PG Editors, Our Reader of the Month & Justin Osborne Show Their Weirdest Guitars
SUSTO's Justin Osborne joins Premier Guitar editors and our reader of the month in discussing oddball guitars and current musical obsessions.
Question: What's the weirdest-shaped guitar you own and how did you acquire it?
Justin Osborne – SUSTO
Photo by Dries Vandenberg
A: The weirdest-shaped guitar I own is by far my '80s Kramer Voyager. I never play it live, but it was actually one of the first guitars I ever bought way back in my early teens. I was at an antique shop with my mom and the guitar was there for only $75. I borrowed the money from my parents to buy it and had a lot of fun with it, mostly just playing in my room. My friend has been borrowing it indefinitely, but I still count it as a part of my guitar collection and will always remember it as my first electric guitar.
Current obsession:
My current musical obsession is Strand of Oaks' new album In Heaven. I've been a fan for a while now, and just love how Tim Showalter creates such a specific sonic landscape on his albums. This new one is a banger!
Strand of Oaks - Galacticana (Official Acoustic Video)
Strand of Oaks - Galacticana (Official Acoustic Video)Stream / Purchase: https://orcd.co/inheavenFollow Strand of Oaks:Instagram - https://www.instagram.com/...Sam Crowley – Reader of the Month
A: My Telecasket, which I built. White Zombie is one of my favorite bands of all time and has been since high school. I loved Sean Yseult's coffin basses from the moment I saw them and always thought if I could have a custom guitar, it would be a coffin. Fast forward 25+ years, as I was playing in my horror-rock band, the Electric Dead, it was time to finally do it. My father, who is a cabinet maker, and I built it together over the course of a few weeks.
Telecasket
The string-through body is a big slab of pine, and the binding/center stripe are walnut. My favorite guitarist is Billy Gibbons, so I had to put a Pearly Gates in there. His style also influenced the choice of no neck pickup and just a volume knob. Super simple. This being our first guitar project, we didn't want to tackle the neck, so I ordered that from Solo Music here in Ontario. I replaced the nut on that with a TUSQ nut and gave it a satin finish. The guitar is amazingly resonant, sounds absolutely huge, and the audience loves it!
Current obsession:
Photo by Blain Clausen
Always Billy Gibbons. To me, he's just the coolest guitar player ever!
Billy Gibbons X-Rays His Hands?! | The Big 5
The ZZ Top legend on what makes his “Pearly Gates” Les Paul so special, why he recently had his hands x-rayed, and the “slithering” slide guitarist whose wor...Shawn Hammond – Chief Content Officer
A: Unfortunately, I can't find a pic of the cherry-finished Gibson '67 Flying V reissue I had to sell in a pinch a decade and a half ago, but I really miss it—it had neato-sounding, splittable Duncan Seth Lover pickups.
The weirdest profiles in my collection now would be my old Schecter Ultra III (which has a TV Jones Magna'Tron in the bridge position) or my Mosrite-inspired Eastwood Sidejack Baritone DLX (with Curtis Novak JM-WR pickups).
Current obsession:
Of late, I've really been lusting after a DynaSonic-outfitted Gretsch Jet.
Ted Drozdowski – Senior Editor
Photo by John Thomas Collins
A: If you're an old Delta blues guitarist, you might have started on a 1-string like my diddley bow (below). It's got slices of pipe for the bridge and nut, an old banjo tuner, a galvanized-pot body with a genuine plywood top, and an old tobacco barn stave for the neck.
It was a gift from my friend Mike Mitchell, an artist in East Nashville, and I put in a Mexico-made Tele pickup, so it sounds nasty. It's a big hit at shows and sounds super-gnarly through a Marshall.
Current obsession:
Maybe a new combo for my stereo amp setup, or a damn cool small head? And to keep on keepin' on.
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Featuring updated circuits for maximum fidelity, intuitive controls, and true stereo capabilities, this pedal offers a rich chorus effect with tube-like overdrive.
Rotary speaker cabinets impart a one-of-a-kind type of chorus effect. This pedal faithfully recreates the swirling textures and vintage warmth of those rotary cabinets. Tucked inside Keeley's laser cut aluminum case is a brand new set of circuit boards delivering the finest tone we've ever achieved.
Key Features of the Rotary
- Sculpt your rotary tones with our finest sounds to date
- Updated circuits for maximum fidelity
- Simple and intuitive controls for live and studio use
- New LED speed indicator - Become one with the sound
- True Stereo for perfect integration in modern rigs
- True or Buffered Bypass - Switchable on the fly
Sculpt Your Sound:
- Blend: Find the perfect mix between dry and wet signals for a subtle warble or a full-on sonic whirlpool.
- Drive: Dial in tube-like harmonic saturation that adds depth and character to your tone!
- Mid Boost: Three different EQ curves to fatten up the stereo chorus effect.
Rotary in Motion:
- Dual Speed: Choose between two distinct rotation speeds for classic slow warble or a more dramatic, fast chorus effect.
- Brake: Instantly slow down the rotation for a cool "stopping" effect, adding a dynamic touch to your playing.
- Adjustable Ramp: Control the speed transition between slow and fast for smooth or dramatic soundscapes.
- Large Speed Knob: Easily control the rotation speed for intuitive adjustments on the fly!
Seamless Integration:
- Light Show: Set the mood with the optional pulsing LED that reacts to the rotary effect, adding a touch of visual flair to your performance.exclamation
- Stereo Everywhere: This pedal boasts stereo ins and outs, allowing you to create lush, expansive soundscapes that perfectly complement modern rigs.
- True Bypass or Buffered Bypass: Choose between transparent signal switching or a buffered bypass for maintaining pristine tone in complex pedal chains!
Stunning Design for Effortless Use
- The Rotary is built with artfully designed circuitry and housed in a proprietary angled aluminum enclosure, ensuring both simplicity and durability. Like all Keeley pedals, it’s proudly designed and manufactured in the USA.
Pearl Jam announces U.S. tour dates for April and May 2025 in support of their album Dark Matter.
In continued support of their 3x GRAMMY-nominated album Dark Matter, Pearl Jam will be touring select U.S. cities in April and May 2025.
Pearl Jam’s live dates will start in Hollywood, FL on April 24 and 26 and wrap with performances in Pittsburgh, PA on May 16 and 18. Full tour dates are listed below.
Support acts for these dates will be announced in the coming weeks.
Tickets for these concerts will be available two ways:
- A Ten Club members-only presale for all dates begins today. Only paid Ten Club members active as of 11:59 PM PT on December 4, 2024 are eligible to participate in this presale. More info at pearljam.com.
- Public tickets will be available through an Artist Presale hosted by Ticketmaster. Fans can sign up for presale access for up to five concert dates now through Tuesday, December 10 at 10 AM PT. The presale starts Friday, December 13 at 10 AM local time.
earl Jam strives to protect access to fairly priced tickets by providing the majority of tickets to Ten Club members, making tickets non-transferable as permitted, and selling approximately 10% of tickets through PJ Premium to offset increased costs. Pearl Jam continues to use all-in pricing and the ticket price shown includes service fees. Any applicable taxes will be added at checkout.
For fans unable to use their purchased tickets, Pearl Jam and Ticketmaster will offer a Fan-to-Fan Face Value Ticket Exchange for every city, starting at a later date. To sell tickets through this exchange, you must have a valid bank account or debit card in the United States. Tickets listed above face value on secondary marketplaces will be canceled. To help protect the Exchange, Pearl Jam has also chosen to make tickets for this tour mobile only and restricted from transfer. For more information about the policy issues in ticketing, visit fairticketing.com.
For more information, please visit pearljam.com.
The legendary German hard-rock guitarist deconstructs his expressive playing approach and recounts critical moments from his historic career.
This episode has three main ingredients: Shifty, Schenker, and shredding. What more do you need?
Chris Shiflett sits down with Michael Schenker, the German rock-guitar icon who helped launch his older brother Rudolf Schenker’s now-legendary band, Scorpions. Schenker was just 11 when he played his first gig with the band, and recorded on their debut LP, Lonesome Crow, when he was 16. He’s been playing a Gibson Flying V since those early days, so its only natural that both he and Shifty bust out the Vs for this occasion.
While gigging with Scorpions in Germany, Schenker met and was poached by British rockers UFO, with whom he recorded five studio records and one live release. (Schenker’s new record, released on September 20, celebrates this pivotal era with reworkings of the material from these albums with a cavalcade of high-profile guests like Axl Rose, Slash, Dee Snider, Adrian Vandenberg, and more.) On 1978’s Obsession, his last studio full-length with the band, Schenker cut the solo on “Only You Can Rock Me,” which Shifty thinks carries some of the greatest rock guitar tone of all time. Schenker details his approach to his other solos, but note-for-note recall isn’t always in the cards—he plays from a place of deep expression, which he says makes it difficult to replicate his leads.
Tune in to learn how the Flying V impacted Schenker’s vibrato, the German parallel to Page, Beck, and Clapton, and the twists and turns of his career from Scorpions, UFO, and MSG to brushes with the Rolling Stones.
Credits
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering Support by Matt Tahaney and Matt Beaudion
Video Editor: Addison Sauvan
Graphic Design: Megan Pralle
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
Katana-Mini X is designed to deliver acclaimed Katana tones in a fun and inspiring amp for daily practice and jamming.
Evolving on the features of the popular Katana-Mini model, it offers six versatile analog sound options, two simultaneous effects, and a robust cabinet for a bigger and fuller guitar experience. Katana-Mini X also provides many enhancements to energize playing sessions, including an onboard tuner, front-facing panel controls, an internal rechargeable battery, and onboard Bluetooth for streaming music from a smartphone.
While its footprint is small, the Katana-Mini X sound is anything but. The multi-stage analog gain circuit features a sophisticated, detailed design that produces highly expressive tones with immersive depth and dimension, supported by a sturdy wood cabinet and custom 5-inch speaker for a satisfying feel and rich low-end response. The no-compromise BOSS Tube Logic design approach offers full-bodied sounds for every genre, including searing high-gain solo sounds and tight metal rhythm tones dripping with saturation and harmonic complexity.
Katana-Mini X features versatile amp characters derived from the stage-class Katana amp series. Clean, Crunch, and Brown amp types are available, each with a tonal variation accessible with a panel switch. One variation is an uncolored clean sound for using Katana-Mini X with an acoustic-electric guitar or bass. Katana-Mini X comes packed with powerful tools to take music sessions to the next level. The onboard rechargeable battery provides easy mobility, while built-in Bluetooth lets users jam with music from a mobile device and use the amp as a portable speaker for casual music playback.
For quiet playing, it’s possible to plug in headphones and enjoy high-quality tones with built-in cabinet simulation and stereo effects. Katana-Mini X features a traditional analog tone stack for natural sound shaping using familiar bass, mid, and treble controls. MOD/FX and REV/DLY sections are also on hand, each with a diverse range of Boss effects and fast sound tweaks via single-knob controls that adjust multiple parameters at once. Both sections can be used simultaneously, letting players create combinations such as tremolo and spring reverb, phaser and delay, and many others.
Availability & Pricing The new BOSS Katana-Mini X will be available for purchase at authorized U.S. Boss retailers in December for $149.99. For the full press kit, including hi-res images, specs, and more, click here. To learn more about the Katana-Mini X Guitar Amplifier, visit www.boss.info.