It's synonymous with the likes of Gilmour, Hendrix, and Van Halen—to name just a few. The addition of a phaser to a 'board is almost guaranteed to step up one's game in the hypnotic tone department. Here, we've gathered 10 phaser pedals for subtle to space-age modulation experimentation.
WAY HUGE
Atreides
Inspired by a 1980s mini-synthesizer, this "Analog Weirding Module" was designed to deliver growly sub-octave, expressive vocal envelope, swooshing phase, and gnarly fuzz sounds.
$199 street
jimdunlop.com
IBANEZ
Phaser MINI
Offering a variety of sounds, from subtle texture to deep saturation, this analog Phaser was dreamt up to retain the clarity of dry signal, even when set to the highest effect intensity.
$119 street
ibanez.com
PIGTRONIX
Moon Pool
This 4-stage analog phase shifter and tremolo has independent speed controls that change the rate of one or both of the effects in either direction, corresponding to how hard you play.
$179 street
pigtronix.com
MSL
Night Witch
This combo fuzz and ramping phaser is the company's take on the Roland AP-7 Jet Phaser, housing a circuit that's been modified and updated for today's pedalboards.
$300 street
mslpedals.com
WARM AUDIO
Jet Phaser
Boasting the same control set as the like-named original from the '70s, this phaser was created to drum up gentle modulation to distorted phase-drenched cacophony.
$199 street
warmaudio.com
MXR
Phase 90
From delicate, spatial shimmer to full-on high-velocity swooshing, this well-known orange box has been a mainstay for many thanks to its distinctively warm modulation.
$79 street
jimdunlop.com
SVI SOUND
Techno-FA
This mini-sized optical phaser can be switched between 2- and 4-stage phasing, while its four controls (frequency, range, depth, and bright) fine-tune modulation that ranges from vintage to modern shift sounds.
$169 street
svisound.com
ELECTRO-HARMONIX
Small Stone
Whether you're after a rotating speaker effect for blues, adding seasoning to your chicken pickin', or a jet-plane swoosh for metal, this phaser was built for sweeping shifting with liquid transparency.
$71 street
ehx.com
WALRUS AUDIO
Lillian
This multi-stage pedal is packed with a wide array of analog-phaser goodness to dial in, from slight amounts of movement from your dry signal to all sorts of unheard phase/vibrato combinations.
$199 street
walrusaudio.com
SOURCE AUDIO
Lunar Phaser
Offering three styles of phase modulation (vibe, classic, and multi), this MIDI-compatible pedal also synchs with the company's Neuro mobile app for an extensive list of downloadable algorithms.
$149 street
sourceaudio.net
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EBS BassIQ Blue Label Triple Envelope Filter Pedal
The EBS BassIQ produces sounds ranging from classic auto-wah effects to spaced-out "Funkadelic" and synth-bass sounds. It is for everyone looking for a fun, fat-sounding, and responsive envelope filter that reacts to how you play in a musical way.
Reverend Vernon Reid Totem Series Electric Guitar - Shaman
Silos features six presets, tap tempo, one full second of delay time, and three voices—two of which are styled after bucket-brigade and tape-delay sounds. In the $150 price category, it’s not unusual for a digital delay to leave some number of those functions out. And spending the same money on a true-analog alternative usually means warm, enveloping sounds but limited functionality and delay time. Silos, improbably perhaps, offers a very elegant solution to this can’t-have-it-all dilemma in a U.S.-made effect.
A More Complete Cobbling Together
Silos’ utility is bolstered by a very unintimidating control set, which is streamlined and approachable. Three of those controls are dedicated to the same mix, time, and repeats controls you see on any delay. But saving a preset to one of the six spots on the rotary preset dial is as easy as holding the green/red illuminated button just below the mix and preset knobs. And you certainly won’t get lost in the weeds if you move to the 3-position toggle, which switches between a clear “digital” voice, darker “analog” voice, and a “tape” voice which is darker still.
“The three voices offer discernibly different response to gain devices.”
One might suspect that a tone control for the repeats offers similar functionality as the voice toggle switch. But while it’s true that the most obvious audible differences between digital, BBD, and tape delays are apparent in the relative fidelity and darkness of their echoes, the Silos’ three voices behave differently in ways that are more complex than lighter or duskier tonality. For instance, the digital voice will never exhibit runaway oscillation, even at maximum mix and repeat settings. Instead, repeats fade out after about six seconds (at the fastest time settings) or create sleepy layers of slow-decaying repeats that enhance detail in complex, sprawling, loop-like melodic phrases. The analog voice and tape voice, on the other hand, will happily feed back to psychotic extremes. Both also offer satisfying sensitivity to real-time, on-the-fly adjustments. For example, I was tickled with how I could generate Apocalypse Now helicopter-chop effects and fade them in and out of prominence as if they were approaching or receding in proximity—an effect made easier still if you assign an expression pedal to the mix control. This kind of interactivity is what makes analog machines like the Echoplex, Space Echo, and Memory Man transcend mere delay status, and the sensitivity and just-right resistance make the process of manipulating repeats endlessly engaging.
Doesn't Flinch at Filth
EarthQuaker makes a point of highlighting the Silos’ affinity for dirty and distorted sounds. I did not notice that it behaved light-years better than other delays in this regard. But the three voices most definitely offer discernibly different responses to gain devices. The super-clear first repeat in the digital mode lends clarity and melodic focus, even to hectic, unpredictable, fractured fuzzes. The analog voice, which EQD says is inspired by the tone makeup of a 1980s-vintage, Japan-made KMD bucket brigade echo, handles fuzz forgivingly inasmuch as its repeats fade warmly and evenly, but the strong midrange also keeps many overtones present as the echoes fade. The tape voice, which uses aMaestro Echoplex as its sonic inspiration, is distinctly dirtier and creates more nebulous undercurrents in the repeats. If you want to retain clarity in more melodic settings, it will create a warm glow around repeats at conservative levels. Push it, and it will summon thick, sometimes droning haze that makes a great backdrop for slower, simpler, and hooky psychedelic riffs.
In clean applications, this decay and tone profile lend the tape setting a spooky, foggy aura that suggests the cold vastness of outer space. The analog voice often displays an authentic BBD clickiness in clean repeats that’s sweet for underscoring rhythmic patterns, while the digital voice’s pronounced regularity adds a clockwork quality that supports more up-tempo, driving, electronic rhythms.
The Verdict
Silos’ combination of features seems like a very obvious and appealing one. But bringing it all together at just less than 150 bucks represents a smart, adept threading of the cost/feature needle.
EarthQuaker Devices Silos Multi-generational Time Reflection Delay Pedal
