1. Orange OR50
Big and classically British, the single-channel OR50 is a reissue of Orange’s legendary “Pics Only” 50-watt head from 1972. Two EL34s, two 12AX7s in the preamp, an attenuator section and a ton of classic Rock Over London vibes.
2. Marshall 1-Watt Anniversary Editions
Marshall Amplification introduced 1-watt versions of their classic amplifiers celebrating the company’s 50th anniversary in 2012. There is the JTM 1, JMP-1, JCM800, DSL1, and JVM1. Each amplifier represents the corresponding decade the amp was originally released.
3. Diezel Hagen
A refinement on Peter Diezel’s acclaimed VH4 head, the brilliant and brutal new 100- watt Hagen is powered by four EL34s and has a preamp that’s driven by six 12AX7s and controlled by four horizontally arrayed independent channels—clean, crunch, mega, and lead. It also has three effects loops—one MIDI controlled serial, a permanent serial, and a permanent parallel with volume control.
4. Carr Bloke
Carr amplifiers unveiled their new hi-gain amp, the Bloke. It takes its inspiration from vintage British heads and late-’60s tube bass amps from America. Controls include lead master, treble, and bass with the bass routed through a separate circuit. The Bloke is powered by two EL34s, but is compatible with 6V6 tubes.
5. Jet City JCA22W
Based on Mike Soldano’s Atomic 16 amp, the EL84-powered, 20-watt Jet City JCA22W is a dream for guitarists who love hearing pure tube tone onstage but are at the mercy of sound men in the house mix. The JCA22W’s monitor-like wedge shape enables you to blast your own unadulterated tones into your face while sending a 4x12-simulation via direct output to the PA.
6. Ampeg R-12R Reverberocket
1. Malekko Plus Ultra, Chaos, and Helium
Malekko released three fuzz boxes at NAMM. The Wolftone Plus Ultra, Wolftone Chaos, and Wolftone Helium all create different flavors of absolutely insane fuzz mayhem— and exponentially so when they’re used together— and they are licensed designs from Studio Electronics, whose own versions are highly sought-after rarities.
2. Earthquaker Organizer and Rainbow Generator
Earthquaker Devices was up to their usual sickness at NAMM. The Organizer helps you generate organ tones and odd oscillations. The Tone Job is a simple but effective cut/boost EQ and boost. The Rainbow Machine is a DSP-driven, pitch shifting, tone twisting, dimension altering piece of hardware that can also be controlled with an expression pedal and sounds freaking incredible.
3. Egnater Overdose
Egnater announced two new pedals at the NAMM show, the Holy Driver and Overdose. The Overdose is a pure analog overdrive and boost pedal. The right side handles the boost and can be routed either before it after the overdrive section in the signal chain. There are also patch in/out jacks so you can insert other pedals between the overdrive and boost sections.
4. Jack Deville Deuce Coupe
The Deuce Coupe is Jack Deville’s new dual-mode overdrive pedal. You can double tap the clickless, true-bypass switch to activate between 4 and 16 dB of boost.
5. Rivera Sustain Shaman
Paul Rivera’s new compressor goes way past traditional guitar-pedal compressor designs by offering two channels with extremely low-noise circuitry. Channel B has a SuperSust switch for long, sustained leads, while channel A is voiced for rhythm work.
6. Pigtronix Infinity Looper
Pigtronix Infinity Stereo Multi-Track Looper features dual stereo loops with sync, 20 loop presets, multiplier for loop 2 (2, 3, 4, or 6 times), and USB access to save loops.
7. Diamond Pedals Quantum Leap
Diamond Pedals introduced two new pedals at NAMM. The Cornerstone has two gain controls and two switches for bright and mid. The Quantum Leap, which has design roots in the Memory Lane Jr., is capable of everything from a flanger-ish short delay all the way to a 500 ms, analog-style delay. You also can get classic, chimey modulation tones and pitch shifting up or down one octave.
8. Red Witch Synthotron
The new Synthotron pedal, which is dressed up in what looks like a visual nod to the wild Mu-Tron pedals of old, offers up a wild variety of psychedelic tones, including octave and envelope-filter functions that let you get your Dr. Who on.
1. EBS Reidmar
2. Epifani AL Combo
Epifani introduced the AL series line of bass combos at NAMM. The AL is the first to use a solid-aluminum shell, a construction technique that Epifani says results in improved frequency response and power output without unwanted tonal colorations.
3. Lakland Bass 60-11 Prototype
Lakland brought a new bass prototype called the 60-11 to the show, and it’s likely to appease anyone who’s ever lusted for a Fender Bass VI. This 6-string is technically a bass, but will be familiar to baritone guitarists, too. The bass is loaded with three Hanson P-90s and sounds just as good through a bass or guitar amp.
4. Warwick Jack Bruce Survivor
This fretless, neck-through designed bass is ready to rumble. Available in both fretted and fretless versions, this beauty is handcrafted in Germany and outfitted with passive MEC single-coils and active MEC 2-way electronics. With a stained, high-polish finish in either burgundy red or nirvana black, Bruce’s signature axe certainly turned some heads in Anaheim.
5. Gallien-Krueger 800 MB Fusion
GK’s latest features 800 watts (at 4Ω) of power shaped by a 12AX7-driven preamp. It’s all packed into an incredibly portable design that weighs around five pounds. New front-panel features include backlit mute and -10 dB input padding toggles.