The high-end, Dumble-style amp supplier to the stars explores and expands upon ’60s Fender tone templates.
Two-Rock’s top-tier amplifiers attract a lot of players who can afford to play through any amp they want. Generally speaking, the company is known for Dumble-style amps. But their newest release, the Vintage Deluxe, takes a different tack—drawing inspiration from the black- and brown- panel Fenders of the 1960s. Cleverly, Two-Rock’s modern design creates a sort of hybrid of old-school Fender moves and contemporary Two-Rock touches, embracing some of the best from both worlds and creating a Fender-influenced amp with a broader palette of sounds.
Masterful Mutation
The Vintage Deluxe comes in a 1x12 combo or as a head that can be paired with Two-Rock’s open-backed 3x10 or single-15 cabinets (or any 4-, 8-, or 16-ohm cabinet of your choice). You can also choose between a 35-watt 2x6L6 version with a tube rectifier or a 40-watt version with four 6V6 tubes and a solid-state rectifier. Our review model is built around the former format and is housed in a sizable (20.5"x12"x10.5") head. Apart from the two 6L6 power tubes, many specs and features will be familiar to Fender fans. It’s built with a steel chassis and comes with footswitchable bias tremolo and a tube-driven spring reverb. Other features are more novel—most notably the two footswitchable tone stacks. The first of these, which is situated on the front panel, features treble, mid, and bass controls. The alternate tone stack is built around a single tone knob on the back panel. Further tone shaping is available via a presence knob and switches for texture, bright, and power modes. A passive effects loop offers an insert point between preamp and power sections for time-based effects.
Signature Sonics
There’s a rich fidelity to the Vintage Deluxe, and an equilibrium in the frequency response that allows the personalities of instruments to shine through. Lows are clear and tight, edgy mids are present but not shrill, and upper harmonics are proportional and exhibit a smooth rolloff. The ability to meticulously shape the output also means the midrange can sit center stage, while the supporting cast fills their layers. That’s not an option on most mid-scooped Fender amps. And while there is some mid scoop evident here, it’s nowhere near as pronounced as it would be on a vintage black-panel amp.
Though the Vintage Deluxe is rated at 35 watts, there’s an abundance of clean headroom and a lack of stiffness or pushback from the power section at high volume levels. There's a near-instant-responsiveness to transients. This open, almost compression-free sensitivity was common across all settings and volumes (the one exception being low-power mode, but more on that later).
Shimmery Sparkle and Crunchy Chords
The Vintage Deluxe gain voicing is straight out of the 1964 Fender playbook—spanning chimey cleans and rich, creamy grind. The amp retains detail and warmth throughout the sweep of the gain pot, and the hint of warm preamp compression that you do hear and feel adds a subdued bloom of sustain. In fact, at some settings the Vintage Deluxe feels like a Fender Deluxe’s preamp mated to a Twin Reverb’s power section. Front-end dynamic response is superb. And setting the amp at the edge of breakup, I could easily vary drive textures via picking dynamics or guitar volume adjustments. This amp is loud, really loud, so I was pleased to find that low volume levels did not compromise its richness of tone. And I didn’t need stage-level volume to feel the body and fullness of the amp.
Silk or Burlap?
The texture switch toggles between two distinctive preamp voicings. The jazzier down position is smooth and warm, characterized by scooped mids and a softer dynamic response. Flipping the switch up unleashes an aggressive tone with snappier transients, enhanced harmonics, and midrange bite—perfect for slicing through a mix. This option is a new Two-Rock feature, unique to the Vintage Deluxe, and expands its range beyond the confines of a typical single-channel configuration.
One … Two … Stacks of Tone
The front-panel treble, mid, and bass filter controls are highly interactive, creating myriad sound sculpting options. The taper of the pots is precise, making fine adjustments easy and satisfying. The range of the pots is also useful from one extreme to another. If you just set everything at noon, the amp sounds full and musical, and you could make merely minimal adjustments from those noon positions and still find a world of cool alternative tones.
The alternate tone stack and its single knob increases gain and adds an aggressive midrange bite that imparts a cranked-up tweed vibe. There’s also a little less low end, which has the effect of sharpening the upper frequencies. It’s not all tweed texture though. You can also find warm and woolly tones, and some with a Vox-y edge. And depending on the setting, the alternate tone stack can serve as a solo boost just as readily as a source of dramatic tone shifts.
Fortissimo vs. Pianissimo
The Vintage Deluxe offers a unique take on the traditional power mode switch. Instead of reducing output level, the power tube bias is adjusted, transforming the response of the 6L6s. High mode utilizes a fixed bias for a glassy uncompressed quality that transparently reproduces nuanced dynamics. Low mode switches to a cathode bias, reducing available headroom, and increasing compression and touch sensitivity. (Interestingly, the hi/low switch serves a very different function in the 6V6 version: cutting output power from 40 watts to 20 watts.)
Retro Effects
The Vintage Deluxe’s onboard effects are very satisfying. The 3-spring, tube-driven reverb tank has classic boingy resonance, but it’s warmer than most vintage Fender reverbs with fewer metallic overtones. It’s also more flexible. The front-panel reverb return adjusts the wet/dry mix, while a back-panel reverb send alters the intensity of the effect, which can range from an ethereal whisper to a saturated wash. The excellent power tube bias tremolo, meanwhile, evokes the woozy sway of a vintage Vibroverb.
The Verdict
The Vintage Deluxe captures the essence of 1960s Fender amps while seamlessly integrating features that extend the boundaries of that template. It’s a beautiful example of artisanal craftsmanship, handcrafted by players for players. Is it worth the nearly $5,849K you’ll pay for the matched head and cabinet? You’ll probably have to spend significant time at your dealer with your favorite guitar to be sure. But that investigation will be an experience that’s well worth the time. You’ll likely be inspired by the tones—even if the amp is beyond your means.
Two-Rock Vintage Deluxe Demo | First Look
PG contributor Tom Butwin takes a deep dive into LR Baggs' HiFi Duet system.
LR Baggs HiFi Duet High-fidelity Pickup and Microphone Mixing System
HiFi Duet Mic/Pickup System"When a guitar is “the one,” you know it. It feels right in your hands and delivers the sounds you hear in your head. It becomes your faithful companion, musical soulmate, and muse. It helps you express your artistic vision. We designed the Les Paul Studio to be precisely the type of guitar: the perfect musical companion, the guitar you won’t be able to put down. The one guitar you’ll be able to rely on every time and will find yourself reaching for again and again. For years, the Les Paul Studio has been the choice of countless guitarists who appreciate the combination of the essential Les Paul features–humbucking pickups, a glued-in, set neck, and a mahogany body with a maple cap–at an accessible price and without some of the flashier and more costly cosmetic features of higher-end Les Paul models."
Now, the Les Paul Studio has been reimagined. It features an Ultra-Modern weight-relieved mahogany body, making it lighter and more comfortable to play, no matter how long the gig or jam session runs. The carved, plain maple cap adds brightness and definition to the overall tone and combines perfectly with the warmth and midrange punch from the mahogany body for that legendary Les Paul sound that has been featured on countless hit recordings and on concert stages worldwide. The glued-in mahogany neck provides rock-solid coupling between the neck and body for increased resonance and sustain. The neck features a traditional heel and a fast-playing SlimTaper profile, and it is capped with an abound rosewood fretboard that is equipped with acrylic trapezoid inlays and 22 medium jumbo frets. The 12” fretboard radius makes both rhythm chording and lead string bending equally effortless, andyou’re going to love how this instrument feels in your hands. The Vintage Deluxe tuners with Keystone buttons add to the guitar’s classic visual appeal, and together with the fully adjustable aluminum Nashville Tune-O-Matic bridge, lightweight aluminum Stop Bar tailpiece, andGraph Tech® nut, help to keep the tuning stability nice and solid so you can spend more time playing and less time tuning. The Gibson Les Paul Studio is offered in an Ebony, BlueberryBurst, Wine Red, and CherrySunburst gloss nitrocellulose lacquer finishes and arrives with an included soft-shell guitar case.
It packs a pair of Gibson’s Burstbucker Pro pickups and a three-way pickup selector switch that allows you to use either pickup individually or run them together. Each of the two pickups is wired to its own volume control, so you can blend the sound from the pickups together in any amount you choose. Each volume control is equipped with a push/pull switch for coil tapping, giving you two different sounds from each pickup, and each pickup also has its own individual tone control for even more sonic options. The endless tonal possibilities, exceptional sustain, resonance, and comfortable playability make the Les Paul Studio the one guitar you can rely on for any musical genre or scenario.
For more information, please visit gibson.com.
Introducing the Reimagined Gibson Les Paul Studio - YouTube
The two pedals mark the debut of the company’s new Street Series, aimed at bringing boutique tone to the gigging musician at affordable prices.
The Phat Machine
The Phat Machine is designed to deliver the tone and responsiveness of a vintage germanium fuzz with improved temperature stability with no weird powering issues. Loaded with both a germanium and a silicon transistor, the Phat Machine offers the warmth and cleanup of a germanium fuzz but with the bite of a silicon pedal. It utilizes classic Volume and Fuzz control knobs, as well as a four-position Thickness control to dial-in any guitar and amp combo. Also included is a Bias trim pot and a Kill switch that allows battery lovers to shut off the battery without pulling the input cord.
Silk Worm Deluxe Overdrive
The Silk Worm Deluxe -- along with its standard Volume/Gain/Tone controls -- has a Bottom trim pot to dial in "just the right amount of thud with no mud at all: it’s felt more than heard." It also offers a Studio/Stage diode switch that allows you to select three levels of compression.
Both pedals offer the following features:
- 9-volt operation via standard DC external supply or internal battery compartment
- True bypass switching with LED indicator
- Pedalboard-friendly top mount jacks
- Rugged, tour-ready construction and super durable powder coated finish
- Made in the USA
Static Effectors’ Street Series pedals carry a street price of $149 each. They are available at select retailers and can also be purchased directly from the Static Effectors online store at www.staticeffectors.com.
So, you want to chase the riches and glories of being a mid-level guitar YouTuber. Rhett and Zach have some reality checks.
This outing of Dipped In Tone kicks off with an exciting update from Zach Broyles’ camp: He’s opening a brick-and-mortar guitar shop in Nashville, called High Voltage Guitars. Opening on October 8, the store will carry gear from Two-Rock, Divided By 13, Dr. Z, Castedosa, Fano, Novo, and of course Mythos Pedals. Zach hints that there might be some handwired JHS pedals from Josh Scott himself, too, and Rhett reveals that he plans to consign some of his guitars at the shop.
The business side of Zach’s new venture brings them to a key piece of today’s episode: Rhett and Zach aren’t running charities. They do what they do to make money; guitars, gear, podcasting, and content creation are their literal jobs. And they’re not as glamorous and breezy as most armchair commentators might guess.
Want to do what Rhett and Zach do? Welcome to the club. The guitar-influencer field is what one might call “oversaturated” at the moment, and it’s difficult to break out—but not impossible. As our hosts explain, it requires putting in 60-hour work weeks, a diverse skillset, a knack for catching people’s attention, and a certain level of genuineness. Rhett knows this path well, and he has hard-earned advice for staying true to oneself while building a following in the gear world.
Tune in to learn why Rhett thinks Fretboard Summit, a three-day guitar festival organized by Fretboard Journal, blows NAMM out of the water and builds legitimate connections between guitarists, and catch the duo dipping a Dick Dale-inspired, all-Fender rig.