Will Ray's Bottom Feeder: Epiphone John Lennon EJ-160E

Inspired by the 1962 Gibson that John Lennon played in the film Help! and on many Beatles recordings, the Epiphone Lennon J-160E has a solid spruce top and mahogany body, with a mahogany neck.

This low-budget replacement for a long-gone Gibson has its own winning qualities.

Every now and then I'll see a guitar on TV or in a magazine, and say to myself, “Yeah, I used to own one of those. It was a great guitar. Wonder why I sold it?" A Gibson J-160E was one of those guitars. The Beatles used J-160Es on all their albums. Years ago, I owned one from the '60s, but sadly let it slip away.

About six months ago, I ran across an Epiphone John Lennon signature model EJ-160E, but it had a few problems. The first was a tiny split in the wood at the soundhole near the pickup. The second was a tuning gear that was broken off at the stem. The seller had plenty of pictures, so I studied them thoroughly—especially the ones pertaining to the problems.

Sometimes you can find a guitar with a flaw that can be easily corrected if you've got the skills.

The tuning gear didn't bother me. I figured I could find a replacement easily on eBay. And the wood split wasn't a big deal, because it was not a structural split in the wood, only cosmetic, and looked to be only about 1/8" long in the pics. So, I sniped the guitar at the last minute, winning it for $200 plus $19.29 shipping.

The seller said he was out of town for a week, and asked if he could ship it upon his return. I said “no problem" and began looking for sources for a Kluson Deluxe tuner. I found that I could get a full set of the replacement tuners for $7.25, including shipping from China. I figured I could always use the extra tuners on projects down the road, so I pulled the trigger on a set.

This guitar's mini acoustic humbucker is pinned tight to the body end of the neck, which has a rosewood
fretboard with trapezoid inlays.

My tuners arrived a few days after the guitar, and changing out the bad tuner took only three minutes. What's interesting about the tuners I got from China is they're stamped “Gibson," while the original Epiphone ones are not.

Another interesting thing: This guitar has the lowest action I think I've ever encountered on an acoustic. And it's not just mine. I've tried other J-160Es and they were the same way. Way to go Epiphone.

Although it's a perfect swap-out, the replacement tuners Will Ray ordered from China bear Gibson's name. The guitar's original Epi tuners have no branding.

Bottom Feeder Tip #3171: Sometimes you can find a guitar with a flaw that can be easily corrected if you've got the skills. Changing out a tuner is pretty easy—especially if you're using a direct replacement.

So, how is the guitar? I really like it! It has become my go-to acoustic for songwriting, and playing it is easy as pie. It sounds good as an acoustic, and when plugged in it has more of an electric guitar sound instead of your typical piezo sound—likely due to its stock acoustic mini humbucker. Keep in mind, the pickup is a fair distance from the strings, so you can't exactly rock out like you can on a regular electric. Check out my sound sample and judge for yourself. It's a keeper.

Rig Rundown: Adam Shoenfeld

Whether in the studio or on solo gigs, the Nashville session-guitar star holds a lotta cards, with guitars and amps for everything he’s dealt.

Adam Shoenfeld has helped shape the tone of modern country guitar. How? Well, the Nashville-based session star, producer, and frontman has played on hundreds of albums and 45 No. 1 country hits, starting with Jason Aldean’s “Hicktown,” since 2005. Plus, he’s found time for several bands of his own as well as the first studio album under his own name, All the Birds Sing, which drops January 28.

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Diatonic sequences are powerful tools. Here’s how to use them wisely.



• Understand how to map out the neck in seven positions.
• Learn to combine legato and picking to create long phrases.
• Develop a smooth attack—even at high speeds.

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Knowing how to function in different keys is crucial to improvising in any context. One path to fretboard mastery is learning how to move through positions across the neck. Even something as simple as a three-note-per-string major scale can offer loads of options when it’s time to step up and rip. I’m going to outline seven technical sequences, each one focusing on a position of a diatonic major scale. This should provide a fun workout for the fingers and hopefully inspire a few licks of your own.
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