Holiday Gear Finds 2022
Looking for more great gear for the guitar player in your life (yourself included!)? Check out this year's Holiday Gear Finds!
The new Gibson Les Paul™ Standard 50s Faded returns to the classic design that made it relevant, played, and loved -- shaping sound across generations and genres of music. It pays tribute to Gibson's Golden Era of innovation and brings authenticity back to life. The Les Paul Standard 50s features a satin nitrocellulose lacquer finish that gives it the look and feel of a long-treasured musical companion. It has a solid mahogany body with an AA figured maple top and a rounded 50s-style mahogany neck with a rosewood fingerboard and trapezoid inlays. It's equipped with an ABR-1 Tune-O-Matic bridge, an aluminum Stop Bar tailpiece, Vintage Deluxe tuners with Keystone buttons, and gold Top Hat knobs with dial pointers. The open-coil Burstbucker™ 1 (neck) and Burstbucker 2 (bridge) pickups are hand-wired to audio taper potentiometers and Orange Drop® capacitors.
The PRS SE Standard 24-08 is a mahogany-body workhorse guitar with powerful humbucking and true single-coil tones in one instrument. Its PRS TCI “S” pickups are paired with a 3-way toggle switch and two mini-toggle coil split switches that individually split the humbuckers into true single coils for a total of eight pickup configurations. Players can enjoy two full octaves thanks to the 24-fret, 25” scale length rosewood fretboard and wide thin maple neck, and the PRS patented, molded tremolo gives players added flexibility and control over their playing. With sonic range and rock-solid reliability, the PRS SE Standard 24-08 will keep you playing without compromise.
Say goodbye to the days of multiple pedalboard setups and hassles of constantly rearranging and rewiring your board! The new Gruv Gear LYNK modular pedalboard lets you build your dream board with its ingenious “lynkable" panels, so you bring only the effect pedals you need for the gig.
Each lightweight aluminum panel is a generous 12" wide x 17" deep, and the connectors have threaded feet to let you adjust your LYNK to the perfect angle. Start your build right with the LYNK Duo 2-panel setup, with enough space to house all your must-have pedals. Scale up or down as you wish, and use Gruv Gear's LYNK low-profile pedal fasteners (available separately) for ease of assembly.
The FlyBy Ultra comes packed with sleek upgrades while keeping the break-away laptop bag design of the original FlyBy. New features include an ultra-tough 1680D Ballistic Nylon exterior, reflective trim for visibility, waterproof zipper tape and new, larger compartments. The FlyBy Ultra also brings ergonomics to the next level with a luggage pass-through, and upgraded straps.
This is the tour pack that DJs and digital creators around the world carry and swear by. Get ready for the ultimate creator experience.
JBL 3 Series MKII powered studio monitors make JBL performance available to every studio. The JBL Image Control Waveguide and refined transducers offer stunning detail, precise imaging, a wide sweet-spot and dynamic range that enhances the capabilities of any workspace. Featuring patented technologies derived from the JBL 7 Series and M2 Master Reference Monitors and, sporting a sleek, modern design, JBL 3 Series delivers outstanding performance and an enjoyable mix experience at an accessible price. Special sale pricing begins Thanksgiving day with the 305PMKII at $109 EA, 306PMKII at $149 EA, 308PMKII at $199 EA, and the LSR310S subwoofer at $299.
Oh no! Stripped a tiny screw on your favorite guitar? Or even worse, scratched your guitar when the wrong screwdriver slipped? Never have that awful feeling again. StewMac has put together the ULTIMATE screwdriver set for every guitar owner. They tracked down all of those tiny specialty and hard to find bits—and we added a few of their favorite problem solvers. The StewMac Guitar Tech Screwdriver Set replaces a whole drawer full of bulky tools with exactly what you need. The set includes 36 essential bits for guitars, basses, and more, plus an easy-grip handle and extender. The included compact hard case is spill-proof and easily fits in your toolbox or guitar case (it’s a must-have for gigs). You won't find this at any hardware store—it’s only at StewMac.
Xvive’s U2, U3 and U4 wireless systems make going wireless easy, reliable and affordable, all with high-fidelity 24-bit/48kHz sound! They all recharge with any 5V USB power source, broadcast over a range of up to 90 feet, and have an imperceptible 5 ms of latency.
U2 Guitar Wireless System is the go-to plug-and-play solution for guitarists and bassists, giving you five hours of trouble-free wireless freedom on a single charge.
The U3 Microphone Wireless System turns any dynamic microphone into a wireless mic, in seconds. It can also be used to replace an XLR cable in other applications—for example between a mixer and a powered speaker cabinet!
The U4 In-Ear Monitor Wireless System gives you a beltpack receiver for your in-ears or earphones and a transmitter to connect to the mixer; up to six musicians can use the system at a time, even with separate monitor mixes.
For more info on these and other Xvive products, visit www.xvive.com and Play Free!
Engineered for great tone and long life, our proprietary, featherweight coating keeps strings sounding and feeling new for longer. Tone-killing elements like corrosion, dirt, oil, and sweat are no match for Elixir® Strings.
Our Phosphor Bronze with NANOWEB® Coating is rich and full-bodied with sparkling high-end clarity and a smooth feel.
See a line up of all of our acoustic guitar strings here - https://www.elixirstrings.com/guitar-strings#acoustic
Revolutionary Design and Features:
Optimize your pedalboard layout with durable, snug fitting, strong and lightweight risers. Tailor your pedalboard to fit your stompbox collection and your style of playing!
Space Saving, Easy Wire Routing:
Our riser footprint is virtually the same as the pedal for which it was designed. Whether it's Boss, Wampler, Strymon, MXR, Ibanez, Electro Harmonix, Walrus, Earthquaker Devices, TC Electronic, JHS or any of the popular pedals, our risers take up no more space than the pedal itself. An added benefit of the Elephant Foot design is the ease with which you can route signal and power cables. There's plenty of space under each riser and multiple attachment points for tie-wraps.
Unique Features of Elephant Foot Risers
• Strong yet lightweight
• Cables route easily underneath
• Anchor point for tie wraps
• Hidden screw holes for a super-strong connection to either wood or metal pedalboards
• Works with hook & loop, cloth cable ties or tie wraps
• Unique Pedal "Frames" for your first row of pedals
• Risers can be customized
• 3D printed from eco-friendly PLA
Available in seven standard colors and custom colors available on request.
Benefits of Elephant Foot Risers
• No more accidental pedal stomps
• No annoying pedal wobble when stomping
• No more sloppy pedalboards
• Optimized Pedalboard layouts
• Easy, neat cable routing
• Custom riser sizes available in multiple colors
• Preserve resale value of pedals
D'Addario XPND Pedalboard
XPND is the pedalboard that adapts to you. With XPND's patented telescoping technology, you can easily adjust the length of the board to add, subtract, and rearrange pedals how you want, when you want.
The original Cloudlifter® Mic Activator® adds tons of ultra-clean gain to dynamic and ribbon microphones and are the perfect stocking-friendly gift for any musician (or yourself)! Made in the USA. Get Lifted. Get Gifted!
The Horus-WB-FX is the latest model to be developed within the popular Caparison Horus range.
This newly designed fixed bridge version features a carefully considered body construction featuring a Walnut top and an Australian Blackwood back. This unique fusion produces a full rounded tone with a sweet emphasis on the upper mids ensuring clarity, focus and a distinct separation of notes, even with the most extreme gain-saturated down tunings.
When combined with an upgraded Caparison designed, sustain rich, high mass bridge (which effortlessly copes with a myriad of acute tunings and string gauges) Jescar jumbo stainless steel Frets and a specifically designed set of Caparison pickups, the Horus-WB-FX is more than capable of producing arena filling rock tones or creating more subdued, distinctively rich and bell like cleans.
The Horus-WB-FX plays like an absolute dream and features all of the beautiful aesthetic qualities that you have come to expect from Caparison Guitars. The striking body design is complimented by three stunning new finishes and also comes with a choice of either an Ebony or Maple fret board..
The Woman Tone is Aclam’s tribute to Eric Clapton’s amazing sound during his Cream era. The sound that turned him into a god. An accurate approach to the unique tone he attained with a simple yet effective combination of a P.A.F equipped Gibson and 100W Marshall stacks all the way up.
- Eric Clapton's Cream Sound in a box:
Aclam has distilled and bottled in a stompbox the key elements that shaped Eric’s rig. Reproduce his unique rhythmic and solo tones, fine-tuned using both live and studio recordings of Cream.
- Artwork by The Fool's Guitar artist: Marijke koger:
Responsible for the psychedelic decoration of Clapton’s Gibson SG nicknamed “The Fool”, Marijke has created a unique artistic interpretation of the Woman Tone that looks stunning!
- Custom humbucker pickup simulation circuit & tone control:
A pickup simulation circuit emulating the tonal characteristics of a P.A.F style pickup has been incorporated to reproduce the “Woman Tone”. With its buffered input, the guitar signal won’t be affected. Use compressors, fuzzes or whatever effect you want in front of the Woman Tone, and it will retain its tonal characteristics.
- Touch sensitive plexi-inspired overdrive using discrete components:
Inspired by Clapton’s 100W full stacks it results in a powerful overdrive with a great British character! Designed having blues-rock in mind, it will perfectly suit any guitar player seeking a vintage tone!
A hot new gear company from Canada, Templo Devices jumped on the scene with their flagship lithium-battery powered amp aimed at electric guitarists.
Focused on creating problem-solving products with tonal excellence, they've since released several small-batch pedals with wide appeal. Including SPLYCE, a versatile mini-mixer for using a microphone with a guitar rig, the atmospheric TRIPLO modulation pedal and the REEL DEAL tape preamp, as well as their exciting upcoming release, the Pocket Studio Compressor. There is always something exciting coming from this northern innovator.
With plenty of great deals for the holiday season, they have a little something for everyone.
Meet the Taylor GS Mini, one of the world's most popular acoustic guitars: a smaller body and a compact feel with a big, bold tone that punches far above its size. Based on a scaled-down version of our Grand Symphony body shape, GS Mini guitars boast solid tops and a variety of tonewood options serving up different flavors of vibrant acoustic tone. The GS Mini family is also home to the GS Mini Bass, a super-compact four-string acoustic bass with a slinky feel and a punchy response. Whether you're looking for a campfire guitar, a songwriting tool or just a great-sounding acoustic that's up for anything, the GS Mini has you covered.
DR-05X Stereo Handheld Recorder
The TASCAM DR-05X stereo handheld recorder is a great-sounding portable recording solution with helpful workflow options. Use the TASCAM DR-05X's built-in omnidirectional condenser microphones to capture vibrant stereo recordings anywhere, anytime. Use Auto Recording mode to automatically engage recording when audio signals reach a certain level. Use the Overwrite function to make easy punch-in audio replacements. Or use the TASCAM DR-05X as a 2-input/2-output USB audio interface with your Mac or PC. Whatever your portable 2-channel recording needs are, the TASCAM DR-05X has you covered. It's a fantastic and easy way to record your ideas, rehearsals, or gigs. Simply remove the SD card and pop it into your computer and send your song ideas to bandmates or collaborators. It's small enough to take with you everywhere and fits easily in a guitar case or small bag.
The cardioid MD 421 has been one of Sennheiser’s most popular dynamic microphones for decades. The large-diaphragm, dynamic capsule handles high sound pressure levels, making it a natural for recording guitars and drums. The MD 421's full-bodied cardioid pattern and five-position bass control make it an excellent choice for most instruments, as well as group vocals or radio broadcast announcers. One listen and you'll know why it’s a classic.
Every once in a while, a product comes out that makes you go “Wait… WHAT?!?!”. Well, those words are music to our ears! This game-changing pedalboard allows you to power all your pedals, including pedals that need isolation and different voltages, with a single power source. Yep, either our rechargeable battery or AC adapter fires up all your pedals without additional power bricks. No more Velcro carpet to rip pedals off! You can literally change pedals on the fly. But the flexibility of EARTHBOARD doesn’t end there – Our Lifeline Tether carries power off the board to connect a WAH, or daisy-chain multiple EARTHBOARDs together. EARTHBOARD comes in 2 sizes: double row (holds 12 standard size pedals) and single row (holds 6 standard size pedals). They are available as Complete Pedalboard Systems (includes all necessary components to play) or as a Build-a-Board and "ala cart" accessories!
See video: https://www.youtube.com/watch?v=S3iwDgLnN6w&t=8s
The Nobels ODR-1(bc) has bass cut, 9-18 volt input, and glow-in-the-dark knobs. The ODR-1 is rated the best overdrive by Nashville studio guitarists and creates a natural, tube-amp style overdrive that is versatile, amp-like, and affordable. The ODR-1 has been on the market for over 30 years and remains the number one choice. Creates crunchy rock and blues sounds or extra boost for soloing without smothering the natural character of your guitar's tone. The Spectrum controls optimizes tones from single coil chime to powerful humbucker rock. When adjusting the Spectrum control up or down the circuit ensures you have plenty of clarity and full dynamic range.
Bass cut switch
Solid metal chassis
Nobel's remote control jack switching system
German Engineering. Made in China.
Click here for Audio Clips
Modeled after Orangewood’s full-size Oliver guitar, the Oliver Jr. is a scaled-down version of Orangewood’s best-selling grand concert model. But don’t let the small body fool you. Sporting a beautiful, woodsy solid mahogany top, this junior guitar sings a bold and bright tone that’s easy to love. Whether you’re looking for your new travel companion or simply want a compact guitar to live near your couch, you can’t go wrong with this perfect-sized guitar.
Prefer a full-size model? This holiday season, every Orangewood guitar includes a professional set up and free shipping right to your door with a premium gig bag included. Plus, get extended holiday returns until January 31st. That’s over 60 days of commitment-free playing, so you can gift a guitar that they’re sure to love.
Jump straight in and explore 100 presets, the CODE50 has all you need to start performing and recording with. 50W of power that’s portable enough for you to practice at home or in the garage. Sync with your phone or online so it’s always with you for those creative moments. This fully digital amp is loaded with 14 MST preamps, 4 MST power amps and 8 MST speaker cabinets for you to create sounds that suit you. Using the Gateway App you can connect via Bluetooth to control CODE and stream music from your iOS or Android device. MyMarshall has a global library of user presets that you can upload to and download.
Catalyst® 100 is a 100-watt, dual-channel 1x12 combo amplifier that performs like a traditional guitar amp—while providing the increased versatility of a modern amp. Catalyst 100 offers six Original Amp Designs—ranging from pristine clean to modern high-gain—crafted using our renowned HX® sound design techniques to ensure exceptional tone and feel. Ideal for stage or studio.
• 100-watt, dual-channel 1x12 combo amp (with optional LFS2 footswitch)
• Catalyst 100 operates like a traditional amp—but provides increased versatility
• 6 Original Amp Designs—pristine clean to modern high-gain
• Dedicated Boost and Reverb sections (6 reverb types), 18 Effects (3 types)
• Power attenuator (half power, 0.5 watts, Mute) for reduced volume
• XLR line output for pro connection to P.A. or recording devices
• Effects loop and Power Amp input for integrating external devices
• MIDI In via DIN connector
Every Tool You Need in One Acoustic Pedal
We created the Venue DI so you can travel light, set up fast, and sound incredible anywhere you plug in. The Venue DI gives you complete control by combining a full-isolation DI output, 5-band EQ with adjustable low & hi-mid bands, variable clean boost, and chromatic tuner all in one acoustic pedal. With its all-discrete signal path, hi-graded semiconductors, and exclusive use of audiophile grade film capacitors, the Venue DI is on par with the world’s elite preamps and provides a studio quality sound for the stage.
The LP-6 V2 is Kali's best-selling studio monitor, and it's made its mark in studios across the globe ranging from humble home setups to state-of-the-art recording facilities.
Kali's innovative 3-D imaging waveguides create a crystal-clear stereo image, and also help the speakers to perform their best in challenging acoustic spaces. Kali-programmed boundary EQs take this a step further, tailoring the sound of the speaker for its placement on stands, on a desk, or close to walls.
With accuracy and translation at the forefront, the LP-6 delivers transparent, full sound that gives you a complete picture of your mix. Whatever you mix on the LP-6, you can be sure that it will translate nicely to other speakers, earbuds and headphones, car systems, or whatever else your listeners are using for playback.
The H90 Harmonizer® is Eventide's next-generation multi-effects pedal. Whether you want high-quality bread and butter effects or experimental sounds unheard, the H90 has everything you need to inspire your creativity with an intuitive UI designed with players in mind. Discover why top artists and producers have chosen Eventide through the years with 62 effect algorithms and hundreds of Program combinations curated for a variety of instruments and genres. With its comprehensive I/O and flexible routing options, the H90 is designed to be the heart of your rig.
Wilkinson's R series range of pickups are the result of Trev Wilkinson's years of creating and listening to thousands of pickups. Time spent with legendary and iconic individuals such as Seth Lover and Leo Fender, with whom Trev questioned about all aspects of sound, construction materials and production methods. All this combined knowledge has been the template for the R Series range of pickups, a pickup range Trev is proud to place his signature on, and say " These are the finest pickups Wilkinson has produced in the history of the company".
Featuring Single Coil's for both S and T style guitars, P90 and Humbucker models, the R Series has era specific models to capture the tone and vibe of the time and the players that influenced generations of players and Hybrid designs to influence future players.
For a limited time only, get two FREE expansion packs with the purchase of a five-piece guitar rack. Showcase your collection while safely and securely storing seven to ten guitars. The Hercules GS525BP-HA205 is covered with Specially Formulated Foam rubber at all contact points and features a one-piece design that sets up and tears down easily. The guitar yoke is designed for acoustic, electric, and bass guitars with four pick slots on each yoke. This special pack comes with a total of seven guitar yokes leaving room to expand to ten. Available while supplies last.
Ultimate DSP 2 channel noise reduction pedal. Patented technology that will remove the 50Hz or 60Hz and all associated hum harmonic components with total transparency. Combined with the patented Decimator G technology and dynamic sliding low pass filter, the Hum Extractor is the pinnacle of noise reduction technology. The Hum Extractor technology is dynamic in operation which compares the level of the audio signal to the hum harmonic components. Dynamically removes hum components when they become dominant. Made in the USA.
Click here for video
With the multi-touch display integrated with HILAVA OS, the LAVA ME 3 provides easy access to play and customize tons of built-in effects and loops.
Comprising eleven of Brian Wampler’s favorite delays, the Wampler Metaverse is a full-featured, small-footprint multi delay stomp box that is fully programmable, preset capable, has stereo inputs and outputs, allows full MIDI control, and has an expression input that you can assign to ANY of the parameters. The Metaverse also comes with a software version of the pedal via a set of 11 AU and VST3 plugins compatible with most popular DAWs - FREE to all customers that register their Metaverse online.
• Studio quality conversion 48 kHz Sampling rate with 24-bit audio
• Full 20Hz to 20kHz frequency response
• 11 Studio-quality vintage and modern delay effects
• Simple user interface
• All parameters controllable via an outboard expression pedal
• 8 onboard preset locations to save your favorite patches, 128 total via MIDI
• Full MIDI control with CC and PC commands
• Stereo or Mono I/O
Gator's Transit Series acoustic gig bags provide rugged case-like protection without sacrificing the lightweight portability of a bag. The red soft-lined interior and thick foam padding safeguard your guitar from drops and bumps, just like a regular case. A weather-resistant blended fabric exterior protects against the elements and features backpack straps, each with a concealable zipper pocket to switch between backpacking and briefcase carry modes. So for the gear you love the most, Guard it with Gator.
Experience exceptional clarity and articulation in a Filter’Tron format with Lindy’s unique Fralin’Tron design. Featuring a focused single-coil vibe with a rich, warm midrange and crisp attack, you’ll wonder where this pickup has been all your life. When Lindy started designing the Fralin’Tron, he did so with a particular goal: to get as much clarity and articulation as possible out of this design.We’re thrilled with the result! Our Fralin’Tron features a scooped midrange and defined bass and highs. In addition, you can expect more nuance out of the wound strings, unlike the original design. Furthermore, the treble strings have a round, warm quality, making our Fralin’Tron perfect for all styles of music – from clean to dirty. Lastly, this pickup features a dynamic and punchy attack that gives you back what you put into it.
The DL-225 is handcrafted exclusively from all mahogany, producing a warm and brilliant sound. The soundboard of the DL-225 features a vintage bracing pattern resulting in outstanding projection and tone with brilliant highs, strong midrange and subtle but full bass. The DL-225 has an extremely bright and dynamic sound. This guitar has the sound of a large body guitar. In a fingerpicking demonstration comparison we did with a name brand dreadnought the DL-225 was +3 dB louder.
Its smaller size and depth make the DL-225 a very comfortable guitar to play.
Click here for video and audio examples
Wampler Pedals Ratsbane
If you are looking for a single pedal solution with multiple degrees of gain from light overdrive to full out saturated fuzz tones, then you’ll surely love the Ratsbane. The Ratsbane is based on a true benchmark sound amongst guitarists that has been heard on thousands of famous recordings.
In typical Wampler fashion, Brian improved the circuit’s flexibility by adding two new switches. The Gain switch offers three distinct choices. In the middle gives you the “stock” gain for this pedal. The left position offers a firm, yet smooth boost in gain, whereas the right delivers an insane level of creamy distortion. The Voice switch subtly alters the compression and clipping of this pedal. It tightens the distortion to be more manageable with greater levels of gain, while rolling back some of the fuzz qualities, to deliver a modern, high gain distortion.
Click here for video clips
The music of the folk-rock icon, who passed away on January 18 after battling a long illness, was an integral part of an echo that can still be heard in the work of today’s artists.
Singer-songwriter and guitarist David Crosby, known as a piloting force behind the folk-rock movement of the 1960s and ’70s, has died at the age of 81. Details on the cause of his death, which occurred on Wednesday, January 18, have not been disclosed to the media, but his wife Jan Dance has stated that he had been battling a “long illness.” He’s survived by Dance, their son Django, and his children of previous relationships: son James Raymond, and daughters Erika and Donovan Crosby. (He was also the biological father of Melissa Etheridge and Julie Cypher’s two children, Beckett Cypher, who passed in 2020, and Bailey Jean Cypher.)
Crosby, Stills, Nash & Young - Almost Cut My Hair
Crosby, a founding member of the Byrds and supergroup Crosby, Stills, Nash & Young, was defined by his unmistakable, timeless—and preternaturally physically enduring—voice, which, combined with his songwriting, shone through the throngs of his talented contemporaries to make him an icon. Often pictured with a coy, impish smile, he was characterized by his incorrigibility, perseverance, and brazen outspokenness on politics as well as his personal opinions. Inducted into the Rock & Roll Hall of Fame twice—as a member of the Byrds and Crosby, Stills & Nash (the group’s original iteration)—he helped mold his era’s musical zeitgeist into something that demanded longevity, and in doing so contributed to forging the grammar that continues to be spoken by today’s folk artists.
As a child, Crosby had a reputation for being a bit of a rebellious loner with a distrust of authority. At 16, his older brother Ethan gave him his first guitar. Ethan also shared with him a love for ’50s jazz, and Crosby became enraptured by artists like Chet Baker, Dave Brubeck, and Erroll Garner. Indifferent to the ubiquitous strains of Elvis and nascent rock ’n’ roll, he was drawn instead to the music of the Everly Brothers, whose “All I Have to Do Is Dream” was one of the first pop tunes to leave a lasting impression on him. Later in his youth, after dropping out of his drama studies at Santa Barbara City College, he moved to New York City’s Greenwich Village—the beating heart of the early-’60s folk scene—where he soon became connected to Jim McGuinn (who later changed his name to Roger).
The Byrds formed in 1964, with a sound driven by McGuinn’s jangly 12-string guitar and Crosby’s harmonies and rhythm playing. They released their seminal cover of Bob Dylan’s “Mr. Tambourine Man” on their debut album of the same name in ’65. By the following year, their cover of Pete Seeger’s “Turn! Turn! Turn!” was among the three biggest singles on the charts (the others were the Rolling Stones’ “Satisfaction” and the Beatles’ “Yesterday”). On their third album, Fifth Dimension, Crosby's writing contributions—including his personal composition, “What’s Happening?!?!,” and co-writing credits on songs such as “Eight Miles High”—pointed the group in a psychedelic direction (along with the McGuinn-penned title track).
The acoustic guitarist was inimitable in his songwriting, which blended innately with the voices of Stephen Stills, Graham Nash, and Neil Young.
Photo by Frank White
But as Crosby comments in the 2019 documentary, David Crosby: Remember My Name, “It’s not always a positive thing when you win early and win young.” Tension between McGuinn and Crosby had been intensifying over the years, and by the time of their performance at the inaugural Monterey Pop Festival in ’67, McGuinn had grown to see Crosby as insufferable. “[I was] not easy. Big ego. No brains,” Crosby admits. His vocal endorsement of political conspiracies on stage during their performance only fanned the flames between the two men, and later that year McGuinn and bassist Chris Hillman fired Crosby from the band.
That year still proved to be a busy one for Crosby. He helped Joni Mitchell get signed to a record label and produced her first record. He also joined Buffalo Springfield for a brief stint before they broke up in ’68. Crosby and Buffalo Springfield’s Stephen Stills suddenly both found themselves unemployed and began jamming together. They were joined shortly thereafter by Graham Nash of English pop group the Hollies.
“Whatever sound Crosby, Stills & Nash has was born in 40 seconds,” Nash said in 2013. Their self-titled debut was released in 1969, and featured Crosby’s “Guinnevere,” as well as the first song he wrote with Stills, “Wooden Ships.” Its introduction of the three singer-songwriter-guitarists’ converging talents, gilded by their gently interwoven harmonies and Crosby’s alternate tunings, emblazoned a new face onto the already flourishing folk landscape. (Their second-ever performance was at Woodstock later that year, where a candid Stills told the audience, “We’re scared shitless.”)
On Crosby’s invitation, Neil Young—another former member of Buffalo Springfield, who had two solo records to his name—was soon after added to the trio, and CSN became CSNY.
[Crosby, Stills & Nash’s] introduction of the three singer-songwriter-guitarists’ converging talents, gilded by their gently interwoven harmonies and Crosby’s alternate tunings, emblazoned a new face onto the already flourishing folk landscape.
Their first album as a quartet, Déjà Vu, shot to the top of the charts (to date, it has sold over 7 million copies). It’s rounded out by two of Crosby’s compositions, the counterculture anthem “Almost Cut My Hair” and the jazz-imbued title track.
I have memories of where I’ve been when listening to many of the albums that have left as indelible an imprint on me as Déjà Vu, but unlike almost any other one I can think of, I remember exactly when and where I was when I first heard it. (I then quickly set “Carry On” to be my morning alarm, and was thusly woken up to the lyrics, “One morning, I woke up.…” for at least a year.) As a former music teacher, I’ve also had the privilege of witnessing the awe on young students’ faces when I’ve shared with them “Almost Cut My Hair,” where Crosby leads with a restrained yet angry rawness to his voice, sans harmonies.
But in late 1969, the death of Crosby’s longtime girlfriend Christine Hinton sent him spiraling into cocaine and heroin addiction, the former of which had been developing throughout his career. A little over a year later, Crosby released his debut solo album, If I Could Only Remember My Name, to mixed reviews, Meanwhile, CSNY didn’t record another studio album together until 1977. Then, in the early ’80s, he was convicted of bringing cocaine and a loaded pistol into a Dallas nightclub. He ran from the law for two years before serving five months in prison—four of them in solitary confinement.
His time spent in prison, which sobered him up from hard drugs, renewed Crosby’s resolve as a songwriter. He released two more solo records, 1989’s Oh Yes I Can and 1993’s Thousand Roads, and in the ’90s, was united with his son, pianist James Raymond—who had been given up for adoption 30 years prior—and guitarist Jeff Pevar to form the tongue-in-cheek-named CPR. CSNY became CSN again for a few more releases, then reformed as a quartet with 1999’s Looking Forward. They continued to perform until their disbandment in 2015, but, by then, their relationships had become fraught, and the split felt long overdue.
Early on his career, Crosby developed a reputation not just for his vocal harmonies, but for his adventurous alternate tunings.
Photo by Steve Kalinsky
In 2014, Crosby returned for what became the most prolific period of his solo career with Croz, which, as his first work in this vein in 21 years, made the Top 40. He put out four more albums over the next seven years. 2018’s Here If You Listen was recorded with Michael League, Becca Stevens, and Michelle Willis, and his final release, 2021’s For Free, was named after his cover of Mitchell’s song, ”Real Good for Free.“
I have memories of where I’ve been when listening to many of the albums that have left as indelible an imprint on me as Déjà Vu, but unlike almost any other one I can think of, I remember exactly when and where I was when I first heard it.
Following the announcement of Crosby’s death, Nash posted a statement on social media, saying “[Crosby’s] harmonic sensibilities were nothing short of genius. The glue that held us together as our vocals soared, like Icarus, towards the sun. I am deeply saddened at his passing and shall miss him beyond measure.”
Young, from whom Crosby had become estranged in 2014, commented, “Crosby was a very supportive friend in my early life, as we bit off big pieces of our experience together. David was the catalyst of many things.… I remember the best times!”
When asked by producer Cameron Crowe in Remember My Name if, given the choice, he would take the gift of a (more) fulfilling family life but have to sacrifice his music, Crosby at first paused. He then answered, “That’s no world for me. It’s the only thing I can contribute, the only place I can help.” That, hopefully, is how he will be remembered.
There's more in Corona than a slice of lime. The California city is also the home of Fender’s Custom Shop, and PG’s John Bohlinger, with our crack video team of Chris Kies and Perry Bean, descended on the shop recently for a different kind of rundown.
The tour starts with master builder Andy Hicks, who recount his CV, including a stint in the Gretsch Custom Shop, where he built the Malcolm Young 1963 Jet Firebird G6131 limited edition. At Fender, he leads a tour through the company's metal shop, which includes a press installed by Leo Fender. Saddles, pickup bobbins, shielding, bridge plates … check. You can watch a CNC machine cut Strat pickguards, and then stop in on Justina Campos, perhaps Fender’s most famed living pickup maker, with 31 years of experience. Campos’ pickups are destined for Master Built guitars. How do you know if you've got a Campos pickup? She signs and dates each one. At Fender’s wood mill, where both the Fender USA and Custom Shop sawing gets done, you see alder, ash, and maple blanks, plus rosewood for fretboards. Learn about the "Golden Neck,” and see how Custom Shop necks get hand shaped. In Custom Shop final assembly, everything comes together. Guitar bodies have been painted and aged. Assembled neck are bolted in. The wiring and electronic installed. “All the guys in here are experts about their own work as well as everything else,” Hicks explains. That's part of Fender Custom’s quality assurance gameplan. On this day, Team Built instruments were on the menu. Master Built guitars are the province of a single builder, from start to finish. And master builder Austin MacNutt gives us a close-up look at one of his special projects, the Jerry Garcia “Alligator” Stratocaster, in a limited run of 100. And in Hicks’ own shop, he talks about the process of creating a custom guitar, from talking to the buyer about his or her desires, to plugging it in and playing it. He also displays a very special Jaguar, made from a 50,000-year-old piece of partially petrified wood, with a blonde inlay from mastodon tusk. FYI, he currently has 50 to 75 guitars at various stages of the three-month process of custom building. Hicks also talks about creating his annual prestige model. It's a secret. You've gotta wait till next year!
The silky smooth slide man may raise a few eyebrows with his gear—a hollow, steel-bodied baritone and .017s on a Jazzmaster—but every note and tone he plays sounds just right.
KingTone’s The Duellist is currently Ariel Posen’s most-used pedal. One side of the dual drive (the Bluesbreaker voicing) is always on. But there’s another duality at play when Posen plugs in—the balance between songwriter and guitarist.
“These days, I like listening to songs and the story and the total package,” Posen told PG back in 2019, when talking about his solo debut, How Long, after departing from his sideman slot for the Bros. Landreth. “Obviously, I’m known as a guitar player, but my music and the music I write is not guitar music. It’s songs, and it goes back to the Beatles. I love songs, and I love story and melody and singing, and there was a lot of detail and attention put into the guitar sound and the playing and the parts—almost more than I’ve ever done.”
And in 2021, he found himself equally expressing his yin-and-yang artistry by releasing two albums that represented both sides of his musicality. First, Headway continued the sultry sizzle of songwriting featured on How Long. Then he surprised everyone, especially guitarists, by dropping Mile End, which is a 6-string buffet of solo dishes with nothing but Ariel and his instrument of choice.
But what should fans expect when they see him perform live? “I just trust my gut. I can reach more people by playing songs, and I get moved more by a story and lyrics and harmony, so that’s where I naturally go. The live show is a lot more guitar centric. If you want to hear me stretch out on some solos, come see a show. I want the record and the live show to be two separate things.”
The afternoon ahead of Posen’s headlining performance at Nashville’s Basement East, the guitar-playing musical force invited PG’s Chris Kies on stage for a robust chat about gear. The 30-minute conversation covers Posen’s potent pair of moody blue bombshells—a hollow, metal-bodied Mule Resophonic and a Fender Custom Shop Jazzmaster—and why any Two-Rock is his go-to amp. He also shares his reasoning behind avoiding effects loops and volume pedals.
Brought to you by D’Addario XPND Pedalboard.
Blue the Mule III
If you’ve spent any time with Ariel Posen’s first solo record, How Long, you know that the ripping, raunchy slide solo packed within “Get You Back” is an aural high mark. As explained in a 2019 PG interview, Posen’s pairing for that song were two cheapos: a $50 Teisco Del Rey into a Kay combo. However, when he took the pawnshop prize onstage, the magic was gone. “It wouldn’t stay in tune and wouldn’t stop feeding back—it was unbearable [laughs].”
Posen was familiar with Matt Eich of Mule Resophonic—who specializes in building metal-body resonators—so he approached the luthier to construct him a steel-bodied, Strat-style baritone. Eich was reluctant at first (he typically builds roundneck resos and T-style baritones), but after seeing a clip of Posen playing live, the partnership was started.
The above steel-bodied Strat-style guitar is Posen’s third custom 25"-scale baritone. (On Mule Resophonic’s website, it’s affectionately named the “Posencaster.”) The gold-foil-looking pickups are handwound by Eich, and are actually mini humbuckers. He employs a custom Stringjoy set (.017–.064 with a wound G) and typically tunes to B standard. The massive strings allow the shorter-scale baritone to maintain a regular-tension feel. And when he gigs, he tours light (usually with two guitars), so he’ll use a capo to morph into D or E standard.
Another one that saw recording time for Headway and Mile End was the above Fender Custom Shop Masterbuilt ’60s Jazzmaster, made by Carlos Lopez. To make it work better for him, he had the treble-bleed circuit removed, so that when the guitar’s volume is lowered it actually gets warmer.
"Clean and Loud"
Last time we spoke with Posen, he plugged into a Two-Rock Classic Reverb Signature. It’s typically his live amp. However, since this winter’s U.S. run was a batch of fly dates, he packed light and rented backlines. Being in Music City, he didn’t need to go too deep into his phone’s contacts to find a guitar-playing friend that owned a Two-Rock. This Bloomfield Drive was loaned to Ariel by occasional PG contributor Corey Congilio. On the brand’s consistent tone monsters, Posen said, “To be honest, put a blindfold on me and make one of Two-Rock’s amps clean and loud—I don’t care what one it is.”
The loaner vertical 2x12 cab was stocked with a pair of Two-Rock 12-65B speakers made by Warehouse Guitar Speakers.
Ariel Posen’s Pedalboard
There are a handful of carryovers from Ariel’s previous pedalboard that was featured in our 2021 tone talk: a TC Electronic PolyTune 3 Noir, a Morningstar MC3 MIDI Controller, an Eventide H9, a Mythos Pedals Argonaut Mini Octave Up, and a KingTone miniFUZZ Ge. His additions include a custom edition Keeley Hydra Stereo Reverb & Tremolo (featuring Headway artwork), an Old Blood Noise Endeavors Black Fountain oil can delay, Chase Bliss Audio Thermae Analog Delay and Pitch Shifter, and a KingTone The Duellist overdrive.
Another big piece of the tonal pie for Posen is his signature brass Rock Slide. He worked alongside Rock Slide’s Danny Songhurst to develop his namesake slide that features a round-tip end that helps Posen avoid dead spots or unwanted scratching. While he prefers polished brass, you can see above that it’s also available in a nickel-plated finish and an aged brass.