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PG Editors, Our Reader of the Month & Justin Osborne Show Their Weirdest Guitars

PG Editors, Our Reader of the Month & Justin Osborne Show Their Weirdest Guitars

SUSTO's Justin Osborne joins Premier Guitar editors and our reader of the month in discussing oddball guitars and current musical obsessions.

Question: What's the weirdest-shaped guitar you own and how did you acquire it?

Justin Osborne – SUSTO

Photo by Dries Vandenberg

A: The weirdest-shaped guitar I own is by far my '80s Kramer Voyager. I never play it live, but it was actually one of the first guitars I ever bought way back in my early teens. I was at an antique shop with my mom and the guitar was there for only $75. I borrowed the money from my parents to buy it and had a lot of fun with it, mostly just playing in my room. My friend has been borrowing it indefinitely, but I still count it as a part of my guitar collection and will always remember it as my first electric guitar.

Current obsession:

My current musical obsession is Strand of Oaks' new album In Heaven. I've been a fan for a while now, and just love how Tim Showalter creates such a specific sonic landscape on his albums. This new one is a banger!

Strand of Oaks - Galacticana (Official Acoustic Video)

Strand of Oaks - Galacticana (Official Acoustic Video)Stream / Purchase: Strand of Oaks:Instagram -

Sam Crowley – Reader of the Month

A: My Telecasket, which I built. White Zombie is one of my favorite bands of all time and has been since high school. I loved Sean Yseult's coffin basses from the moment I saw them and always thought if I could have a custom guitar, it would be a coffin. Fast forward 25+ years, as I was playing in my horror-rock band, the Electric Dead, it was time to finally do it. My father, who is a cabinet maker, and I built it together over the course of a few weeks.


The string-through body is a big slab of pine, and the binding/center stripe are walnut. My favorite guitarist is Billy Gibbons, so I had to put a Pearly Gates in there. His style also influenced the choice of no neck pickup and just a volume knob. Super simple. This being our first guitar project, we didn't want to tackle the neck, so I ordered that from Solo Music here in Ontario. I replaced the nut on that with a TUSQ nut and gave it a satin finish. The guitar is amazingly resonant, sounds absolutely huge, and the audience loves it!

Current obsession:

Photo by Blain Clausen

Always Billy Gibbons. To me, he's just the coolest guitar player ever!

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Shawn Hammond – Chief Content Officer

A: Unfortunately, I can't find a pic of the cherry-finished Gibson '67 Flying V reissue I had to sell in a pinch a decade and a half ago, but I really miss it—it had neato-sounding, splittable Duncan Seth Lover pickups.

The weirdest profiles in my collection now would be my old Schecter Ultra III (which has a TV Jones Magna'Tron in the bridge position) or my Mosrite-inspired Eastwood Sidejack Baritone DLX (with Curtis Novak JM-WR pickups).

Current obsession:

Of late, I've really been lusting after a DynaSonic-outfitted Gretsch Jet.

Ted Drozdowski – Senior Editor

Photo by John Thomas Collins

A: If you're an old Delta blues guitarist, you might have started on a 1-string like my diddley bow (below). It's got slices of pipe for the bridge and nut, an old banjo tuner, a galvanized-pot body with a genuine plywood top, and an old tobacco barn stave for the neck.

It was a gift from my friend Mike Mitchell, an artist in East Nashville, and I put in a Mexico-made Tele pickup, so it sounds nasty. It's a big hit at shows and sounds super-gnarly through a Marshall.

Current obsession:

Maybe a new combo for my stereo amp setup, or a damn cool small head? And to keep on keepin' on.

On her new record with her trio, Molly Miller executes a live-feeling work of structural harmony that mirrors her busy life.

Photo by Anna Azarov

The accomplished guitarist and teacher’s new record, like her lifestyle, is taut and exciting—no more, and certainly no less, than is needed.

Molly Miller, a self-described “high-energy person,” is fully charged by the crack of dawn. When Ischeduled our interview, she opted for the very first slot available—8:30 a.m.—just before her 10 a.m. tennis match!

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John Mayall in the late ’80s, in a promo shot for his Island Records years. During his carreer, he also recorded for the Decca (with the early Bluesbreakers lineups), Polydor, ABC, DJM, Silvertone, Eagle, and Forty Below labels.

He was dubbed “the father of British blues,” but Mayall’s influence was worldwide, and he nurtured some of the finest guitarists in the genre, including Eric Clapton, Peter Green, Mick Taylor, Harvey Mandel, Coco Montoya, and Walter Trout. Mayall died at his California home on Monday, at age 90.

John Mayall’s career spanned nearly 70 years, but it only took his first four albums to cement his legendary status. With his initial releases with his band the Bluesbreakers—1966’s Blues Breakers with Eric Clapton; ’67’s A Hard Road, with Peter Green on guitar; plus the same year’s Crusade, which showcased Mick Taylor—and his solo debut The Blues Alone, also from 1967, Mayall introduced an international audience of young white fans to the decidedly Black and decidedly American genre called blues. In the subsequent decades, he maintained an active touring and recording schedule until March 26, 2022, when he played his last gig at age 87. It was reported that he died peacefully, on Monday, in his California home, at 90.

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Featuring enhanced amp models, a built-in creative looper, AI-powered tone exploration, and smart jam features.

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Donner andThird Man Hardware’s $99, three-in-one analog distortion, phaser, and delay honors Jack White’s budget gear roots.

Compact. Light. Fun. Dirt cheap. Many cool sounds that make this pedal a viable option for traveling pros.

Phaser level control not much use below 1 o’clock. Repeats are bright for an analog delay. Greater range of low-gain sounds would be nice.


Donner X Third Man Triple Threat


A huge part of the early White Stripes mystique, sound, ethos, and identity was tied to guitars and amps that, at the time, you could luck into for cheap at a garage sale. These days, it’s harder to score a Crestwood Astral II, or Silvertone Twin Twelve with a part-time job in the ice cream shop. Back in the late ’90s, though, they were a source of raw, nasty sounds for less than a new, more generic guitar or amp.

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