
Photo 1
Got a finicky selector on your dual-pickup guitar? No worries—it’s an easy fix.
Given the popularity of Les Pauls, SGs, Explorers, Flying Vs—and the thousands of other two-pickup axes inspired by these iconic models—it's no surprise I've replaced many failing 3-way switches over the years. Switches get used a lot and eventually they can wear out. When this happens, you'll hear loud popping sounds or scratchy noises, and the signal may even cut out when you're switching pickups.
Fortunately, 3-way toggle switches are easy to replace, and you can do it yourself with just a few tools and a bit of patience. It only takes a few minutes to cover the process, so let's get started.
The project.
To illustrate the steps, I'll use a 1983 Ibanez Les Paul copy that has a standard 3-way pickup selector: neck only, neck-plus-bridge, bridge only (Photo 1). Charmingly, Ibanez kept the arcane "Rhythm" and "Treble" designations for the neck and bridge pickups.
This is a cool guitar and it plays great, but the toggle switch is shot. Like many imported guitars, it has a cheap switch. I'm going to upgrade the guitar with a Switchcraft model, one of several options preferred by discerning players and professionals who are willing to pay a bit extra for reliability. Let's take a closer look.
Types of toggle switches.
On most guitars, you'll find one of two different types of 3-way toggle switches: the box style and the open style. In a box toggle switch, the internal parts are enclosed—typically in plastic—and they can fail if the prongs get overheated, especially when the switch has been re-soldered too many times. As a result, box switches tend to have a short life.
The internal parts are exposed on an open toggle switch, but open switches are usually made from better materials. Switchcraft double-pole 3-way switches boast solid construction and last a long time, which explains why they're used on so many high-quality instruments.
Open toggle switches come in three styles: short straight, tall straight, and right-angle. The short and tall straight switches have their switching apparatus below the toggle, while the switching mechanism on the right-angle switch is perpendicular to the toggle. All three are wired identically, they simply differ in depth and width. For example, guitars with shallow electronics cavities, such as the SG and many thin ES-style hollowbodies, use the right-angle switch. Gibson Les Pauls take the tall switch.
Here's an easy way to tell which type of replacement switch you need: Check out the minimum cavity size for all three Switchcraft styles at stewmac.com, and then compare these dimensions to your guitar's switch cavity.
Removing the old switch.
Using a Phillips screwdriver, remove the cover plate on the back of the guitar to access the switch cavity. If you already have an open switch and you're simply replacing it with a new one, draw a diagram of the old switch or label each wire to help you remember the connections.
Image 1
If you're replacing a budget box switch with an open toggle switch, you can use the simple diagrams I've provided as a guide. Image 1 (above) shows a common 3-way toggle as seen from the front and Image 2 (below) shows the back view.
Unsolder each wire and then remove the switch by turning the mounting nut counter-clockwise. Some toggle switches have a hex nut and require a deep well socket wrench, others have a knurled collar nut that can be loosened or tightened using an adjustable toggle switch wrench.
Tip: Don't use a pair of pliers to remove the nut collar! Pliers will mar the knurled nut and if you slip, you'll also damage the top of your guitar.
Installing the new switch.
Photo 2
On the open switch I'm installing in this Ibanez, there are four prongs at one end and one prong on the opposite side (Photo 2). The four grouped prongs are the switch's inputs and output, and the single prong on the opposite side is the ground. In the group of four prongs, the two outer prongs are the inputs for the pickups and the two in the center are the outputs.
Before soldering, I use hemostats to gently bend the outer prongs (these connect to the pickups) away from the two output prongs between them. Then I crimp the two inner prongs together, because they'll share one wire from the switch's output to the output jack.
Note: Open 3-way toggles may differ physically. On a right-angle switch, for example, the ground prong and the input and output prongs are stacked vertically, and on some straight switches the ground prong is located between the two inputs, while the outputs are on the opposite side. But regardless of the layout, the principle is the same, and once you understand it you'll be able to confidently wire up your guitar. Study the wiring diagram that came with your new switch to confirm how it's configured, or use a multimeter to test and identify the input and output prongs.
Slide the new switch into the switch cavity, thread on the collar or nut, and then tighten it. Be careful when tightening the collar—it only needs to be "finger tight." If you torque it too much, you'll strip the threads. Also be sure to orient the switch so the toggle throw matches the original.
Switches get used a lot and eventually they can wear out. When this happens, you'll hear loud popping sounds or scratchy noises, and the signal may even cut out when you're switching pickups.
Switches get used a lot and eventually they can wear out. When this happens, you'll hear loud popping sounds or scratchy noises, and the signal may even cut out when you're switching pickups.
Solder up.
There are typically four wires to solder: the neck pickup, the bridge pickup, the output (this connects to the output lug on the jack), and the ground. Select a wire and clamp it to its respective prong with the hemostats, then briefly touch the tip of your soldering iron to preheat the prong and wire, and finally touch the solder to the connection just long enough to let a small amount of solder flow over the wire and prong. For detailed soldering tips, see "Tips for Replacing a Strat-style 5-way Switch."
Tip: When soldering, be careful not to heat up the prongs too much. Excessive heat can damage the switch.
Once you've soldered the four wires to their prongs, it's time to check your work. Gently tap the pickups with your hemostats for each position of the switch. You should get neck and bridge alone when the toggle is pointed up or down, respectively, as viewed from the playing position, and both when the toggle is in the center position.
If the neck and bridge toggle positions are working in reverse (i.e., the bridge pickup engages when the switch is up), then reverse the leads on the outer prongs. If the pickups are working correctly, reinstall the cover plate and you're done!
[Updated 11/10/21]
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With authentic stage-class Katana amp sounds, wireless music streaming, and advanced spatial technology, the KATANA:GO is designed to offer a premium sound experience without the need for amps or pedals.
BOSS announces the return of KATANA:GO, an ultra-compact headphone amplifier for daily jams with a guitar or bass. KATANA:GO puts authentic sounds from the stage-class BOSS Katana amp series at the instrument’s output jack, paired with wireless music streaming, sound editing, and learning tools on the user’s smartphone. Advanced spatial technology provides a rich 3D audio experience, while BOSS Tone Exchange offers an infinite sound library to explore any musical style.
Offering all the features of the previous generation in a refreshed external design, KATANA:GO delivers premium sound for everyday playing without the hassle of amps, pedals, and computer interfaces. Users can simply plug it into their instrument, connect earbuds or headphones, call up a memory, and go. Onboard controls provide access to volume, memory selection, and other essential functions, while the built-in screen displays the tuner and current memory. The rechargeable battery offers up to five hours of continuous playing time, and the integrated 1/4-inch plug folds down to create a pocket-size package that’s ready to travel anywhere.
KATANA:GO drives sessions with genuine sounds from the best-selling Katana stage amp series. Guitar mode features 10 unique amp characters, including clean, crunch, the high-gain BOSS Brown type, two acoustic/electric guitar characters, and more. There’s also a dedicated bass mode with Vintage, Modern, and Flat types directly ported from the Katana Bass amplifiers. Each mode includes a massive library of BOSS effects to explore, with deep sound customization available in the companion BOSS Tone Studio app for iOS and Android.
The innovative Stage Feel feature in KATANA:GO provides an immersive audio experience with advanced BOSS spatial technology. Presets allow the user to position the amp sound and backing music in different places in the sound field, giving the impression of playing with a backline on stage or jamming in a room with friends.
The guitar and bass modes in KATANA:GO each feature 30 memories loaded with ready-to-play sounds. BOSS Tone Studio allows the player to tweak preset memories, create sounds from scratch, or import Tone Setting memories created with stage-class Katana guitar and bass amplifiers. The app also provides integrated access to BOSS Tone Exchange, where users can download professionally curated Livesets and share sounds with the global BOSS community.
Pairing KATANA:GO with a smartphone offers a complete mobile solution to supercharge daily practice. Players can jam along with songs from their music library and tap into BOSS Tone Studio’s Session feature to hone skills with YouTube learning content. It’s possible to build song lists, loop sections for focused study, and set timestamps to have KATANA:GO switch memories automatically while playing with YouTube backing tracks.
The versatile KATANA:GO functions as a USB audio interface for music production and online content creation on a computer or mobile device. External control of wah, volume, memory selection, and more are also supported via the optional EV-1-WL Wireless MIDI Expression Pedal and FS-1-WL Wireless Footswitch.
For more information, please visit boss.info.
Featuring torrefied solid Sitka Spruce tops, mahogany neck, back, and sides, and Fishman Presys VT EQ System, these guitars are designed to deliver quality tone and playability at an affordable price point.
Cort Guitars, acclaimed for creating instruments that exceed in value and quality, introduces the Essence Series. This stunning set of acoustic guitars is designed for musicians looking for the quintessential classic acoustic guitar with fabulous tone all at an exceptional price point. The Essence Series features two distinct body shapes: The Grand Auditorium and the OM Cutaway. Whatever the flavor, the Essence Series has the style to suit.
The Essence-GA-4 is the perfect Grand Auditorium acoustic. Wider than a dreadnought, the Essence-GA-4 features a deep body with a narrower waist and a width of 1 ¾” (45mm) at the nut. The result is an instrument that is ideal for any number of playing styles: Picking… strumming… the Essence GA-4 is completely up for the task.
The Essence-OM-4 features a shallower body creating a closer connection to the player allowing for ease of use on stage. With its 1 11/16’th (43mm) nut width, this Orchestra Model is great for fingerpickers or singer/guitarists looking for better body contact for an overall better playing experience.
Both acoustics are topped with a torrefied solid Sitka Spruce top using Cort’s ATV process. The ATV process or “Aged to Vintage”, “ages” the Spruce top to give it the big and open tone of older, highly-sought-after acoustics. To further enhance those vintage tones, the tops bracing is also made of torrefied spruce. The mahogany neck, back, and sides create a warm, robust midrange and bright highs. A rosewood fingerboard and bridge add for a more balanced sound and sustain. The result is amazing tone at first strum. 18:1 Vintage Open Gear Tuners on the mahogany headstock offer precise tuning with vintage styling. The herringbone rosette & purfling accentuates the aesthetics of these instruments adding to their appeal. Both acoustics come in two choices of finish. Natural Semi-Gloss allows the Sitka spruce’s natural beauty to shine through and classic Black Top Semi-Gloss.
A Fishman® Presys VT EQ System is installed inside the body versus other systems that cut into the body to be installed. This means the instrument keeps its natural resonance and acoustic flair. The Presys VT EQ System keeps it simple with only Volume and Tone controls resulting in a true, crisp acoustic sound. Lastly, Elixir® Nanoweb Phosphor Bronze Light .012-.053 Acoustic Strings round out these acoustics. This Number 1 acoustic guitar string delivers consistent performance and extended tone life with phosphor bronze sparkle and warmth. The Essence Series takes all these elements, combines them, and exceeds in playability, looks, and affordability.
Street Price: $449.00
For more information, please visit cortguitars.com.
Cort Essence-GA4 Demo - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.Moth Electric's C. regalis overdrive pedal offers massive boost, natural overdrive, and searing distortion for guitar and bass. With active treble and bass controls, clean blend, Smooth/Crunch modes, and true-bypass switching, this USA-made pedal is a versatile addition to any pedalboard.
Adding a new model to their line of overdrives, Moth Electric has released the C. regalis. Equally suited for guitar and bass, the meticulously designed C.regalis is capable of massive boost, natural, singing overdrive, and searing mid-gain distortion. Its six op-amps power a dynamic, crunchy overdrive circuit with a suite of features including:
- Active treble and bass controls that allow for +/- 15db boost and cut. Perfect for tailoring the C. regalis to your instrument and amp.
- A powerful clean blend for introducing either your amp’s natural character or another effect into the equation. Allows the C. regalis to become a more transparent overdrive.
- Smooth/Crunch modes, provide a subtle change in feel with ‘Smooth’ increasing sustain and ‘Crunch’ introducing high-order harmonics for additional texture.
The C. regalis offers the following features:
- Bass, Treble, Blend, Volume, Drive controls
- Smooth/Crunch modes● More volume than you’ll ever need
- True-bypass switching, top-mounted jacks for easy placement on crowded pedalboards
- 9-volt DC operation with external power supply – no battery compartment
- Designed and hand-built in the USA using through-hole components
The C. regalis carries a $179.99 price and is available for purchase at mothelectric.com.
For more information, please visit mothelectric.com.
OK WOW. Moth Electric C.REGALIS - Pedals and Tea EP 57 - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.The long-running noise rockers detail what they packed for their January 2025 run across the U.K.
When the Jesus Lizard released their seventh studio record, Rack, last September, it ended a 26-year hiatus between recordings, and lovers of raucous, steely rock music around the world rejoiced. As guitarist Duane Denison told PG’s Nick Millevoi in our feature story, the key to the album’s vitality—and reviving the band’s brutal sound—was simple: “Practice loud.”
Ahead of a hotly anticipated U.K. tour celebrating the record, the band gathered at SIR’s rehearsal space in Nashville to do exactly that. PG’s Chris Kies stopped by to see what Denison and bassist David Wm. Sims were stuffing into their suitcases for the trip across the pond.
Brought to you by D’Addario.Higher Powers
The last time Denison invited us to his Nashville home for a Rig Rundown, he was using Electrical Guitar Company models. This time around, he’s smitten with this Powers Electric Type A. Most of the guitar’s features are proprietary, including the bridge, pickups, and the vibrato system. The trussed hollowbody is made from urban ash with a solid maple top, and comes with a compound radius Honduran rosewood fretboard.
Denison digs the definition and articulation in the attack of the discrete FF42 single-coil pickups, which bridge the gap between a humbucker’s hot output and a traditional single-coil’s brightness. He goes through four different tunings in the current Lizard set: E standard, drop D (for “Hide & Seek”), drop G (on “Thumbscrews”), and a strange tuning with flat E and D strings for “Thumper.” Coated Stringjoy Orbiters (.105–0.50) handle the changes, as well as the Stringjoy Jumbo Jazz picks Denison uses.
Sweet Victory
Denison has switched from Blackstar amps to this 2-channel Victory VS100 Super Sheriff. He’s always preferred British amps: “American guitars and English amps make the world go round,” he says. Denison also uses a Marshall JCM900, which he appreciates for its simplicity compared to the JVM series, and its versatility compared to the JCM800.
Helix Help
Denison sets up this Line 6 Helix as a pedalboard, with tweaked versions of his favorite analog delay pedals programmed in. Among his go-to effects are reverb, slapback delay, tremolo, chorus, wah, longer delay, and what he calls a “wildcare effect,” which comes into play for “What If?”
The Best $250 Ever Spent
Sims bought this Memphis brand Jazz-style bass in 1981 for $250, and it’s still his No. 1. He strings it with Rotosound RS66LDs, which he needs to change every three or four shows; once he senses the attack softening, he slaps new ones on.
Boomtown Brightness
Sims blasts his bass through this Gallien-Krueger 800RB, set for a classic midrange scoop with plenty of bite and bottom end. He prefers Ampeg 8x10 cabinets, or 2x15 speaker cabs.
Triple Combo
No fancy floor unit for Sims. He’s got a Boss ODB-3, an MXR Bass Chorus Deluxe, and an MXR Phase 90, all of which are used sparingly throughout the set.