Check out our special coverage of Amps to go along with the August 2016 issue of PG.
Two-Rock Amplification
Cardiff
A 15-watt EL84 amp with minimal compression and a fuller/fatter midrange and stout low end, Cardiff reflects the perfect marriage of British heritage and Two-Rock performance. Cardiff lets you dial in your own tone via a single input jack, bass, treble and volume control, a Contour Control, and a passive effects loop. Cardiff is available as a head with a matching 1 x 12 cabinet loaded with a Two-Rock 12-65B Speaker or 1x12 Combo.
Street Price: $1595 Head, $595 1x12 Cabinet
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Tone King Amplifiers
Royalist 45 MK II Combo
The Royalist MKII captures the essence of early British tones ranging from JTM45 to Plexi/Super Lead. It features a single channel preamp, an all-tube signal path with three 12AX7A preamp tubes, and two EL34 output tubes. Its series-wired effects loop is tube buffered for superb transparency. A built-in Ironman-II power attenuator uses a reactive load circuit and sophisticated compensation circuitry to deliver the genuine tone and feel of a "raging stack", even at bedroom volume.
Street Price: $2,995
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Fishman
Loudbox Acoustic Instrument Amplifiers
The industry’s best-selling acoustic instrument amplifiers, Fishman’s Loudbox series offers the power and features that musicians demand. Each model provides ultra-clean acoustic power, two channels featuring Fishman’s legendary preamp and tone control designs, digital reverb, feedback-fighting Phase control, ¼” and XLR inputs, and balanced XLR D.I. outputs. Loudbox acoustic instrument amplifiers deliver the tonal quality that has made the Fishman name the standard for great acoustic sound.
Starting at: $329.95
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Henriksen Amplifiers
The Bud
If you play, you need a Bud.
The Bud is the without question the smallest, TRULY GIGABLE guitar amplifier on the market with unmatched tone quality! At 9x9x9 inches, 17 pounds and 120 watts of analog power, you won't believe the volume and tone coming from either your electric or acoustic guitar, or any stringed instrument with a pickup for that matter, and with a feature set that allows you the versatility to cover almost any kind of gig, this is a MUST HAVE piece of gear for the working musician.
Starting at: $1,099
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Fryette Amplification
Valvulator® GP/DI
Introducing The Fryette Valvulator® GP/DI, Desktop Recording Amplifier. This is is an ALL-TUBE low-power guitar amplifier, pre-amplifier, direct box, and all-around low-volume-playing solution. The GP/DI is specifically designed to work in situations where you can't or don’t need to play loud, such as late-night playing and recording, headphone practicing, and recording straight into the board live. It is the first all-tube guitar amplifier designed to do that without any additional equipment and a minimum of trouble.
• One Watt all-tube Amplifier with integrated reactive load.
• Extremely broad tonal range, from clean to high gain.
• Analog Speaker Sim "Cab + Mic" section for direct recording.
• Built-in tube Direct Injection output, usable separately as a Tube Direct box , or together with the amplifier.
• Balanced XLR outputs for amp out or tube buffered D.I.
• Fully functional self-contained "Re-Amping" solution.
• Can drive a 1-12” cabinet
• Made in the USA
Starting at: $799
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Fryette Amplification
Pittbull UltraLead Head
The Fryette Pittbull® Ultra-Lead is a powerful, versatile channel switching amplifier suited for players of any style. Uncompromising personality makes it the choice of world-class players from all genres of music. The Ultra-Lead's KT88 power section provides stunning clarity and definition whether playing ultra-clean or maximum gain.
The FatBottom 212 low-profile cabinets feature Fane F70G speakers and mono/stereo input capability. Front mounted speakers produce a tight, focused low end and extended projection.
Starting at:
$3,799 (Ultra-Lead head);
$999 (FatBottom 212 F70G)
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Fryette Amplification
Power Station®
The Fryette Power Station® PS-2 is a reactive load coupled to a dual 6L6 vacuum tube power amplifier that allows you to attenuate a high powered guitar amp, or boost a low powered guitar amp.
• Perfectly preserves the tone of the attenuated amplifier.
• Maintains dynamic feel at any volume.
• Provides an effects loop.
• New Input Level sensitivity switch, rear panel Low Pass Filter Bypass switch, and Balanced XLR Line Output.
Street Price: $699
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Fane USA
Ascension F70
"FANE’S NEW ASCENSION RANGE OF 12" speakers was developed with input from Southern California amp designer Steven Fryette, and aims to capture the punchy, bold, yet harmonically complex and responsive performance that people love in the classic late-’60s and early-’70s speakers from this under-appreciated British maker. The Fane sound became legendary due to their use in certain Hiwatt guitar cabinets of the era, and Fane’s new models provide added versatility for the contemporary player." (Guitar Player, March 2016)
The Fane Ascension F70 offers a stunningly detailed top-end, rich mid-range and warm low-end with an intricate three-dimensional vintage crunch. The beauty of the F70 is that you need not even change your amplifier's setting to appreciate its ability to articulate delicate passages or manage pummeling abuse with ease. Whether your application is a head and cab or an open back combo, the F70 adds a welcome new dimension to existing rigs.
Street Price: $199
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Radial Engineering ltd.
Radial JDX Direct-Drive™
Emulates the sound of a guitar amplifier while doubling as a direct box. Unlike a typical DI that merely transfers the sound from guitar/pedals to the PA, the Direct-Drive simulates the tone and feel of an amp, producing much more realistic sound. With the Direct-Drive on your pedalboard, you can do a gig without an amp! A passive thru-put feeds a stage amp (if you want one) and a dedicated tuner output is buffered to eliminate pickup loading and tuner noise. Guitar signal goes through a series of carefully sculpted filters to create Radial’s signature 'Shure-SM57™-on-a-Marshall™- 4x12-cabinet' tone. 'Vintage Marshall™' and 'early Fender Twin™' alternate voicings can be further tailored with the 'presence' switch for extra sparkle. Output via ¼” guitar-level and balanced XLR to feed the PA. A 180° polarity reverse phase-aligns monitors/PA sound with stage amp and a 'Lift' switch eliminates hum and buzz caused by ground loops.
Street Price: $899.99
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Tube Amp Doctor
TAD STR-SERIES Premium Quality Tubes
Tube Amp Doctor's STR-TUBES are inspired by the most wanted NOS tubes of the golden age of tube manufacturing. They are produced to our exclusive designs and strict specifications.
A unique sequence of tests, our burn-in process and our sophisticated and genuine bias-matching, carried out by our highly experienced staff, make TAD's STR-TUBES the finest and best selected premium quality tubes currently in the market. Here are only some of the benefits - everything for the one and only goal – the ultimate tone:
• Better overall response
• Increased, dynamic headroom
• Superior tone and performance
• Maximum reliability, consistency and sturdiness
• Designed and tested in Germany
• All tubes tested individually
• Power Tubes are matched by Ia (PC) and Gm (TC) with lowest tolerances
Street Price: varies
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Tube Amp Doctor
TAD CAPACITORS
Handmade TAD MUSTARD CAPS produced with the authentic film-to-foil alu/PE design, exclusively for TAD!
TAD Audio Caps feature the authentic flat-foil design and will refine tone with excellent overtones and rich details.
TAD Gold Caps are available in radial and axial shape - high temperature resistant, vintage correct sizes and specifications.
TAD Vintage Oil Caps complete our premium line of foil capacitors, vintage correct specs and values, for a smooth, natural and harmonically delightful tone.
Street Price: varies
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Tube Amp Doctor
TAD Reverb Cans
Our high-quality, classic TAD REVERB CANS bring back the stunning reverb sound of the 60s. The ideal drop-in replacement and upgrade for vintage and modern amps!
Street Price: varies
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ProCo Sound
Evolution Silent Instrument Cable 20ft
We could say that evolution cables are the best sounding cables on the market....except they don't sound at all. An unnoticeable, uninhibited link in an audio chain so often bound by the constraints of inadequate cables. A Sonically Superior design combined with the truly evolutionary Softtouch jacket, Evolution will change how you feel about cables and revolutionize the way you connect to YOUR world.
Pro Co EVOLUTION Instrument Cable Features:
100% oxygen-free wire for long life and great sound
Noiseless dual-shielded design rejects outside noise
Neutrik black and gold connectors for a solid, clean connection
Silent Switch eliminates amp pops when removing cable
Supple soft touch jacket
Street Price: $73.99
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Bergantino Audio Systems
Bergantino B|Amp
The B|Amp is an incredibly flexible, easy to use, state-of-the-art Bass Amplifier, delivering maximum performance in a compact package. The B|Amp takes a new approach by including the speaker cabinet’s response as part of the signal path. No other bass amplifier on the market has the ability to manage speakers and overall system performance like the B|AMP. This is accomplished through our Proprietary Profile EQ system. The B|Amp is a game changer in Bass Amplification!
Street Price: $1,399 ProNet
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Swart Amplifier Co.
MOD84
The MOD84, Swart’s first EL-84 offering, is 15w of 100% hand-wired, turret board construction, USA made with 3-way interactive EQ, top controls, tube reverb, tremolo, and rectification. It has some of the most soulful cleans with the ability to intertwine some fur and angst with push/attack. It's got that Swart harmonic richness while still being open and transparent, featuring excellent touch sensitivity. This is really a do it all amp that can cross musical genres.
Street Price: $1,750 w/Celestion Creamback
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GURUS Amps
5015 Head
5015 is our Single Channel + iChannel™ 50W head in a lunchbox size. Thanks to its easy 3 controls you can sculpt your tone to reach best performances in every situations, from your home to a big stage. You can obtain a totally clean sound with lot of headroom to use as a platform for your pedals rig, and/or choose to get it to compression of both stages, preamp or power section using its separate controls volume and master to obtain stunning vintage or modern tone.
With the SexyTone™, you can manage the EQ curve of your amp simply with a single knob which works on 3filters simultaneously, moving the entire tone-stack curve for best result and as a fine tuning of your final tone, matching the right cab etc..
It is equipped by a tube buffered Serial loop and has 3 out on 4,8 and 16Ohms.
Street Price: $900
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Roland
Blues Cube Hot
GIG-READY BLUES CUBE “TUBE LOGIC” TONE IN A PORTABLE COMBO AMP
• Performance-ready 30-watt compact combo guitar amplifier with authentic tube tone and touch response
• Roland’s comprehensive Tube Logic design delivers the interactive tonal behaviors of famous fine-tuned vintage tube amps, including preamp and output tube saturation characteristics, power supply compression, and much more
• Master volume, three-band EQ, and onboard reverb, plus footswitchable Boost for natural crunch and Tone for bright presence
• Four-way Power Control (0.5 W, 5 W, 15 W, Max) allows for cranked-up tones at any volume
• Classic open-back design with custom 12-inch speaker and poplar cabinet for enhanced presence on stage
• Stylish, modern look with a vintage vibe
• Efficient, lightweight design provides easy portability without sacrificing tone quality
• USB output for high-quality direct recording to a computer
• Available in two color variations: Vintage Blond and Black
Street Price: $499
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Friedman Amplification
Runt-50 Combo
• 50-Watt all tube amplifier / Two channels
• 2 x EL-34 power tubes / 4 x 12AX7 preamp tubes
• Clean channel with Volume, Bass, Treble and ? Bright switch
• Lead channel with Volume, Gain, three-band EQ ? and a boost switch.
• XLR Cab Simulated output with Ground Lift, Axis ? and Level switches.
• Ultra transparent series FX loop
• 4, 8 and 16 ohm impedance selector
• Single button footswitch
Street Price: $1,999.99
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Morgan Amplification
MVP23 combo
• Power: ¼ - 23w variable (tube)
• Hand-wired in the USA
• 2x EL-84 power tubes
• 2x 12AX7 preamp tubes
• Celestion G12H75 Creamback
• Power Level control
• Gain
• Volume
• Treble
• Mid
• Bass
• 2x8 ohm 1x16 ohm outputs
• Limited lifetime warranty
Street Price: $1,749.00
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Celestion
Neo Creamback
The Neo Creamback delivers all the magical tone you’d expect from a traditional Creamback. The difference is the neodymium magnet, which makes this speaker around half the weight of a traditional guitar speaker. You still get the low end punch, warm midrange and sweet highs the Creamback is famous for: push it hard and enjoy the ‘race-car growl’. But pick up a cab loaded with Neo Creambacks and see what makes this speaker truly different.
Street Price: $169
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MESA/Boogie®
JP-2C™
Inspired by their long-standing relationship with John Petrucci, MESA/Boogie® is proud to introduce the JP-2C™. The model is MESA’s first unlimited-build signature amplifier and joins the MARK Series as a next generation re-issue of the legendary MARK IIC+™. With modernized features, benefitting from over three decades of R&D, the JP-2C delivers three channels, two assignable EQs, 60/100 watts, MIDI, Cabclone™ DI and the legendary IIC+ tone that so many recording artists and MESA enthusiasts covet.
Street Price: $2,499
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Revv Amplification Inc
Generator 120
The Generator 120 watt amplifier, is a 4 channel variable gain, all tube amplifier designed to be everything the touring musician, or the weekend warrior, will need in an amplifier. From beautiful warm sparkling cleans, vintage style crunch, to deep metal rhythm or searing leads, this amplifier does it all and more.
Street Price: $2,499
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Park Amplifiers
Park Little Rock 18
The Park Little Rock 18 a finely tuned classic rock amp. It features the same preamp as higher powered Park amps plus switchable cascaded channels for higher gain and a power amp capable of using a number of power tubes (6V6, 6L6, EL34 for 14 to 24 watts). The amp produces beautiful clean tones plus overdriven blues and classic rock tones all at playing levels that are suitable for the bedroom, studio or small club.
Street Price: $2,499
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TELEFUNKEN Elektroakustik
Black Diamond Series Vaccuum Tubes
TELEFUNKEN vacuum tubes have been the benchmark of excellence in all audio applications for many decades. This rich history continues with the introduction of new production tubes from TELEFUNKEN Elektroakustik.
Each tube is meticulously measured for all critical parameters of performance including transconductance, gain, noise, and microphonics. In addition to the rigorous testing procedure, all new TELEFUNKEN tubes are cryogenically treated to ensure durability, and subjected to an extended burn-in period to ensure superior stability.
Street Price: varies
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Goodsell Amplifiers
Mark IV Series Custom Amplifiers
Goodsell's Custom Mark IV Series amps feature a cathode-follower 3-way tone stack, offering more control over Goodell's sumptuous tube-driven sonics. Available with reverb and award-winning bias-vary tremolo. Configurations include 1x12 combo shown here; 2x10, 2x12 and 1x15 combos; and head-only versions built to order. Call Richard Goodsell today to discuss your next custom build.
Street Price: $1,499
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Dusky Electronics
D₂O Amplifier
The Dusky Electronics D₂O Amplifier is an all new, original design, vacuum tube musical instrument amplifier. The D₂O combines a classic, short signal path architecture with modern refinements for low noise and high reliability, to produce an amplifier that feels like an extension of yourself—an exquisite tool for seamlessly conveying your artistic intent. This is no clone. The D₂O delivers enormous clean sounds or wicked breakup with a musical feel you must try for yourself.
Street Price: $1,500
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3 Monkeys Amps
Nashville Howler
Designed in conjunction with Grammy Award winning songwriter, musician, and producer Gordon Kennedy, The Nashville Howler has plenty of clean headroom and a Marshallesque tone stack making it the ideal bedroom and small venue amp.
Described by Gordon as a "Tweed Deluxe with a British accent!"
Controls are VOLUME, TREBLE, MIDDLE, BASS, and PRESENCE. Two cathode biased 6V6 power tubes and three 12AX7 preamp tubes combine for about 15 watts of power.
Street Price: $1,849
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On this episode, we’re thrilled to be joined by Chris Shiflett—best known to you as the host of Shred with Shifty or as the Foo Fighters’s foremost expert on Randy Rhoads. Since growing up with these riffs in his ears, Shifty’s been making tokens of tribute to the later guitar slinger, from bespoke t-shirts to stuffed guitars.
Join us for Shiflett’s Randy Rhoads primer, learn why you should crank the outro to “S.A.T.O.” as loud as you can, and what Ozzy song makes this Foo cry.
Use code: PREMIERGUITAR10 for 10% off.
Offer valid until Dec 31, 2024. Visit http://bullheadamplification.com.
“Hello Kitty has a global community of devoted fans, and much like Fender, has transcended generations, culture, and geography. This partnership speaks to the joy and creativity both brands have inspired worldwide,” said Edward “Bud” Cole, President of Fender APAC. “It’s about more than just a guitar—this is about giving players a platform to express their individuality, with quality instruments, gear, clothing and collectibles that spark creativity, wherever they are.”
“As a cultural ambassador, Hello Kitty has been influencing a variety of industries, including music for 50 years,” said Craig Takiguchi, Chief Operating Officer of Sanrio, Inc. “In today’s dynamic landscape, where music and entertainment are constantly merging and inspiring each other, Fender’s legacy, and deep connection to pop culture uniquely positions them to become an even bigger part of our fans’ lives. We’re excited to partner with Fender to give our community new, creative ways to express themselves through these iconic quality instruments and supercute accessories, continuing to bring our vision of ‘One World, Connecting Smiles’ to life on a global scale.
The Fender x Hello Kitty 50th Anniversary Collection includes a Limited Edition Squier Stratocaster guitar and a Fuzz Pedal, alongside eye-catching accessories such as an electric pink instrument cable, gig bag, and a collection of unisex clothing. From Hello Kitty-themed straps to pick tins, hoodies, tees and trucker hats, these items celebrate the spirit of creativity, inclusion and fun that defines both brands.
Available globally, the Squier Limited Edition Hello Kitty Stratocaster builds on the success of the original, blending substance with style. First introduced 20 years ago, this exciting update to the now iconic Hello Kitty Squier features a supercute glossy finish in pink or white with signature Hello Kitty graphics on the pickguard, headstock and body. The Fender Designed™ humbucking bridge pickup delivers powerful lead lines and smooth rhythm tones. With an ergonomic “C”-shaped neck and contoured body, this guitar ensures comfort and playability for musicians of all skill levels, making it a future cult classic for collectors and players alike. A deluxe padded gig bag with Hello Kitty stitching is also included.
The limited-edition Made in Japan Stratocaster boasts a striking Pearl White finish with Hello Kitty’s trademark ribbon, a "C"-shaped maple neck, 9.5” radius fingerboard, and 22 narrow-tall frets. The guitar is equipped with high-gain Hybrid II Custom Voiced Single Coil pickups, providing versatile tones perfect for clean or overdriven play. Comes with a white hardshell case and certificate of authenticity, celebrating Hello Kitty's cultural influence.
"This collaboration with Hello Kitty is a perfect blend of music and pop culture," said Justin Norvell EVP Fender Product. "The limited-edition Squier Stratocaster merges Hello Kitty’s playful design with Fender’s craftsmanship, offering a high-performing instrument that's as fun as it is functional. Our Made-in-Japan exclusives bring an extra level of artistry and attention to detail, making them standouts for both collectors and players. From the guitars to accessories like straps and fuzz pedals, this collection sparks creativity and celebrates individuality, while staying true to Fender’s legacy of quality and innovation."
The highly anticipated collaboration has returned! Celebrate Hello Kitty's 50th Anniversary with the Fender x Hello Kitty Collection, featuring the beloved Stratocaster. This special edition includes a “C”-shaped neck, a 9.5" maple fingerboard, 21 narrow tall frets, and red dot inlays.
Collection includes:
- Squier Limited Edition Hello Kitty Stratocaster ($499.99) blending substance with style featuring a supercute glossy pink finish with signature Hello Kitty graphics on the pickguard, headstock and body. Available globally.
- Made in Japan Fender Limited Edition Hello Kitty Stratocaster (¥330,000 JPY) available solely at Fender’s Japan Flagship Store in Tokyo, The Made in Japan Limited Hello Kitty Stratocaster is a guitar filled with the bold and vibrant charm of Sanrio’s signature character, Hello Kitty—a leading figure in global Kawaii culture. It features a Pearl White body with her iconic ribbon, a "C"-shaped maple neck, and Hybrid II Custom Voiced pickups for rich Fender tones. Includes a Hello Kitty-engraved neckplate, hardshell case, and certificate of authenticity.
- Hello Kitty Fuzz ($99.99) A fun-loving fuzz like no other – the Fender x Hello Kitty Fuzz introduces a pop of color and charm to one of the pedal world’s most formative effects. Sporting an op amp based circuit with three simple controls, this pink-clad pedal kicks your guitar into wooly, splattering gain tones with unmistakable character. Added style points come in the form of a stand-out pink finish, white Fender witch hat knobs, Japanese translated labels, and, of course, Hello Kitty herself on the front panel. Available globally.
- Additionally, a selection of Made-in-Japan exclusive items, including the Fender Made in Japan Limited Edition Hello Kitty Stratocaster, cleaning cloth, strap blocks, home accessories, custom apparel, tote bag and more, will be available solely at Fender’s Japan Flagship Store in Tokyo. These unique collectibles, featuring adorable designs of Sanrio’s signature character, Hello Kitty, a global pop culture influencer, were created to celebrate her 50th anniversary—an icon that transcends generations and reinforces Hello Kitty and Fender’s deep global cultural presence.
This limited-edition Fender x Hello Kitty collection is a celebration of creativity, inclusivity, and self-expression through music. By blending iconic design with Fender's renowned craftsmanship, this collection invites players of all levels to embrace their individuality and make bold musical statements.
For more information, please visit fender.com.
All Metoras feature an intriguing blend of classic Fender elements (Strat-style headstock, Jazzmaster/Jaguar-esque outline) and in the case of the Player Plus Meteora HH and the American Ultra II, more Gibson-like appointments (humbuckers and 3-way selector). But whereas the Telecaster-like Parallel Universe model and Player Plus HH leaned a little more retro, the American Ultra II both tilts more modern and fine-tunes some of the original’s tonal quirks and limitations.
Diverging Contours
Available in three finishes (here we’ve got Texas Tea), the latest Meteora has Fender’s new Haymaker humbuckers, with exposed coils and matching pickup rings, that alongside the anodized aluminum pickguard and knurled metal knobs, lend a more hard rock/metal aesthetic than the original Meteora’s WideRange-styled pickups and brighter finish options. (The new avalanche and ultraburst finishes in particular, with their white and crème pickups, respectively, are reminiscent of ’70s and ’80s DiMarzio-outfitted rock machines.) Having demoed the Player Plus Meteora HH inPG’s First Look video, I’ll admit I prefer that series’ looks. But there’s no arguing that both fundamental tones and the myriad permutations proffered by the American Ultra II’s unusual tone-control array feel much more useful and well thought out this time around.
Wait, “unusual?” If you’ve googled this guitar, chances are you’ve seen the same conflicting information I found. Some sites say it has two tone controls, others (including the manufacturer’s at publication time) list a master volume, a master tone, and a bass-contour knob. Upon plugging in and twiddling knobs, though, I was immediately confused and, honestly, initially not very impressed. So I looked through the case, found the manual, and finally came to the truth: The Meteora is actually devoid of traditional tone controls, using instead a master volume, a bass-contour knob (nearest the output jack), anda treble-contour knob (middle). This setup was a first for me. Also, unlike the Jaguar, the alder-bodied Meteora has a standard Fender-scale 25.5" maple neck, with an ebony fretboard and employs the company’s “modern D” profile. There’s a Graph Tech TUSQ nut, too, and sealed locking tuners.More Offset Than Meets the Eye
I tested the American Ultra II with an EL34-powered Jaguar HC50 (with a ceramic-magnet Weber Gray Wolf), a ’76 Fender Vibrolux Reverb (with alnico Celestion G10 Golds), a KT66-driven Sound City SC30, and a bunch of drive, fuzz, delay, and reverb pedals. Through the two latter amps combined, the Meteora II’s contour controls proved most powerful, yielding a pretty astonishing array of sounds—particularly with fuzz pedals. With the traditional control scheme on my favorite offset (and main band guitar, a Jaguar with Curtis Novak JAG-V pickups), I primarily use the lead circuit’s tone knob (or the rhythm circuit) to tame fuzz pedals—and I find that setup more versatile than a lot of other guitars. But the Meteora’s contour knobs take things much further, letting you effectively revoice filth pedals in ways otherwise only possible with an adjacent EQ pedal.
With both contours full up, the Haymaker pickups still lean brighter than some dual-’bucker fans might prefer—but not as strident as the Player Plus units. And the bass contour is especially helpful for warming/toughing up the bridge unit, as well as cleaning up low-mid clutter you might encounter with the neck pickup soloed and dimed. With a clean-ish tone and both pickups engaged, dialing volume and both contours back a bit yields wiry, muscular funk tones. Boost the volume back up a bit and hit the S-1 coil tap, and you get leaner funk tones very much in the Strat realm. In all, the variety of sounds possible with this control scheme is almost revelatory. So much so that it’s a wonder more guitars don’t go this route—because you’re no longer limited to just darkening or lightening a pickup with a single knob. The crossover EQ points between the two controls are well-tuned to complement each other and open up possibilities you simply couldn’t get with standard tone controls. And the treble-bleed circuit assures that volume adjustments don’t muddy things up.
The Verdict
Whether the tweaks to the American Ultra II Meteora alleviate its somewhat vague positioning is up for debate. Fender offset fans tend to fall in either the traditionalist/vintage camp or the more modern “I like the shape but not the weird switches and hardware” camp. And, to most eyes, the Ultra II probably looks pretty modern despite the vintage neck and headstock tint. But tonally, even though the control scheme looks straightforward, the array of available tones is far more akin to the versatility afforded by Jaguar and Jazzmaster circuits than, say, a modern rock guitar. It is a bit of a bummer that the Ultra costs twice as much as the Player Plus HH (albeit with hardshell case) but has no vibrato option. Considering its sheer tonal quality and versatility, the latest Meteora absolutely has the edge over its predecessor—but I’d love to see future versions fully embrace their offset-ness with a vibrato system befitting the Meteora’s sonic forebears.
