A maze of modulation and reverberations leads down many colorful tone vortices.
Deep clanging reverb tones. Unexpected reverb/modulation combinations.
Steep learning curve for a superficially simple pedal.
A lot of cruel fates can befall a gig. But unless you’re a complete pedal addict or live in high-gain-only realms, doing a gig with just a reverb- and tremolo-equipped amp is not one of them. Usually a nice splash of reverb makes the lamest tone pretty okay. Add a little tremolo on top and you have to work to not be at least a little funky, surfy, or spacy. You see, reverb and modulation go together like beans and rice. That truth, it seems, extends even to maximalist expressions of that formula—like the SolidGold FX Ether.
The Ether is tricky enough to bewilder if you’re not careful. The three modulation modes—tremolo, harmonic tremolo, and vibrato—all feel, sound, and interact with the reverb differently. An economical but mildly complex control set definitely demands that you put in a little study. And few settings fit neatly into tidy categories like “vintage spring emulation” or “light hall.” But what the Ether lacks in super-intuitive operation it makes up for in surprises and a fluid user experience that can drag a player in new directions.
For guitarists accustomed to simple pedal reverbs, the Ether will take some work to master. There are just five knobs for tone (color), modulation depth and speed, reverb decay, and a wet/dry mix that functions as the level for both the reverb and modulation. A 2-way toggle switches between the three modulation modes or introduces a shimmer effect. What looks simple on the surface, however, belies great complexity among the available sounds. The modulation depth control alone, for instance, is full of tricks. It controls modulation waveform intensity but can also significantly re-cast the voice and response of the three modulation voices. In addition to intensity, depth also changes the shape of the modulation. On one side of noon the pedal generates sawtooth waves; on the other side, softer sine waves. Somewhat counterintuitively, waveform depth is most intense at clockwise and counterclockwise extremes and least intense closest to noon. Additionally, the noon position is a quasi-random waveform in vibrato mode, a square wave in tremolo mode, and a flutter triangle wave in harmonic triangle mode. So, while it’s fun to twist knobs at random to see what you can conjure, getting some semblance of control over the sonic outcome takes paying close attention to how these variables relate to each other.
There are cool, subtle sounds in Ether, even if subtle isn’t exactly a specialty.
The knobs are sensitive, too. This is great for fine-tuning settings when you have an intuitive, muscle-memory-based handle on how the controls work. But they can feel twitchy at first. Nowhere is this more apparent than in reverb decay and level. They each have considerable range. But the lowest level and decay settings primarily yield big reverb sounds. There are cool subtle sounds in the Ether, even if subtle isn’t exactly a specialty. On the mellower side of the Ether’s envelope, I dialed in a reasonable-enough facsimile of an old Fender black-panel spring reverb set to noon, as well as some really cool tile-like, fast-reflection sounds. But the differences between them on the level and decay controls were small and it can be hard to nail in-between sounds reliably. If you largely live your reverb life on the subdued side of splashy, you might want to look elsewhere.
The Ether’s controls are expansive on the modulation side as well. But each modulation mode also moves through very different ranges of intensity. Vibrato modulation, for instance, sounds very intense at high depth settings in relatively dry mixes. Harmonic tremolo voices, however, need a much wetter signal to stand out prominently. Regular tremolo settings tend to require high effect levels (which means you need to mind your reverb decay settings as well). Again, these differences make practice key. But relinquishing control can be just as satisfying. The harmonic tremolo reverbs can span phasey washes and noirish throb. Standard tremolo, while not the most radical effect, provides fast-twitching or hypnotic icing to metallic hyper-springy surf-ish settings. Vibrato’s reverb settings, meanwhile, can range from surreal, robotic modulations to sweet near-rotary sounds. Finding the points where these sounds intersect and mingle is a joy if you have the time to spare.
Apart from the Ether’s lack of low-key, conventional reverb sounds and interactive, trickier-than-it-looks controls, it’s hard to not fall under the device’s spell. If you have time to kill, getting lost in the mega-expansive controls, many combinations of modulation textures, and fields of reverb-based overtones can create pure joy. If you’re inclined toward option fatigue or dread getting lost in quirky controls onstage, there are simpler ways to get your reverb fix. But if it’s big-to-bigger spaces you’re after and the ability to render them distinct, mutant, and wild with washes of tremolo, vibrato, and phasey textures, the Ether is an almost endless amusement park of clanging, bouncing, ringing, and resplendent modulations.
- A Guitarist's Guide to Reverb Plug-Ins - Premier Guitar ›
- SolidGoldFX Imperial MKII Review - Premier Guitar ›
- First Look: SolidGoldFX EM-III Multi-Head Octave Echo - Premier ... ›
Looking for more great gear for the guitar player in your life (yourself included!)? Check out this year's Holiday Gear Finds!
D'Addario XPND Pedalboard
DR-05X Stereo Handheld Recorder
Wampler Pedals Ratsbane
Outlaw Effects introduces their next generation of NOMAD rechargeable battery-powered pedal boards.
Available in two sizes, NOMAD ISO is a compact, versatile tool that offers the convenience of a fully powered board plus the additional freedom of not having to plug into an outlet. NOMAD ISO is ideal for stages with limited outlet availability, quick changeovers, busking outdoors, temporary rehearsal locations, and more.
NOMAD ISO builds upon the legacy of the ultra-convenient and reliable NOMAD rechargeable pedalboard line originally launched in 2018. The brand new NOMAD ISO editions feature eight isolated outputs (1 x 9V DC, and 1 switchable 9V/12V DC) for even more versatility and clean, quiet power. With an integrated lithium-ion battery pack boasting 12800mAh capacity, NOMAD ISO can fuel a wide array of pedals, and will last over 10 hours* on a single charge.
Each NOMAD ISO pedal board includes adhesive hook & loop pedal-mounting tape, eight (8) standard DC connector cables, and one (1) reverse polarity DC cable, giving you everything you need to build your ultimate "off-the-grid" rig. A rugged, road-ready padded gig bag with shoulder strap is also included, to safely protect your gear while you're on the move.
NOMAD ISO S
NOMAD ISO S: MSRP $309 / MAP: $249
Dimensions: 19 ¼" x 5 ¼"
NOMAD ISO M
NOMAD ISO M: MSRP $349 / MAP $279
Dimensions: 19 ¼" x 11"
More info: https://www.outlawguitareffects.com.
Dunable announces new Minotaur model featuring Grover Rotomatic Keystone tuners.
The Minotaur's DNA is rooted in their classic Moonflower model, which Dunable discontinued in 2017. However, they have long since wanted to create a fresh take on a carved top guitar design, and various attempts to rework the Moonflower led them to a brand new concept with the Minotuar.
Dunable's goal is to give the player a guitar that plays fast and smooth, sounds amazing, and gives maximum physical ergonomic comfort. The Minotaur's soft and meticulous contours, simple and effective control layout, and 25.5" scale length are designed to easily meet this criteria.
- 25.5" scale length
- Dual Humbucker
- one volume, one tone, push pull for coil splitting
- Grover Rotomatic Keystone tuners
- Grover Tune O Matic bridge with brass Kluson top-mount tailpiece
- jumbo nickel frets
- 12" fretboard radius
This full-amp-stack-in-a-box pedal brings a new flavor to the Guitar Legend Tone Series of pedals, Missing Link Audio’s flagship product line.
Adding to the company’s line of premium-quality effects pedals, Missing Link Audio has unleashed the new AC/Overdrive pedal. This full-amp-stack-in-a-box pedal – the only Angus & Malcom all-in-one stompbox on the market – brings a new flavor to the Guitar Legend Tone Series of pedals, Missing Link Audio’s flagship product line.
The AC/OD layout has three knobs to control Volume, Gain and Tone. That user-friendly format is perfect for quickly getting your ideal tone, and it also offers a ton of versatility. MLA’s new AC/OD absolutely nails the Angus tone from the days of “High Voltage” to "Back in Black”. You can also easily dial inMalcom with the turn of a knob. The pedal covers a broad range of sonic terrain, from boost to hot overdrive to complete tube-like saturation. The pedal is designed to leave on all the time and is very touch responsive. You can get everything from fat rhythm tones to a perfect lead tone just by using your guitar’s volume knob and your right-hand attack.
- Three knobs to control Volume, Gain and Tone
- Die-cast aluminum cases for gig-worthy durability
- Limited lifetime warranty
- True bypass on/off switch
- 9-volt DC input
- Made in the USA