Premier Guitar features affiliate links to help support our content. We may earn a commission on any affiliated purchases.

New Year’s Resolutions

New Year’s Resolutions

Jared James Nichols joins us in setting goals for our guitar playing in 2023. Plus, current obsessions!


Q: What is your New Year’s guitar resolution for 2023?

Jared James Nichols—Guest Picker

Photo by David McClister

A: I have one! It’s something I’ve been thinking about a ton. I want to slow down and be more in the moment with my playing. Now, don’t take me wrong, I don’t mean “slow down” in terms of speed or my career. I wanna live in my performances, treating every single note with focus, power, and intent. 2023 will be the year for me to sing through my guitar.

Jared James Nichols' Current Obsession:

My current obsession is listening and jamming along with bootlegs from my favorite band, Mountain. I recently unearthed a treasure trove of bootleg concerts from 1969-1974. SO KILLER. I’ve been into Leslie West’s playing forever, but these shows have literally blown my mind. His playing, tone, and attitude are on a different level in this era. So inspiring!

Dominic De La Cerda—Reader of the Month

A: One of my guitar New Year’s resolutions for 2023 is finally being able to start recording my guitar tracks on a new laptop. I bought a Scarlett Solo 3rd Gen interface in January this year and used it once. I also want to get into the 8-string world. I just found out that Harley Benton finally has a warehouse in the U.S. I watched a video about how you can order Harley Benton guitars from Reverb, to get them from the U.S. warehouse. If anyone has ever played the R-458, how comfortable is it?

Dominic De La Cerda's Current Obsession:

I bought a new rig back in July: a Line 6 Spider V 60 MkII. Almost bought the Catalyst 60, but wanted the Spider V 60 MkII, due to its built-in looper, drum loops, 128 presets, and more than 200 cab and amp models.

Kate Koenig—Associate Editor

Photo by Seva Jagat

A: It’s my goal for 2023 (or, as soon as possible) to become comfortable with playing more elaborate fingerpicking songs onstage, which basically means getting over some fingerpicking-specific stage fright. I’ve been a lifelong fingerpicker, but don’t normally feature fast-paced, thoroughly picked songs in my performances, so I’ll be onstage and get so in my head that it’s like I’ve never done it before. That would be a nice thing to get over … but I think I’m making progress!

Kate Koenig's Current Obsession:

My current obsession is a perennial one for me: Nick Drake’s C–G–C–F–C–E tuning. It’s been my ambition recently to write enough songs in this tuning that it would justify preparing a second guitar to be used in a set. I’ve also been trying to implement the fingerpicking pattern Drake uses on his cover of Bob Dylan’s “Don’t Think Twice, It’s Alright”—just a simple, handy picking template. However, I want to avoid overusing it, so I’ve been trying to research and possibly invent alternatives!

Jason Shadrick—Associate Editor

A: Around this time each year I really try and recommit myself to the fundamentals: tone, time, taste, and touch. Those are the common threads that connect our favorite guitarists. I spend time quietly relaxing as much as I can while playing simple phrases where I can really connect with the notes. Maybe it’s more of a musical meditation, but it works for me.

Jason Shadrick's Current Obsession:

While preparing to teach at Joe Satriani’s guitar camp, I went back through his catalog and rediscovered his self-titled album, which is about as close to a blues album as Satch has ever made. For years I would watch the documentary about this album before school. The band was incredible: Nathan East, Andy Fairweather Low, Manu Katché, and Glyn Johns producing. I learned a lot and still hear little nuggets that inspire me.

While Annie Clark was named the 26th greatest guitarist of all time by Rolling Stone in 2023, she couldn’t care less about impressing an athletic stamp on either her sound or her image.


Photo by Alex Da Corte

On her eighth studio release, the electroacoustic art-rock guitarist and producer animates an extension of the strange and singular voice she’s been honing since her debut in 2007.

“Did you grow up Unitarian?” Annie Clark asks me. We’re sitting in a control room at Electric Lady Studios in New York’s West Village, and I’ve just explained my personal belief system to her, to see if Clark, aka St. Vincent, might relate and return the favor. After all, does she not possess a kind of sainthood worth inquiring about?

Read MoreShow less

The GibsonES Supreme Collection (L-R) in Seafoam Green, Bourbon Burst, and Blueberry Burst.

The new Gibson ES Supreme offers AAA-grade figured maple tops, Super Split Block inlays, push/pull volume controls, and Burstbucker pickups.

Read MoreShow less

How do you capture what is so special about Bill Frisell’s guitar playing in one episode? Is it his melodies, his unique chord voicings, his rhythmic concept, his revolutionary approach to pedals and sounds…? It’s all of that and much more.

Read MoreShow less

U.S.-made electronics and PRS’s most unique body profile make this all-American S2 a feast of tones at a great price.

Many sonic surprises. Great versatility. Excellent build quality

The pickup selector switch might be in a slightly awkward position for some players.

$2,029

PRS S2 Vela
prsguitars.com

4.5
5
5
4.5

Since its introduction in 2013, PRS’s S2 range has worked to bridge the gap between the company’s most affordable and most expensive guitars. PRS’s cost-savings strategy for the S2 was simple. The company fitted U.S.-made bodies and necks, built using the more streamlined manufacturing processes of PRS’s Stevensville 2 facility, with Asia-made electronics from the SE line.

Read MoreShow less