A safe space for savage fuzz.
Absolutely ripping fuzz sounds that balance sustain and chaos. Cool low-gain and volume-attenuated textures. Sturdy construction. Cool control layout.
High gain sounds rob pedal of some of its nuance
Pigtronix Star Eater
Though it feels sacrilegious to say, sometimes you need a break from fuzz—a chance to rest the ears, to bathe in the overtones of a little reverb, or just listen to the birds sing. That’s the place I was in when the Pigtronix Star Eater arrived. An hour later I wasn’t nearly as interested in the birds anymore.
It’s hard to pinpoint a classic fuzz touchstone that’s useful to describe the Star Eater. At many settings it has a lot of the chainsaw grind and piercing focus of a Shin-Ei Super Fuzz, but it’s thicker. At other settings it has some of the mass and wallop of a Rams Head Big Muff, but it’s less woofy and thick. Elsewhere you hear echoes of the Foxx Tone Machine and ZVex Fuzz Factory. But generally, such comparisons are pretty futile: The Star Eater shines in a galaxy all its own.
One reason the Star Eater’s personality is hard to pigeonhole is that it has a few. This multi-faceted character is attributable to the Star Eater’s big and snarly but malleable fundamental voice, which is controlled by a simple set of three knobs and two rocker switches. When the contour filter is off, the fuzz is shaped by the volume and gain knobs and the germanium/silicon clipping switch. That’s a simple set of controls, but there are many sounds to find within their respective ranges. Winding up the output volume and gain (called hunger) produces hot, trashy, and saturated tones that are killer for super-focused punk power chords and leads that rip and splatter. Sustain is impressive, too. But it’s not the vocal- or violin-like sustain you hear in a Big Muff. Instead, it’s reedy, cracked and fractured, particularly when holding deep pitch bends.
Sustain is not the vocal- or violin-like sustain you hear in a Big Muff. Instead, it’s reedy, cracked and fractured.
Low gain/high volume settings produce sounds that range from ’66-style germanium fuzz voices at full guitar volume to almost ring-modulated and electric-sitar-like voices at attenuated guitar volumes. These glitchier, messier fuzz sounds are some of the pedal’s coolest colors. The fuzz is plenty loud at these lower gain levels, too, which means you can explore these sounds in a live band without the fear of being rendered silent.
Filtered Fatness and Contoured Screech
The contour filter, controllable via the footswitch, rocker switch, and knob on the left side of the pedal, generates versions of the Star Eater voice that run from scooped and fat to raspy and cutting. Parking the sweep knob somewhere around noon and switching in the contour filter makes a given sound from the fuzz side fatter and fuller. You can also further shape the response and tonality with the contour rocker switch, which moves between a scooped and bumped midrange profile.
When you move the sweep knob a little in either direction, the sustain becomes more unstable and EQ emphasis shifts—usually with deliciously perverse results. The best of these sounds, at least in my demented estimation, are in the clockwise range with the mid-contour switch in scooped mode. Here, screaming notes quickly turn to shards of cracked octave overtones and harmonics that sound especially freaked-out and full of fangs when you move the rocker switch to the scooped setting.
While it was hard to determine any direct lineage between the Star Eater and any other classic fuzz (and what a treat that is), the Star Eater evoked many thrilling musical spaces: Mudhoney, Ghost’s Michio Kurihara, the manic buzz of a thousand aggro psych-punk bands, and the meaty, trucking riffage of 100 Sabbathoid sojourners.
What really sets the Star Eater apart for me, though, is attitude. It’s not the burliest fuzz or the weirdest. But by inhabiting a world between those poles, the Star Eater manages to be articulate and nasty—a poet assassin and a civilized brute. These are the kinds of tones that make a solo or driving rhythm part explode in a recorded mix or onstage. And if you like your guitar parts with a touch of chaos and the confrontational, you’ll find this stompbox beautiful.
- All-analog design delivers authentic old-school fuzz tones
- Dual footswitch setup, sporting a powerful fuzz side and a versatile Boost/Filter side to cover all of your fuzz needs
- Precision matched transistor pairs allow you to effortlessly dial in the “sweet spot”
- Voice rocker switch offers both smooth germanium sounds and wild silicon tones
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Kick off the holiday season by shopping for the guitar player in your life at Guitar Center! Now through December 24th 2022, save on exclusive instruments, accessories, apparel, and more with hundreds of items at their lowest prices of the year.
We’ve compiled this year’s best deals in the 2022 Holiday Gift Guide presented by Guitar Center.
Looking for a compact, “noiseless” way to plug in and play guitar? Check out the brand-new Gibson Digital Amp, available only in the Gibson App.
The new Gibson App simplifies the learning process and brings guitar playing to life for the current and next generation of guitarists in a modern, comprehensive, and intuitive way. The Gibson App is the place to take your guitar playing to the next level. New to the Gibson App is the Gibson Digital Amp, the ultimate starting amplifier for beginners and a flexible amp on-the-go for intermediate players and pros to get their sound anywhere. The Gibson Digital Amp is an accessible amplifier for both acoustic and electric guitars, and is currently available for Apple/iOS users--an Android version will debut next year.
Use the Gibson Digital Amp’s jamming guide to get started and transform your sound with built-in effects and pedals, jam to backing tracks, or use it in lessons and songs. The Gibson Digital Amp only requires your phone, and wired headphones for the best playing experience, no cables are needed. The amp features 3 acoustic mic presets, 4 electric amp presets, and 6 effects pedals.
The Gibson Digital Amp is the ultimate starting amplifier for beginners and a flexible amp on-the-go for intermediates and pros.
The Gibson App uses a unique two-way, interactive platform to teach guitar students how to do everything from playing their first note to shredding loads of songs. The Gibson App features interactive lessons with thousands of lessons and songs. Learn the songs step-by-step with video tutorials from superstar artists and pro guitarists in the “Gibson App Guide.” The Gibson App also includes the new Digital Amp, a built-in tuner, a metronome, Gibson TV, and new songs are added every week. New Gibson App Guides are added regularly and include Tommy “Spaceman” Thayer’s favorite iconic KISS guitar solos, Richie Faulkner’s (Judas Priest) “Guide to Metal,” Jared James Nichols’ “Guide to Blues,” CELISSE’s “Guide to Songwriting,” and more.
The Gibson App uses “audio augmented reality” to provide dynamic feedback to students as they learn and play. As you pluck a note or strum a chord, the Gibson App listens to your guitar and gives you real-time feedback on your playing. It also gives students a more contextual learning experience: Instead of learning chords and scales in a vacuum, you’re able to practice on a scrolling tablature that lets you hear how you sound with the backing of a virtual band. That means you can load up “Hurt” by Johnny Cash, “Brown Eyed Girl” by Van Morrison, “American Girl" by Tom Petty, “Nothing Else Matters” by Metallica, “Where is My Mind" by Pixies, “Country Roads” by John Denver, “I Hate Myself For Loving You" by Joan Jett, “Heaven” by Kane Brown, “Shape Of You” by Ed Sheeran, “Killer Queen” by Queen,“ Sweet Child O’ Mine,” by Guns ‘N Roses, “Run to the Hills” by Iron Maiden, “Roxanne” by The Police, and “Don’t Stop Believin’” by Journey, “Smells Like Teen Spirit” and “The Man Who Sold the World” by Nirvana, “Are You Gonna Go My Way” by Lenny Kravitz, and “Don't Look Back In Anger” by Oasis and hundreds more songs in a wide range of genres, to see how your play matches up with such seminal tracks.
As you’re playing, the Gibson App gives you feedback on timing and tone, ensuring that students are getting active input on how their play is developing. The Gibson App appeals to players of all levels, it’s not just for beginners looking to learn a few chords; the app can assist seasoned guitarists who are working their way through difficult riffs, want to learn their favorite songs, or polish their advanced techniques.
Players can also challenge themselves by speeding up or slowing the tabs. Like having a full-time guitar teacher, the Gibson App keeps track of all your progress and adjusts lesson plans accordingly. The Gibson App released a “backing track mode” which supports both lesson and song playback without headphones, so users can self-select what works best for their current environment. And that’s not all: the Gibson App also packs in a fully-featured digital tuner for guitar first-timers, there’s even a detailed lesson on how to tune your instrument, a multi-function metronome, players can connect to free one-on-one consultations with Gibson’s Virtual Guitar Tech team, and to direct links to the Gibson, Epiphone, and Kramer online stores for easy shopping for guitars, gear, apparel, and accessories.
Learn Guitar With The Gibson App
The Gibson App is more than a pocket-sized guitar teacher, it’s loaded with an archive of exclusive content and original programming from its premium and accessible award-winning online network, Gibson TV, featuring music icons telling their best guitar stories, with more episodes and installments added regularly. Users can watch Black Sabbath’s Tony Iommi share insights and tales from his decades-long career on the series “Icons,” dive into Joe Bonamassa’s assortment of legendary Les Paul guitars on “The Collection,” or see how Gibson’s iconic instruments are made in their Nashville factory from body to binding on “The Process.” There’s even a series called “The Scene” that focuses on backstage stories from hallowed music venues from coast to coast like The Troubadour and Grand Ole Opry.
The Gibson App free version features a few lessons a day; the premium version of the Gibson App offers full access and a 14-day free trial, then costs $19.99/£16.49 monthly or $119.99/£98.99 yearly.
For more information, please visit gibson.com.
This pickup captures the clear, bell-like single-coil chime of a classic P-90 when played clean and retains the tight mids and articulate low-end vintage growl and smooth sustain saturation when pushed into overdrive.
Belltone Guitars, as part of their Custom-Select System curated offering of pickups, has partnered McNelly pickups to create a one-of-a-kind retro-vibe P-90 pickup in the standard Filtertron size format. This pickup captures the clear, bell-like single-coil chime of a classic P-90 when played clean and retains the tight mids and articulate low-end vintage growl, and smooth sustain saturation when pushed into overdrive.
The McNelly P-90 Foil-Coil comes housed in a ‘raw’ nickel outer casing with a dull nickel foil face with metal mount screw gromets to complete the ‘new-vintage’ aesthetic, making it a perfect choice for your signature Belltone custom build. Available exclusively through Belltone Guitars.
Check out the Custom-Select System belltoneguitars.com to preview the McNelly P-90 Foil-Trons and all our standard and selectable components available to create your own signature Belltone. Then visit the Dream Lab on our website and select either model B-Classic ONE with its top binding or B-Classic TWO with its arm and body contours select your body color from our wide range of offerings, select your neck profile of either standard ‘C’ or thicker ’59 Round Back and either Maple or Rosewood fingerboard followed by your tuners, pickguard, and strings. Finally, review our curated custom-designed, and unique pickup selection to locate the McNelly P-90 Foil-Trons to complete your signature build.
Builds start at just over $2,300.00 with a custom case and shipping included.
For more information, please visit belltoneguitars.com.
McNelly P 90 Foil Tron video Sep27
DiMarzio, Inc. announces the Relentless P (DP299), the Relentless J Bridge (DP301), Relentless J Neck (DP300), and the Relentless J Pair (DP302) for 4 string basses.
DiMarzio, Inc. announces the release of the Relentless P (DP299), the Relentless J Bridge (DP301), Relentless J Neck (DP300), and the Relentless J Pair (DP302) for 4 string basses. The new Relentless P and Relentless J series pickups feature the Relentless cover designed in collaboration with Billy Sheehan.
As with the Relentless pickups, we removed all the hard edges from the standard P Bass and standard J Basspickups, and added an arch to the top of the pickups to bring the sensing coils and pole pieces closer to the strings. These improvements increase the dynamic range and make active circuitry unnecessary.
The Relentless P and Relentless J pickups incorporate Neodymium magnets and produce 70 percent more output than traditional passive pickups, and they’re dead quiet due to the incorporation of metal covers and foil-shielded cables. To dial in (or fine-tune) the individual string output, the Relentless P and Relentless J include eight adjustable pole pieces. These pickups also have a broad magnetic field so you can even bend notes without volume dropout.
DiMarzio’s extra shielding makes the Relentless P and Relentless J better for both recording and stage performances. We’ve mounted them onto robust .09375” thick circuit board base plates to eliminate the annoying protruding mounting screws — ultimately creating a more comfortable and consistent foundation to rest your fingers on.
The new Relentless P steps beyond the traditional P-Bass sound and can only be described as massive. It has more of everything: more volume, beefier lows, a growling midrange, and crispy highs with better individual string definition.
The Relentless J incorporates a new invention, (patent pending) parallelogram-shaped coils, offering an expanded mid-range punch, snappy highs, precise lows, and a new dimension to the sound of the Relentless series pickups.
Relentless P and Relentless J pickups will breathe new life into any bass, increase playability, and work well for any style of music from Motown to metal.
DiMarzio’s Relentless P, Relentless J Bridge, Relentless J Neck, and Relentless J pair are made in the U.S.A. and may now be ordered for immediate delivery.
Suggested List Price for the Relentless P is $169.00 (MAP $119.99).
Suggested List Price for the Relentless J Bridge and Relentless J neck is $155.00 (MAP $109.99).
Suggested List Price for the Relentless J Pair is $296.00 (MAP 209.99).
For more information, please visit our website at dimarzio.com.