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Rig Rundown: Halestorm’s Lzzy Hale and Joe Hottinger [2021]

Rig Rundown Halestorm

Take a cruise through the Gibson- and Marshall-heavy world of this Grammy-winning, hard-rocking duo.

Lzzy Hale and Joe Hottinger of the Grammy-winning rock band Halestorm recently took a break from rehearsals for their 2021 tour to talk rigs with Premier Guitar's John Bohlinger.


Shortly before this interview, Hale had become the first woman to be named a brand ambassador by Gibson. With several signature models under her name, and Hottinger's apparent obsession with SGs, it's not surprising this rundown features some primo Gibsons.

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Lzzy’s No. 1

The Halestorm frontwoman's top dog is her Lzzy Hale Explorer in alpine white with gold hardware, featuring '57 Classic humbuckers, a mahogany body/neck, a rosewood bound fretboard, three control knobs (independent volumes and a master tone), and a 3-way pickup switch.

Black Dog

A study in contrast to her No. 1, this Lzzy Hale Dark Explorer in black and gold has '57 Classic humbuckers, an ebony finish, block inlays, and a solid mahogany body.

Head's Up

And here's the distinctive Explorer headstock.

Up on the Low-Down

When Lzzy wants to go low and rumbly, she plays her Custom Baritone Gibson Explorer gold top. It's got a 28" scale neck and her preferred two-tone-one-volume control setup.

Lzzy Bird

For something truly different, Hale plays her custom Explorer with a Firebird headstock, decked in black and red, with gold hardware and a pair of humbuckers from the 1970s.

Rock x 2

This EDS-1275 is literally the heaviest guitar in the Halestorm arsenal, with a standard top and baritone bottom, in SG white. It's strung with Ernie Ball paradigms (.10–.52) on top and the company's Not Even Slinky .12s for the bari half. The pickups are her preferred '57 classics.

Anyone for Chess?

If amplification were a match game, Hale would be ready. She tours with two custom Marshall custom JCM800s—one white, one black.

White On

Here's one of her 4x12 cabinets—geared up in a finish to match the head that drives it.

Lzzy's Pedalstorm

The signal runs from Hale's guitars into a Jerry Cantrell JC95 Dunlop Cry Baby wah. Then it hits a Boss TU-3, an EHX POG2, an MXR/CAE Boost/Line Driver, a vintage Klon Centaur, and a Way Huge Aqua-Puss Analog Delay Pedal. The power supply is a Strymon Zuma.

You Want SGs?

Joe Hottinger's got SGs—a fat roadcase full when he tours. He bought this 2003 SG Standard new when he joined the band that year. The pickups were changed to Burstbuckers when the originals died while on tour in Europe.

The Green Monster

This is a great shade of green, allowing the character on the wood in this kornia-body SG to emerge. It's a 2001 Gibson Custom Shop creature with custom '57 Classic humbuckers.

Double ... or Something

Not to be outshined, Joe's EDS-1275 is in super-shiny Brunswick blue sparkle. The pickups on the 6-string side are a Burstbucker 1 and 2 set. On the 12-string side, they're a 2 and 3 set. Burstbuckers 1s are low output, 2s are medium output, and 3s are overwound and hot.

Give It Up for Lester

This white silverburst '61 reissue has a Maestro tailpiece and its design comes from the era when it was called the Les Paul SG. It is stock and was built in 2010.

It's Not Easy Being Green

But it rocks—at least on this 2020 Custom Shop '61/'59 Fat Neck SG Limited Edition with three humbuckers, just like Jimi's famed white "Dick Cavett" model.

Single-Coils Going Steady

When it's time for that P-90 sound, Hottinger reaches for his 2011 50th Anniversary Pete Townshend alpine white SG. Windmilling lessons not included!

Bari or Bust

This limited edition 2013 Gibson SG Baritone has a 27"-scale neck, a Richlite fretboard, 496R and 500T humbuckers, and push-pull volume pots.

Chet's Mix

Yes, this is also a Gibson—a 1999 Custom Shop Chet Atkins SST. It has a solid top and a mahogany body, and a bridge transducer with an active preamp. Strings: Ernie Ball Acoustic Paradigm .12 sets. His electric guitars have Paradigm .10–.52 sets, mostly, and the company's Not Even Slinky .12s are on the baritone.

Amps? You Betcha

These two 2020 Marshall SV20H Studio Vintage plexi-style heads are just the tip of the iceberg of Joe's amplification setup.

Blasting from the Past

These two Marshall Super Leads are also in the game. The red one is from 1971 and the purple head is from 1973. Note the jumped inputs.

Big, Bad Bogner

This Bogner 4x12—one of two in Joe's rig—features Beyma Liberty 8-ohm speakers, which are super versatile, sonically.

Clean Stomp Space

Hottinger keeps a neat pedalboard, running cable into an Xotic XW1 wah to a Xotic XVP 250K High Impedance Volume Pedal. From there, it's a Tru-Fi Octavia Fuzz, Bogner La Grange, overdrive, Tru-Fi Colordriver 18V, Keely 30 ms Automatic Double Tracker, Electro-Harmonix POG2, Earthquaker Devices Afterneath, and Strymon TimeLine. It's all juiced by a Strymon Zuma power box.

Fender Musical Instruments Corporation (FMIC) today announces the launch of the Player II Modified — a bold expansion of its Player II series. Featuring select electric guitar and bass models enhanced with performance-driven upgrades, Player II Modified offers modern players refined tone, performance, and style straight out of the box. As an extension of the best-selling guitar series in Fender’s nearly 80-year history, Player II Modified builds on this legacy with expanded tonal versatility, elevated playability, and modern enhancements that meet the needs of a new generation of players.

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A fine-tuned, well-worn feel, noiseless pickups, and a broad tone vocabulary made possible by clever switching mark real refinement in Player II Modified versions of Fullerton’s foundational designs.

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Fabulous neck with just-right fatness. Distinctive tone profile. Smooth, stable vibrato. Ice blue metallic and aluminum look delish together.

Higher output pickups could turn off Fender-geared traditionalists.

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Eastman FullerTone DC’62

eastmanguitars.com

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An affordable version of Eastman’s U.S.-made solidbody rolls with unique, well-executed features—at a price and quality level that rivals very tough competition.

Eastman’s instruments regularly impress in terms ofquality and performance. A few left my PG colleagues downright smitten. But if Eastman isn’t a household name among guitarists, it might be a case of consumer psychology: Relative to most instruments built in China, Eastmans are expensive. So, if you spend your life longing for a Gibson 335 and a comparable (if superficially fancier) Eastman costs just 20 percent less than the least expensive version of the real deal, why not save up for a bit longer and get the guitar of your dreams?

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It’s universally known in the guitar community that Brad Paisley isn’t just some guy that strums a guitar and sings country songs. He’s widely respected as one of the best players in the country music scene and takes an unusual approach to achieve the sonic insanity that spills out of his guitar. From Telecasters, G-benders, and cranked Dr. Z amps to instrumental records and wild guitar solos getting mainstream country radio airtime, Paisley has solidified his place in the discussion of all-time greats, and not just in the country world. In this lesson, we’ll dive into one of the cornerstones of Brad’s playing that makes him so unique: open strings.

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