Another year, another dazzling parade of pedals, guitars, amps, modelers, and accessories that made our noggins spin.

01_AwardGallery_Fractal_AX8_WEB.jpg

Fractal Audio Systems AX8

Fractal Audio System’s rackmount Axe-Fx units awakened many players to the possibilities of digitally modeled amps, cabinets, and effects. The AX8 puts Fractal’s realistic modeling technology into the pedalboard format and provides plenty of juice for most applications. The ruggedly built unit sounds stellar, and if you invest the effort to get acquainted with this open-ended device, you’re likely to be inspired.

$1,299 street
fractalaudio.com

Click here to read the full review

This year’s Premier Gear Award winners are, as usual, an eclectic set—full of old-school vintage homage, leading-edge digital developments, and imaginative meetings of those worlds. Dig in and dig it as we revisit the gear that fired the enthusiasm and wonder of our editors and contributors in 2017.

A few simple chords is all it takes.

Beginner

Beginner

  • Learn to play a 12-bar blues, in three different keys, using one shape.
  • Study an assortment of strumming and picking patterns.
  • Gain a basic understanding of the 12-bar blues form.
{u'media': u'[rebelmouse-document-pdf 17124 site_id=20368559 original_filename="One-ShapeBlues_Jun19.pdf"]', u'file_original_url': u'https://roar-assets-auto.rbl.ms/documents/17124/One-ShapeBlues_Jun19.pdf', u'type': u'pdf', u'id': 17124, u'media_html': u'One-ShapeBlues_Jun19.pdf'}

As usual, there is more to this lesson than the title implies. We will be working with one chord shape at a time, but over the course of the lesson we’ll study three different shapes. The final example in this lesson incorporates all three shapes to demonstrate how a few basic ideas can provide us with infinite possibilities.

It is important to know that for every chord name in this lesson there are countless shapes—also known as fingerings or voicings—available. For this lesson, I chose what I consider to be the most practical and flexible shapes.

Read MoreShow less

See a sampling of picks used by famous guitarists over the years.

Marty Stuart

Submit your own artist pick collections to rebecca@premierguitar.com for inclusion in a future gallery.

My years-long search for the “right” Bigsby-outfitted box finally paid off. Now how do I make this sumbitch work in my band?

Considering the amount of time I’ve spent (here and elsewhere) talking about and lusting after Gretsch hollowbody guitars, it’s taken me a remarkably long time to end up with a big Bigsby-outfitted box I truly love. High-end Gretsches are pricey enough that, for a long time, I just couldn’t swing it. Years ago I had an Electromatic for a while, and it looked and played lovely, but didn’t have the open, blooming acoustic resonance I hoped for. A while later, I reviewed the stellar Players Edition Broadkaster semi-hollow, and it was so great in so many ways that I set my sights on it, eventually got one, and adore it to this day. Yet the full-hollowbody lust remained.

Read MoreShow less
x