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Top 10 Gear Reviews of 2021

Top 10 Gear Reviews of 2021

We crawled under the hood, got dirty, and dissected dozens of pieces of gear in 2021. Here are the 10 pieces of kit that resonated with you the most.


10. Epiphone Prophecy SG Review

Dave Hunter

The guitars in Epiphone's new Prophecy Collection, which includes the Prophecy SG reviewed here, perform an impressive balancing act. They streamline the classic Gibson four-knob control array, trade PAF-derived pickups for Fishman Fluence units, and style the guitars in a manner that screams "rock" with an exclamation point. But for all the streamlining, these instruments are enormously flexible, and they retain important cosmetic touchstones that emphasize the family connection to parent company Gibson's most iconic designs. Epiphone also maintained balance when it comes to price. The Prophecy SG is a reasonable $899.


9. Dunlop Volume (X)8 Review

Charles Saufley

Why review something so stupidly simple as a volume pedal, you ask? Well, as a player who has spent many years relying on one—both as creative tool and crutch (a little volume swell always sounds great when you've run out of ideas)—I can attest they are not all created equal. Not all of them can double as an expression pedal like the super-smooth Dunlop (X)8, either.



8. Harmony Comet Review

Charles Saufley

Followers of current events might be astonished to learn that the internet isn't quite as effective at separating myth from fiction as its early advocates and creators promised. I was reminded of this state of affairs whilst sniffing out sentiments about vintage Harmony guitars and the complex, convoluted world of gold-foil pickups. Needless to say, there are a lot of strong opinions out there—from advocates that defend old Harmonys as underrated, to snobs who still consider them universally substandard, to the growing cult of gold-foil fanatics who sing their praises to the sky without even agreeing about what a gold-foil pickup is.


7. Mesa/Boogie Rectifier Badlander 50 Review

Dave Hunter

Mesa/Boogie is both fond of reinvention and adept at it. Late last year, the Mesa/Boogie folks reimagined the Rectifier series amps, which became near-ubiquitous in metal and grunge circles in the wake of their 1992 release. The beastly Badlander 100 was the first of these new Rectifiers to hit the streets. It's now joined by the more modestly powered Rectifier Badlander 50—which is available as a head (reviewed here), 1x12 combo, or rackmount head—and can be powered by a pair of Brit-flavored EL34s or more-American-voiced 6L6s.


6. PRS Studio Review

Dave Hunter

Even among a stable of instruments known for their versatility, PRS's Studio model is arguably one of the company's most sonically and stylistically malleable instruments. Reintroduced to the U.S.-made Core lineup for 2021 after first appearing in 2011, this new Studio is hyper-flexible, configured with a distinctive humbucker set and modified switching that takes that versatility up a notch.


5. Squier Contemporary Jaguar HH-ST Review

Charles Saufley

It's funny to think the Jaguar was once derided by alleged guitar experts and collectors. For all its quirks, a good Jag' is a beautiful playing guitar in just about any incarnation—thanks largely to its short scale and curvaceous shape. In a way, the Squier Contemporary Jaguar HH-ST distills that recipe to its essence.



4. Fender ’68 Custom Pro Reverb Review

Dave Hunter

Fender's '68 Custom series won plenty of fans by resurrecting the stylish silver-panel amps of the late '60s and '70s and making some of those models into more modern gigging machines. One of the newest additions to the lineup is the '68 Custom Pro Reverb—an evolution of an amp that debuted as a black-panel model in 1965.


3. PRS HX 50 Review

Shawn Hammond

Just as PRS's 2012 HXDA was inspired by firsthand looks at one of slide legend Duane Allman's amps from his seminal AtFillmore East performance, the brand-new HX 50 is the result of Paul Reed Smith and PRS amp guru Doug Sewell getting extensive access to a Marshall head reportedly used by Jimi Hendrix during his iconic performance at the 1969 Woodstock festival.


2. Supro Delta King 8 Review

Nick Millevoi

Since its 2014 revival, Supro has given fans of small, low-wattage combos plenty to talk about. This should come as no surprise. Tiny but ferocious amplifiers with the Supro logo have been on the scene since the early days of the electric guitar and landed on some of the most classic guitar records of all time. And the company's recent offerings have captured the sonic essence of those vintage models with a line of well-built, modern amps that look just as cool as they sound.


Reverend Six Gun HPP Review

Dave Hunter

The silhouette of the new Six Gun HPP is, at this point, a familiar shape—and arguably a classic. It's the foundation for many different Reverend models and clearly a versatile platform for evolution and experimentation. The updated pickup configuration and other new features of Reverend's offset workhorse make the $1,099 Korea-built Six Gun an impressive performer for the price.


Stompboxtober is finally here! Enter below for your chance to WIN today's featured pedal from Diamond Pedals! Come back each day during the month of October for more chances to win!

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Wonderful array of weird and thrilling sounds can be instantly conjured. All three core settings are colorful, and simply twisting the time, span, and filter dials yields pleasing, controllable chaos. Low learning curve.

Not for the faint-hearted or unimaginative. Mode II is not as characterful as DBA and EQD settings.

$199

EarthQuaker Devices/Death By Audio Time Shadows
earthquakerdevices.com

5
5
4
4

This joyful noisemaker can quickly make you the ringmaster of your own psychedelic circus, via creative delays, raucous filtering, and easy-to-use, highly responsive controls.

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This little pedal offers three voices—analog, tape, and digital—and faithfully replicates the highlights of all three, with minimal drawbacks.

Faithful replications of analog and tape delays. Straightforward design.

Digital voice can feel sterile.

$119

Fishman EchoBack Mini Delay
fishman.com

4
4
4
4.5

As someone who was primarily an acoustic guitarist for the first 16 out of 17 years that I’ve been playing, I’m relatively new to the pedal game. That’s not saying I’m new to effects—I’ve employed a squadron of them generously on acoustic tracks in post-production, but rarely in performance. But I’m discovering that a pedalboard, particularly for my acoustic, offers the amenities and comforts of the hobbit hole I dream of architecting for myself one day in the distant future.

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A silicon Fuzz Face-inspired scorcher.

Hot silicon Fuzz Face tones with dimension and character. Sturdy build. Better clean tones than many silicon Fuzz Face clones.

Like all silicon Fuzz Faces, lacks dynamic potential relative to germanium versions.

$229

JAM Fuzz Phrase Si
jampedals.com

4.5
4.5
5
4

Everyone has records and artists they indelibly associate with a specific stompbox. But if the subject is the silicon Fuzz Face, my first thought is always of David Gilmour and the Pink Floyd: Live at Pompeii film. What you hear in Live at Pompeii is probably shaped by a little studio sweetening. Even still, the fuzz you hear in “Echoes” and “Careful With That Axe, Eugene”—well, that is how a fuzz blaring through a wall of WEM cabinets in an ancient amphitheater should sound, like the sky shredded by the wail of banshees. I don’t go for sounds of such epic scale much lately, but the sound of Gilmour shaking those Roman columns remains my gold standard for hugeness.

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