Synergy Announces the Engl Savage, Friedman BE/BB, and Synergy OS Modules
A trio of new modular preamps that covers the tones of a few high-gain monsters and one of the most in-demand builders ever.
Huntington Park, CA (April 12, 2019) -- Dave Friedman is the man behind some of the most impressive tones in rock 'n' roll and has been for over 25 years. Throughout that time, luminary players such as Jerry Cantrell and Eddie Van Halen have been relying on Friedman's amplifier modifications, repairs, and builds to keep them sounding at the top of their game. With that expertise in tow, Friedman moved into crafting his own line of top-shelf electric guitar amplifiers, instruments, and effects, and in doing so has built one of the most enviable roster of artists out there. Whether discussing the plexi-on-steroids tone of the BE-100, or the pedal-platform versatility of the Buxom Beauty, Friedman amps are undoubtedly taking over as the premier rock 'n' roll electric guitar amplifiers.
And thanks to the Synergy Friedman BE-BB preamp module, those exact tones can be at your fingertips with a new level of convenience and affordability. Far from modeling or emulating, Dave Friedman himself designed this module, nailing every detail of the amps’ to-die-for tone and impressive touch sensitivity. By utilizing a pair of 12AX7 preamp tubes to power its BE [BE-100] and BB [Buxom Beauty] channels, whether you're switching between a crystalline clean tone and a boosted lead sound or a harnessing the BE channel’s vintage British-like abilities and switching to a more aggressive distortion, true tube tone will always be present, detailed, and hopelessly addictive. If you want to give your Synergy rig cream-of-the-crop British roar while tapping into the finest cleans Synergy and Friedman have to offer, you'll want to grab a BE-BB preamp module.
The Synergy BE-BB pre-amp features two channels. Each channel has a gain and volume knob and 3-band EQ. You’ll also find 3-way bright switch and 2-way mid boost toggle on the BB side of the module for further crafting your perfect cleans.
MAP and MSRP: $399.99
In the world of guitar amps, there exists one legendary designer and brand that very few ever get to meet, see, or play through. This is Alexander “Howard” Dumble and his namesake Dumble amplifiers. Normally reserved to the paragon of players, you’ll find his amplifiers backing up such artists as Carlos Santana, Robben Ford, and even the late, great Stevie Ray Vaughan.
No two Dumbles are the same, but it’s the Dumble Overdrive Special that continues to reign as the man’s pinnacle design. The amplifiers boast a unique sound and feel that is praised for its ability to enhance and uncover every nuance of a player’s technique and tone. It is this ability that has earned the amp a reputation for being one of the finest and most revered ever made.
Because these mythical amps are extremely hard to come by, we created the Synergy OS preamp module as our tribute to its iconic sound. The OS module packs the Dumble personality and user experience in a compact format, providing affordability and convenience that the original can never match.
Across the front panel, the OS features the same basic controls as the Overdrive Special amplifier. Dual footswitchable channels enable switching between the unique Dumble clean with its mid-forward clarity to the fabled smooth, singing sustain that gives the Overdrive Special its name. You’ll also find Bright, Deep and Rock/Jazz switches that, along with the 3-band EQ, will tailor your tone while always retaining the Dumble character. Finally, a master presence control adds just the right amount of clarity to the module’s OD mode.
While nothing sounds or feels exactly like a Dumble, with the Synergy OS preamp module, you can possess the essence of one of the finest amps in the world alongside all of the other classic tones available from the Synergy system.
MAP and MSRP: $399.99
Engl amplifiers have long been known as a premium example of boutique, high-gain tone. And a large part of that legacy is due to the esteemed Engl SAVAGE amplifier. From the moment it hit the scene in the early 1990s, guitarists the world over took notice of its ability to blend searing gain with a string-to-string clarity that stands as an industry standard. Engl’s Horst Langer has crafted numerous top-tier amplifiers that continue to inspire legendary artists such as Richie Blackmore, Marty Friedman, and Steve Morse. But it’s his SAVAGE that continues to stand on top of Engl’s lauded line.
Never ones to ignore a classic design, Synergy reached out to Horst Langer and asked him to focus the SAVAGE’s massive tonal palette and intense touch response into one of our incredibly popular Synergy preamp modules. And we’re proud to say, he nailed it. Not only does the Synergy SAVAGE preamp module give you a giant of an amp into a compact and convenient package, but thanks to two Gain Lo/Hi switches and a carefully sculpted Contour switch, you’re in control of an astoundingly flexible assortment of tones.
By partnering with such iconic amplifier designers as Horst Langer, we’re able to offer you the most sought after tones in all-tube designs that are perfect for the direct-recording, lower-stage-volume, and compact-guitar-rig demands of today. It’s easy to see why the Synergy preamp module system is taking the industry by storm.
MAP and MSRP: $399.99
For more information:
Synergy Amps
Nineties-style high-gain heaviness that can be surgically tailored with a powerful EQ.
Excellent variations on high-gain modern distortion tones. Powerful EQ.
Not many low- or mid-gain sounds here.
$199
JHS Hard Drive
jhspedals.com
JHS makes many great and varied overdrive stomps. Their Pack Rat is a staple on one of my boards, and I can personally attest to the quality of their builds. The new Hard Drive has been in the works since as far back as 2016, when Josh Scott and his staff were finishing off workdays by jamming on ’90s hard rock riffs.
During these sessions, Scott’s go-to pedal was the Ibanez SM7 Smash Box. He realized that JHS had never offered anything along those lines, conferred with his then lead engineer, Cliff Smith, and the wheels were set in motion. Over several years of design, the Hard Drive evolved from an SM7 homage to a unique, original circuit.
JHS’ Hardest to Date
The Hard Drive’s control panel is streamlined, consisting of knobs for volume, mid frequency, drive, bass, middle, and treble. Driven by cascading gain stages, the Hard Drive can cop a wide range of modern distorted tones. Even at the lowest drive settings, the Hard Drive simmers, delivering massive bottom end on muted power chords. Nudging the drive up very slightly transforms the Hard Drive into a roaring Marshall JCM 900. And if you bring the drive all the way up, you’re in for all out chaos. Even with an amp set just louder than bedroom levels, the Hard Drive, with its volume at just 11 o’clock, is very loud and in-your-face. You don’t have to work hard to imagine how this could sound and feel like multiple stacks raging at Madison Square Garden in the context of a recorded track.
Even at the lowest drive settings, the Hard Drive simmers, delivering massive bottom end.
Zoning the Frequencies
Unlike some heavy pedals that concern themselves with mega-gain and little else, the Hard Drive’s EQ controls are very effective and powerful. Moving the treble knob from 11 o’clock to 1 o’clock changes the pedal’s tone and response characteristics completely, opening up and transforming the naturally relatively dark sound of my Fender Super Sonic amp. Turning the treble knob all the way off with the bass and mid knobs at noon gives me a vocal lead tone that’s creamy, warm, and still immediate and responsive.
The middle and mid frequency controls work in tandem. The mid control itself works as a cut or boost. The mid frequency control, however, lets you choose the specific frequency you cut or boost. I found these controls invaluable for sculpting tones that could leverage the copious gain without being abrasive. Meanwhile, adding more high midrange lends clarity to complex chords.
The Verdict
The Hard Drive is an unapologetically heavy pedal—if you’re looking for a dirt box that can double as a clean boost, well, the Hard Drive is not that. It’s meant to slay with gain, and it performs this task well and with a vengeance. There are countless dirt boxes on the market that deliver hot rodded, ’80s-style brown sound. Fewer cater to the subsequent generations of high-gain players that used the ’80s as a mere jumping-off point. The Hard Drive is very much voiced for this strain of heavy music. If that’s your jam, the Hard Drive is hard to beat.
Tailored for Yngwie Malmsteen's signature sound, the MXR Yngwie Malmsteen Overdrive is designd to offer simple controls for maximum impact.
Working closely alongside Yngwie, the MXR design team created a circuit that delivers clarity, expressive dynamics, and rich harmonics—all perfectly tailored for his light-speed arpeggios, expressive vibrato, and big, bold riffs. The control setup is simple, with just Level and Gain knobs.
"Want to sound like Yngwie? Crank both knobs to the max."
“This pedal is the culmination of 45+ years developing a sound that’s perfect in every possible way,” Yngwie says. “I present to you: the MXR Yngwie Malmsteen Overdrive. Prepare to be amazed.”
MXR Yngwie Malmsteen Overdrive highlights:
- Perfectly tailored for Yngwie Malmsteen's signature sound and style
- Simple control setup tuned for maximum impact
- Boost every nuance with superior clarity, expressive dynamics, and rich harmonics
- Dig into light-speed arpeggios, expressive vibrato, and big, bold riffs
The MXR Yngwie Malmsteen Overdrive is available now at $129.99 street/$185.70 MSRP from your favorite retailer.
For more information, please visit jimdunlop.com.
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.
- YouTube
The Memphis-born avant-funk bassist keeps it simple on the road with a signature 5-string, a tried-and-true stack, and just four stomps.
MonoNeon, aka Dywane Thomas Jr., came up learning the bass from his father in Memphis, Tennessee, but for some reason, he decided to flip his dad’s 4-string bass around and play it with the string order inverted—E string closest to the ground and the G on top. That’s how MonoNeon still plays today, coming up through a rich, inspiring gauntlet of family and community traditions. “I guess my whole style came from just being around my grandma at an early age,” says Thomas.His path has led him to collaborate with dozens of artists, including Nas, Ne-Yo, Mac Miller, and even Prince, and MonoNeon’s solo output is dizzying—trying to count up his solo releases isn’t an easy feat. Premier Guitar’s Chris Kies caught up with the bassist before his show at Nashville’s Exit/In, where he got the scoop on his signature 5-string, Ampeg rig, and simple stomp layout, as well as some choice stories about influences, his brain-melting playing style, and how Prince changed his rig.
Brought to you by D’Addario.
Orange You Glad to See Me?
This Fender MonoNeon Jazz Bass V was created after a rep messaged Thomas on Instagram to set up the signature model, over which Thomas had complete creative control. Naturally, the bass is finished in neon yellow urethane with a neon orange headstock and pickguard, and the roasted maple neck has a 10"–14" compound radius. It’s loaded with custom-wound Fireball 5-string Bass humbuckers and an active, 18V preamp complete with 3-band EQ controls. Thomas’ own has been spruced up with some custom tape jobs, too. All of MonoNeon's connections are handled by Sorry Cables.
Fade to Black
MonoNeon’s Ampeg SVT stack isn’t a choice of passion. “That’s what they had for me, so I just plugged in,” he says. “That’s what I have on my rider. As long as it has good headroom and the cones don’t break up, I’m cool.”
Box Art
MonoNeon’s bass isn’t the only piece of kit treated to custom color jobs. Almost all of his stomps have been zhuzhed up with his eye-popping palette.
Thomas had used a pitch-shifting DigiTech Whammy for a while, but after working with Paisley Park royalty, the pedal became a bigger part of his playing. “When I started playing with Prince, he put the Whammy on my pedalboard,” Thomas explains. “After he passed, I realized how special that moment was.”
Alongside the Whammy, MonoNeon runs a Fairfield Circuitry Randy’s Revenge (for any time he wants to “feel weird”), a literal Fart Pedal (in case the ring mod isn’t weird enough, we guess), and a JAM Pedals Red Muck covers fuzz and dirt needs. A CIOKS SOL powers the whole affair.
Shop MonoNeon's Rig
Fender MonoNeon Jazz Bass V
Ampeg SVT
DigiTech Whammy
CIOKS SOL