDGE delivers rich, full-bodied sound that brings any performance to life.
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Handmade in Japan, this bass features a bolt-on hard maple neck, alder body, VolaJS5-N neck and Vola JS5-B bridge pickups, and a Vola ATR-I Active 3-band EQ. Experience top-quality craftsmanship and tonal potential with the ZVA 5 Bass.
The tried-and-true ZVA bass is back, this time with additional range! The all-new 5-string version maintains its most prominent features while providing players with an expanded scope of tonal potential. Its bolt-on hard maple neck is equipped with 21 frets, a rosewood fingerboard, a 34.5” scale, and a Duracon nut for optimal performance. The modern C-shaped neck allows for easy access to the entire fretboard while maintaining perfect comfort. The body is made of alder, offering a balanced playing experience. From a hardware standpoint, the nickel components were manufactured by Gotoh, including the machine heads and a string-through bridge setup. The bass is equipped with VolaJS5-N neck and Vola JS5-B bridge pickups, coupled with a Vola ATR-I Active 3-band EQ and a handy mini switch for seamless transition between passive and active modes. Overall, the ZVA 5-string carries on its predecessor’s legacy with extended range and accessibility for every type of bassist.
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Introducing: The All-New ZVA 5 Bass - YouTube
If you’re new to Priest’s music or are trying to find your own starting point, we’ve got some great tips for guitar jammers. And if you’re a hardcore fan, maybe you’ve got some tips you can share for our next steps.
In this episode, we’re celebrating the thrill of guitarmony, sick riffs, and driving 8th-note rhythms by talking about Judas Priest. Before getting ready for this episode, neither of your esteemed hosts had ever delved into the Priest discography beyond the rock-radio hits and Beavis and Butthead—though we’d both spent our time with Heavy Metal Parking Lot. Since so many of the GOATs hold the band in the highest of regard, we knew that K.K. Downing and Glenn Tipton belonged on this list, so we embarked on a journey to find out why.
After hours of listening and watching, we’re happy to report that we get it. From their debut, 1974’s Rocka Rolla, through 1980’s British Steel, deep into the ’80s-production era with 1986’s Turbo, and through the speed-metal bravado of 1990’s Painkiller, plus live videos and records—the super-loud US Festival performance and the crushing Unleashed in the East record—we found a lot that we love.