Copious style cues and multitudinous tones yield big fun and sweet sounds in a post-modern solidbody scramble.
Very nice quality and some exceptional sounds for the price. Fun, practical switching possibilities.
No vibrato on a guitar called the Surfliner?
Guild Guitars Surfliner
In its pretty, transparent white sage finish, the Guild Surfliner couldn’t look more worthy of its name if you stuffed it in the back of a woody and slathered it in coconut oil. Sonically speaking, though, the Surfliner is capable of much more than the garage rock, sunshine-pop, and Chantays covers that the name and silhouette might suggest as a raison d’être. The cool pickup compliment and clever switching scheme make the Indonesia-built Surfliner capable of roughneck rock tones, clarion jangle, dusty lo-fi lead sounds, and honey-sweet blues and soul. Key contemporary design elements prevent it from looking like a strictly retro exercise—if modernity concerns you. And the $450 street price is nice for a high-quality instrument capable of unique tone combinations.
Guild’s history is rich with daring solidbody shapes. Some of them, like the S-200 Thunderbird (now called the T-Bird) and S-50 Jetstar, live on in the modern Guild lineup. The Surfliner shares a certain sense of design adventurism with those early 1960s Guilds as well as some cool inherited family traits. It’s great to see the six-in-line, Fender-meets-Firebird headstock that briefly graced mid-1960s S-50s, for example. And the new DeArmond Aerosonic pickups in the middle and neck position are, visually at least, a little evocative of the pickups in the Guild Brian May Signature from the 1990s.
In quintessential Guild style, some of the design idiosyncrasies range to the quirky. The staggered ferrules for the through-body stringing system look a little modern-minimalist alongside the other mostly mid-century-style elements. And the three switches that make up the pickup switching system, while situated conveniently for fast changes, are in peril’s way if you’re a vigorous strummer. It’s not impossible to switch a pickup on accidentally in the course of a downstroke. Also, the switches themselves, which feel more like the type you encounter on modern consumer electronics, don’t look or feel especially well-suited for a guitar as 1960s-inspired as the Surfliner. That gripe aside, it’s hard to complain about the utility of the layout—particularly when you get a feel for the many tone combinations you can produce in a flash. It’s a great idea that could benefit from a little refinement.
The poplar body and maple fretboard-capped two-piece maple neck (a 45-degree angle join is visible between the third and first frets) are well-balanced, and I didn’t experience any neck dive when I played it with a strap. The 10" fretboard radius is a comfortable, super-playable compromise between more curvaceous vintage-Fender and flatter Gibson-style fretboard radii. Paired with narrow jumbo frets, it makes the Surfliner an inviting vehicle for string bending and nuanced finger vibrato. It’s super comfortable for chording, too.
Build quality, by the way, is excellent for a guitar in this price class. Fretwork is carefully executed, the neck is straight as an arrow, and the setup and intonation were pretty much perfect. The white sage, too, which is reminiscent of a vintage blonde-over-ash finish, looks more upscale than the Surfliner’s price, revealing pretty streaks of poplar grain beneath the minty green.
Pickup Pu Platter
It’s nice that the Surfliner is so swell to hold and play, because its base tones—and the variations derived from less common pickup combinations—are a world you can immerse yourself in for a good long while. The LB-1 Little Bucker in the bridge is built around alnico 5 magnets and rated at a modest 5.06k ohm resistance. I like low-output humbuckers and Firebird-style mini humbuckers a lot, and the LB-1 in the Surfliner exhibits attributes of both. High-end output is prominent but chiming and soft in the overtones rather than rabid. Midrange and bottom end output are subdued by comparison. And in certain settings—slow, spacious, and jazzy chord phrasings, for one—the composite voice can sound like sweet bell tones ringing over a relatively boxy bottom and midrange. In most other contexts the LB-1 output sounds more balanced, with a sort of concise but punchy quality that excels for snappy rhythm jabs and spanky garage- and jangle-rock settings. It pairs well with overdrive, too, and the right one (I used a Klon clone) can balance out some of the perceived disparity in liveliness between the low, mid, and high-end output.
The middle position and neck Aerosonic single-coils are both louder and hotter than a Stratocaster’s middle and neck position pickups (a cross between a Strat pickup and a neck P-90 isn’t worlds away). But there are similarities in voice between the Aerosonics and Stratocaster units. The middle Aerosonic has a soft-around-the-edges balanced voice. And the neck unit exhibits plenty of the deep, vocal resonance that can make a Hendrix blues ballad sound so sexy. Combining neck-and-middle and middle/treble pickups yields hum-free and slightly more forceful takes on a Strat’s snorkely, out-of-phase sounds. The airy but substantial neck and bridge combo was the sweetest to my ears. And while all three pickups together sound a bit narrower in focus than you might expect, the combination sounds meaty and punchy with a fuzz.
At about 450 bucks, Guild’s Surfliner is in a competitive price class where taking chances on style can be risky. Yet the Surfliner stands out—and not just for its lines. There are beautiful, rowdy, sweet, and quirky sounds aplenty. It plays as smoothly as more expensive guitars. And though it can look a bit like one style mash-up too many at times, it’s downright pretty at many angles. The absence of a vibrato unit—particularly given the Surfliner name—is a minor crime and an opportunity missed. Then again, the guitar always seemed to be in tune. How you feel about the issue will be down to your own priorities. Is there room for fine tuning, refinement, and revision? Sure. But Guild has built a solid body platform that could evolve in any number of fun and compelling ways, and it’s a perfectly great guitar—and an excellent value—in this first iteration.
Guild Surfliner Demo | First Look
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Sporting custom artwork etched onto the covers, the Railhammer Billy Corgan Z-One Humcutters are designed to offer a fat midrange and a smooth top end.
Billy Corgan was looking for something for heavier Smashing Pumpkins songs, so Joe Naylor designed the Railhammer Billy Corgan Z-One pickup. Sporting custom artwork etched onto the covers, the Railhammer Billy Corgan Z-One Humcutters have a fat midrange and a smooth top end. This pickup combines the drive and sustain of a humbucker with the percussive attack and string clarity of a P90. Get beefy P90 tone plus amp-pummeling output with the Railhammer Billy Corgan Z-One.
Patented Railhammer Pickups take passive guitar pickups to a new level with rails under the wound strings lead to tighter lows, and poles under the plain strings offer fatter heights. With increased clarity, the passive pickup’s tone is never sterile.
Railhammer Billy Corgan Signature Z-One Pickup Demo
For more information, please visit railhammer.com.
Designed for utmost comfort and performance, the Vertigo Ultra Bass is Mono’s answer to those who seek the ultimate gigging experience.
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The Vertigo Ultra Bass features:
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The Generation Collection of acoustic guitars features the exclusive Gibson Player Port designed to offer a unique and immersive sonic experience.
The G-Bird, the newest addition to the Generation Collection--represents the glorious legacy of the Gibson Hummingbird colliding with modern sonic enhancement through the Gibson Player Port to add a new dimension to the G-Bird sound. The Gibson Player Port allows players to hear more of themselves as the audience hears it. With a tone that is crisp and resonant, all of the Gibson Generation Collection acoustics are designed to be comfortable to hold and play for long periods of time. All Generation Collection guitars feature the Gibson Player Port, slim, lightweight bodies, a flatter fingerboard radius, Walnut back and sides, Sitka spruce tops, and a stunning Natural finish. Additionally, the new G-Bird, and the G-200 and G-Writer are equipped with LR Baggs™ Element Bronze pickup systems which amplify deep bass and crystal-clear highs.
The G-Bird represents the glorious legacy of the Gibson Hummingbird with modern sonic enhancement through the Gibson Player Port adding a new dimension to the G-Bird’s sound. The G-Bird features a stunning solid Sitka spruce top and solid walnut back and sides for the ultimate in crisp, resonant tone. This square-shoulder dreadnought delivers all the rich low end and well-balanced mids and highs the original Hummingbird is famous for. The TUSQ nut and saddle, along with chrome Grover Mini Rotomatic tuners, deliver solid tuning stability so you can spend more time playing instead of tuning. The utile neck, with its easy-playing Advanced Response neck profile, is so comfortable you won’t want to put it down. The G-Bird also comes equipped with an LR Baggs Element Bronze pickup system, so it will always sound as good to your audience as it does to you. The G-Bird also comes equipped with an LR Baggs™ Element Bronze pickup system, so it will always sound as good to your audience as it does to you. The G-Bird is available in Natural finish. A gig bag is included.
Modeled after Gibson’s pioneering small-body parlor acoustic guitars from the 1930’s, the G-00 is a top choice for blues and fingerstyle guitar performances. Despite its more compact size, the G-00 achieves a full, balanced sound. The G-00 fills any room with rich tones-which players can hear like never before, with the exclusive Gibson Player Port. Like all models in the Gibson Generation Collection, the G-00 is handcrafted in Bozeman, Montana, by the same highly--skilled craftspeople who make all Gibson acoustic guitars. The G-00 features a beautiful solid Sitka spruce top and solid Walnut back and sides for tone that sounds crisp and resonant. The slightly thinner G-00 parlor-sized body is exceptionally comfortable to hold and play. The TUSQ nut and saddle along with the Grover Mini Rotomatic tuners, deliver solid tuning stability so you can spend more time playing instead of tuning, and the utile neck with its easy-playing neck profile is so comfortable you won’t want to put it down. The G-00 is available in Natural finish. A gig bag is included.
The G-45, a round-shouldered jumbo, adds the Gibson Player Port to its famous “Workhorse” J-45 style body, which is Gibson’s best-selling acoustic guitar of all time. On the G-45, players can now hear more clearly than ever how this beloved guitar responds to every style and technique of playing. Powerful one moment and soft the next, the G-45 delivers all sounds with incredible dynamic range in an elegant, medium body size. The G-45 is part of the Gibson Generation Collection and like all models in this collection, it is handcrafted in Bozeman, MT, by the same highly skilled craftspeople who make all Gibson acoustics. It features a solid Sitka spruce top and solid Walnut back and sides for tone that sounds crisp and resonant. The G-45 features a slightly thinner round shoulder body is exceptionally comfortable to hold and play. The TUSQ nut and saddle, along with the Grover Mini Rotomatic tuners deliver solid tuning stability, so you can spend more time playing instead of tuning, and the utile neck with its easy-playing neck profile is so comfortable you won’t want to put it down. The G-45 is available in Natural finish. A gig bag is included.
Gibson’s impressive range of square-shouldered guitars have become an expressive standard for rock, pop, folk, and country artists. The G-Writer is known for its wide range of sounds, from gutsy and loud, to soft and sweet; they are superb for all styles and shine, whether strumming chords or fingering intricate solos. The G-Writer comes ready for the stage or studio with an LR Baggs Element Bronze pickup system and the ear-opening Gibson Player Port. The G-Writer is part of the Gibson Generation Collection and like all models in this collection, it is handcrafted in Bozeman, MT, by the same highly skilled craftspeople who make all Gibson acoustics. It features a solid Sitka spruce top and solid Walnut back and sides for tone that sounds crisp and resonant. The G-Writer features a slightly thinner cutaway body, is more comfortable to play and provides effortless access to the upper frets. The TUSQ nut and saddle, along with the Grover Mini Rotomatic tuners deliver solid tuning stability, so you can spend more time playing instead of tuning, and the utile neck with its easy-playing neck profile is so comfortable you won’t want to put it down. The G-Writer is available in Natural finish. A gig bag is also included.
Gibson built its first “Super Jumbo” SJ-200 as a custom order for country and western singer and film star Ray Whitley, who desired a big, loud, and deep flat-top over which to croon. The SJ-200 quickly became a staple of cowboy singers and horseback troubadours, and then country music, 60’s folk stars, and onto every acoustic guitar genre that has followed. Ray would be proud to hear the booming sound from the Gibson Player Port on the new G-200, which comes ready for the stage or studio with a LR Baggs Element Bronze pickup system. Like all models in the Gibson Generation Collection, the G-200 is handcrafted in Bozeman, MT, by the same highly--skilled craftspeople who make all Gibson acoustics. The G-200 features a beautiful solid Sitka spruce top and solid Walnut back and sides for tone that sounds crisp and resonant. The slightly thinner G-200 cutaway jumbo body is exceptionally comfortable to hold and provides excellent access to the upper frets. The TUSQ nut and saddle, along with the Grover Mini Rotomatic tuners, deliver solid tuning stability so you can spend more time playing instead of tuning, and the utile neck with its easy-playing neck profile is so comfortable you won’t want to put it down. The G-200 is available in Natural finish. A gig bag is also included.
G-Bird | Generation Collection
For more information, please visit gibson.com.