Last Call: Neal Casal and the Dangerous Thing We’re Afraid to Talk About

Mental health issues affect millions of people. Let’s talk about how we can help each other before it’s too late.
Neal Casal and I met in 2010 on the set of the movie Country Strong, an age-old portrait of a train-wreck musician (played by Gwyneth Paltrow) spiraling toward her tragic demise. The director wanted realism, so she hired real musicians (Neal on guitar, me on bass) for Gwyneth's band. In between takes, Neal and I jammed, traded dry jokes, and shared a lot of laughs. After the movie wrapped, we stayed in contact, hung when he was in Nashville, and Neal contributed photos to my column. Two years ago, we filmed a Rig Rundown with his band, the Chris Robinson Brotherhood. It appeared that Neal was thriving ... then he killed himself last August.
Neal's suicide was shocking, but sadly it's an epidemic. Worldwide, there are roughly 800,000 suicides per year, which translates to about one every 40 seconds. If that's not grim enough, Rolling Stone recently cited a 2018 study by the Music Industry Research Association, which found that 50 percent of musicians reported symptoms of depression. Studies tell us that mental health struggles are more prevalent among creative types, but if you are one, or have spent your life surrounded by artists, you've probably seen it firsthand.
Adam MacDougall (Black Crowes) probably knew Neal best. They toured together for nine years in the Chris Robinson Brotherhood and formed their own band, Circles Around the Sun, which was just getting its legs when Neal checked out. I asked Adam if he saw Neal's depression issues.
"I saw it in him, as he probably saw it in me. Poets, writers, musicians through the ages have always been the sensitive ones looking for an outlet for this beautiful sadness. Neal and I tended to turn that into macabre humor. But I've been listening to his back catalogue of songs. It's surprising how often it was alluded to. Artists wear their hearts on their sleeves, so it wasn't a red flag, but listening to it now is just chilling. But honestly, every musician I've talked to, particularly after Neal, not one of them hasn't considered [suicide] at least once."
Mental health, especially depression, is the most dangerous thing that we're afraid to talk about, probably because it carries an embarrassing stigma and is easily misunderstood. People have plenty of reasons to be sad, be it bad luck or bad choices, but the clinically depressed have inherent issues that are often biological and can't be fixed with a Band-Aid of sheer willpower alone.
For those struggling with mental illness, a risk one takes in talking about one's problems is being perceived as an overly dramatic complainer. Some people may need to hear, "you have no reason to be depressed, be strong, man up," but to a depressed person, those platitudes make them feel unworthy of what they're feeling. So, they try to work it out themselves or disguise pain as humor. I know a lot of musicians who joke about suicide, but few who open up about it.
Rig Rundown - Chris Robinson Brotherhood
In retrospect, you could see all of that in Neal, which leads to the inevitable question: Who's next? This is a musician mag so, statistically speaking, half of us, including myself, have issues.
I was diagnosed as manic depressive when I was 22. (A few years later, the DSM-III—the Diagnostic and Statistical Manual of Mental Disorders— changed the term to bipolar, thinking the term "manic" might offend the nuts, but I prefer it, thanks to Hendrix's hardest rocking 6/8 song ever.) I disagreed with the diagnosis, but over the past 30 years I've checked off nearly everything on the bipolar brochure. I've been involuntarily hospitalized, medicated, incarcerated, twice divorced, and had five other psychiatrists and psychologists label me bipolar II. Combine that evidence with all the crazy shit I'd never tell you, and my tendency to run naked down the street or break into long, uncontrollable crying jags, and I concede the doctors may be onto something.
My glitches don't define me. I love my life and, although the lows are ass-kickers, the highs make it totally worth it. (Nobody talks about it, but for me the upswings of mania are truly, deeply, fabulously, furiously fun.) I'm outing myself because Neal's suicide makes everyone who knew him wonder if there was some way they could've shown support and love while encouraging him to get help.
I keep my glitches under control by fighting the lows like a person fighting cancer. I limit booze, exercise daily, do yoga, acupuncture, meditate, pray, try to get enough sleep, see the shrink when I must, play music as often as possible, and make a mindful choice to look for the good in this whole beautiful catastrophe. So far, this has worked for me, but everyone is different.
If you think you might need help, you probably do. Here are some places to start:
• Backline
• RecoveryFest Nashville
You don't have to white-knuckle it. There are more support and help options now than ever—many offering free treatment for musicians with mental health issues. Don't wait, get help.
[Updated 7/27/21]
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A thick, varied take on the silicon Fuzz Face that spans punky, sparkling, and full-spectrum heavy.
Dimensional, thick variations on the silicon Fuzz Face voice. Surprisingly responsive to dynamics at most tube amp’s natural clean/dirty divide. Bass control lends range.
Thins out considerably at lower amp volumes.
$185
McGregor Pedals Classic Fuzz
mcgregorpedals.com
Compared to the dynamic germanium Fuzz Face, silicon versions sometimes come off as brutish. And even though they can be sonorously vicious, if dirty-to-clean range and sensitivity to guitar volume attenuation are top priorities, germanium is probably the way to go. The McGregor Classic Fuzz, however, offers ample reminders about the many ways silicon Fuzz Faces can be beastly, sensitive, and sound supreme.
Even though the two BC107B top hat transistors will look familiar to many who have poked around other SFF-style circuits, the Classic Fuzz is not precisely a silicon Fuzz Face clone. It’s distinguished by a low-pass filter “bass” control that true SFFs lack, but which widens its vocabulary extensively. In an A/B test with a solid, archetypal-sounding BC108 Fuzz Face clone, the Classic Fuzz sounded roughly equivalent at the 60-percent mark of the bass control’s range. But the Classic Fuzz was more dimensional, and on either side of the bass control I heard many intriguing tone variations spanning garage-punk snot and corpulent, almost triangle-Big Muff thickness.
Like most SFFs, the Classic Fuzz sounds best with a generous spoonful of amp volume. I ran it with a Fender Vibrolux just on the clean side of breakup. At amp volumes much lower than that, the fuzz voice thinned, the nuanced responsiveness to guitar volume attenuation dropped off, and the range of clean tones became much narrower. In its happy places, though, the Classic Fuzz rips—lending sparkling overdrive colors and banshee-scream aggression to Stratocasters and sounding especially sweet and terrifyingly mammoth with humbuckers
With internally adjustable midrange boost and versatile Voice 2, these pickups are designed to capture the killer tones of 80s & 90s high performance Strats.
Amid the screaming success of the Gristle-Tone signature Telecaster and P90 pickup sets, it was no surprise that Greg wanted to contribute to the Fluence single width line next.
Unlike the Gristle-Tone for Tele and P90, the Greg Koch Gristle-Tone Signature Series Single Width set represents a modern approach, extracting a wide variety of clean to high gain tones, from the pure, wide-open Voice 1, through the mid-forward vocabulary in Voice 2 with broad control over the midrange qualities to meet all of Greg’s single width needs.
For this set, Greg wanted to capture the killer tones of 80s & 90s high performance Strats, which deliver a wide-band Hi-Fi sound, with more dynamics and versatility. A resonant shift in the 2 & 4 positions can bring out those glassy, toothy in-between tones.
An internally adjustable set-and-forget midrange boost in Voice 2 offers everything from mild added “fatness” to full blown searing leads. Pull up on the Reactive Tone Control for a fat and sassy boost.
Greg Koch says, “These pickups provide the slice and the sinew without the razor blades on the high end and the flabbiness on the low end….Voice 2 brings the heat when you need to go in for the win!"
The pickups are available as a 6-string set and come in white or black. Street price in the U.S. is $269.95 for the set.+`
For more information, please visit fishman.com.
Greg Koch Single Width Pickups | Feature Highlight - YouTube
Nile Rodgers Put Rhythm Up Front (and Cory Wong Listened)
Funk-guitar wiz and Wong Notes host Cory Wong flips the script and sits in the 100 Guitarists guest chair.
Funk-guitar wiz and Wong Noteshost Cory Wong flips the script and sits in the 100 Guitarists guest chair. Wong cleared his schedule to talk about one Nile Rodgers’ work on the Halo 2 soundtrack. We were lucky that got him to return our call, but we did move on quickly.
Wong is a scholar of all things rhythm guitar—and that means all things Nile. We talk about how the Hitmaker voices his progressions—“You hear Nile play a chord progression … and it’s that song”—and the role of rhythm guitar in general. Cory delivers his list of best Nile performances, tips for direct guitar sounds, and most surprising Nile collabs.
Ever wonder what it would sound like if Nile Rodgers produced David Lee Roth covering Willie Nelson? Give a listen and drop us a know when you check it out for yourself.
This episode is sponsored by JAM Pedals.
More info: https://www.jampedals.com.
Joe Satriani and Steve Vai unite to form the SATCHVAI Band.
Kicking off on June 13, 2025, this monumental musical journey will feature stops in major cities like London, Paris, Copenhagen, and Amsterdam, and will also include performances at major European summer festivals including Hellfest, Umbria Jazz Festival and Guitares en Scene Fest. The tour is set to conclude in late July, with more dates to be announced soon.
The duo, along with each of their respective bands, initially joined forces for their first-ever tour together, outside of the G3 format, the past spring (2024) across select U.S. cities, and decided it was finally time to actually form a band together and bring that winning formula to the live stage, beginning in Europe.
Celebrating nearly five decades of musical friendship, Joe Satriani and Steve Vai made their first musical collaboration debut in March 2024. “The Sea of Emotion, Pt. 1” showcases the unmatched synergy between these two legendary guitarists as they seamlessly trade solo sections throughout the nearly six-minute opus. Their second collaboration is set to be released just before the European tour, adding even more anticipation for this epic run.
Pre-sale tickets for “The SATCHVAI Band Tour” will be available starting Wednesday and Thursday December 11 and 12, with general sales opening on Friday, December 13.
Satch and Vai’s musical careers have been intertwined since their very early days. Satriani served as Vai’s guitar teacher during their teenage years on Long Island, New York. Their connection has continued to evolve over the years, even sharing record labels, starting at Relativity Records in the late 80’s, to both calling Sony/Epic Records home for a significant portion of the 90’s. Together, they have also frequently teamed up with a third guitarist on multiple occasions throughout the span of three decades, participating in the semi-annual G3 Tours, both in the U.S. and abroad.
“The SATCHVAI Band Tour is happening! I’m so looking forward to sharing the stage with Steve again,” Satriani said. “Every time we play together, it takes me back to when we were teenagers, eating and breathing music every second of the day, pushing, challenging, and helping each other to be the best we could be. I guess we’ve never stopped!”
Vai added, “Touring with Joe is always a pleasure and an honor. He is my favorite guitarist to jam with, and now we have another opportunity to take it to the stage. I feel as though we are both at the top of our game, and the show will be a powerful celebration of the coolest instrument in the world, the electric guitar!”
Joe Satriani has had a packed schedule having recently concluded the Sammy Hagar-led Best of All Worlds Tour, which was met with much fanfare and critical acclaim. While Steve Vai has been playing shows across the U.S. as part of the BEAT tour following the conclusion of the Satch/Vai tour earlier this year.
Surfing with the Hydra Tour 2025 Itinerary:
June 13 York, UK Barbican
June 14 London, UK Eventim Apollo
June 17 Glasgow, SC Glasgow Royal Concert Hall
June 18 Wolverhampton, UK Civic Hall
June 19 Manchester, UK O2 Apollo
June 21 Clisson, FR Helfest
June 22 Paris, FR Palais Des Congres
June 23 Antwerp, BE Lotto Arena
June 24 Amsterdam, NL Amsterdam Afas
June 26 Copenhagen, DK Amager Bio
June 29 Helsinki, FI House of Culture
June 30 Tampere, FI Tampere Hall
July 2 Uppsala, SE Parksnackan
July 3 Oslo, NO Sentrum Scene
July 5 Warsaw, PL Torwar
July 8 Munich, DE Tollwood Festival
July 10 Dusseldorf, DE Mitsubishi Electric Hall
July 11 Frankfurt, DE Jahrhunderthalle
July 12 Zurich, CH Volkshaus Zürich
July 13 Milan, IT Comfort Festival @ Villa Casati Stampa
July 15 Pordenone, IT Parco San Valentino
July 16 Perugia, IT Umbria Jazz
July 17 Bologna, IT Sequoie Music Park
July 18 Saint-Julien, FR Guitares en Scene Festival
July 20 Prague, CZ Forum Karlin
July 22 Sofia, BG National Palace of Culture
More dates TBA