
This technique works for all standard single-coil pickups, including Fender’s template design, so dive in!
It’s not difficult to replace the wiring in your pickups, but it takes some finesse. Here’s a step-by-step guide.
Hello and welcome back to Mod Garage. After numerous requests, this month we’ll have a closer look at changing wires on a single-coil pickup. As our guinea pig for this, I chose a standard Stratocaster single-coil, but it’s basically the same on all single-coil pickups and easy to transfer. It’s not complicated but it is a delicate task to not destroy your pickup during this process, and there are some things you should keep in mind.
Why would you change wires on a pickup? Here’s a list of reasons I mostly hear in the shop when someone brings in a pickup for this operation:
1. A wire is broken and needs to be replaced.
This can happen if the wire was bent too much, or it was damaged with a soldering iron, a screw split it, etc.
2. A used pickup was bought on eBay or a similar marketplace and the wires are too short for your wiring.
Maybe one of the pre-owners snipped it out of the circuit at some point, rather than desoldering it to save the full wire length. The quick-and-dirty solution in such a case will be to extend the wire by soldering another piece of wire to it. For the “Trekkies” of us, that’s the way James T. Kirk and Scotty would fix it. Jean-Luc Picard and Geordi La Forge would solder a new wire with the correct length to the pickup to replace the old one. Make it so!
3. Changing the wires as a quality update.
Often cheap pickups have thin and shoddy plastic-coated wires that will likely break soon. It’s always a good investment regarding reliability and longevity to swap them with a good quality wire.
4. Changing the wires for tonal and/or aesthetic reasons.
Changing the wire material can alter the sound of a pickup, so replacing a cheap plastic-coated wire with a good-quality cloth-covered wire will not only look more vintage but will also result in a slightly warmer tone. Or the other way around for a slightly brighter tone. Or maybe you want to upgrade your pickups with a high-quality Teflon-coated or audiophile HiFi-wire. Perhaps you like to have neon green and pink wires on your pickups, for whatever reason.
5. Changing the wires for a shielded cable to add more shielding to the pickup.
This often goes hand in hand with shielding the complete single-coil pickup and is a logical step in such cases.
6. Changing the wires with NOS wire.
Often vintage pickups are modded with a non-original wire, sometimes as part of a repair. Bringing them back to factory specs is a good investment to keep the value of a vintage pickup alive.
Let's Begin
So, you see there are some good reasons to change the wires on a pickup. This list is not complete; for sure there are others.
Now, let’s start our project by preparing the pickup for this operation. It’s first and foremost important to protect the windings of your pickup against any damage. It only takes a fraction of a second to hit the winding with the tip of the soldering iron and this is a scenario you do not want.
Photo 1
Courtesy of SINGLECOIL (www.singlecoil.com)
1. I simply put a standard plastic pickup cover on the pickup to protect the winding. I usually use two small zip ties to fasten the cover, but you can also use two small screws and a hex nut, a rubber band, or a piece of masking tape.
Photo 2
Courtesy of SINGLECOIL (www.singlecoil.com)
2. Have a look where the hot (usually white, yellow, or red) and the ground (usually black) wires are connected to the pickup and mark one of them. I always mark the hot connection by using a Sharpie, but you can also use a drop of nail polish, a small piece of masking tape ... be creative.
Photo 3
Courtesy of SINGLECOIL (www.singlecoil.com)
3. Measure the DCR (direct current resistance) of your pickup as a reference using your DMM (digital multimeter) and note it. After this is done, push the wires you want to replace upwards through the hole and pull them out, as shown in Photo 1, Photo 2, and Photo 3.
Photo 4
Courtesy of SINGLECOIL (www.singlecoil.com)
Now put the prepared pickup into a small vise and orient it so that you can look at the soldering terminals the two wires are connected to (Photo 4). Take care to not apply too much pressure with the vise: We only want to fasten the pickup, not break it.
Photo 5
Courtesy of SINGLECOIL (www.singlecoil.com)
Pre-tin the tip of your soldering iron and heat up the soldering spot while gently pulling on the wire until it comes out (Photo 5). This should not take longer than 2 to 3 seconds. A small chisel-shaped soldering tip is my weapon of choice. Warning: Don’t touch the bobbin of the pickup with the soldering iron—it will melt. Repeat this procedure with the second wire.
Photo 6
Courtesy of SINGLECOIL (www.singlecoil.com)
Strip the new wire, pre-tin it, pull it through the hole, and bend it so the stripped part will touch the soldering spot (Photo 6). I prefer to guide the wire with my hands, but you can also use tweezers for this. Now pre-tin the tip of your soldering iron and heat up the soldering spot while gently pushing the wire until it is in. This should not take longer than 2 to 3 seconds to perform. Repeat this procedure with the second wire. Cut off the excess wire with a small side cutter.
To check your work, measure the DCR of the pickup and compare it to the value you measured before. Small differences are okay and can be caused by the higher temperature directly after soldering to the pickup, or the new wires can be a different type and might have a different length. If you read zero or infinite, there is something wrong and you should check your soldering spots.
Photo 7
Courtesy of SINGLECOIL (www.singlecoil.com)
Take off the pickup cover you put on the pickup to protect the winding, and you are done (Photo 7). Congratulations! If you’re doing this regularly, you’ll become better and faster over time, so don’t worry if it takes longer than expected the first time.
Bonus: Staggering Pickup Wires
Staggering pickup wires is a neat trick to not waste any wire, which can be a real issue when using expensive audiophile wires. Pickup manufacturers usually apply the same wire length to all pickups, no matter if it’s a bridge, middle, or neck pickup. And they’re usually way too long, resulting in a good portion of obsolete, snipped off wires. To avoid this, you can add only the length of new wire you really need. Here are the values I use in the shop for a standard Stratocaster:
That’s it for this month. Next, we’ll continue with our guitar relic’ing project, so stay tuned. Until then ... keep on modding!
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- Mod Garage: Telecaster Series Wiring - Premier Guitar ›
Sleep Token announces their Even In Arcadia Tour, hitting 17 cities across the U.S. this fall. The tour, promoted by AEG Presents, will be their only headline tour of 2025.
Sleep Token returns with Even In Arcadia, their fourth offering and first under RCA Records, set to release on May 9th. This new chapter follows Take Me Back To Eden and continues the unfolding journey, where Sleep Token further intertwines the boundaries of sound and emotion, dissolving into something otherworldly.
As this next chapter commences, the band has unveiled their return to the U.S. with the Even In Arcadia Tour, with stops across 17 cities this fall. Promoted by AEG Presents, the Even In Arcadia Tour will be Sleep Token’s only 2025 headline tour and exclusive to the U.S. All dates are below. Tickets go on sale to the general public on Friday, March 21st at 10 a.m. local time here. Sleep Token will also appear at the Louder Than Life festival on Friday, September 19th.
Sleep Token wants to give fans, not scalpers, the best chance to buy tickets at face value. To make this possible, they have chosen to use Ticketmaster's Face Value Exchange. If fans purchase tickets for a show and can't attend, they'll have the option to resell them to other fans on Ticketmaster at the original price paid. To ensure Face Value Exchange works as intended, Sleep Token has requested all tickets be mobile only and restricted from transfer.
*New York, Illinois, Colorado, and Utah have passed state laws requiring unlimited ticket resale and limiting artists' ability to determine how their tickets are resold. To adhere to local law, tickets in this state will not be restricted from transfer but the artist encourages fans who cannot attend to sell their tickets at the original price paid on Ticketmaster.
For more information, please visit sleep-token.com.
Even In Arcadia Tour Dates:
- September 16, 2025 - Duluth, GA - Gas South Arena
- September 17, 2025 - Orlando, FL - Kia Center
- September 19, 2025 - Louisville, KY - Louder Than Life (Festival)
- September 20, 2025 – Greensboro, NC - First Horizon Coliseum
- September 22, 2025 - Brooklyn, NY - Barclays Center
- September 23, 2025 - Worcester, MA - DCU Center
- September 24, 2025 - Philadelphia, PA - Wells Fargo Center
- September 26, 2025 - Detroit, MI - Little Caesars Arena
- September 27, 2025 - Cleveland, OH - Rocket Arena
- September 28, 2025 - Rosemont, IL - Allstate Arena
- September 30, 2025 - Lincoln, NE - Pinnacle Bank Arena
- October 1, 2025 - Minneapolis, MN - Target Center
- October 3, 2025 - Denver, CO - Ball Arena
- October 5, 2025 - West Valley City, UT - Maverik Center
- October 7, 2025 - Tacoma, WA - Tacoma Dome
- October 8, 2025 - Portland, OR - Moda Center
- October 10, 2025 - Oakland, CA - Oakland Arena
- October 11, 2025 - Los Angeles, CA - Crypto.com Arena
Bergantino revolutionizes the bass amp scene with the groundbreaking HP Ultra 2000 watts bass amplifier, unlocking unprecedented creative possibilities for artists to redefine the boundaries of sound.
Bergantino Audio Systems, renowned for its innovative and high-performance bass amplification, is proud to announce the release of the HP Ultra 2000W Bass Amplifier. Designed for the professional bassist seeking unparalleled power and tonal flexibility, the HP Ultra combines cutting-edge technology with the signature sound quality that Bergantino is known for.
Operating at 1000W with an 8-ohm load and 2000W with a 4-ohm load, the HPUltra offers exceptional headroom and output, ensuring a commanding presence on stage and in the studio. This powerhouse amplifier is engineered to deliver crystal-clear sound and deep, punchy bass with ease, making it the perfect choice for demanding performances across any genre.
The HP Ultra incorporates the same EQ and feature set as the acclaimedBergantino Forté HP series, offering advanced tonal control and versatility. It includes a highly responsive 4-band EQ, Bergantino’s signature Variable RatioCompressor, Lo-Pass, and Hi-Pass Filters, and a re-imagined firmware that’s optimally tuned for the HP Ultra’s power module. The intuitive user interface allows for quick adjustments and seamless integration with any rig, making it an ideal solution for both seasoned professionals and rising stars.
As compared to previous forte HP iterations (HP, HP2, HP2X), Ultra is truly its own amp. Its behavior, feel, and tonal capabilities will be well noted for bass players seeking the ultimate playing experience. If you’ve been wishing for that extreme lead sled-type heft/force and punch, along with a choice of modern or vintage voicings, on-board parallel compressor, overdrive; high pass and lowpass filters, and more—all in a 6.9 lb., 2ru (8” depth) package...the BergantinoHP Ultra is worth checking out.
Building on the forte’ HP2X’s leading edge platform (including a harmonic enriching output transformer (X) and 3.5db of additional dynamic headroom (2),the HP Ultra’s power focus is not about playing louder...it’s about the ability to play fuller and richer at similar or lower volumes. Many players will be able to achieve a very pleasing bass fill, with less volume, allowing the guitars and vocals to shine thru better in a dense mix. This in turn could easily contribute to a lower stage volume...win-win!
Key Features of the Bergantino HP Ultra 2000W Bass Amplifier:
- Power Output: 1000W @ 8ohms / 2000W @ 4ohms, 1200W RMS @2-Ohms (or 1700W RMS @2.67-Ohms-firmware optimizable via USB
- Dual Voicing Circuits: offer a choice between vintage warmth and modern clarity.
- Custom Cinemag Transformer: elevates harmonic enrichment to new heights
- Variable Low-Pass (VLPF) and Variable High-Pass (VHPF) filters, critical for precise tone shaping and taming of the most challenging gigging environments.
- 4-Band Tone Controls: Bass: +/-10db @40hz, Lo-Mid:+/-10db @250hz,Hi-Mid: +/-10db @ 1khz, Treble: +/-10db @ 3.5khz
- Punch Switch: +4db @110hz
- Bright Switch: +7db @7kHz or +6db @2khz – user selectable● Built-in parallel compression - VRC
- 3.5dB of additional dynamic headroom
- New Drive Circuit featuring our proprietary B.S.D (Bergantino SmartDrive) technology
- Auxiliary Input and Headphone Jack: for personal monitor and practice
- Rack Mountable with optional rack ears
- Effects send and return loop
- Studio quality Direct Output: software selectable Pre or Post EQ
- UPS – Universal power supply 115VAC – 240VAC 50/60Hz
- Weight: 6.9 pounds
- Dimensions: 13.25”W x 8.375”D x 3.75”H
- Street Price: $1895.00
For more information, please visit bergantino.com
The NEW Bergantino Forté HP ULTRA!!! - YouTube
When you imagine the tools of a guitar shredder, chances are you see a sharp-angled electric 6-string running into a smokin’-hot, fully saturated British halfstack of sorts—the type of thing that’ll blow your hair back. You might not be picturing an acoustic steel-string or a banjo, and that’s a mistake, because some of the most face-melting players to walk this earth work unplugged—like Molly Tuttle.
The 31-year old Californian bluegrass and folk artist has been performing live for roughly 20 years, following in a deep family tradition of roots-music players. Tuttle studied at Berklee College of Music, and has gone on to collaborate with some of the biggest names in bluegrass and folk, including Béla Fleck, Billy Strings, Buddy Miller, Sierra Hull, and Old Crow Medicine Show. Her 2023 record, City of Gold, won the Grammy for Best Bluegrass Album.
The furious flatpicking solo on “San Joaquin,” off of that Grammy-winning record, is the subject of this unplugged episode of Shred With Shifty. Shiflett can shred on electric alright, but how does he hold up running leads on acoustic? It’s a whole different ballgame. Thankfully, Tuttle is on hand, equipped with a Pre-War Guitars Co. 6-string, to demystify the techniques and gear that let her tear up the fretboard.
Tune in to hear plenty of insider knowledge on how to amplify and EQ acoustics, what instruments can stand in for percussion in bluegrass groups, and how to improvise in bluegrass music.
Credits
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering Support by Matt Tahaney and Matt Beaudion
Video Editor: Addison Sauvan
Graphic Design: Megan Pralle
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
Featuring a 25.5" scale length, mahogany body, gold hardware, and 490R/498T pickups. Stand out with the unique design and comfortable playing experience of the Gibson RD Custom.
Initially released in 1977, the Gibson RD model has been a cult classic for years. It is famous for its unique appearance, which takes inspiration from both the Gibson Explorer and Firebird designs, as well as its functionality and use by several popular guitarists across multiple genres.
Now, the iconic RD Custom joins the Gibson Custom core lineup for the first time. Not only is this the first Custom Shop-built RD model, but it is also the first 25.5” scale length solidbody core model offered by Gibson Custom. Complete with the classic and comfortable RD body shape, including a rear tummy cut for extra comfort, this model also features a mahogany body with multi-ply top binding, Gibson Custom aesthetics, including gold hardware and mother-of-pearl block inlays on the neck, and a mother-of-pearl Custom split diamond headstock inlay. The RD Custom also has a 25.5” scale mahogany neck with a Medium C profile and long neck tenon, a bound ebony fretboard with 22 medium jumbo frets, and a bound headstock with Grover Rotomatic tuners. The updated electronics include 490R and 498T pickups, CTS potentiometers, and a hand-wired harness.
The Gibson RD Custom is designed to help players stand out from the crowd with its longer scale length, curvaceously elegant body, and classic design. Now is your opportunity to experience the unique and comfortable playing experience of the cult-favorite Gibson RD Custom for yourself. A Custom Shop hardshell case is also included.
For more information, please visit gibson.com.