Guitar legend Nuno Bettencourt crashes his own Rundown to showcase the āBumblebeeā guitar he cooked up to honor Eddie Van Halen, while bassist Pat Badger shares two killer stories about basses that once belonged to members of Van Halen and Aerosmith.
Nearly 40 years ago, Nuno Bettencourt walked into Mouradian Guitar Co. in Boston, where Pat Badger was working. They formed a bond that would change their worldsāand oursāwith the multi-platinum band Extreme. In March of 2024, Badger, Bettencourt, and their tech John Thayer invited PGās John Bohlinger to talk through their current rig.
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Washburn Wrecking Crew
This Washburn N4 was developed in collaboration with Nuno Bettencourt, Washburn, and Seattle-based luthier Stephen Davies. The guitar was introduced in the mid-to-late 1990s and became Bettencourt's primary guitar. The 4N features a balanced alder body with a Seymour Duncan ā59 in the neck and a Bill Lawrence L-500 in the bridge, plus an ebony fretboard and a Kahler whammy that was featured on the earliest iterations. Later production models included a Schaller tremolo before landing on the current Floyd Rose dive bomber for off-the-rack N4s. Nunoās strings are a custom set of GHS Boomers (.009ā.052) and his custom-made picks come from Grover Allman in Australia.
Sweet As Honey
This is āBumble Bee,ā a custom-painted N4 tribute to King Edward that was done by the luthier Craig Stofko behind CHS Custom Guitars, based out of Carmel, New York. Itās a standard Nuno Washburn signature, but with a maple fretboard (a first for Nuno and the N4 series).
Softer Sounds
This Washburn Festival EA20S-Nuno Bettencourt is in the video for Extremeās song āMore Than Words,ā which was filmed over 30 years ago.
This custom-painted Washburn 12-string acoustic is heard on āHole Hearted.ā
Triple Duals
Nuno tours with three Marshall JCM 2000 Dual Super Leads. Usually, he only runs one through a Marshall 4x12 cab. (There are six total onstage but only one is hot and mic'd.) All the cabs are loaded with Celestion G12T-75s that combine a huge, tightly controlled low-end and aggressive mid-range with a softened top-end.
Nuno runs few effects. In front of the amp, thereās a battery powered Pro Co RAT (which stays on all the time), a Boss OC-5 Octave (plugged in and connected for just two solos), and a script logo MXR Phase 90 without a light. Thereās also a Boss GT-8 that runs through the effects loop of the Marshall for delays.
Kingly Gifts
This Mouradian CS-74 bass is Pat Badgerās number-one. The alder-bodied bass, fitted with an EMG pickup, was built for Tom Hamilton from Aerosmith. About two years ago, Tom gave the bass to Pat. This and all of Badgerās basses are strung with Rotosound Ultramag Strings (.045ā.105).
This Mouradian one-pickup bass was built for Michael Anthony from Van Halen. Michael passed it along to Pat a few years ago.
This classic ā80s Hamer Blitz bass is a recent Reverb purchase.
Badger's Den
Badger tours with two Ampeg amps: a SVT-4 Pro and a SVT Classic. Thereās a wall of 4x10 cabs underneath them, but only one is used.
Pat runs his bass into a Boss TU-3 tuner, Boss GE-7 EQ, EHX Micro POG, Pro Co Rat, Tech 21 SansAmp Bass Driver DI, and EBS Billy Sheehan Signature Drive.
Shop Nuno Bettencourt & Pat Badger's Gear
Washburn N4-Nuno Vintage USA Electric Guitar
Washburn Nuno Bettencourt N4 Authentic Signature - Natural Matte
Seymour Duncan SH-1n '59 Model Neck 4-conductor Humbucker Pickup - Black
MXR CSP026 '74 Vintage Phase 90 Pedal
Pro Co RAT 2 Distortion / Fuzz / Overdrive Pedal
Boss OC-5
EMG 35DC Active Ceramic Modern Humbucker Bass Pickups
Rotosound UM45 UltraMag Type 52 Alloy Bass Guitar Strings - .045-.105 Standard 4-String
Ampeg SVT-CL 300
Ampeg SVT-810AV 8x10"
Ampeg SVT-4PRO 1200-watt Tube Preamp Bass Head
EBS Billy Sheehan Ultimate Signature Drive Pedal
Tech 21 SansAmp Bass Driver DI V2 Pedal
Electro-Harmonix Micro POG Polyphonic Octave Generator Pedal
Boss GE-7 7-band EQ Pedal
Boss TU-3 Chromatic Tuner Pedal with Bypass
- Hooked: Nili Brosh on Extreme's "Decadence Dance" āŗ
- Nuno Bettencourt Is Out for Blood āŗ
- Top 5 Heavy Rig Rundowns āŗ
- Tribute to Eddie Van Halen: Nuno Bettencourt's "Bumblebee"4N āŗ
PG contributor Tom Butwin reveals his favorite songwriting secret weapon: the partial capo. Watch how the Shubb C7 and C8 can simulate alternate tunings without retuning your guitarāand spark fresh creative ideas instantly.
Shubb C8b Partial Capo for Drop-D Tuning - Brass
The C8 covers five of the six strings, leaving either the low E or high E string open, depending on how it's positioned.
- Standard setup: Placed on the 2nd fret while leaving the low E string open, it simulates Drop D-style soundsāexcept you're still in standard tuning (key of E). You get that big, droning bass feel without retuning.
- Reverse setup: Flipping the capo allows the high E string to ring, giving you shimmering drones and new melodic options across familiar chord shapes.
- A flexible tool that lets you simulate alternate tunings and create rich sonic texturesāall while keeping your guitar in standard tuning.
Shubb C7b Partial Capo for DADGAD Tuning - Brass
The C7 covers three of the six stringsāeither D, G, and B or A, D, and Gādepending on how it's flipped.
- Typical setup (D, G, B): Creates an open A chord shape at the 2nd fret without needing your fingers. This frees you up for new voicings and droning notes in the key of A.
- Reversed setup (A, D, G): Gets you close to a DADGAD-style tuning vibe, but still keeps you in standard tuningāgreat for modal, spacious textures often found in folk or cinematic guitar parts.
Use it alone or stack it with the C8 for wild, layered effects and truly out-of-the-box inspiration.
The Future Impact V4 is an incredibly versatile pedal with an exceptional range of sounds. In addition to producing synthesizer sounds such as basses, leads and pads, it can function as an octaver, chorus, flanger, phaser, distortion, envelope filter, traditional wah-wah, tremolo, reverb, etc., and even has a built-in tuner. It can potentially replace an entire pedalboard of dedicated single-effect pedals.
The very powerful signal processor of the Future Impact V4 is able to replicate the various oscillator, filter, amplifier and envelope generator blocks found in classic synthesizers. In addition, it contains signal processing blocks more traditionally used for processing the sound of an instrument such as a harmonizer block and audio effects such as chorus, distortion and EQ. These architectures complement each other in a very flexible way.
Setting the standard for the bass guitar synth pedals since 2015, together with an enthusiastic community and long line of great artists, the Future Impact V4 is the guitar synth platform for the next decade.
Belltone Guitars has partnered Brickhouse Toneworks to create a one-of-a-kind, truly noiseless Strat/Tele-tone pickup in a standard FilterāTron size format: the Single-Bell pickup.
The Single-Bell by Brickhouse Toneworks delivers bonafide single-coil Strat and Tele tones with the power of a P-90 and no 60-cycle hum. Unlike typical stacked hum-cancelling designs, Brickhouse Toneworks uses a proprietary āsidewindā approach that cancels the 60-cycle hum without sacrificing any of the dynamics or top-end sparkle of a Fender-style single coil.
Get the best of both worlds with clear bell-like tones on the neck pickup, signature quack when combining the neck and bridge pickups, and pristine twang in the bridge position backed with the fullness and power of a P-90. Push these into overdrive and experience the hallmark blues tone with plenty of grit and harmonic sustain ā all with completely noiseless performance.
Key Features of the Single-Bell:
- Cast Alnico 5 Magnet, designed to be used with 500k pots
- Voiced to capture that signature Fender-style single coil tone without the 60-cycle hum
- Lightly potted to minimize squeal
- Made in the USA with premium quality materials
The retail price for a Bridge and Neck matching set is $340.00 and theyāre available directly and exclusively through BelltoneĀ® Guitars / Brickhouse Toneworks at belltoneguitars.com.
Designed for players who demand flexibility without sacrificing tone, the Aquanaut fuses the rich warmth of classic analog delay with the extended range and clarity of modern digital designs. Featuring up to 600 milliseconds of delay time, the Aquanaut easily covers everything from tight slapback echoes to lush, ambient textures and rhythmic soundscapes ā all with a simple, intuitive control layout.
Unlike many digital delays that can sound sterile and detached, the Aquanaut retains an organic, analog-inspired voice. Repeats are smooth and musical, gently fading into the mix to create depth and dimension without overwhelming your dry signal. Whether youāre chasing vintage tape echo, adding subtle space to your solos, or building massive atmospheric layers, the Aquanaut keeps your tone clear, present, and inspiring.
Berserker Electronics Aquanaut Delay/Echo
Key features include:
- Up to 600ms of delay time for expanded creative possibilities
- Analog-voiced digital architecture for warm, natural-sounding repeats
- Ambient-style echo that enhances, not distracts from, your core tone
- Simple, intuitive controls for delay time, feedback, and blend
The Aquanaut is available direct at www.berserkerpedals.com and Reverb at a $149 street price.